Review of The Zombie Survival Guide: Complete Protection From The Living Dead by Max Brooks

SFFaudio Review

RANDOM HOUSE AUDIO - The Zombie Survival Guide: Complete Protection From The Living Dead by Max BrooksThe Zombie Survival Guide: Complete Protection From The Living Dead
By Max Brooks; Read by Marc Cashman
Approx. 8 Hours 38 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: September 12, 2006
ISBN: 9780739342725
Themes: / Zombies / Humor / Horror / Apocalypse /

The next time a Class 2 zombie outbreak occurs in my neighborhood, I’ll be well-prepared to deal with the shambling corpses of hungry undead now that I’ve read Max Brooks’ The Zombie Survival Guide: Complete Protection From The Living Dead.

The Zombie Survival Guide dispels exaggerated myths and legends of the undead and instead presents the reader with unvarnished “truths” about zombies. You’ll find information on zombies’ physical strength, sight, hearing, and rate of decay, and the pros and cons of various weaponry for battling the undead (everything from medieval maces and claymores, to M-16s and flamethrowers). It describes various scenarios for identifying early signs of localized (Class 1) outbreaks, to full-blown widespread undead infestation (Class 3). You’ll find best practices for battling zombies in urban settings, in harsh desert and swamp environments, even under the sea. The Zombie Survival Guide tells you how to defend your home by stocking up with key food and supplies and moving to your second floor and destroying all staircases (recommend for Class 2), or how to survive on the run as you move to the most remote and therefore safest parts of the planet in a world-wide zombie apocalypse in which mankind is overrun (Class 4). The best vehicle should an outbreak occur? You might not guess it, but it’s a bicycle. On a bike you can easily outrun the slow, slouching pace of zombies, it will never run out of gas, you can carry a bicycle over rough terrain, and you can maneuver a bike through the inevitable traffic jams that accompany a full-on panic. Motorcycles are very good too, though their noise attracts the undead. Boats are also a secure means of travel, says Brooks, but watch your anchor line—zombies walking on the ocean floor can use it to climb up to your boat. “Hundreds” of hapless victims have died this way, Brooks tells us.

The Zombie Survival Guide serves as a perfect gateway to Brooks’ highly recommended World War Z |READ OUR REVIEW|. If for nothing else, and you find Brooks’ post-apocalyptic strategems and survival tactics tedious, I’d recommend this book simply for the highly entertaining “Recorded Outbreaks” section. Here Brooks describes various zombie outbreaks throughout history, from ancient tales recorded in chilling primitive artwork, all the way up through living eyewitness accounts from the early 21st century. These are written in the economical journalism style that Brooks’ employs so effectively in World War Z, lending these “outbreaks” a documentary-style feel, which makes them seem more realistic and terrifying. According to Brooks there have been many zombie outbreaks throughout history—perhaps even in my neighborhood, hence my need to be ready—but these have been largely laughed off by skeptical media, ascribed to outbreaks of disease, localized madness, or industrial pollution, or covered up by governments or the CDC, fearful that public knowledge would result in full-scale panic.

For all its earnestness you have to take The Zombie Survival Guide with a heavy dose of salt. While it’s written in a deadpan style and never descends into farce, and purports to be a “real” guide for complete protection against the walking dead, when you read passages like “If you want to know the true danger of an airborne (parachute) attack against zombies, try dropping a square centimeter of meat on a swarming anthill. Chances are, that meat will never touch the ground. In short, air support is just that—support. People who believe it to be a war-winner have no business planning, orchestrating, or participating in any conflict with the living dead,” you can’t help but laugh (I did laugh out loud, several times). While not as well-written or as compelling as World War Z, for zombie aficionados The Zombie Survival Guide is nevertheless a must-read.

Marc Cashman narrates with a dry, clipped voice that perfectly suits the how-to nature of The Zombie Survival Guide. There’s a touch of William Shatner in his delivery, with dramatic pauses in odd places, but that only adds to the fun.

Posted by Brian Murphy

LibriVox: No Great Magic by Fritz Leiber

SFFaudio Online Audio

No Great Magic by Fritz Leiber

It took me two attempts to get into this Fritz Leiber audiobook. Part of the issue was that the first person protagonist is female and the audiobook’s narrator is male. Phil Chenevert, the narrator, is a talented voice actor but he still sounded male. This bothered me all the way up to chapter four when I had my growning indignity balloon deflated by this choice paragraph:

I swung back to the play just at the moment Lady Mack soliloquizes, “Come to my woman’s breasts. And take my milk for gall, you murdering ministers.” Although I knew it was just folded towel Martin was touching with his fingertips as he lifted them to the top half of his green bodice, I got carried away, he made it so real. I decided boys can play girls better than people think. Maybe they should do it a little more often, and girls play boys too.

