Do you like Ninjas? Do you like Mystic Ninjas?…

Do you like Ninjas? Do you like Mystic Ninjas? How ’bout Kick-Ass Mystic Ninjas? Yah, we like them too! In fact we’ve flipped over them. With just half a dozen podcasts under their black belts The Kick-Ass Mystic Ninjas have stealthily stolen our hearts! Summer Brooks, Joe Murphy and David Moldawer are talking old school Science Fiction and Fantasy with a special emphasis on the literary. Podcasts on venerable Science Fiction and Fantasy released so far include:

PODCAST # 5The Lathe Of Heaven by Ursula K. Le Guin
PODCAST # 3Lord Of Light by Roger Zelazny
PODCAST # 2Stranger In A Strange Land by Robert A. Heinlein
PODCAST # 1Hyperion by Dan Simmons

Thanks to SFFAudio reader Esther for a couple of a…

SFFaudio News

Thanks to SFFAudio reader Esther for a couple of additions to the Hugo Award Winners on Audio page:

The Left Hand of Darkness by Ursula K. Le GuinFor 1970 Best Novel Winner The Left Hand of Darkness by Ursula K. Le Guin we added this audio version:
The Left Hand of Darkness by Ursula K. Le Guin, abridged and read by the author, Waldentapes (Warner Audio), Abridged, 1985, ISBN: 068132774X

A Boy and His Dog by Harlan EllisonAnd for 1966 Short Fiction Winner “‘Repent, Harlequin!’ Said the Ticktockman” we added this audio version:
“A Boy & His Dog” & “‘Repent, Harlequin!’ said the Ticktockman” by Harlan Ellison, read by the author, Unabridged, ISBN: 0681327774, Waldentapes (Warner Audio), 1985

Thanks very much, Esther!

Posted by Scott D. Danielson

The Diane Rehm Show is one of my favorite radio sh…

SFFaudio Online Audio

NPR LogoThe Diane Rehm Show is one of my favorite radio shows. On Wednesday, July 20, Diane featured a one-hour Readers Review of A Wizard of Earthsea by Ursula K. Le Guin. It’s archived, and you can listen online at your leisure – click here to get to the page you need.

SFFAudio’s review of the audio version of A Wizard of Earthsea can be found here.

A couple of other items of genre interest on the Diane Rehm Show:

For an interview of Elizabeth Kostova about her novel The Historianclick here.

From 2004, an interview of Susanna Clarke, the author of Jonathan Strange and Mr. Norrell, which is a Hugo Nominee and a World Fantasy Award nominee. Find it here.

Posted by Scott D. Danielson

Review of The Fisherwoman’s Daughter by Ursula K. Le Guin; R…

SFFaudio Review

The Fisherwoman's DaughterThe Fisherwoman’s Daughter
By Ursula K. Le Guin; Read by Melissa Stewart
63 minutes [UNABRIDGED]
Published: 2004
Themes: / Non-Fiction / Writing / Motherhood / Feminism /

Ursula K. Le Guin’s wide ranging article for The New York Times Book Review is now available to be heard, for free, on the excellent
website. Melissa Stewart’s straight reading is good, though she stumbles here and there over a word. The real meat of this piece comes with Le Guin’s insightful commentary on the history of female authorship. It covers everything from Virginia Woolf to Louisa May Alcott. Le Guin even discusses her own work. Check it out.


Posted by Jesse Willis

Review of A Wizard of Earthsea by Ursula K. LeGuin

Fantasy Audiobooks - A Wizard of Earthsea by Ursula K. LeGuinA Wizard of Earthsea
By Ursula K. LeGuin; Read by Harlan Ellison and Ursula K. LeGuin
Audio Download – 6 hours [UNABRIDGED]
Publisher: Fantastic Audio (downloaded from
Published: 2003
ISBN: 1574535587 (Audio CD version)
Themes: / Fantasy / Series / Magic / Dragons / Wizards /

Just minutes into this audio book, the Kargs are attacking the village of Ten Alders, confused by a fog a young wizard has woven into an impenetrable shield, harried by invisible weapons and diaphanous shapes in the mist, and headed for certain destruction. You realize, as Harlan Ellison’s already non-standard voice rises in pitch and his words pile up against one another as he charges faster and faster through the narrative, pausing only to slurp back the fevered spittle he has worked up, that this is not your average narrator. His voice doesn’t resound with the Stradivarius polish of most professional performers, and his characterizations are neither entirely distinct nor consistent, but you can’t help yourself. He has you spellbound. And why? Because his is the authentic voice of a reader, one so caught up in the story that you can’t resist being pulled along with him on his journey.

And what a journey it is! A Wizard of Earthsea is brilliant, a notable gem even among the manifold wonders of such an accomplished author as LeGuin. It is the origin story of Ged, one of the most famous sorcerers in the world of Earthsea and a lesson in both the imprisoning power of our own dark deeds and the redemption that comes through facing them. It follows Ged from his home village of Ten Alders to the City of Gont, from there on to the great school for wizards on the central island of Roke, and then on a fearful, bold chase across the whole of Earthsea. Most island settings fairly drip with the damp richness of the Pacific Northwest, and the characters span a veritable rainbow of colors and cultures. This is epic fantasy in the European tradition, but with a distinctively American flavor.

As in so many of LeGuin’s works, truth is of paramount importance on Earthsea. The old language of Earthsea, like the psychic language that unites the planets in her science fictional Hainish universe, is a language in which men cannot lie. It is also the language in which the true names of all things are recorded, which makes it the basis of all magic on Earthsea. But this latter property also gives the old language of Earthsea Platonic overtones of ideal forms lurking behind every imperfect manifestation in nature, and lends A Wizard of Earthsea a palpable sense of great truth buried just below the surface of what we see. Thus, LeGuin subtly exhorts us to explore beyond the level of the richly imagined fantasy action. And what she has placed there is well worth spending the time to think about.

There are only two off-key notes in this work and its production. The first is that, though LeGuin is given co-narration credits, she only reads a very brief poetic prologue and an only slightly less brief prose epilogue. If you’re looking to experience the author interpreting a major work with her own voice, you’re not going to find that here. The second is that, though LeGuin is noted for her progressive, feminist opinions, some of what we see in this story seems almost misogynistic. There is only one female character who seems not to harbor outright selfishness, evil, or temptation; and female magic is given an unrepentant indictment in several places. I’m new to the series, so maybe these issues are redeemed in the later books. I certainly hope so.

In any case, this production of Ursula K. LeGuin’s A Wizard of Earthsea offers a dark, compelling glimpse at the forces behind the turning of the world as told in the raw, earnest voice of Harlan Ellison. My recommendation: Skip the TV miniseries—which LeGuin apparently hated—and spend your time marveling at the wonders of this quirky, enthralling audio book.

Posted by Kurt Dietz

CBC Radio One’s program "IDEAS" did a two-part 2-h…

SFFaudio Online Audio

CBC Radio LogoCBC Radio One’s program “IDEAS” did a two-part 2-hour special on Ursula K. Le Guin entitled “The Word For World is Imagination”

which was broadcast on October 4th and 5th 2004. In this documentary producer Kelley Jo Burke explored the work, methods, and magic of one of speculative fiction’s most important, and mindful writers. It looks like CBC Radio One has CDs of the program available too! Find them here.

2 Audio Excerpts are online:

Ursula K. Le Guin talks about being a writer.

Ursula K. Le Guin talks about why people are uncomfortable with reading science fiction/fantasy.

Posted by Jesse Willis