Review of The Forever War by Joe Haldeman

SFFaudio Audiobook Review

Science Fiction Audiobook - The Forever War by Joe HaldemanThe Forever War
By Joe Haldeman; Read by George Wilson
8 CDs – 9.5 hours [UNABRIDGED]
Publisher: Recorded Books
Published: 1999
ISBN: 0788739832
Themes: / Science Fiction / Hard SF / Military SF / War / Time Travel / Aliens / Love /

“Tonight we are going to show you eight silent ways to kill a man.”

The guy who said this was a sergeant who didn’t look five years older than me. So if he’d ever killed a man in combat, silently or otherwise, he’d done it as an infant.

This is Vietnam all over again but now it’s in space. In a world where dreams come true and Science Fiction has become part of the School’s National Curriculum, then Joe Haldeman’s The Forever War becomes compulsory reading material. It’s little wonder it sits at No.1 on Gollancz list of “Science Fiction Masterworks.” And rightly so. Here is a story still fit and ready for duty thirty-three years after winning the Hugo award for “Best Science Fiction Novel.”

William Mandela is a gifted and brilliant college student and so is ideal fodder for the army’s war against an unknown alien race called the Taurans. Mandela is drafted into a harsh training program that kills more recruits than it can mould into soldiers. He is educated and trained to the highest of army standards, becoming one of Earth’s elite foot soldiers in a war against the alien Taurans. He is also a reluctant soldier caught up in this futile war, a war Earth’s economy can not do without. Add to this collapsars, light speed travel, time dilation, ever changing societies and you have Science Fiction at it’s flawless.

Read by George Wilson with the skill of a seasoned veteran. His voice never invades your senses or pulls you away from the gripping tale Haldeman has delivered, and that’s crucial for an audiobook. Wilson got his start in broadcasting as a news director with American Forces Radio and Television in Thailand. He was also instrumental in forming an improvisational comedy group that performed in New York theaters and nightclubs.

The Forever War was first serialized by the science fiction magazine, Analog. Its then editor, Ben Bova, thought the middle section was just too harsh in its descriptions of war and war life, so Haldeman drafted a more mellow alternative and it’s this edition that was used in the book’s first full publication.

There are any number of occurences Haldeman has used in The Forever War from first hand knowledge. He severed in Vietnam as a combat engineer and both Haldeman and his protagonist, Mandela returned fron war to very different attitudes than the ones they left behind. Haldeman knows war, knows it up close and bloody (3 men in his 4 man unit were blown to bits in an ordinance explosion). Haldeman can also identify the boredom that inevitably comes between the battles. In combat situations his descriptions are raw. And like Mandela, every word of The Forever War had to fight to survive under Haldeman’s brutal editorship.

Everyone… here are your instructions. You are to listen to The Forever War ASAP – and that’s an ORDER!

Joe Haldeman on "The Craft of Science Fiction" and his new novel

SFFaudio Online Audio

Online Audio - MIT Media LabJoe Haldeman, an Adjunct Professor of Writing at MIT, and future SFWA Grand Master (if there’s any justice) has recorded a lengthy lecture/discussion on “The Craft of Science Fiction.” Recorded at MIT’s Bartos Theatre back in November 2006.

In the piece Haldeman reads a section from his upcoming Time Travel novel The Accidental Time Machine, the plot for which plays at MIT itself. Joe also talks about the history of Science Fiction, and his own work in it. Really fascinating!

Follow this link |RealAudio| to hear it for yourself.

[via SF Signal]

Review of Singularity by Bill DeSmedt

Podibook Review

Podcast - The SingularitySingularity
By Bill DeSmedt; Read by Bill DeSmedt
47 MP3 Files – 20 Hours 24 Minutes [UNABRIDGED]
Publisher: Podiobooks.com
Published: 2006
Themes: / Science Fiction / Hard SF / Tunguska Event / Black Holes / Time Travel / Near Future/ Cloak & Dagger / Quantum Physics / Soviet Union /

June 30th, 1908 – In the remote Tunguska region of Siberia, the most violent cosmic collision in recorded history flattened ancient forests over an area half the size of Rhode Island. Yet after a hundred years of international scientific research the cause of this impact remains a mystery.