Despite my loss of that criticism, I am still not fully satisfied with the story. Like The Big Time |READ OUR REVIEW| before it, No Great Magic is well written fluff – with not even the shape of a plot beginning until the very end.

It may just be that No Great Magic, and perhaps a good deal of other time travel related SF, are of a kind of “cozy” Science Fiction story that I just don’t fully embrace.

Still, the first person narration by the amnesiac heroine and Chenevert’s narrative skill make No Great Magic worth checking out – and perhaps your tastes and my tastes will differ.

Chenevert, incidentally, put it this way in a LibriVox forum post:

“I hope you have been involved in the theater somewhere in your past or present because this story smells heavily of greasepaint.”

LibriVoxNo Great Magic
By Fritz Leiber; Read by Phil Chenevert
8 Zipped MP3 Files or Podcast – Approx. 1 Hour 53 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: May 27, 2012
|ETEXT|
They were a traveling group of Shakespearean players; perfectly harmless, right? wrong. For one thing, why did they have spacemen costumes in their wardrobes,right next to caveman ones? Why was the girl in charge of backstage suffering from amnesia and agoraphobia? No Great Magic is needed to perform the plays they put on, but sometimes great science. No matter where, or when. First published in Galaxy Science Fiction, December 1963.

Podcast feed: http://librivox.org/rss/6656

iTunes 1-Click |SUBSCRIBE|

Here’s a |PDF| with the original illustrations from Galaxy.

Illustrations by Nodel:

No Great Magic - illustrated by Nodel
No Great Magic - illustrated by Nodel
No Great Magic - illustrated by Nodel

[Thanks also to DaveC]

Posted by Jesse Willis

The Temple by H.P. Lovecraft

SFFaudio Online Audio

Here’s a recording of The Temple by H.P. Lovecraft. It was the his first professional sale. And, it’ll be the subject of an upcoming podcast.

It’s read for us by Mirko Stauch, a massive fan of Lovecraft, and a cool German dude with an authentic German accent – something highly appropriate for this story. He is a first time audiobook narrator, and yet, I think he’s done a fine job with it. Check it out for yourself!

The Temple by H.P. LovecraftThe Temple
By H.P. Lovecraft; Read by Mirko Stauch
1 |MP3| – 37 Minutes [UNABRIDGED]
Provider: Mirko Stauch
Provided: August 2012
The skipper of an Imperial German Navy U-boat, in World War I, documents the disaster and ruin of his ship and crew after they torpedo an enemy ship at sink it’s lifeboats. First published in Weird Tales, September 1925.

And here’s a |PDF| version.

Here’s an illustration from a David E. Schultz article found in Crypt Of Cthulhu #038 (1986):

Illustration from Crypt Of Cthulhu #038

And here’s Stephen Hickman’s rendition as seen in Science Fiction Age:
The Temple - painting by Stephen Hickman

Posted by Jesse Willis

Voices In The Dark: The Empire Of The Ants by H.G. Wells

SFFaudio Online Audio

Empire Of The Ants by H.G. Wells

Editorial introduction to The Empire Of The Ants by H.G. Wells - from Amazing Stories, August 1926

Empire Of The Ants by H.G. Wells - illustration from Amazing Stories, August 1926 (unsigned)

Voices In The DarkThe Empire Of The Ants
By H.G. Wells; Read by Sean Puckett
1 |MP3| – Approx. 36 Minutes [UNABRIDGED]
Publisher: Voices In The Dark
Published: 2005
A Brazilian navy gunboat, sent up the Amazon river to investigate reports of problems inland, discovers that large ants have begun taking over parts of the jungle. Showing signs of intelligence, the insects prove extremely hard to deal with. First published in the Strand Magazine, December 1905.

And here’s a |PDF| made from the publication in Amazing Stories, August 1926.

Posted by Jesse Willis

BBC R4: Operation Black Buck RADIO DRAMA

SFFaudio Online Audio

Vulcan bomber

Operation Black Buck visualization

I first heard about Operation Black Buck after watching a Channel 4 broadcast in anticipation of the 30th anniversary (April, May, and June of 1982) of the Falkland War. Falklands’ Most Daring Raid was the “humorous, heroic story of how a Cold War-era Vulcan flew the then-longest-range bombing mission in history with a Second World War bomb that changed the outcome of the Falklands War.” It’s a great watch (and is available via torrent HERE).

