science fiction – Page 233

Review of The Pocket and the Pendant by Mark Jeffrey

Friday, November 18, 2005Friday, February 1, 2008 admin

The Pocket And The Pendant
By Mark Jeffrey; Read by Mark Jeffrey
13 MP3 Files – 10 Hours 25 Minutes [UNABRIDGED]
Publisher: markjeffrey.typepad.com / Podiobooks.com
Published: 2005
Themes: / Science Fiction / Young Adult / Physcics / Immortality / Time Travel / Aliens / Time / Ancient Astronauts /

“On April 8th at exactly 3:38 in the afternoon the world STOPPED.”

It is one of the fundamental constants of the universe – every second thrift store one enters will contain a lonely shelf somewhere in the back with a battered paperback copy of Chariots Of The Gods? by Eric von Däniken on it. That is a terrible, terrible book. I encourage you – only partially in jest – to burn down any store that has one. Chariots Of The Gods is a massive failure in every way but one, it’ll help me tell you about a certain 1970s pop culture concept – the “ancient astronauts” theory. This is a speculative/delusional hypothesis that posits that extraterrestrial aliens are responsible for the ancient civilizations of Earth. Basically it argues that ancient people with their distinctive lack of heavy diesel powered machinery, could not possibly have constructed things like the Pyramid of The Sun at Teotihuacán and so the relics of archeological wonders throughout the world must have been constructed by aliens with a ‘higher’ technology. It is of course a ridiculous notion, wholly unsubstantiated by any evidence that wasn’t manufactured by fraudsters. That said, it can occasionally makes for a cool basis for fiction.

Mark Jeffrey’s The Pocket And The Pendant uses the concept of ancient astronauts to very good effect. This is the story of Max Quick a very odd little boy and his companions, other children who’ve found themselves trapped living in a frozen instant of time. Has this time “pocket” has been caused by the strange aircraft in the skies above the USA? What about the almost magical books that everyone who isn’t frozen seem to be after? Only the aptly named “Mr. E.” knows the answer. Weaving together a carefully researched history with an intriguing and well executed scenario Mark Jeffrey has put together an engaging and satisfying adventure that while aimed at a younger audience never talks down to it. Basically Jeffrey does for science fiction what Harry Potter does for fantasy – I’d say he does it better by layering in facts and mythology from many sources. He takes the whacked out theories of Zecharia Sitchin and asks “what if they were true?”, mixes it up with action like The Matrix, the premise of the Doctor Who “Key To Time” arc and with a couple dutiful nod to the 1959 and 1985 The Twilight Zones.

Jeffrey is very inventive with solving the problems he’s created. But there was one thing that bothered me about the story, if Max and his companions are trapped in time how can they see? Let me explain, this is basically the same nitpick I had with H.G. Wells’ The Invisible Man, without light hitting a retina you can’t see. If time is stopped then the light has stopped (in The Invisible Man the title character’s retinas are transparent!). I’m nitpicky.

Jeffrey reads the novel himself, doing accents, adults children boys girls and aliens. The sound quality is very good and well leveled, but there is one caveat, a constant musical score underlies the reading (almost always keyed to characters and events in the tale). In this case it is fairly benign, and certainly allows an atmosphere of emotion to build in the story – but not having heard the tale without music I’m not sure if it wouldn’t have been better just as a clean reading.

SFFaudio COMMENT: This is the second “Podiobook” we’ve reviewed on SFFaudio, and the quality is WAY, WAY UP THERE, not just in terms of podcast novels, but in terms of novels on audio. Combine this fact with the price, which is just a request for a donation if you enjoyed the experience, and you’re literally crazy by not listening to them. The worst that can happen is you listen, enjoy the heck out of it and then feel guilty for a few years because you were to cheap to throw a few $$$ towards the producers. Go ahead now, give yourself a gift, subscribe to Morevi: The Chronicles Of Rafe And Askana and The Pocket And the Pendant you’ll marvel at your own generosity.

Posted by Jesse Willis

Review of The Quantum Rose by Catherine Asaro

Wednesday, November 9, 2005Thursday, February 4, 2010 admin

The Quantum Rose
By Catherine Asaro, read by Anna Fields
1 CD (MP3) – 13 ½ hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2004
ISBN: 0786186232
Themes: / Science fiction / Fantasy / Romance / Space opera / Telepathy /

I’ve always been a big fan of math. I like the chumminess of commuting, associating, and distributing; the edginess of integrating by parts; and the sharp antiseptic sting of differentiating exponentials. In The Quantum Rose, Catherine Asaro brings the robust methodology of a table of cosines to romantic space opera. Like a seasoned mathematics professor, she begins by defining the variables: A fantastically beautiful heroine; her strong, handsome but brutish betrothed; and a mysterious stranger who takes a sudden interest in the heroine. She then lays out the equations for us: fear, mutual need, and strange loyalty between her and the betrothed; fear, mistrust, sexual attraction, and a hidden wound that must be healed between her and the stranger. From there, she manipulates the terms using standard algebraic operations such as nudity, well-meaning ignorance, revenge, treachery, self-sacrifice for the greater good, declarations of undying love, and first time sex so amazing it humbles those of us with decades of experience.

