Review of Jeffrey Combs Reads H.P. Lovecraft’s Herbert West Re-Animator

SFFaudio Review

Horror Audiobook - Jeffrey Combs Read H.P. Lovecraft's Herbert West Re-AnimatorJeffrey Combs Reads H.P. Lovecraft’s Herbert West Re-Animator
By H.P. Lovecraft; Read by Jeffrey Combs
1 CD – 72 Minutes [ABRIDGED]
Publisher: Beyond-Books.com
Published: 1999
UPC: 619981033428
Themes: / Science Fiction / Horror / Death / Immortality / Zombies / WWI / 1900s / 1910s / 1920s /

“Human it could not have been — it is not in man to make such sounds.”

The “Herbert West, Reanimator” serial is a cycle of six ghoulish tales inspired by Mary Shelly’s Frankenstein. This audiobook is an abridged reading of that serial. We first meet the titular Herbert West as a third-year medical student attending New England’s Miskatonic University in 1904. We are introduced to West by an unnamed companion, a fellow student at M.U., who like a Watson to his Sherlock Holmes, narrates the adventures of his fascinating fiend friend. West is the inventor of an extraordinary reagent, one that when injected into the body of a recently deceased person, cause rudimentary living functions to return. West seeks to perfect his reagent, but in order to do this he must find freshly deceased bodies. The six seperate episodes recount the various grusome attempts by West and his bizzarely-loyal companion to do just this. One minor wrinkle, most of the subjects that undergo the “re-animation” process become violent, incommunicative and don’t typically and retain their ‘higher’ mental faculties.

Jeffrey Combs Reads H.P. Lovecraft’s Herbert West Re-Animator will make you become, like West, utterly fascinated by the desire to know what will happen in the next experiment. What will the dead have to say? Can death truly be conquered? As the unnamed narrator puts it – “I, myself, still held some curious notions about the traditional ‘soul’ of man, and felt an awe at the secrets that might be told by one returning from the dead.” The prose is rich, fast and pregnant with that special adjectival allure that only Lovecraft knew the formula for. Though it appears that Lovecraft himself was not overly-fond of this serial, it makes for a straightforward introduction to his work and I found it appealingly nefariousness.

The abridgement here is relatively minor, and even, I am surprised to say, forgiveable. It appears to have been done to try to smooth out the connectity of the six seperate stories that make up the entire Re-Animator cycle or possibly to make the entire set of tales fit onto just one CD. The original stories offered a recap of the previous instalment’s events, reading them back to back like this, it makes sense that those sections would be disposable. Either way, it is forgivable. Far more disheartening than the abridgement is the addition of sound effects. The sounds are intermittent, completely redundant and nearly ruin the atmosphere the text naturally generates in a reader. Horror stories, if they are well written, generate a mood by words alone. I’d like to say this is just a case of gilding the lily, but that makes it sounds like it was merely superfluous to add in sound effects, and I don’t want to say that. In fact it is far worse than that – the added effects will sometimes completely break the spell that Lovecraft’s words and Combs’ reading of them are weaving together – the sound effects bring the listener out of the story. This is a major flaw.

On the bright side, the reading itself is excellent. Jeffrey Combs is probably best known for his role as Herbert West in the Re-Animator films. You’d probably also recognize his voice and mannerisms from his supporting work. Were he better known I have no doubt he’d have many a stand-up comedian doing impersonations of his unique vocal cadance. Combs has been all over Science Fiction on TV, he even played two recurring characters on the same episode of Star Trek: Deep Space Nine at one point! His reading is of course dead-on. He knows this material well and revels in the loquacious language of H.P. Lovecraft.

Recommended, but with reservations.

Posted by Jesse Willis

Review of Ida by Tim Callahan

SFFaudio Audiobook Review

ed.’s note: New reviewer Stephen Uitti and his review come to us via his blog, predelusional.

Ida by Tim CallahanIda
By Tim Callahan; Read by Tim Callahan
32 MP3 Files – Approx. 12 Hours [UNABRIDGED]
Publisher: Podiobooks.com
Published: 2006
Themes: / Science Fiction / Hard SF / Space Travel / Asteroid Mining / Economics / Politics / Sex /

Each of the 32 mp3 audio files of this podcast novel has an introduction and epilogue. There are few introductions and epilogues that I’ll actually listen to. But Timothy’s is particularly annoying. He apologizes for his Philadelphia accent before you even get to hear him read. Guys – if you’re presenting a show, let the audience decide if they like it themselves. Don’t make us pity you for being too stupid to get someone else to read your book. Don’t go the other way either. Don’t hype it up. It is OK to promote some other work.

