JAMES BOND: You Only Live Twice by Ian Fleming
“You only live twice:
Once when you’re born
And once when you look death in the face.”
-James Bond
If you’ve only seen the movie version of You Only Live Twice you’re in for a very pleasant surprise. Ian Fleming’s original novel is strikingly different from the movie of the same name. The movie, written at least in part by Roald Dahl, uses very little of the book – just a few of the characters and a couple of the settings. And while the movie’s story structure is very familiar, (having been later recycled in The Spy Who Loved Me, Moonraker and Tomorrow Never Dies) this stands in sharp contrast to the seemingly one-off nature of the novel (and the radio drama).
At the novel’s start Bond is despondent and listless over the death of his wife (recently murdered by Ernst Stavro Blofeld). Seeing Bond unable to do his job, M promotes him and gives him a “last-chance opportunity to shape up.” Bond is re-numbered as 7777, and assigned an “impossible mission”: to convince the head of Japan’s secret intelligence service, Tiger Tanaka, to betray the CIA and provide access to their top secret Soviet communique decryption machine. Much of the middle of the novel then takes the form of a kind of homosocial courtship between Bond and Tanaka. Eventually, Tanaka agrees to give up the data, but only in exchange for Bond’s agreeing to assassinate an eccentric resident alien named Dr. Guntram Shatterhand. Shatterhand, it seems, is operating a politically embarrassing “Garden of Death” where too many Japanese are going to commit suicide. Aided by former Japanese movie star Kissy Suzuki, Bond accepts the assignment on his personal authority, and with help in the form of make-up and training, attempts to penetrate Shatterhand’s coastal castle. Throw in a marriage, a pregnancy, lots of ninjas and a temporary case of amnesia and you’ve got one loaded story!!
You can get a great sense of of the novel from the exceedingly faithful radio dramatization available over on RadioArchive.cc!
Michael Jayston makes a fine Bond and Clive Merrison’s performance as Tanaka is solid, if not authentically Japanese.
You Only Live Twice
Based on the novel by Ian Fleming; Adapted by Michael Bakewell; Performed by a full cast
1 MP3 – Approx. 90 Minutes [RADIO DRAMA]
Broacaster: BBC Radio 4
Broadcast: 1990
Provider: RadioArchive.cc
Cast:
James Bond…..Michael Jayston
‘M’…..David King
Henderson…..Jame Laurenson
Tanaka…..Clive Merrison
Kissy…..Sayo Inaba
Trembling leaf…..Danielle Allen
Ando…..Bert Kwouk
Priest…..Danid Bannerman
Blofeld…..Ronald Herdman
Irma…..Maxine Audley
Molony…..Michale Turner
Kono…..Mark Straker
Tracey…..Emma Gregory
Mariko…..Tara Dominick
And, the unabridged audiobook (as narrated by Simon Vance) is available over at Blackstone Audio.
You Only Live Twice
By Ian Fleming; Read by Simon Vance
6 CDs or 1 MP3-CD – Approx. 6.8 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2001
ISBN: 9781433261350 (cd), 9781433290398 (mp3-cd)
Bond, a shattered man after the death of his wife at the hands of Ernst Stavro Blofeld, has gone to pieces as an agent, endangering himself and his fellow operatives. M, unwilling to accept the loss of one of his best men, sends 007 to Japan for one last, near-impossible mission. But Japan proves to be Bond’s downfall, leading him to a mysterious residence known as the “Castle of Death,” where he encounters an old enemy revitalized. All the omens suggest that this is the end for the British agent and, for once, Bond himself seems unable to disagree…
Posted by Jesse Willis
The SFFaudio Podcast #067
The SFFaudio Podcast #067 – Scott and Jesse talk to Dan Carlin, of the Hardcore History and Common Sense podcasts!
Talked about on today’s show:
Hardcore History, Common Sense, the Rashomon effect, Gilligan’s Island, Fox News, MSNBC, ABC, defensive reporting, nuance vs. talking points, BBC, NPR, PBS, Wikileaks, Common Sense Show #179 – GenX Journalism, the Martian political position, comics, What If…, Niall Ferguson, “counterfactual history“, “how different would voting be if there were no money impacting the political system at all?”, the toothless United Nations, the Canadian political system vs. the U.S. political system, the Congress Of Vienna, WWI, WWII, the Napoleonic Wars, the Rwandan Genocide, the Korean War, the Gaza flotilla incident, Bosnia and Herzegovina, Iraq War, unilateral action, Panama, NATO, imagine if the United Nations wasn’t toothless, Wikileaks’ “Collateral Murder” video, Grenada, a “muscular” foreign policy, “air on the side of reality”, Julian Assange, unreleased Abu Ghraib prison video, podcasting, “how cool is it to have an international program?”, Pierre Trudeau, “we live in reaction to you”, U.S. foreign policy, Barack Obama, first contact in Science Fiction, first contact in history, Despoilers Of The Golden Empire by Randall Garrett, Fransisco Pissaro, United States expedition to Korea, “Korea is a dagger, in the hand of China, pointed at the heart of Japan”, Globalization Unto Death, “the hermit kingdom”, Magellan expedition, Steppe Stories, an island off the coast of India, Commodore Perry’s expedition to Japan, Sid Meier’s Civilization, Civilization (board game), Sparta, the freedom of podcasting.