Asaro’s story-solving skills are honed to such an atom-splitting edge that only halfway through the book, she derives the main quantity of interest: True love. Not satisfied with so straightforward a proof, however, she dashes diligently on to lead us through a desperate, if leisurely (and admirably bloodless), rescue of an exiled royal family halfway across the galaxy. It’s all quite rigorous.

Never does Asaro skip a step. In fact, for the elucidation of the reader, she will often review a step several times to ensure we’ve understood each point before moving on to the next. She also provides enlightening chapter headings, which contain both a plain English title and a subtitle composed from quasi-quantum mechanical terms (for those hopelessly muddled by such clever cryptology, I’ll provide a clue: Substitute the word “person” for “particle” in these subtitles, and you’ll crack the code for over half of them). Thus, we are duly apprised of all developments well before they occur in the text. As a final touch, Asaro has defined most of the significant variables to be empaths or telepaths, which means we are never in doubt of what anyone in the story is thinking or feeling unless some misunderstanding is required by the plot.

Anna Fields adds to the proceedings by reading the text out loud for us. As an intriguing counterpoint to Asaro’s linear clarity, Fields adds a note of mystery by using female character voices that are quite similar to one another and by occasionally using the voice of one lead male to deliver the dialog spoken by another. The drunken mutter she maintains for the most prominent male throughout the entire length of the book also tends to soften the hard edges of understanding that sometimes seem too prominent for comfort.

The most exciting aspect of this audio book, however, is the medium it is recorded on. That MP3 technology allows nearly 14 hours of spoken text to be recorded on a single, handy CD is like a divine response to listeners’ prayers. There is only one nicely packaged jewel box to open–no snarling tapes nor floppy CD sleeves that produce obligingly but accept only grudgingly, the sound quality is excellent, and the production is clean. Maybe someday I will have the opportunity to actually enjoy an audio book in this format.

Posted by Kurt Dietz

Review of Citizen of the Galaxy by Robert A. Heinlein

Monday, November 7, 2005Friday, February 1, 2008 admin

Citizen of the Galaxy
By Robert A. Heinlein; Read by Lloyd James
8 CDs – Approx. 9 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786183810
Themes: / Science Fiction / Space Travel / Sociology / Politics / Contractarianism /

SLAVE: Brought to Sargon in chains as a child — unwanted by all save a one-legged beggar — Thorby learned well the wiles of the street people and the mysterious ways of his crippled master…

OUTLAW: Hunted by the police for some unknown treasonous acts committed by his beloved owner, Thorby risked his life to deliver a dead man’s message and found himself both guest and prisoner aboard an alien spaceship…

CITIZEN: Unaware of his role in an ongoing intrigue, Thorby became one of the freest of the free in the entire galaxy as the adopted son of a noble space captain . . . until he became a captive in an interstellar prison that offered everything but the hope of escape!

Thorby’s earliest memories are of his “papa” Baslim, a professional mendicant, purchasing him at the slave market on the capital city of Sargon, a distant planet that was long ago colonized by a now space faring mankind. There Baslim teaches the rebellious Thorby the art of begging which in itself is an interesting enough trade – but Baslim also has a secret job, one that will eventually propel his adopted son all the way across the galaxy. Citizen Of The Galaxy is one of the most conceptually expansive of Heinlein’s juvenile novels, it tackles many issues including social organization, the nature of ontractarianism and most of all freedom. The society aboard the free-trader starships for example is one of the most interesting Heinlein ever invented (it would have worked as a single novel unto itself). Exploring that culture for me was the best part of the book but there were plenty of other good bits too. Of course heavy handed straw men are peppered throughout the novel to trip up our hero. This has been a big problem for Heinlein, he could never make a villain smart in any meaningful sense. Had Heinlein given us some villains along the lines of Roy Batty of Blade Runner or “The Operative” in Serenity, in other words three dimensional villains, he’d be even more luminous in reputation than he has. And that really is hard to imagine! Straw men aside, there aren’t that many interesting dilemmas for Thorby to overcome in this
one, he’s a relatively passive hero who reacts more often than he acts. As a juvenile novel it works extremely well. A great listen for teenagers and adults.

On the audio end of things Blackstone has made my wish come true! Lloyd James is becoming the definitive voice of unabridged single voiced Heinlein audiobooks. He can do both youth and adults of both sexes easily and ads accents where appropriate. Sound quality, as always these days from Blackstone, is phenomenal. The CDs had not even a hint of anything other than the voice of the text recorded on them. Well done. The original cover art on the Blackstone packaging is a triptych of Thorby from the three sections of his youth. I’ve reviewed here the “library edition” which comes in a library style clamshell binding – but also available are an MP3-CD and cassette edition as well as a retail edition on CD. Check one out in your preferred format, you’ll be glad you did.

