Review of The Green Hills of Earth and Gentlemen, Be Seated by Robert A. Heinlein

Science Fiction Audiobooks - The Green Hills of Earth by Robert A. HeinleinThe Green Hills of Earth and Gentlemen, Be Seated
By Robert A. Heinlein; Read by Leonard Nimoy
1 Cassette – 45 Minutes [UNABRIDGED]
Publisher: Caedmon
Published: 1979
ISBN: None
Themes: / Science Fiction / Minstrel / Space Travel / The Moon /

This is one of my most treasured recordings. Until I found it on eBay a couple of years back, my only copy of it was a worn cassette that I taped from my local library’s copy when I was a kid. That cassette must have been played a hundred times. When Jesse noticed it on eBay one day, he let me know and I snatched it. I would have paid any price.

It’s likely that the recording’s worth is that its sounds evoke pleasant memories of my childhood. But it’s not only that. This is an excellent reading by an actor I admire (Leonard Nimoy) of the work of this legendary author. So it’s well worth finding yourself if you can get it.

The first story is “The Green Hills of Earth”, a story of a man named Riesling, who worked among the atomic piles on space freighters until an accident left him sightless. From then on, he became a minstrel, writing and performing the songs of the trade.

Second is “Gentlemen, Be Seated”, which is about a reporter who is allowed guided access to some of the tunnels being built on the Moon.
He’s escorted by a construction worker, who he’s lucky to have with him when things go awry.

To this day, these stories are still Robert A. Heinlein to me. These are from the early phase of his career, published in 1947 and 1948, respectively. Of Heinlein, I enjoy these stories and his others from the same period best of all his work.

What I haven’t got to look at all these years is the very nice Kelly Freas cover. Though it doesn’t really have anything specific to do with the stories (there isn’t a gun to be found in either of them) it’s still very nice.

Posted by Scott D. Danielson

Review of The Greatest Horror Stories of the 20th Century

Horror Audiobooks - The Greatest Horror StoriesThe Greatest Horror Stories Of The 20th Century
Edited by Martin Greenberg; Read by Various Readers
4 Cassettes – Approx. 6 Hours [UNABRIDGED]
Publisher: Dove Audio
Published: 1998
ISBN: 0787117234
Themes: / Horror / Fantasy / Science Fiction / Urban Fantasy / Magic / Curses / Telepathy / Childhood / Demons /

“Featuring some of the masters of the genre, past and present, The Greatest Horror Stories Of The 20th Century are as remarkable for their literary value as for their scream factor. Whether you are a passionate horror lover or a devotee in the making, you will find much to entertain. Listen for screams as ancient and unspeakable evil meets the modern psyche.”

Judicious use of musical cues are the only enhancement to these horror stories. Twelve horrific short stories, to be sure, but are they truly the greatest of the 20th century? Read on, MacDuff….

“The Graveyard Rats” by Henry Kuttner
Read by Michael Gross
A creepy Lovecraftian tale that almost could have been written by H.P. Lovecraft himself. It was first published in Weird Tales’ March 1936 issue. A worthy addition to the list of The Greatest Horror Stories Of The 20th Century list and Michael Gross does a good job with it. And by the way, the R.O.U.S.’s probably don’t really exist.

“Calling Card” by Ramsey Campbell
Read by Juliet Mills
First published in 1982, Ramsey Campbell’s entry in this anthology is more confusing than scary. Juliet Mills is fine but she couldn’t help unravel what we’re supposed to be afraid of. Something about a nice old lady and her mailman delivering a 60-year-old Christmas card?

“Something Had To Be Done” by David Drake
Read by John Aprea
First published in Fantasy & Science Fiction Magazine’s February 1975 issue, this is an excellent Vietnam War era is a freakshow of the ‘coming home in a bodybag story’. It combines the friendly fire and frag stories of that war with the accelerating fear of the supernatural – the tension builds until the closing moment – very similar in tone and quality to Robert R. McCammon’s Nightcrawlers. Reader John Aprea does good work with good material!

