Here are this month’s new releases: AUDIO RENAI…

New Releases

Here are this month’s new releases:

AUDIO RENAISSANCE

There and Back Again: An Actor’s Tale by Sean Astin with Joe Layden, read by Sean Astin

I’m looking forward to this memoir of Astin’s experience working on the Lord of the Rings trilogy. I’m one of the folks who watched every extra goodie on the massive Extended LOTR DVD’s.

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BLACKSTONE AUDIO

Callahan’s Con by Spider Robinson, read by Barrett Whitener

Barrett Whitener read Spider Robinson’s The Callahan Chronicals, which we reviewed on SFFAudio a while back. The Callahan stories are among the most empathic high-quality stories you’ll find in the world of science fiction, and this title is likely no different. The description says that Death himself walks into the bar this time…

Jesse:

I just finished listening to Callahan’s Key, also read by Barrett Whitener. Where you’ve described Robinson’s work as “empathic high-quality stories” I would describe it as “high-functioning fan-fiction”. That isn’t a bad thing, I like the stuff myself, but it certainly won’t be to everyone’s taste.

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HARPER AUDIO

A Coyote In The House by Elmore Leonard

This is a kids book in the tradition of “Call of The Wild” – told from the animal’s perspective.

Jesse:

If nothing else, crime and western writer Elmore Leonard has a great ear for dialogue, so this should be a fun tale with respect to that. But he’s never written juvenile fiction before, so its also unknown territory in some respects.

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PAPERBACK DIGITAL

Cally’s War by John Ringo and Julie Cochrane, read by William Dufris and Christine Marshall

A novel by military SF writer and Baen author John Ringo and Julie Cochrane. Cally had been fighting for the future of the human race, but now she is in a war for survival: the survival of her soul…

Paperback Digital has also released several OTR audio dramas on Fictionwise.com: “The Green Hills of Earth” by Robert A. Heinlein, “Drop Dead” by Clifford D. Simak, “Destination: Moon” by Robert A. Heinlein, and “With Folded Hands” by Jack Williamson.

And look for Charlaine Harris’ Vampire Mystery novel Dead Until Dark, which will be released on Halloween. Paperback Digital titles can be purchased on their site (http://www.paperbackdigital.com) or on Fictionwise.

Jesse:

It should also be noted that Paperback Digital has remastered and cleaned up these 1950s era radio dramas. Something which they sorely needed.

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RANDOM HOUSE AUDIO

Legends II: New Short Novels by the Masters of Modern Fantasy, Volume III, edited by Robert Silverberg

This volume of the Legends II series contains stories by two of my favorites: “The Monarch of the Glen” by Neil Gaiman and “The Yazoo Queen” by Orson Scott Card. I’m a fan of the short novel length – there is so much treasure out there in the novella and novelette size. While I’m talking about these, Legends II, Vol. 1 contains “The Sworn Sword” by George R.R. Martin and “Beyond Between” by Anne McCaffrey, and Legends II, Vol 2 contains “Lord John and the Succubus” by Diana Gabaldon and “Indomitable” by Terry Brooks.

Jesse:

I look forward to hearing these! The first Legends anthologies were released by HarperAudio last time. Hopefully Random House Audio will do as good a job.

Star Wars: Jedi Trial by David Sherman and Dan Cragg, read by Jonathan Davis

Random House’s Star Wars titles rival Simon and Schuster’s Star Trek titles in production value and style. If you enjoy Star Wars stories, these books are quite good. Also quite good is Jonathan Davis, who I first heard when he read Neal Stephenson’s Snow Crash.

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RECORDED BOOKS

Raketty Tam by Brian Jacques, read by Brian Jacques

A title in the Redwall fantasy series!

Another note from Recorded Books – they have a rental program that looks a lot like Netflix. Unlimited audiobook rentals for $29.99/month. Check it out here.

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SIMON AND SCHUSTER AUDIO

Night of the Living Dead by John Russo and George Romero

An audio drama featuring the original cast!

Dark Tower VII by Stephen King, read by George Guidall

The final volume of Stephen King’s epic series. Stephen King read by George Guidall? Yeah, baby. I’m a Stephen King fan, but have not kept up with this series. I’ve heard “The Gunslinger” and “The Drawing of the Three“, and enjoyed them both – time to start on the rest of them.

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COMING SOON!

Wil Wheaton, of wilwheaton.net, has published a book called Just a Geek (which is excellent) and I’m thrilled to report that he’s recording an audio version. Wil says the audiobook has some extra asides, and that it’s more like a performance, or director’s cut, than a straight-forward reading. Look for it on his website in the coming weeks! In the meantime, ITConversations has posted audio of Wil’s recent performance at Gnomedex, where he read excerpts from the book.

