Talked about on today’s show:
The Lost World is a great read, Tom Barling illustrations of The Lost World, the Ladybird editions, King Kong, The Valley Of Gwangi, full of jokes, slapstick, witty banter, an awesome character, a role model for us all, Professor Challenger is Brian Blessed, every audio drama, every movie, Edgar Rice Burroughs, The Land That Time Forgot, a sideways angle Gilles deLEuze’s A Thousand Plateaus, Professor Challenger made the earth scream, “his simian disposition”, When The World Screamed, The Poison Belt, The Land Of Mist, The Disintegration Machine, an end of the world story, you could do it as a stage play with a single set, the humiliation chair, Challenger and his wife embracing, The Strand Magazine (U.K. vs. American editions), they knew what gold they’d found, competing with Argosy and the colourful pulps, Herland by Charlotte Perkins Gilman, it’s the same story, Lost Horizon, the 1998 quickie movie of The Lost World, other adaptations, Summerlee as a woman, the 2011 2-part BBC Radio drama adaptation, Diana Summerlee, a male book, Dracula, assembling a team of adventurers, the sacrificial American, a mad Texan, Maple White Land, From The Earth To The Moon by Jules Verne, both books have a major role played by a noble, Lord John Roxton, he rocks, the 3 part BBC Radio drama (available as a 3 CD set), the wise sage, comic relief, a double act, a towering bastard, a modern day Munchhausen, the frame story, an evolutionary biology exemplar, the central lake, a vaginal symbol, a 1912 book, becoming soft, the Boy Scouts, a moral equivalent to war, a testosterone shot, it’s a cartoon, Roxton’s test, Boys adventure, a genocide, slavery, the 1960 adaptation, the 2001 adaptation, a romance, ahistorical women, the 1960 adaptation, the prince is turned into a princess, every Edgar Rice Burroughs book makes this change, otherwise we couldn’t go back to our women, ape city from Planet Of The Apes, the Rod Serling scripted movie, one of the great scenes of history, The Red Queen: Sex and the Evolution of Human Nature, it’s not about gender roles, it’s about racism, these Indians are so degraded their barely above the average Londoner, stupid and wise, every magazine story in the 19teens is about race and going soft and miscegenation, their good negro, the description of rage, the red mist, getting savage, Heart Of Darkness, the white feather, spiritualism, anticipation WWI, Roxton has a ton of rocks (diamonds), evolutionary psychology, Hungerford, proving the ability to care for a large number of children, a classic case (undermined at the end), Gladis Potts, an amazing amount of stuff happens in this book, good scientific analysis, poor Malone, there’s reason to fear reporters of this era, a sophisticated view of the press, that’s always been the case, news was a big business in 1912, wire services, 15 years earlier (in Dracula), The New York Times, TV journalism, pointing at pictures and saying “oh dear!”, Charlie Brooker, Newswipe or Screenwipe, a high information culture, 5 posts a day, 3 editions a day, The War Of The Worlds, Now It Can Be Told by Philip Gibbs, the hoax aspect of the book, Doyle’s problem with science, quasi-hoax in the original illustrations, the way Sherlock Holmes stories are told, the Maple White illustrations, playing with the nature of the evidence, preserving an information and financial monopoly, meticulous description, the British tradition of the novel, a very realistic novel, protestant novel, is Robinson Crusoe real?, The Castle Of Otranto by Horace Walpole, Edgar Allan Poe, The Balloon Hoax, meta-textual questions, assorted deranged individuals, the imitators of H.P. Lovecraft, Dracula is a found footage novel, future proofing the story, At The Mountains Of Madness, Ruritanian romance, Mount Roraima, a partial pterodactyl wing, the trump card, pterodactyl wing, founding a private museum, the Evolution Museum in Kentucky, a fairy museum, The Structure Of Scientific Revolutions, science studies, the Royal Society, “we’ve discovered everything”, “we’re all done inventing”, the aether of the vacuum, “extraordinary claims requires extraordinary evidence”, an antecedent for Professor Quatermass, Bryan’s beard is intimidating, Bryan with beard and axe, The Horror Of The Heights, star jelly, Eadweard Muybridge, Sherlock Holmes as a the great Asperger’s hero, Neal Stephenson’s new novel is offensively hard SF, Larry Niven, you don’t have to understand science to do it, Jurassic Park, the movie, Steven Spielberg, the betraying geek, what saves them, kids and dinosaurs, American conservative standard American movie, Schindler’s List, A.I., the Americans are very repressed,
“I have wrought my simple plan
If I give one hour of joy
To the boy who’s half a man,
Or the man who’s half a boy.”