“The Viaduct” by Brian Lumley
Read by Roger Rees
“The Viaduct” is a Stephen King-ish tale without the supernatural element – two boys make an enemy of another and come to a sticky end. This is the longest tale in the collection, overly long in my estimation. I was amazed how little content this story has, especially for its length, none of the characters are sympathetic and by the end I was almost rooting for them all to be killed- just as long as it was done soon. Ineffectual because of its length and exploitative and I don’t mean that as an insult, it plays, if it plays at all, on fear without telling us anything about ourselves or anything else. On the other hand Roger Rees’ reading was just fine. “The Viaduct” is in my opinion not up to the standards of some of the stories in this collection.

“Smoke Ghost” by Fritz Leiber
Read by Beverly Garland
An early Fritz Leiber yarn, “Smoke Ghost” posits what a ghost from an urban industrial society would be like, as opposed rattling chains, old bed sheets and creaky haunted houses of the pre-industrial age. Frighteningly well written and very well read. First published in Unknown Magazine’s October 1941 issue.

“Passengers” by Robert Silverberg
Read by William Atherton
William Atherton did a very nice reading of this Hugo Award nominated and Nebula winning short story (1969). “Passengers” is more SF than horror but it is 100% worthy of inclusion. It is about the uninvited guests who wouldn’t leave. These evil aliens have invaded the Earth telepathically and at unpredictable times, seize control of a human mind and force a person to do… things(!). Society has adjusted, but not every individual person will go along with all the conventions humanity has adopted to deal with the “Passengers”. Silverberg’s story examines a relatively small SF theme, stories involving involuntary control of one’s body… think the character of Molly in Neuromancer or the Frederik Pohl and C.M. Kornbluth’s short story Sitting Around the Pool, Soaking Up Some Rays or Robert A. Heinlein’s The Puppet Masters – it is a horror story because it speaks to such a violation of one’s body. Also interesting is the counterfactual raised by the premise – illustrating how difficult it is to determine exactly where the boundary line between free-will and determinism lies.

“Sticks” by Karl Edward Wagner
Read by Patrick MacNee
Set in 1942, “Sticks” is a World Fantasy Award nominated story (1974) that is decidedly Lovecraftian in content and execution. Think Blair Witch Project meets pulp magazine illustrations and you’ll get the idea. Narrator Patrick MacNee does fine work with it too. With all this inspired by Lovecraft storytelling I only wish they’d included some of H.P.’s original prose, but in lieu of that “Sticks” is a good substitute.

“Yours Truly, Jack The Ripper” by Robert Bloch
Read by Robert Forster
First published in Weird Tales’ July 1943 issue “Yours Truly, Jack The Ripper” is actually a better story than it reads now. What seems a mite cliched today was quite fresh in 1943 and this tale was one of the earliest works of fiction to use ‘the ripper redjack’ – something that is relatively common today. Some narrators have a voice that grabs you and won’t let go, Robert Forster is one of them, his range is good, he does a great English accent on this one too – but its his cadence and his gravelly voice that pull me into his orbit every time. Well read and a good yarn.

“The Small Assassin” by Ray Bradbury
Read by Alyssa Bresnahan
Alyssa Bresnahan, professional full time narrator and AudioFile Magazine Golden Voice, does a very good reading of Bradbury’s short story. “The Small Assassin” is about a young couple and their first child; everything would be okay if only the newborn would only accept the world outside the womb. Horror as parenthood – who’d of thunk it? Newly minted parents probably. This tale was previously recorded by Ray Bradbury himself by pioneering audiobooks publisher Caedmon.