Falklands' Most Daring Raid

And now, thanks to BBC Radio 4 (and RadioArchive.cc) there is as a companion to that doc. And it is a very satisfactory BBC Radio 4 dramatization too!

Like the Dam Busters and Doolittle raids, the story of Operation Black Buck strikes me as an inspirational engineering problem. A kind of wartime terrestrial Apollo mission, but done with 1950s technology.

Operation Black Buck was conducted from Ascension Island in the mid-Atlantic to the Falkland Islands as a part of the initial British response to the invasion of the Falkland Islands by Argentina. That 7,500 km distance required an stunning amount of mid-air refueling check out this diagram:

Black Buck: Refueling Plan

Black Buck refueling plan: eleven Victors for one Vulcan

BBC Radio 4RadioArchives.ccAfternoon Drama: Operation Black Buck
By Robin Glendinning; Performed by a full cast
1 MP3 – Approx. 44 Minutes [RADIO DRAMA]
Broadcaster: BBC R4
Broadcast: June 5, 2012
During the Falklands War 30 years ago, the RAF staged the world’s longest bombing run, in an attempt to damage the runway at Port Stanley. Using ageing Vulcan bombers, crews flew a round trip of 8000 miles from Ascension Island to the South Atlantic. Such a journey required not just in-flight refuelling, but re-fuelling of the refuelling planes – a hazardous undertaking that had never before been attempted on such a scale.

In this drama, Robin Glendinning recreates the nail-biting adventure. Not only were the raids themselves difficult to pull off, but even getting the aircraft ready for the flights was a major task. Aviation museums across the world were raided for spares, and key parts retrieved from junkyards.

But there are those who question whether or not the operation was militarily useful – or whether or not the same job could have been done more effectively using planes attached to the naval task force. Was this really about war, or was it about the RAF trying to carve out a role for itself in a conflict that threatened to be entirely dominated by the Army and Royal Navy? And how successful were the raids anyway?

Producer: Jolyon Jenkins

I got this show via torrent from our friends at RadioArchive.cc.

Posted by Jesse Willis

Review of The Red Panda Adventures – Season 7

SFFaudio Review

If you haven’t already started listening to The Red Panda Adventures you’re doing yourself a grave disservice. Go back to the beginning and start with Season 1 (that’s HERE).

Superhero Audio Drama - The Red Panda Adventures - Season SevenThe Red Panda Adventures – Season 7
By Gregg Taylor; Performed by a full cast
12 MP3 Files via podcast – Approx. 6 Hours [AUDIO DRAMA]
Podcaster: Decoder Ring Theatre
Podcast: August 2011 – July 2012
Themes: / Fantasy / Superheroes / Mystery / Crime / Nazis / War / WWII / Adventure / Toronto / Androids / Espionage / Zombies / Magic / Aliens / Poetry / Astral Projection / Hypnosis / France / Germany / Berlin / Dinosaurs / Identity / Forgery / Romance /

The Red Panda Adventures is a comic book superhero series with a world, now in it’s seventh season, that is only comparable in scale to the entire Marvel or DC universes. But unlike either DC and Marvel, the Red Panda universe has all been written by one man, Greg Taylor. Because of that it has a consistency like the best seasons of Babylon 5.

The first episode of Season 7 follows right on the heels of last season’s final episode. In the season opener, From the Ashes, Kit Baxter gets a visit from the highest power in the land. And what with the Red Panda being presumed dead there’s only one thing to do – find a replacement for Canada’s greatest superhero. The government suggests that an unkillable machine, bent on vengeance, become the new Red Panda. And Kit, is fairly forced to accept the government’s choice. Now I won’t summarize any more of the plot. But, I will say this – Season 7 is a very different season than the previous six seasons.

What isn’t different is Taylor’s scripting. It’s still great, in fact its almost unbelievably great. Taylor has one of those highly distinctive writing styles, one that’s instantly recognizable – he’s like an Aaron Sorkin, a David Mamet, or an Ian Mackintosh. And with Taylor’s style comes a whole lot of substance too. He does incredible things with each half-hour script. Each standalone tale features a carefully measured combination of snappy repartee, genuine mystery, thrilling suspense, and clever action. And he does it all within a expanded universe so consistent so as to have become a kind of complete alternate history. His seven year series, and running, has created an image so vivid as to be completely realized. Taylor’s 1930s-1940s Toronto is far realer to me than any Gotham or Metropolis offered up in comics or movies. In fact to find anything comparable you’d have to go to the Springfield of The Simpsons!