Posted by Jesse Willis
JAMES BOND: Doctor No by Ian Fleming
ca·lyp·so – /kəˈlɪpsoʊ/ – a musical style of West Indian origin, influenced by jazz, usually having topical, often improvised, lyrics.
I’ve only been the Caribbean once. But I still greatly feel its tropical magnetism. Ian Fleming did too. The first James Bond film, Doctor No was set in Jamaica. It’s where Ian Fleming lived and where he wrote Doctor No. I think he really brought the flavour of the Caribbean to the story. Throw in a mysterious Chinese, a yellow peril type, complete with fire-breathing dragon – and that’s entertainment folks!
When you think about it, Doctor No has just about everything a James Bond movie would later come to epitomize. First, there’s the exotic locale, Jamaica! Then there’s the titular villain with a body quirk, Doctor No has functional metal hands. And finally there’s the beautiful and headstrong woman, Honey Rider. Her first appearance, on screen, is perhaps the best known scene in any James Bond movie. As we first meet this enterprising shell collector she’s singing a song to herself on the beach. It’s a calypso tune that goes … “Underneath the mango tree me honey and me…” |MP3|
Now while that’s a great scene, the original novel ain’t no slouch either. Check out the unabridged reading by Simon Vance…
Dr. No
By Ian Fleming; Read by Simon Vance
7 CDs or 1 MP3-CD – Approx. 7 Hours 13 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2001
ISBN: 9781433258572 (cd), 9780786190720 (mp3-cd)
Sample |MP3|
M called this case a soft option. Bond can’t quite agree. The tropical island is luxurious, the seductive Honey Rider is beautiful and willing. But they are both part of the empire of Dr. No. The doctor is a worthy adversary, with a mind as hard and cold as his solid steel hands. Dr. No’s obsession is power. His only gifts are strictly pain-shaped.
In the novel, “Honeychile Rider” is described as “Botticelli’s Venus as seen from behind.” The movie has her in a bikini, in the novel she’s nude, except for a belt. In the movie she’s singing “Underneath The Mango Tree,” in the novel she’s whistling “Marianne.” Fleming describes “Marianne” as “a plaintive little Calypso that has now been cleaned up and made famous outside Jamaica.”
And it’s “Marianne” that’s used in the most recent incarnation of the Doctor No story, the BBC audio dramatization! And, in case you were wondering, it returns Honeychile to the nude.
I really like the movie, and the novel is definitely up there, but for me, now that I’ve heard it, the 2008 BBC audio dramatization of Doctor No is now my preferred version. It has that, sense of place, that a film gives, it plays up the mystery element, (which the movie downplays) and compresses the narrative with a “show, don’t tell” way that good audio drama really excels at.
I got a copy from RadioArchive.cc. The uploader there describes the audio dramatization like this:
Ian Fleming was never satisfied by the movie world’s take on James Bond. This dramatisation by Hugh Whitemore would meet with his approval as it is so faithful to the original novel. Bond, played here by Toby Stephens, is a wistful, vulnerable man as much as he is a fabulously fit and sexy hero. We hear him throwing up with fear after being crawled upon by a giant killer centipede, for example, which would never have done for Sean Connery. But both script and performances are true to Fleming’s vision of Bond.
And of course once you start looking into the actors biographies you start seeing all sorts of fascinating connections. Lucy Fleming, Ian Fleming’s neice plays a role. Toby Stephens has been in a Bond film and John Standing, who plays “M”, came from the family that owned Bletchley Park (the ultimate in espionage HQs if there ever was one)!
Now read a couple more of the listener reviews:
“Were this a movie, David Suchet [playing Dr. No] could have seriously expected an Oscar nomination, best Bond villain in any medium ever. Fantastic production all in all.”“A splendid, sharp, slick adaptation, very faithful to Fleming’s writing. Makes you wonder why BBC hasn’t tackled more of these. And Toby Stephens is terrific as Bond.”
Dr. No
Based on the novel by Ian Fleming; Adapted by Hugh Whitemore; Performed by a full cast
Broadcast – Approx. 90 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 – The Saturday Play
Broadcast: May 24, 2008
Provider: RadioArchive.cc
Bond is sent to investigate a strange disappearance on the island of Jamaica, and discovers that the heart of the mystery lies with a sinister recluse known as ‘Dr No’.