After the first chapter, the introductions also have a summary of what has gone on before. Maybe some people couldn’t remember what happened last month in the original serial. But now the entire book is available. I don’t have patience for the repetition so I skipped most of the introductions and epilogues. The guts of the each new chapter starts after a bit of music, and my iPod Shuffle was able to get me there via fast forward most of the time. Skipping epilogues is easy enough, since Callahan says that’s the end. Just skip to the next track. Since I skipped all that material, there was much less than twelve hours of material. There’s a bonus. After the novel is finished, Callahan offers in a short story entitled Balance. Balance takes place well after the events in Ida. Really, Ida is a prequel. It’s the backing story to Balance. Like his introduction to Ida, Timothy apologizes for his short story. Jeez. For the record, I liked Balance more. As a short story it has much faster pacing. Remember that reading a book to yourself is something like three times faster than hearing it aloud. So, short stories with very fast pacing work better in audio format. And yet, Balance is long enough to give you the idea that several events take place. The events in the story are believable. And no laws of physics are broken in the building of the plot.

That reminds me. The worst parts of Ida have to do with laws of physics. They aren’t broken like faster than light travel. It’s more like having a character survive an acceleration of ten or twenty thousand miles per hour in a few seconds time. That’s a minimum of 50 gravities. Ouch. A little more explanation could salvage the suspension of disbelief, and therefore the plot. This means a lot to me. But maybe you don’t care. Ida is real hard Science Fiction. It’d be nice to have someone check the science and do some math here and here. It wouldn’t take much. Really.

The work had sufficient interest to make it worthwhile. Rich characters, character growth, character interaction, believable responses and plot development. You can identify with the characters. Pick favorites and root for them. Suspense. And the end of the story is not simply telegraphed. There are plenty of surprises in the middle. And the flaws – mostly physics gaffs – are not nearly as bad as those in typical Hollywood movies. And they’re all fixable.

Is there sex? Yes. Is there violence? Yes. Is there swearing? Yes. Is the swearing pointless? Yes. This story would have been consumable by my ten year old, but because of pointless swearing, it isn’t. Will you like it? It depends on how much you like the good parts, and how tolerant you are to the flaws. It has lots of both.

Review of Vortex Blaster by E.E. "Doc" Smith

SFFaudio Audiobook Review

Audiobook - Vortex Blaster by Doc E E SmithVortex Blaster
By E.E. “Doc” Smith; Read by Reed McColm
1 MP3-CD or 6 CDs – Approx. 7.5 hrs [UNABRIDGED]
Publisher: Books in Motion
Published: 2007
ISBN: 159607793X (MP3-CD); 1596077921 (CDs)
Themes: / Science Fiction / Aliens / Atomic Power / Galactic Civilizations /

I was pleasantly surprised listening to this new audiobook. My past experience with Smith’s books has been less than stellar. On more than one occasion, I’ve cast his novels down unfinished in favor of something else. E. E. “Doc” Smith is one of the most revered names in SF. So I’ve always thought I must be missing something. Anybody who knows my tastes or my podcast knows that I love old SF (as well as new). I’ve always found his overly heroic heroes and his wimpy, fainting females hard to care about. So when I received this new title, my expectations were not the highest.

Neil “Storm” Cloud is the main protagonist and the “Vortex Blaster” of the title. Uncontrolled atomic vortexes have been appearing on planets throughout the galaxy. The vortexes contain radiation and wildly incalescent temperatures. They only grow larger over time and threaten to destroy any worlds they appear upon. Think of them as nuclear tornadoes that never dissipate. Luckily, Cloud has a unique gift—a computational mind that is capable of astonishingly complex mathematics. As the novel opens we find out that he’s been working, without results, on a project to figure out how to stop the vortexes. He has just lost his wife and kids to one of these atomic infernos. Nearly suicidal and distraught, he leaves the project when he has a sudden inspiration on how to stop the phenomena. He has to be in the center of the vortex and has to set off a duodec explosion equal to the energy of the nuclear storm. And because of his unique computational mind, he’s the only man that can do it—and thus becomes the Vortex Blaster. Cloud’s new ability makes him very much in demand. He’s soon traveling across the galaxy to put out the worst vortexes until he finds himself set upon by space pirates, warring aliens, and a mad scientist.