“The Words Of Guru” by C.M. Kornbluth
Read by Susan Anspach
Originally published under Kornbluth’s “Kenneth Falconer” pseudonym, in Stirring Science Stories’ June 1941 issue. Well regarded despite its pulpy exposition, “The Words Of Guru” is a genre-crosser full of cosmic demonism and full-tilt weirdness that comes to a thundering crash just minutes after it starts.

“Casting The Runes” by M.R. James
Read by David Warner
I was quite lost listening to this one. I couldn’t tell who was speaking much of the time, this has to do with the fact that many of the characters aren’t given names and the fact that the way this tale was written it would flow far easier on the printed page than it does aurally. In the paper version some names are blanked out (as if censored), David Warner does his best to fill in these gaps which are unreproducable in audio, but ultimately his efforts are unsuccessful. Magic and curses. First published in 1911!

“Coin Of The Realm” by Charles L. Grant
Read by Louise Sorel
Reminiscent in theme of Neil Gaiman’s style of urban fantasy, “Coin Of The Realm” is an interesting tale of the employees of a toll booth on a lonely highway who occasionally collect some very odd coins from the drivers on their road. First published in a 1981 Arkham House collection entitled Tales from the Nightside.

Posted by Jesse Willis

Review of Falling Free by Lois McMaster Bujold

Science Fiction Audiobooks - Falling Free by Lois McMaster BujoldFalling Free
By Lois McMaster Bujold; Read by Michael Hanson and Carol Cowan
7 Cassettes – 9 hours [UNABRIDGED]
Publisher: The Reader’s Chair
Published: 1996
ISBN: 0962401099
Themes: / Science Fiction / Genetic Engineering / Space Travel / Space Stations / Slavery / Corporations /

When I heard about The Reader’s Chair going out of business, I couldn’t help but to revisit this book. I first started writing about audiobooks back in 2001, and one of the first columns I wrote for SFSite was about The Reader’s Chair. In that column, I said:

The audio versions are first-rate. Hanson and Cowan read the books with enthusiasm, providing different characters with different inflections. Great care was taken to make these novels a listening pleasure.

Upon listening to this Nebula-winning novel, and after hearing I have no clue how many audiobooks since, I can still say that the Reader’s Chair titles are amongst the finest out there. Michael Hanson has a deep sonorous voice that demands attention, and Carol Cowan is a warm yet feisty counterbalance.

Falling Free is a novel that fits into Lois McMaster Bujold’s Vorkosigan series, but the events occur 200 years before the birth of the famous Miles Vorkosigan. The story involves a corporation that genetically engineers a new race of humans (called Quaddies) that are uniquely adapted for work in zero-gravity. Enter Leo Graf, an engineer hired to teach zero-g welding techniques to this new race of slave labor. When he sees how the Quaddies are treated, he becomes very uneasy. Think you know where this is heading? Bujold pulls it off brilliantly.

This one is now officially out of print, but well worth finding. The Reader’s Chair productions are top notch, from the high quality production value to the sturdy and fine-looking packaging. I’m very sorry to see them go.

Posted by Scott D. Danielson

Review of The Best Christmas Ever by James Patrick Kelly

Science Fiction Audiobook - The Best Christmas Ever by James Patrick KellyThe Best Christmas Ever
By James Patrick Kelly; Read by James Patrick Kelly
FREE MP3 DOWNLOAD – 38 minutes, 19 secs [UNABRIDGED]
Publisher: James Patrick Kelly
Published: 2005
Themes: / Science Fiction / Christmas / Nostalgia /

Albert Paul Hopkins was the last man. The biops were determined to see to his every need. It had only been eight months since the last Christmas so it was definitely time for another one, the man needed another one. And if this wasn’t the best Christmas ever it might be his last!