Jesse:

This sounds like a terrific idea! Wheaton experimented a little with audio blogging a while back – posting to his website by telephone. He’s also read at least one audiobook short story that I know of. It can be found in Dove Audio’s The Greatest Science Fiction Stories of the 20th Century (which is available on Audible.com). The story is called “Why I left Harry’s All Night Hamburgers” by Lawrence Watt-Evans.

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If you’ve got something you’d like to show up on our monthly New Releases post, write me and let me know. Enjoy, everybody!

Posted by Scott D. Danielson

Review of Star Trek: Vulcan’s Soul by Josepha Sherman and Susan Shwartz

Star Trek Audiobooks - Star Trek Vulcan's SoulStar Trek: Vulcan’s Soul Book I: Exodus
By Josepha Sherman and Susan Shwartz; Read by Boyd Gaines
3 Cassettes or 4 CD’s, 4 hours [ABRIDGED]
ISBN: 0743529995 (Cassette), 0743530004 (CD)
Publisher: Simon and Schuster Audio
Published: 2004
Themes: / Star Trek / Vulcans / Aliens /

A disheartening thing about being a fan of Star Trek is that one of its most beloved characters, Spock, has been left with an unfinished story. The last time we saw him on the screen was during the two-part Star Trek: The Next Generation episode entitled Unification. That the ratings for that episode are among the best Star Trek has ever gotten demonstrates the fan’s desire to see more of Spock. Alas, the business world encroaches, and for whatever reason, Spock was left on Romulus, his fate uncertain.

Enter Josepha Sherman and Susan Shwartz. Their previous two Star Trek novels, Vulcan’s Forge and Vulcan’s Heart (both available on audio) were excellent science fiction, focusing on Spock in particular and Vulcan culture in general. Vulcan’s Soul Book 1: Exodus continues that story in the same manner, focusing both on the character of Spock and the Vulcan world during the time of Surak, the great Vulcan philosopher who championed logic over emotion, and to whom we were first introduced during the Original Series.

The story takes place one year after the Dominion War. A hostile and powerful race called the Watarii, claiming to have an ancient score to settle with the Romulans, invade Romulan space. Spock and his wife, Captain Saavik, swoop in to help, enlisting the assistance of old friends Admiral Uhura and Admiral Chekov. They work to unravel the mystery of the Watarii while doing their best to assist in defending against them. Frequent flashbacks tell the interwoven story of Surak’s effect on the planet Vulcan.

The story is fast paced and extremely well-read by Boyd Gaines. The sound effects and music typical of previous Star Trek audiobooks is also present, effectively used to establish setting and tone.

My only quibble with this one is that I hadn’t heard from Uhura and Chekov in so long that I had to seriously question whether or not they would be alive one year after the Dominion War. The answer is: apparently so. They’d be over 150 years old, but possibly still kicking. Uhura is mentioned in a previous novel (Catalyst of Sorrows) as being the “centenarian head of Starfleet Intelligence.” I’m certainly finding this kind of thing old. I assume Sherman and Shwartz have a valid reason for using these two particular characters, but I’m currently not sure why they would bring yet another couple of TOS characters into the TNG/DS9/VOY era rather than using some contemporary characters from other series. Perhaps the Enterprise-A encountered some kind of strange nebula which had a hypnotic effect that prevents these folks from retiring… Another story, perhaps.

Other than that annoyance, this was a very good Star Trek novel with lots of Vulcan mythos, lots of eyebrow-raising conundrum, and a fantastic battle scene.

Find more on Star Trek audiobooks here!

(I’d like to acknowledge the kind assistance of Scott Armstrong, who did some research for me for this review. Any mistakes, of course, are my own.)

Posted by Scott D. Danielson

Review of Star Trek: Captain’s Blood by William Shatner, with Judith and Garfield Reeves-Stevens

Star Trek Audiobooks - Captains Blood by William Shatner and Judith and Garfield Reeves-StevensCaptain’s Blood
By William Shatner with Judith and Garfield Reeves-Stevens; Read by William Shatner
2 Cassettes or 3 CD’s – 3 Hours [ABRIDGED]
Publisher: Simon and Schuster Audio
Published: 2003
ISBN: 0743533593 (Cassette), 0743533607 (CD)
Themes: / Science Fiction / Star Trek / Romulans / Genetic engineering /

Ever since The Return, the audio of which I consider one of the best Star Trek experiences out there (it would have made an excellent movie), I’ve eagerly listened to all of the Shatner Star Trek novels. The novels are both good and bad. The bad? I tired of the “Captain Kirk, you’re the only one who can do this…” line, with all its variations, back in Star Trek V: The Final Frontier. The good? All of Star Trek is woven into these stories. In this novel, for example, characters from the Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Voyager play roles in the plot, and attention is paid to the history of those shows.