Several people told me Singularity was worth listening to. But of course I figured they we’re probably wrong, I’m not easy to please. But because it was FREE I told myself to give it a chance. I have to say I was astounded! After a longish introduction, more of a history lesson, the real story takes off. And boy, does it! Like a Nelson DeMille novel with Saturn V booster strapped to it! This is incisive Hard SF set in a near future with plenty of action, some very cool ideas and even a bit of romance. The plot orbits around the mystery of the 1908 Tunguska Event. The action intertwines cloak and dagger with quantum physics in a tidal dance. I’m no physics major, but the scientific explanations were clear and compelling. You know a story’s good when you end up looking up some of the ideas. The tale is fleshed out through a large cast of central characters: Jonathan Knox, a consultant to elite government agencies, is the engaging lead protagonist. Knox has a knack with finding patterns in giant fields of data – a trait attributable to a voyage his mind went on once. Marianna Bonaventure, his soon to be lover, is a federal government agent on the trail of a missing materials scientist. Physicist Jack Adler is on the same trail as Knox and Marianna, but he doesn’t know it yet. Together, and apart they are in a race that may have been predetermined as unwinnable before it started, only the laws of causality know. Opposing them is a set of rationally motivated villains – with the weight of an multi-billion dollar corporate empire behind them. Leading them is, Arkady Grigoriyevich, who spends most of his time aboard a converted mega-yacht, that is now a floating laboratory. DeSmedt packs about a dozen terrific SF ideas into his tale. Also included in the podcast feed is an informative question and answer bonus MP3 file with the author himself. I am eagerly awaiting the follow-up novel, cleverly titled, Duality.

I tend to enjoy audiobooks narrated by authors, as they know exactly when and where to pause, what words to accentuate and how to pronounce the character names. But DeSmedt was not a perfect narrator, in fact at the start he sounded nervous. I was worried, but gradually as the chapters flowed the anxiety faded, and by the end I he was reading like a professional. Maybe his female voices need a bit more practice, but I swear, all those Russian accents were perfect.

I downloaded Singularity from Podiobooks.com for free, but when I did I could only get the first half of the novel. It was being released piecemeal, chapter by chapter, as podcasts. I have heard many people enjoy this delivery style; and it probably works for serial adventures or short story collections but I don’t like it for novels. I quickly listened to the first 20 chapters of the book in quick succession only to then have to wait for a whole month to finish it. Next time I visit podiobooks.com I’ll be making sure the serialization is completed before starting another novel. Another issue, selecting the next podcast once a chapter was finished was a real bitch. I drive a standard transmission automobile and my iPod is stuck into a faraway cigarette lighter. Every time a chapter of Singularity ended I would be made to reach over to rip my iPod out of the transmitter/charger and then hold on to it and the steering wheel while trying to navigate the menu to figure out which chapter was next. The podcasts delivery system would have been far better if I could have started and the ended the story in the same file, in other words what I needed was one big podcast, the novel in one file.

FREE Paul Levinson novellete In WMA format – But it doesn’t work!

Online Audio

Hey cool! Uncool! It seems that Listen & Live Audiobooks have tried to released a radio dramatization of Paul Levinson’s novellette The Chronology Protection Case for FREE as a promotion for their abridged version of his novel The Conciousness Plague (which we reviewed). SpokenNetwork.com has THE FILE available after you sign in (FREE) and make an account (FREE).