Indeed, for the last seven years I’ve followed The Red Panda Adventures rather avidly and with each season I’ve become more engrossed in the show. The release of a new episode has become so inextricably linked to my listening habits so as to become like a good a visit from an old friend. It’s truly wonderful.

In my re-listening to the first eleven episodes of this Season 7 I picked up dozens and dozens of minor details in dialogue and plot that I’d missed the first time around. Take one point, early in the season, as an example – a character quotes the tagline of the CBS Radio series Suspense as a part of her dialogue.

How wonderful to find that!

And of course there are all the usual line echoes that we know from all past seasons (if you’re curious there’s a whole thread of Taylorisms over on AudioDramaTalk).

As for Season 7 as a whole, it has a sense of deep loss, very much in keeping with the times in which the story is set and the fallout from Season 6. Earlier I mentioned that Season 7 was unlike previous seasons, that’s because it features two overarching, and eventually intersecting, plots. The first, set in Toronto, deals with Kit Baxter, her new sidekick, her new job as associate editor of the Chronicle, and her developing pregnancy. The other plotline, set in Europe introduces us to a new character, a Lieutenant Flynn, a man in a deep denial, and his attempts to fight the Nazis behind their lines. It’s a radical change, and unforeseen change of pace, but not an unpleasant one.

The smaller scale stories from this season, like The Milk Run, work terrifically well too. As even the characters themselves will admit a plot about the forgery of rationing books doesn’t sound very dramatic next to the events unfolding in war torn France. But it’s a job that has to be done, and should be done, and done well it is. And that’s because the relatively harmless domestic crime of forgery is an important part of the story of WWII Toronto. The The Milk Run script tackles it in a way that makes it seem as if such a story could not not be told. In fact, this whole home-front end of the season’s story holds up very well next to the very dramatic later episodes.

One other such, The Case Of The Missing Muse, works very similairly. It’s a story in which we meet a super-villain, with a super-vocabulary, in a mystery that could have been set in any of the previous episodes. But what with the war time setting it of Season 7, and a new Red Panda running the show, it has a resolution that has its own unique wartime fit.

That replacement Red Panda, who in fact is a character from a previous season is still voiced by the wonderful Christopher Mott. The new Panda has a very different personality and temperament than our good friend August Fenwick. His goals as Red Panda are different, his methods are different, and it’s basically everything you like about when a hero regular superhero, from the comics gets, a replacement. It’s a new origins story – a fresh start – with all the promise that brings.

Some have argued that The Red Panda Adventures is really Kit Baxter’s story – and that certainly could be argued especially within the first arc of Season 7. Indeed, Kit Baxter, aka Flying Squirrel, does not get short shrift there. Besides her regular superhero duties, Kit’s also required to train the new Panda, fill in for the shattered Home Team (from last season) and somehow deal with the fact that her butler now knows she’s the Flying Squirrel! But that’s not all over at The Chronicle, the fictional Toronto newspaper that Kit works for, she, and we, get to visit with one of the best editor voices I’ve ever heard. Editor Pearly is your typical fatherly J. Jonah Jameson type caricature of an editor, but with a voice so crazily stressed out, a voice with lines so quickly delivered, you’ll barely understand a word he’s saying. It’s both fun and funny.

Then, just short of the midway point, a kind of focal transition takes place in between episodes 78 and 79, The Darkness Beyond and Flying Blind. The second arc begins slowly but soon ramps up. The aforementioned “Lieutenant Flynn”, and a team of commandos lead by one Captain Parker must escape from a Nazi stalag prison. Once achieved they spend much of the rest of the season either on the run or doing Special Operations Executive style missions in Nazi occupied France or in Berlin itself! And long time fans of the series will recognize the return of a certain Australian accented commando in one episode.

This new military aspect of the show is actually rather remarkable, being like a kind of Canadian version of WWII Captain America. It features a large male cast, allied soldiers, that act like something like a hybrid of the comics like Sgt. Rock, Sgt. Fury And His Howling Commandos, and The Unknown Soldier. Indeed, in the final episode of Season 7, The Black Heart, the show even gives a nice tip of the hat towards the later Nick Fury (the one who’s an agent for S.H.I.E.L.D.). That final season episode, incidentally, is set to be podcast later this month and features several other reveals, and dare I say reunions, which fans will be sure to love – I know I sure did. Suffice it to say, the Season 7 season-ender is definitely not a cliffhanger.

Here’s the podcast feed:

http://decoderring.libsyn.com/rss

Happy Canada Day everybody, go celebrate with some RED PANDA!

Posted by Jesse Willis