The story takes place soon after the events in the Star Trek: Nemesis film. James T. Kirk is alive and well due to events that occur in earlier Shatner Star Trek novels. He is retired and has a 5 year-old son who is a mixture of many races – also due to events in earlier novels. The story opens with the apparent death of Ambassador Spock during a public peace rally on Romulus. News of this gets to the Federation, who contacts Kirk and asks him to go to Romulus to find out what happened. Inexplicably, he brings his 5 year-old on the dangerous mission. The plot reveals what really happened to Mr. Spock, as well as some secrets regarding Kirk’s son.

Shatner’s reading is very Kirk-like, and sound and music are used throughout to excellent effect. The Star Trek audiobooks have a consistently high production quality.

This story, though, just misses. It seems forced, unimportant, and at times just plain implausible. The ending is open for another novel – maybe that one will approach the high standard set by The Return.

Click here for more on Star Trek audio!

Review of Star Trek: New Frontier: Stone and Anvil by Peter David

Star Trek Audiobook - Stone and Anvil by Peter DavidStar Trek New Frontier: Stone and Anvil
By Peter David; Read by Joe Morton
4 CD’s; 4 hours [ABRIDGED]
Publisher: Simon and Schuster
Published: 2003
ISBN: 0743533283 (CD), 0743533275 (Cassette)
Themes: / Science Fiction / Star Trek / New Frontier / Federation / Murder / Genetic engineering /

Peter David’s Star Trek: New Frontier series has been consistently excellent. Stone and Anvil is the 14th book in the series, six of which have been produced as audiobooks.

This book has Ensign Janos of the USS Excalibur under suspicion of murder. Captain Mackenzie Calhoun doesn’t believe Janos is guilty, and investigates. Through flashbacks into Calhoun’s past, the mystery is unraveled, culminating in a confrontation between Calhoun’s Excalibur and Picard’s Enterprise, and an exploration of the ethics and practice of genetic engineering.

Personally, I’ve had a lot of fun with Peter David’s novels. I think it’s safe to say that he’s my favorite of the Trek novelists – among my favorites are his Imzadi and Q Squared. In the New Frontier novels, he has the sandbox all to himself, and he seems to be enjoying himself. Along with the character of Calhoun, he brings in several secondary characters from TNG – for example, his wife is Captain Elizabeth Shelby of the USS Trident, who first appeared in the TNG episode The Best of Both Worlds. Ambassador Spock plays a role, and the Enterprise and crew show up as well. David’s playful style is infectious, and the result is very entertaining.

Joe Morton narrates, which is wonderful. He plays the moments perfectly. One thing that sticks in my mind about this one is the confrontation between Captains Calhoun and Picard. Morton successfully paints the picture with his voice, convincingly acting each character. Another: Calhoun’s handling of the infamous Kobayashi Maru exam. Morton’s timing, whether adding tension or humor, is impeccable.

Stone and Anvil, like all of the New Frontier novels I’ve read, is a cut above the average Star Trek novel. There is no need to go to the beginning and listen to the others before listening to this, but after you hear this one, you’ll want to.

Listen to an excerpt.

Review of Alien Voices: The Invisible Man

Science Fiction Audio Drama - Alien Voices The Invisible ManAlien Voices: The Invisible Man
By H.G. Wells; Performed by John de Lancie, Leonard Nimoy and a full cast
2 Cassettes or 2 CDs – Approx. 114 minutes [UNABRIDGED DRAMATIZATION]
Publisher: Simon & Schuster Audio
Published: 1998
ISBN: 067158104X (Cassette); 0671581058 (CD)
Themes: / Science Fiction / Invisibility / Fantasy / Star Trek / Classic / Philosophy /

One of Science Fiction’s seminal works is The Invisible Man by H.G. Wells. It’s premise is intriguing. What would it be like to be hidden from view? At first, there would be the advantage of watching others without being noticed. But, what would you do when the novelty wore off and the invisibility didn’t? Would you become a prisoner of your own freedom? Or perhaps a madman bent on enslaving others?The novel was written in 1897 when the world believed that science could cure all ills, but as we will glean from the story of The Invisible Man, the achievements of the human mind are worthless without a human soul to guide them. Come with us now, as Alien Voices explores the tragic life of a young scientist who seemed to be on the threshold of a brilliant future and something quite unexpected happens.

This loose adaptation of H.G. WellsThe Invisible Man is quite…fascinating. It has been adapted in the style of an old time radio drama, the majority of the plot is there, but it has been compressed and massaged to fit the actors and sensibilities of the Alien Voices team. Alien Voices formed in 1996 to create multi-media works of science fiction and fantasy, drawing upon the copyright expired classics and the languishing resources of the Star Trek alumni. Its three founding members are actor/director Leonard Nimoy, actor/director/writer John de Lancie, and writer/producer Nat Segaloff. de Lancie and Nimoy headline the dramas, in this case playing the title character and his university professor respectively. The rest of the cast is rounded out by: Susan Bay, Richard Doyle, Robert Ellenstein, Jerry Hardin, Marnie Mosiman, Kate Mulgrew, Ethan Phillips, Dwight Schultz and Nana Visitor.