The Chronology Protection CaseThe Chronology Protection Case
Based on the novellette by Paul Levinson; Performed by Mark Shanahan
1 WMA File – 38 Minutes 37 Seconds [RADIO DRAMA]
Publisher: Listen & Live Audio
Published: 2003
ISBN: 1593160399

The Chronology Protection Case radio play, a science fiction murder mystery, features Shanahan in the role of Dr. Phil D’Amato, the forensic detective who appears in Levinson’s acclaimed novels, “The Silk Code,” “The Consciousness Plague” and “The Pixel Eye.” When D’Amato is approached by the distraught wife of a missing scientist whose work is embroiled in secrecy, he is plunged into an adventure with a terrifying and powerful force of nature at the heart of a series of mysterious deaths.

The “radio play” of The Chronology Protection Case was adapted by Mark Shanahan with Paul Levinson, based on the novelette by Paul Levinson which first appeared in the pages of Analog Magazine in September, 1995. The script of the radio adaptation was nominated for a prestigious Edgar Allan Poe Award as “Best Play of 2003” by the Mystery Writers of America. It was initially performed live before a studio audience at the Museum of TV & Radio in September of 2002. It was subsequently recorded at CDM Studios in New York City in 2003, featuring a cast of nine actors, with an original sound design and score.

Unfortunately the damn thing doesn’t work on my Windows XP OS using my Windows Media Player! If you are going to release something for free to generate a positive buzz you’ve got to make sure it actually will work. Stupid WMA format.

Jesse Willis

Review of The Plot to Save Socrates by Paul Levinson

Science Fiction Audiobook Review

The Plot to Save Socrates by Paul LevinsonThe Plot To Save Socrates
By Paul Levinson; Read by Mark Shanahan
7 CDs – 10 Hours [UNABRIDGED]
Publisher: Listen & Live Audio
Published: 2006
ISBN: 1593160747
Themes: / Science Fiction / Time Travel / Cloning / Philosophy / Ancient Greece / Ancient Rome / Ancient Egypt / 19th Century New York /

“Think not those faithful who praise all thy words and actions;
but those who kindly reprove thy faults.”
Socrates (c.470 BC – 399 BC) Greek philosopher

2042 AD. Sierra, a young classics scholar has discovered a lost Platonic scroll. Its contents will lead her to attempt to trounce the awful punishment that was imposed upon Socrates, the pre-eminent philosopher of the golden age of Greece. Joining her is her fiance Max, her thesis advisor Tom, Alcibides (a famous Greek orator and friend to Socrates), 19th century New York publisher W.H. Appleton, as well as the famously talented inventor, Heron of Alexandria.

Levinson opens the novel well with grad student Sierra Waters discovering a lost Socratic dialogue. It is a terrific opening, and I think this is what got my hopes so high. This isn’t a terrible novel, it just doesn’t grab me like I wanted it to. It is, rather, a workman-like time travel adventure. I was hoping it would be something deeper. In terms of pace, there is at least one too many characters. And none of them, including Socrates, engaged me as they should have. This is doubly troubling considering that the ideas weren’t sufficent for the novel length. Both the time travel itself and the mechanism of the time travel (a set of chairs created by a mysterious time traveler from the future) are sidelined and remain virtually unexplained. There are some interesting reveals sprinkled here and there and Levinson gives a decent twist-ending but it is only satisfying on one level and doesn’t and fufil the promise I thought it had. I never became enraptured by the story. There are unfilled gaps in the narrative. It feels as if the novel were abridged, though the packaging copy assures me that it wasn’t. The biggest single disapointment for me was the lack of more than a surficial philosophical content. Socrates reasons for allowing himself to be executed by an Athenian jury are only lightly touched upon. Levinson has an interest in philosophy, but Socrates and the Socratic method deserve a stupendous Science Fiction showcase and not this – a light adventure yarn. Had the spartan but solid contents of the plot been rendered to novellete or novella length the story would probably have worked far better. To his credit Levinson includes Socrates’ distrust of the written word. The written word is fixed, something that can’t be quibbled about as easily as can the thoughtful power of spoken word. Had Socrates known about audiobooks I think he’d have questioned the recorded word too.