This is the first James Patrick Kelly short story MP3 available through Fictionwise, but it was actually available along with several other short stories on James Patrick Kelly’s own FREE READS website back in 2004. First published on SciFiction, the online fiction wing of the sci-fi channel, The Best Christmas Ever has been nominated for a 2004 Hugo in the best short story category. As the story progresses facts about what has happened to the world start to slip out, and it seems that something has made mankind all but exitnct. In its place are creatures called “biops” which are able to morph into any living thing. This is a very pogniant tale of a man who duitfully continues to exist when he clearly doesn’t want to and how his continued existence effects those around him. You might think of it as a James Patrick Kelly version of I Am Legend. Kelly is great at incorporating narrative information into his plots and his reading is as always excellent. There are a couple time he stumbles over a word or two and I could here pages turning but none of that really harms the production. Available for FREE on the Fictionwise site and JPK’s FREE READS site. It’s like an early Christmas present, now go unwrap it!

Posted by Jesse Willis

Review of The Precipice by Ben Bova

Science Fiction Audiobooks - The Precipice by Ben BovaThe Precipice
By Ben Bova; Read by Scott Brick, Amanda Karr, and Cast
10 CD’s – 12 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2005
ISBN: 1593974906
Themes: / Science Fiction / Asteroids / Environment / Nanotechnology / Space Travel / Moon / Corporations /

The Precipice is first book in Ben Bova’s Asteroid War series, which itself is part of the larger group of novels called The Grand Tour. All of the Grand Tour novels appear on audio, the earliest ones abridged, and the later ones unabridged. Of all the Bova novels I’ve heard on audio (Mars, Return to Mars, and Venus), this is the best, possibly because it’s the first unabridged one I’ve heard, more likely because the novel was fine, traditional science fiction peopled with complex characters. The plot was interesting, and the details more so. I really enjoyed this book.

The driving force of the novel is the adversarial relationship between Dan Randolph and Martin Humphries, who are both extremely successful corporate CEO’s. The world is in environmental disarray because the “Greenhouse Cliff” has been reached – the point at which environmental change becomes rapid and unstoppable. The reaction to this by Randolph is to find a way to help. Humphries’ reaction is to find profit opportunities. They both look toward the asteroid belt, whose mineral wealth Randolph sees as mankind’s savior, and Humphries sees as a giant dollar sign. They both struggle for the upper hand as they prepare mankind’s first trip to the asteroid belt.

The novel has another character well worth mentioning. Her name is Pancho Lane, and the first time we meet her in the novel, she is on a space station conning five fellow workers out of a month’s salary. She’s a smart-mouthed, independent, strong female astronaut that plays a huge role in the plot, and is one of those characters that you miss when a novel is done.

The cover of the audiobook lists the readers as “Scott Brick, Amanda Karr, and cast”. Brick and Karr are very strong readers, and have the largest parts in the book. Amanda Karr read the portions of the novel from Pancho Lane’s point of view, and gave the character just the right amount of attitude.

The other readers also performed well. I recall in an earlier post on this site, I mentioned that I wasn’t too fond of multiple-reader audiobooks, and that I preferred single narrators. I did mention Ender’s Game as an exception, which was produced by Stefan Rudnicki, as this one was. Since then, I’ve heard enough of these multiple-reader audiobooks (all produced by Rudnicki) to realize that if an audiobook is edited properly and you have capable performers all around, then the multiple-narrator technique employed here is preferable to single-narrator audiobooks for the simple fact that I immediately know whose POV the story is coming from at any time, which makes listening a more immersive experience. The voices drew me in faster as I picked up the book after putting it down between listens, as if the characters themselves were doing the reading.