This production is very good, the sound effects, voice talent and music are all very well done. The script is quite different from the original novel, but those modifications are very well done. The packaging is merely adequate, a traditional cd jewel case, a cardboard box and some quickie photoshop art. But most conspicuous by its absence is a cast and character list. The cast is named at the end of the program, but we are never told which actor is playing which character. It is easy to tell Ethan Phillips and Nana Visitor, but its hard to identify many of the others. Of the other actors the only one who sounded at all familiar was one who sounded like Mark Twain. A little investigation, and I determined that it was likely Jerry Hardin who played Twain in Star Trek: The Next Generation‘s two part episode Time’s Arrow!

The story itself has been modified and compressed, most of the original Wells’ version of The Invisible Man remains in this production. H.G. Wells is best remembered for The War Of The Worlds, which itself was adapted very early on by Mercury Theater and Orson Welles. That adaptation and a later film version had a  lasting impact upon popular culture, making the idea of “alien invasion” almost synonymous science fiction, at least to the majority who don’t read it. But science fiction isn’t always about the future, or about space travel, or aliens invading the Earth. Sometimes it is subtler, and in the case of The Invisible Man, it proves itself deeply rooted in philosophy.

Those who examine science fiction closely will see a profound connection between science and philosophy. In the case of The Invisible Man, Wells started to explore what would be necessary for invisibility to work, (for it to be rooted in science and not merely magic), AND to explore the consequences of invisibility actually working. But Wells himself was drawing upon resources of an even earlier time. In the philosopher Plato’s famous book The Republic (itself a work of proto-science fiction), we are introduced to Gyges, a shepherd who finds a magic ring which can turn him invisible. Gyges soon discovers that he can act unjustly without anyone knowing. For Plato this was a story to make us think about what being just and injust really is. For Wells and Alien Voices it is more about telling a good story. But a little philosophy does manage to sneak into the plot; For the Invisible Man, invisibility is power, and possessing that power he can do a great many things, like get revenge. But revenge is hindered by a few stumbling blocks, first he has to go out naked, his clothing isn’t invisible so he can’t wear it. He can’t eat or smoke or walk in dusty areas, all of those things make him visible. Also he can’t carry anything, so if he steals money (he can’t earn it), it appears to float about of its own accord, making people chase after him! It is almost as bad as king Midas’s dilemma, like Midas, The Invisible Man got his wish but it isn’t quite working out for him. Dust and moisture make his body visible in a ghostly way. His footprints appear in the dirt and snow. Oh yes and the small matter that the accumulated effect of these things has driven him to the edge of madness.

I liked the story, but I was constantly reminded of one glaring problem not mentioned in production. Wouldn’t an invisible man also be blind? If his corneas are absolutely transparent and his retinas are absolutely transparent, how would light be turned into mental images? The answer…. they wouldn’t be! An invisible man would be blind! For us to see the world a fraction of the light that hits our retina must be absorbed into our rods and cones, our corneas must focus the light. This issue made the whole story so implausible, in my mind it made me question whether this was science fiction at all! Thankfully I got over it. And have come to realize that even if it is flawed by this oversight, at least it demonstrates that philosophical fiction like all good science fiction is able to make us think out problems that don’t seem obvious at first. Who’d have thought invisibility would require blindness? Not me, at least not before listening to Alien Voices: The Invisible Man.

Review of Star Trek: The Next Generation: Genesis Force by John Vornholt

Star Trek Audio - Genesis Force by John VornholtStar Trek: The Next Generation: Genesis Force
By John Vornholt; Read by Tim Russ
4 CD’s – 4.5 hours [ABRIDGED]
Publisher: Simon and Schuster Audio
Published: 2003
Themes: / Science Fiction / Star Trek / Genetic Engineering / Planet Destruction /

This book is the fourth in John Vornholt’s Genesis Wave series, which are all available on audio. It is a stand-alone novel about the inhabitants of the planet Aluwna, which finds itself in the path of the ultra-destructive Genesis Wave, which was created in the previous novels in the series. This book mainly involves characters from this planet, as they figure out how to save as many of their race as possible and then deal with the aftermath of the Wave’s passage.

Genesis Force is a very satisfying novel in it’s own right. The story is fast-paced and the stakes high for the rulers and inhabitants of Aluwna. Ambassador Worf and a fleet of Klingon warships play an important role, and we are given a good look at Worf’s relationship with his sons, along with a rare view of Klingons who have arrived to help, not to destroy.

Tim Russ is a very skilled narrator. I’d enjoy hearing more of his narration both in and outside of Star Trek.

See more about audio Star Trek on SFFAudio’s Star Trek page