Posted by Jesse Willis

James Patrick Kelly, Hugo Award Winning Science …

Tuesday, November 1, 2005Thursday, April 22, 2010 Jesse Willis

SFFaudio Online Audio

James Patrick Kelly, Hugo Award Winning Science Fiction author and Asimov’s Science Fiction Magazine columnist, has started to podcast his new novel entiled Burn!

“On a distant planet in the far future, the last remaining true humans have come together to form a Utopia based on the principles of Walden. The post-human population resists human encroachment by setting fire to their terraformed forests.”

You can download directly from the Free Reads Podcast page or subscribe FOR FREE by plugging this into iTunes:

http://feeds.feedburner.com/freereads

Way to go Jim!

Posted by Jesse Willis

Review of Not from Space

Friday, October 28, 2005Friday, February 1, 2008 admin

Not From Space
Produced by Borgus
2 CDs – 108 Minutes [AUDIO DRAMA]
Publisher: Borgus
Published: 2002
ISBN: None
Themes: / Science Fiction / Satire / Radio / Greed /

We join Earth during the year 2000. The economic boom, advanced technology is prospering, and everyone is focused on… themselves.
—Not From Space Introduction

Not from Space is not your typical fare. Uniqueness in audio is something I haven’t come across in a long while, and here it is. With that said, I’ve got the task here of telling you what Not From Space is, and I can’t think of a way to describe it without making it sound like so many other radio shows. But here goes: Not From Space tells the story of alien invasion entirely through newscasts. Sounds pretty common, eh? Told you.

But again, Not From Space is not your typical fare. At the very beginning, for example, is a brilliant piece of satire as talk show hosts announce that Bill Gates is going to give away computers to “foreigners”, then take calls from people that are really upset about it. I’ve heard enough talk radio to be able say that this bit really hit home, from the encouragement of the hosts to the logic of the callers. And that’s what makes Not From Space so atypical – it is full of pieces that hit home.

The entire story is told through the news radio station. There is no traditional dialogue between characters, just news told to listeners. Jeffrey Bays, in a talk about the show which is included at the end of the production, says that the show is meant to be listened to in the background, much like a real radio station would be. There are so many interesting moments that popped out as I listened, and the more I listen, the more things I notice.

The show was produced in a unique manner as well. It was entirely created on the internet using a world-wide cast of 15 voice actors trading MP3 files. It sounds wonderful – a very accurate simulation of a radio station, right down to the commercials, which in this case are a pleasure to hear.

Borgus has captured the feel of an American talk radio station to tell a story with a point. I thoroughly enjoyed it, and am looking forward to listening again.

Not From Space will be heard on XM Satellite Radio’s Sonic Theater, Channel 163 this Halloween weekend:
-Saturday October 29 at 9am/9pm (US-Eastern)
-Monday October 31 at 5am, 1pm, and 9pm (US-Eastern)

You can also get a copy on audio CD from Borgus.

Posted by Scott D. Danielson

Review of Mazer in Prison by Orson Scott Card

Monday, October 17, 2005Friday, February 1, 2008 admin

Mazer In Prison
By Orson Scott Card; Read by Stefan Rudnicki
1 MP3 FILE – 1 Hour 2 Minutes 10 Seconds [UNABRIDGED]
Publisher: Orson Scott Card’s Intergalactic Medicine Show
Published: Oct. 15th 2005
Themes: / Science Fiction / Spaceships / War /

Prolific science fiction author Orson Scott Card has launched a new online fiction magazine entitled Orson Scott Card’s Intergalactic Medicine Show, the first issue of which includes an audio edition of Mazer In Prison, a terrific short story set in the “Enderverse” (stories that have sprung from the novel Ender’s Game). But before I tell you how much I liked this story… I’ll have to tell you my biggest concern about it – you shouldn’t read this story before you’ve read either Ender’s Game or Ender’s Shadow if you do you are in for spoilers. Now on to the spoilers….

Trapped aboard a tiny starship traveling near lightspeed on a parabolic course designed to preserve him for a future battle Admiral Mazer Rackam, hero of the Bugger war, uses all the weapons he has to fight the most insidious enemy of them all – Earth’s bureaucracy. This is a neat little branch off of the Ender’s Game tree. Card knows how to write canny characters who even when they guess wrong guess smartly. The events of this tale happen before both Ender’s Game and Ender’s Shadow (two novels which mirror each other) what is particularly neat about this tale is that it “fills in the corners” as the Hobbits say, giving us just that much more of a delicious dish we so enjoyed. Hopefully this will be the first of many audio delectables coming from Orson Scott Card’s Intergalactic Medicine Show.

And hopefully will we see reader Stefan Rudnicki reading them. Rudnicki, who is ably helming the Audio Renaissance’s series of audiobooks set in the “Enderverse” also reads Mazer In Prison in the convivial way he reads every audiobook. He’s scary in the scary bits and cute in the cute bits. Mazer In Prison is a cool story well told.

Posted by Jesse Willis