Narrating duites on this one are by Mark Shanahan. Shannahan has a decent range, offering some distinction between the many characters. His job however was made more difficult than it should have been; Levinson’s characters aren’t fully dimensional. The narration is accompanied by sound effects and a situational background noise. I was disapointed with the inclusion of sound effects. If the text says “the doorbell rang.” you don’t need the sound effect of a doorbell ringing. If the narrator then reads the line “the doorbell rang.” not only don’t you need the sound of a doorbell ringing it interupts the flow of the story to include it. Less intrusive, but certainly no less unnecessary is the occasional inclusion of background noise designed to be appropriate to where a scene takes place. A pub, with a humm of clinking of glasses and the buzz of distant conversations, a seaside with the cry of seagulls and the slosh of waves. I get it, we’re in a pub or on a beach. But the absence from the rest of the narrative makes these scenes stand out in a way they shouldn’t and thus paradoxically distances the listener rather than drawing him or her in. The music is actually pretty good and definitely works better than the rest of the production details. The music fades in and out, bookending scenes. There are also one or two sentences that were missed in the final pass. Shannahan will read a line, and then read it again.

Upon reading other reviews scattered around the net I see that more people seem to have become caught up in the novel than I did. I envy them. I wanted to like this novel a lot more than I did. One reviewer pointed out that Levinson’s characterization and was like that of Isaac Asimov’s. I don’t disagree, I just think that was one of Asimov’s few weakness. Another reviewer pointed out how well constructed the chronology of the time travel was. Again, I don’t disagree, it was well woven. Maybe my problem is that most of my favorite time travel stories are of a much shorter length. If that is your problem too, bear that in mind joining in on The Plot To Save Socrates

Posted by Jesse Willis

Review of Alien Voices: The Time Machine

Science Fiction Audiobook Review

Science Fiction Audiobook - Alien Voices - H.G. Wells' The Time MachineH. G. Wells’ The Time Machine
By H. G. Wells, performed by a full cast
2 Cassettes, 2 CDs, Approx. 2 hours – [AUDIO DRAMA]
Publisher: Simon and Schuster
Published: 1997
ISBN: 0671575538 (cassettes), 0671575546 (CDs)
Themes: / Science fiction / Time Travel / Evolution / Future /

When a time traveler seeks a better world 802,000 years in the future, his optimism is shaken when he discovers that the human race has turned upon itself in a primal display of horror.

For their first adaptation, Alien Voices choose one of the most important stories ever written in SF. And with Leonard Nimoy as the time traveler and John DeLancie as the narrating friend of the time traveler, we’re among the pantheon of SF deities.

This adaptation is very faithful to the original story. A gentleman of the late 19th century invents a time machine. Over a dinner conversation with colleagues he explains that time is the fourth dimension. At their next dinner engagement he comes in bedraggled and tells them the amazing tale of his journey in time. The story he tells is of the year 802,000. He meets a gentle race called the Eloi. A Garden of Eden of sorts, but the Eloi are as simple as small children, but without their curiosity or enthusiasm. Another threatening race live in subterranean tunnels. They are the Morlocks and feed upon the innocent Eloi. After befriending a female Eloi, named Weena, and losing her during a battle with the Morlocks, the time traveler returns home to tell his tale to his colleagues.

The dramatization is well produced. Nice original music and crackling sound effects. But one effect was totally distracting and detracting to the story. The Eloi all spoke with this strange chorusing effect to their vocals. It reminded one of an alien or telepath, certainly not the sound of a child-like being described in the story. It’s as if their voice boxes bifurcated into a strange mutated form. This destroys the illusion that they are simple child-like.

Much of the time is spent with the time traveler reciting his adventure in long monologues of his future adventure. And although this is faithful to the book and Leonard Nimoy’s voice is golden, it does not take advantage of a cast recording and is more reminiscent of a traditional audiobook for long stretches at a time.