Posted by Scott D. Danielson

Review of To Say Nothing Of The Dog by Connie Willis

Science Fiction Audiobooks - To Say Nothing of the Dog by Connie WillisTo Say Nothing Of The Dog – Or How We Found The Bishop’s Birdstump At Last
By Connie Willis; Read by Steven Crossley
15 cassettes – 21.25 hours [UNABRIDGED]
Publisher: Recorded Books
Published: 2000
ISBN 0788755498
Themes: Science Fiction / Time-travel / Comedy / Romance / Mystery / 19th Century /England / Near Future /

The story involves Coventry Cathedral (old, new and burned down), pen wipers, a breach in the space-time continuum, boating on the Thames, evolution, and bulldogs.
– Connie Willis in a Science Fiction Weekly Interview

For such a stunningly popular Science Fiction author Connie Willis has some very unusual obsessions: Churches, England, a neurotic lead character and cats. But then again if you take away the churches and the England all you’ve got left is Robert A. Heinlein, so don’t complain. Now before I get all reviewing let me first say that the Science Fiction elements in this novel are truly paper thin. The closest we come to real SF meat is the many characters thinking about time travel paradoxes and how to prevent them. The plot resolution, without giving anything away, centers around the reason time travel works the way it does in these Connie Willis time travel books and that revelation felt not just un-science fictiony but also down-right un-scientific. But on the other hand it has a neatly tied up happy ending, and we all need a nice happy ending now and then.

This is the third time travel story set in a near future where an Oxford history don named Dunworthy sends his undergraduates back in time to visit historical English churches. But unlike Fire Watch and Doomsday Book, To Say Nothing of the Dog is also a romantic comedy and a mystery. Instead of sending his students to WWII London (as in Fire Watch), or Middle Ages England (as in Doomsday Book), Dunworthy sends them to 19th century Oxford for a little R&R, and while they are there would they “mind finding the bishop’s birdstump?” – whatever that is. Now don’t get me wrong, I actually enjoyed this novel, quite a lot in fact! It’s just that Willis is such a very strange writer…. her characters, for example, they think a lot, no strike that. They think way too much. They are always overthinking every possibility of what could go wrong and then thinking it again just for luck, which is truly infuriating. Thankfully, this characteristic is slightly less apparent in this novel than it was in Doomsday Book and this book benefits from that slight reduction. No doubt this was due in part to the first person perspective. Keep writing first person Connie!

The mystery element is also rather weak. Are we really supposed to care what happened to the bishop’s birdstump? We don’t even find out what the damn thing is until about two thirds of the way through the book! What really saves this novel from becoming utterly unlistenable is the author’s attention to light humor and the characters. These are nice people, and the situations they are in are for the most part quite cute. The romantic angle is also sweet, and the text is rife with evidence that Willis really researches the heck out of the settings she writes about. I don’t recall ever laughing out loud, though many sections were quite amusing, or ever being so caught up in the romance that I couldn’t stop listening if I needed to, though I did like the way that all played out – it snuck up on me. What I liked most about To Say Nothing Of The Dog – Or How We Found The Bishop’s Birdstump At Last was the literary references included. There are characters who act like they’re in a P.G. Wodehouse Jeeves and Wooster story, the mystery element is obviously quite Dorothy L. Sayers inspired and Willis even named the novel after the biggest influence, Jerome K. Jerome’s Victorian comic novel Three Men In A Boat – To Say Nothing Of The Dog! Narrator Steven Crossley has the prototypical English accent you associate with Masterpiece Theater and costume drama. He’s called upon to stretch only a little with this one, playing mostly upper and middle class English gentlefolk from the 21st and 19th centuries. Nicely done too. Recorded Books has chosen some neat art for the cover, depicting an hourglass and a bulldog. As usual the packaging is absolutely top notch, you won’t find a more durable or attractive case for an audiobook from another publisher.

So with such a mixed review can I recommend this book? Absolutely I can, for of all Connie Willis’ weirdness, she is as gosh darned friendly and smart as you and me, just maybe a little smarter and definitely a little weirder, and I would never ever hesitate to recommend a novel that can trace its origins back to one line in Robert A. Heinlein’s Have Space Suit, Will Travel. To Say Nothing Of The Dog – Or How We Found The Bishop’s Birdstump At Last is recommended as a tonic for the weary traveler, or just as a lighthearted vacation from Hard SF.

Posted by Jesse Willis