Cast:
‘M’ …… John Standing
Moneypenny …… Janie Dee
James Bond ……Toby Stephens
The Armourer …… Peter Capaldi
Chief of Staff …… Nicky Henson
Airport Announcer/Receptionist/Inika …… Leigh Wright
Airport Official/Pus-Feller/Henchman …… Kobna Holdbrook-Smith
Quarrel …… Clarke Peters
Miss Chung/ Sister Lily …… Kosha Engler
Pleydell Smith …… Samuel West
Miss Taro/Telephonist/ Sister May/Tennis girl …… Jordanna Tin
Librarian …… Lucy Fleming
Honey Rider …… Lisa Dillon
Guard/Henchman/Crane Driver …… Jon David Yu
Dr No …… David Suchet
Acting Governor of Jamaica …… Simon Williams
Voice of Ian Fleming …… Martin Jarvis
Crew:
Music by Mark Holden and Samuel Barbour
Producer Rosalind Ayres
Director Martin Jarvis
[via Dictionary.com, BondMovies.com, Illustrated007 and Audible.com]
Posted by Jesse Willis
BBCR4: Tracking The Lincolnshire Poacher – A documenary on “Numbers Stations”
Back in 2005 BBC Radio 4 broadcast a compelling documentary on something called “Numbers Stations“, automated shortwave radio stations that are linked to international espionage. Check out the Wikipedia entry for “The Lincolnshire Poacher” and have a listen to an |OGG| recording of an example transmission! Then listen to the doc…
Tracking The Lincolnshire Poacher
By Simon Fanshawe
1 |MP3| – Approx. 28 Minutes [DOCUMENTARY]
Broadcaster: BBC Radio 4
Broadcast: 2005
Simon Fanshawe embarks on a detective journey into the clandestine world of radio cryptography and attempts to solve one of the most unusual broadcast mysteries of all time.
[via Simon Mason and Speechification]
Posted by Jesse Willis
BBC Audio and RadioArchive.cc: The Taming Of The Shrew and Science Fiction
If I asked you to think about “Shakespeare and Science Fiction” you’d probably go with Forbidden Planet (a spacey version of The Tempest). If you’re more TV inclined you’d probably go with Star Trek, maybe even name the episode entitled “The Conscience of the King” outright. That’s the one that features a near perfect inversion of the traveling actors sequence in Hamlet (as well as part of the production of the play itself).
And yeah, Shakespeare himself may appear as a character in Science Fiction stories. Isaac Asimov’s The Immortal Bard is perhaps my favourite example of that. But no actual Science Fiction can be found in any play by William Shakespeare. Right?
Shakespeare’s plays have many fantastic elements (ghosts, magic, witches, prophecy), but those are all Fantasy tropes, not SF. Not one the the plays of William Shakespeare could possibly qualify as Science Fiction outright. Right?
But then, I was thinking about the very Philip K. Dickness of the opening sequence of Shakespeare’s farcical romp called The Taming Of The Shrew. It’s called “The Induction” and features a character named Christopher Sly, a drunkard, who while unconscious, is abducted from the street where he lays and is taken into a mischievous Lord’s home. There, he’s put to bed, and when awakened, is told by the household’s servants that he’s been “asleep” for fifteen years, that he is the lord of the manor, and that he has a beautiful young wife! All the household’s servants are in on the jape and obey his every command. The Lord who arranged this practical joke says,
Persuade him that he hath been lunatic;
And when he says he is, say that he dreams,
For he is nothing but a mighty lord.
This do and do it kindly, gentle sirs:
It will be pastime passing excellent,
If it be husbanded with modesty.
Only then, once the ridiculous question of identity is hatched does The Taming of the Shrew begin (performed by a troupe of traveling actors who visit Christopher Sly’s manor). We’ve talked about Fictional Fictional Characters, on the SFFaudio Podcast before, this is a case of a fictional fictional play. The actors in the play are playing actors in a play.
“Christopher Sly’s presence as a spectator in Shakespeare’s The Taming Of The Shrew makes the entire drama of wife-taming into a mere science fiction spectacle of household order.” -From the introduction to Poor Women in Shakespeare by Fiona McNeill
I’m betting that’s as close as The Taming Of The Shrew gets to Science Fiction.
This is all apropos of some recent reading of the play proper and a visit to RadioArchive.cc where you’ll be able to find a terrific sounding 1988, BBC Radio 3 dramatization that faithfully adapts the play to audio.
The Taming of the Shrew
By William Shakespeare; Adapted by Jeremy Mortimer; Performed by a full cast
CD or MP3 (via TORRENT) – Approx. 2 Hours [RADIO PLAY]
Broadcaster: BBC Radio 3 / BBC Radio 7
Broadcast: 1988 / 2005
Publisher: BBC Audio
Published: 1999
ISBN: 056355391X
This hearty comedy has always been a favourite with audiences. Three suitors pursue Bianca Minola, but her father won’t let her marry until her older sister, Katherine, is married. Kate is wilful, loud, volatile and above all, shrewish. Her suitor Petruchio is stern, jolly, and somewhat odd. A match made in heaven?
Cast:
Bob Peck, Cheryl Campbell, Moira Leslie, Robert Glenister, Stephen Tompkinson, Douglas Hodge, Christopher Fairbank, Michael Deacon, Anthony Jackson, Willam Simons, John Badley, and Paul Copley
Crew:
Directed by Jeremy Mortimer
Music composed by Mia Soteriou
Posted by Jesse Willis
Campaigns
Propaganda
Feeds
-
Feedburner