This is a pretty terrific adaptation of J. Sheridan Le Fanu’s vampire classic, Carmilla. David Warner is wonderful as the father of the doomed Laura. And the music sounds, to my untrained ear, like that from Wojciech Kilar‘s in the 1992 movie Bram Stoker’s Dracula.
By Don McCamphill; Adapted from the novella by J. Sheridan Le Fanu; performed by a full cast
Approx 44. Minutes [RADIO DRAMA]
Brodcaster: BBC Radio 4 Extra
Broadcast: Nov 1, 2011 A young woman finds her lonely existence in a remote Austrian castle enlivened by the arrival of a mysterious and beautiful visitor – Carmilla. What was the unworldly setting in which they last met? And why does Carmilla so violently reject the hawker’s amulet designed to ward off evil spirits?
Produced for BBC Northern Ireland Drama.
The SFFaudio Podcast #275 – Jesse and Mr Jim Moon discuss Ivanhoe: A Romance by Sir Walter Scott
Talked about on today’s show:
1820, the Tantor Media audiobook as read by Simon Prebble, 3 comic book adaptations!, the July 2014 BBC Radio 4 adaptation (1hr), General Mills Radio Adventure Theater, immensely important, Wamba and Gurth, looking at adaptations, refinement, Robin Hood (1973), the splitting of the arrow, a willow wand, daring-do fiction, archery, folktale, Will Scarlet splits the arrow in the Queen Katherine Ballad, the historical inaccuracies, Rob Roy, a plump text, King Richard and Friar Tuck, The Merchant Of Venice by William Shakespeare, a very Shakespearean novel, pithy and punchy, dialogue and banter, The Lord Of The Rings by J.R.R. Tolkien, fully motivated characters, Athelstane, colour cloaks, where does Isaac stat at Ashby?, Chapter 2 Gurth is “this second Eumaeus”, Ivanhoe is a retelling of Odysseus’ return to Ithaca, the usurpation, the governance of Scotland, the Saxons as the Scots under the English yoke, Loxley, Prince John, King John, Magna Carta, robber barons, Brian de Bois-Guilbert (wants Rebecca), Reginald Front-de-Boeuf, “Front of Beef” (wants Isaac’s money), Maurice de Bracy (wants Rowena), war and God, the 1997 BBC TV adaptation of Ivanhoe, an Arthurian style obsession, the reconciliation, Athelstane is almost a Hobbit, Athelstane death is a comedic version of a Guy de Maupassant or Edgar Allan Poe premature burial story, The Fall Of The House Of Usher done as farce, Monty Python And the Holy Grail, surprisingly few deaths, “boys own adventure”, The A-Team, Ulrica’s death, the the Waverley Novels, almost a Fantasy, magic, The Prisoner Of Zenda, venison, the Douglas Fairbanks Robin Hood, the Black Knight – who could it be?, how easy would the disguises be seen through in 1820, bigger than Stephen King or J.K. Rowling, stage adaptations, Waverley places around the world, Abbotsford, British Columbia is named (in part) after Sir Walter Scott’s home, Ivanhoe’s popularity in the southern United States, invasion, slavery and chivalry, underselling the power of fiction (as compared with non-fiction), On The Origin Of Species by Charles Darwin, The Communist Manifesto, Tolkien, understanding fiction, the revelation of truth through fiction, novels were once quite novel, the need for novels, models of action, 1984 changes, helps and improves you, “what is honorable action?”, the power of oaths, rapacious acquisition vs. honorable service, the destruction of the Templars, banishment was a harsh punishment, an obsession with love, Rebecca is the female Ivanhoe, the role of the Jews in the book vs. the adaptations, banking, this is not an anti-Semitic book (shockingly), the coin counting scene, the roasting scene, Friar Tuck is super-anti-Semitic, Churchill’s background, why is it that English were not as anti-Semitic as most of Europe?, a zeitgeisty historical novel, looking at the present through a historical lens, puffy, the level of intellect is very high – the etymology of pig, Lincoln Green, the final battle, a powerfully intellectual book for a piece of fiction, mid-19th century fiction isn’t as punchy, wit and intelligence in peasant characters, J.K. Rowling must have read Ivanhoe, Sir Walter Scott’s was “the Wizard Of The North”, Cedric <-the name comes from this book, "freelance" <-lances for hire, Robin Hood: Prince Of Thieves, Robin Hood (Ridley Scott), Robin Hood’s nom de guerre, ITV’s Robin Of Sherwood <- both Robin Hood mythologies are in it!, the "Dread Pirate Roberts", a good knight but a bad king, pagan gods, Herne the Hunter, Ivanhoe popularized the Middle Ages, Arthurian scholarship, folk customs, the ancient Egypt craze, A Connecticut Yankee In King Arthur’s Court by Mark Twain, a big powerful book, A Song Of Ice And Fire is kind of the anti-Ivanhoe, the Dunk And Egg stories, surprisingly modern, the symmetry of Ivanhoe, a tonic for gallstones, HBO should commission Ivanhoe, the 1952 version, the 1982 version, Ciarán Hinds, Mark Hamill, Kevin Costner vs. Alan Rickman, a noir ending averted.