If this all sounds rather pulpy and fun— it is. Vortex Blaster mixes ripsnorting adventure with a jaw-dropping sense of wonder. No one would accuse “Doc” Smith of being a great prose stylist. But if you’re picking up an audiobook called Vortex Blaster, you’re probably not reading it for the style. Actually, Smith is a much better writer than I’d previously thought. “Storm” Cloud is a seasoned, sometimes cynical protagonist. In the second half of the novel he meets Joan, a telepathic genius, and romance ensues. Joan is resourceful and smart – no young, thin beauty. Each of his aliens have unique characteristics too. The entire novel is leavened with wit and humor to contrapose the serious tone.

You may wonder if this title is part of his famous “Lensman” series. It is definitely a stand-alone novel but it is set in the same universe as the Lensman stories. Vortex Blaster is tangentially related, but can be enjoyed without reading any of the other books in the series.

As narrator for this title, Reed McColm handles the vast array of human and especially alien characters with unerring deftness. He nails the aliens individual eccentricities through voice and accents. He handles the narration for several “Doc” Smith’s audiobooks that are published by Books in Motion. Mr. McColm’s talents are a perfect fit to E.E. “Doc” Smith’s super science space epics.

LibriVox: The Island Of Dr. Moreau by H.G. Wells

SFFaudio Online Audio

Science Fiction Audio Book - The Island Of Dr. Moreau by H.G. Wells

Started back in August 2006, the latest Science Fiction classic from LibriVox.org is The Island Of Dr. Moreau by H.G. Wells. As with many LibriVox titles this one was a multi-reader audiobook project.

Science Fiction Audio Book - The Island Of Dr. Moreau by H.G. WellsThe Island Of Dr. Moreau
By H.G. Wells; Read by various readers
1 Zipped Folder of MP3 Files – 4 Hours 38 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Completed: March 2nd 2007
The Island of Doctor Moreau is an 1896 science fiction novel written by H. G. Wells, addressing ideas of society and community, human nature and identity, religion, Darwinism, and eugenics.

When the novel was written in the late 19th century, England’s scientific community was engulfed by debates on animal vivisection. Interest groups were even formed to tackle the issue: the British Union for the Abolition of Vivisection was formed two years after the publication of the novel. The novel is presented as a discovered manuscript, introduced by the narrator’s nephew; it then ‘transcribes’ the tale.

Another University Course on Science Fiction – Political Science 190

Online Audio

 science fiction and politicsJust over a year ago I posted a story about how SF had an influence in the real world. I offered the proof of Courtney Brown Ph.D, he’s an Emory University prof who had offered a Political Science course entitled Science Fiction and Politics (Political Science 190) and that he’d been making the lectures available as a podcast. Well I’m here today to say that Science Fiction STILL HAS an influence in the real world. And further to that I offer the exact same proof. New year, new semester new Science Fiction and Politics (Political Science 190) course!

The spring 2007 semester has already started, but just like last year there’s still no cost to audit.

Here’s the course’s schedule:

Weeks 1 & 2
Theme: Empires I
Featured Author: Isaac Asimov – Foundation, and Foundation And Empire

Week 3
Theme: Empires II
Featured Author: Isaac Asimov – Second Foundation

Week 4
Theme: Information control and the circumvention of revolution
Featured Author: Aldous Huxley

Week 5
Theme: The struggle between collectivism and individualism
Featured Author: Usula K. Le Guin

Week 6
Theme: Genetic engineering and liberty
Featured Author: David Brin

Week 7
Theme: Genetic engineering and evolution
Featured Author: Greg Bear

Week 8
Theme: Children soldiers, genocide, and morality
Featured Author: Orson Scott Card

Week 9
Theme: War and exploitation
Featured Author: Joe Haldeman

Week 10
Theme: Blockades and their circumvention, forced group isolation
Featured Author: Wilson

Week 11
Theme: Ethics in the context of desperation, manipulation, warfare
Featured Author: Isaac Asimov – The Gods Themselves

Week 12
Theme: Mass manipulation and control, corporatist balkanization of government, cyberpunk
Featured Author: William Gibson

Week 13
Theme: Review

You can subscribe to the podcast via this feed:

http://www.courtneybrown.com/classes/scifi/mp3/cb_SciFiPoliticsClass1.xml

Jack McDevitt’s Henry James, This One’s For You on Beam Me Up

Online Audio

Podcast - Beam Me UpBeam Me Up, the podcast / radio show based out of Rockland, ME will have a special treat tomorrow. Show #41 will have a reading of Jack McDevitt‘s Henry James, This One’s For You, a short story which made the short list for 2006 Nebula awards. As host Paul Cole sez “its a damn good story.”

Subscribe to the podcast via this feed:

http://beameup.podomatic.com/rss2.xml