The SFFaudio Podcast #247 – READALONG: On The Beach by Nevil Shute; read by Simon Prebble. Jesse fends off illness to lead us in an intriguing discussion about Nevil Shute’s apocalyptic novel. This podcast features Jesse, Jenny, Seth, and Paul.
Talked about on today’s show:
Reversed seasons in Southern Hemisphere; novel originally serialized in London weekly periodical The Sunday Graphic; “on the beach” as naval phrase meaning “retired from service”; the novel almost universally acclaimed by critics and readers alike; what is the ideal time frame for an end-of-the-world scenario?; On The Beach as bleak existential novel; the author’s avoidance of political or religious polemic; 1959 movie starring Gregory Peck, Ava Gardner, and Anthony Perkins; Australia as a secular nation; Earth Abides by George R. Stewart; Endgame by Samuel Becket; the novel as a metaphor for terminal cancer patients; The Star by Arthur C. Clarke; abstract sterile end-of-world mechanics, a “cosy catastrophe“; 2008 BBC radio adaptation; 2000 TV movie starring Bryan Brown, modernized and featuring a much more optimistic tone; Roland Emmerich’s disaster flick 2012; could the novel’s characters done more to ensure the continued survival of humanity?; fallout shelters, “duck and cover!”; Chernobyl; rampant alcoholism; euthanasia; attitudes toward media–were newspapers responsible for the war?; regression of technology in the novel; The Waveries by Fredric Brown; we wish the Cosy Catastrophe genre would supplant Paranormal Romance; reflection of a pre-WWI era arms race; 1959 movie version tackles Cold War paranoia; U.S. government’s criticism of the novel; Five Years by David Bowie; faced with the end of the world, our panel would evidently read Marcel Proust; needless revisions in film adaptations; much action takes place “off the page” in the novel; lookism; The Scarlet Plague by Jack London; Simon Prebble’s excellent audio narration; George Orwell’s 1984; Man’s Search for Meaning by Viktor Frankl and logotherapy; Jay Lake and his bout with cancer; Daphne du Maurier’s Rebecca, adapted by Alfred Hitchcock, and how we’re haunted by the people who are no longer with us; the novel’s three-dimensional characters; Nevil Shute employs typical British understatement; Lord of the Rings‘s Denethor and the idea of hopelessness; Egyptian tomb goods and attitudes towards death; Jesse plans his funeral rites.
Talked about on today’s show: Jonathan Davis, Pat Fraley, Scott Brick is the Brad Pitt of audiobooks and Simon Vance is the George Clooney of audiobooks, how Simon Vance got started, reel to reel tape recorder, Winnie The Pooh, BBC Radio 4, 1980s, Brighton, RNIB, Grover Gardner, George Guidall, The Book At Bedtime, Margaret Thatcher, California, San Francisco, Christian and devotional audiobooks, “we sound more intelligent (but we’re not)”, Stieg Larsson, Dracula by Bram Stoker, Audiofile Magazine, Earphone Awards, England, Sweden, The Girl With The Dragon Tattoo, the apprenticeship, Market Forces by Richard K. Morgan, a classic dystopia, Thirteen (aka Black Man), The Steel Remains, The Cold Commands, artfulness and in-artfulness of narration, Doctor Who, overwhelming music -> overwhelming emotion, The Lord Of The Rings, the good narrators do the unexpected, “boo”, Dune by Frank Herbert (the full-cast audiobook), Goodreads.com, Simon Prebble, V For Vendetta by Steve Moore, the comic + the movie + Simon Vance = great audiboook, Natalie Portman was awesome, Stephen Rea, most novelizations are terrible, Hugo Weaving, James Bond, Ian Fleming, AudioGo, Blackstone Audio, the Green Knowe books, Listen And Live, Kate Fleming, The Prestige by Christopher Priest, a complicated book, a second chance, The Science Fiction Book Review Podcast review of The Prestige (episode #177), the movie of The Prestige, a final trick, one of the best Science Fiction movies of the last ten years, a thinking man’s book (and movie), The Illusionist, stage magic vs. CGI magic, The Magic Circle, Left for Dead: The Untold Story Of The Tragic 1979 Fastnet Race by Nick Ward and Sinead O’Brien, survival, Antarctica, fiction vs. non-fiction, a cabinet of heads, WWII, the Patrick O’Brian books (the Aubrey–Maturin series), Master And Commander, the incomplete book 21, Robert Hardy and Tim Piggot-Smith, what SFF Simon Vance book should we check out?, The Darwin Elevator by Jason M. Hough, The Exodus Towers, The Plague Forge, zombie apocalypse, aliens, “good honest adventure”, Pan Books Of Horror, c, Rama, Rama II, The Man In The High Castle, Philip K. Dick, Mark Twain, Anthony Trollope, Charles Dickens, a PDF listing Simon Vance’s audiobooks, out of print audiobooks, Audible.com, Christopher Priest’s other audiobooks are done by other audiobook narrators, Peter Ganim, Robert J. Sawyer, The Player Of Games by Iain M. Banks, rights issues, keep your audiobooks.
Though I’m of the opinion you should go for the Wayne June version (physical copy HERE or Audible.com HERE) I should point out that the abridged 2010 BBC reading of H.P. Lovecraft’s At The Mountains Of Madness, as read by Richard Coyle (with added bed music) is wholly available streaming.
Here’s the official description:
This 2010 adaptation comprises 5 episodes, originally aired on BBC Radio 7, and offered here in exclusive EXTENDED EDITIONS. You will find an additional 30 mins of terror-filled audio within these five episodes!
Abridged by Paul Kent
Read by Richard Coyle
Music by Jon Nicholls
Produced by Neil Gardner
Earlier this year BBC Radio 4 began a season they called “The Real George Orwell” – here’s the official description:
A Radio 4 journey through the labyrinth that is the life and work of George Orwell.
Of course there is no real George Orwell – it was the pen name of Eric Blair – but he was a writer and political commentator who is very hard to pin down. Ever since his early death in 1950, he has been at one and the same time the darling of some on both the left and the right of British politics – whilst being reviled by others. For all the beautiful simplicity of his writing and storytelling Orwell/Blair is a complex mass of confusions – an anti-establishment, pro-English, ex-Etonian ex-policeman and socialist, who was ardently anti-authoritarian. He was as anti-fascist as he was anti-communist, a former Spanish Civil War soldier who was anti-war but pro the Second World War, and so on and so on.
Through dramatisations of the key books, through four newly commissioned plays that explore the disjuncture between the man who was Eric Blair and the writer who was George Orwell, and through factual programming and readings, Radio 4 will take you on a journey from Burma via Catalonia, Wigan, Jura, Manor Farm along the road that led to Nineteen Eighty-Four, one of the most influential novels of the twentieth century.
I’m listening to Nineteen Eighty Four now, and loving it. Have a read of Tom Goulding’s review for the RadioTimes:
Radio 4 continues its series of Orwell dramatisations with Jonathan Holloway’s long-awaited two-part adaptation of Nineteen Eighty-Four. An eerie dystopian vision in the vein of Yevgeny Zamyatin’s We and Aldous Huxley’s Brave New World, Orwell’s magnum opus is a prescient window into Cold War politics, closed-circuit surveillance and blanket censorship.
Christopher Eccleston is the downtrodden protagonist Winston Smith, while Pippa Nixon shines as forbidden love interest Julia. Elsewhere, V For Vendetta villain Tim Pigott-Smith fills O’Brien’s face-stamping boots with sinister relish.
A masterclass in ferocious condemnation and harrowing satire, this is another gem in this superb season.
Then fire up your torrent client and head on over to RadioArchive.cc – where the drama is getting rave reviews!
Adapted from the novel by George Orwell; Dramatised by Jonathan Holloway; Performed by a full cast 2 MP3s via TORRENT – Approx. 1 Hour 54 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: Feb. 10, 2013 and Feb. 16, 2013
Source: RadioArchive.cc Winston Smith works for the Ministry of Truth. Sick and separated from his wife, he lives alone in a one-room flat in Victory Mansions in London, chief city of Airstrip One. Big Brother stares out from every poster, the Thought Police uncover every act of betrayal. When Winston finds love, he discovers that life does not have to be dull and deadening, and awakens to new possibilities.
Directed by Jeremy Mortimer
Winston Smith – Christopher Eccleston
Julia – Pippa Nixon
O’Brien – Tim Pigott-Smith
Parsons – Kim Wall
Syme – Sam Alexander
Prostitute – Susie Riddell
Charrington – Robert Blythe
Actor – Christine Absalom
Actor – Don Gilet
Actor – Joe Sims
Actor – Joshua Swinney
Actor – Sam Alexander