C.S. Lewis, Gomez the traitor, Lord John Roxton’s private war, the flail of the lord, half-breed slavers, hewers of word and drawers of water, this is totally colonialism, Rhodesia, Mungo Park, Water Music by T. Coraghessan Boyle, the 1925 silent film version, Willis O’Brien, the Brontosaurus, the 1960 version, the sound effects, the dinosaurs sound like tie fighters, The 39 Steps, show me the lizards, Jules Verne’s Journey To The Center Of The Earth, 1860s paleontology, Ray Bradbury: ‘dinosaurs are awesome’, Ray Harryhausen, creationism, the poor iguanodon, dinosaurs are inherently partly mythical, the dinosaurs are all female, parthenogenesis, Eaters Of The Dead by Michael Crichton, The Andromeda Strain, The First Great Train Robbery, Sean Connery and Donald Sutherland, Beowulf vs. neanderthals, Ahmad ibn Fadlan, Congo, intelligent apes, Gorilla Grodd, DC Comics, Planetary, Lord Greystoke, loving riffs on SF classics, Doc Savage, The Shadow, too much incident (for a modern book), value for money, Speed, the whole bus gimmick, Interstellar, shallow water planet, weird ice planet, the O’Neil colony, ideas are of primacy, a humorous bombastic semi-psychotic reading, Bob Neufeld’s narration for LibriVox, John Rhys Davies, the 2001 TV adaptation with Matthew Rhys as Malone, The Americans, the science, The Andromeda Strain‘s scientific density, Andy Weir’s The Martian: “we’re going to science the shit out of this”, five-dimensional beings, the Nolan brothers, Elysium, in the geography of the public mind, Conan Doyle’s passions, “I’m obsessed with fairies now!”, FairyTale: A True Story, science runs the risk of P.T. Barnum, we need a Conan Doyle and a Houdini.
Posted by Jesse Willis
Themes: / science fiction / cyberpunk / virtual reality / virtual worlds / serial killer / Otherland /
A group of adventurers searching for a cure for comatose children find themselves trapped in a sequence of virtual worlds, the only opponents of a conspiracy of the rich to live forever in a dream. Now, they are forced to make an uneasy alliance with their only surviving former enemy against his treacherous sidekick Johnny Wulgaru, a serial killer with a chance to play God forever. Few science fiction sagas have achieved the level of critical acclaim-and best-selling popularity-as Tad Williams’s Otherland novels. A brilliant blend of science fiction, fantasy, and techno thriller, it is a rich, multilayered epic of future possibilities.
The finale to the Otherland series, Sea of Silver Light wraps up the multitude of story lines that began in City of Golden Shadow. While the book dragged in places, and some may find that the book (and the series, especially in the middle books) wanders a bit too much, it is hard not to appreciate Tad Williams’ amazingly prescient series, especially if you’re a fan of a) the internet and b) classic literature. It’s probably safe to say that the wandering will not be for everybody, but for those that enjoy the mystery and the references to other works, the series could be a lot of fun.
A series written in the mid-late 90’s, the books cover amazing breadth of topics with a wide cast of characters in this world and in a parallel online world. What started as a cyberpunk story quickly unfolded into a much larger world with many players with significantly different motivations–on all sides of the story. With unlikely/atypical heroes (a South African woman, an African “bushman”, a blind woman, two teenagers, a mom, and a guy who doesn’t know his own past, not to mention a 5 or 6-year old girl, an ancient man…the cast is huge!) and a sprawling world, it’s easy to see why some people are overwhelmed. The more intriguing part, though, is trying to piece together the entire story, trying to figure out who’s involved in the world and for what purpose…and what the online world really is. I will admit that when the world was pieced together, it seemed pretty out there…but I was so engrossed that I didn’t really mind. The only part I really did mind was the end; the book felt maybe a little too neat, and a little too drawn out at the end. That said, it does leave an opening for Williams to return to the world (and looking on Goodreads, it seems as if he may have done just that with a short story in Legends II.
It’s hard to describe the book and what happened in the series without venturing into spoiler territory. Basically, Renie, a young South African woman who is a sort of professor or teacher of computer engineering-type classes at a local university, finds one day that her brother is in a coma of sorts, a result of playing an online game. Games in the future world that Williams created are played online in a virtual reality simulation type schema, where users have different levels of gear that immerse them (fully or to varying degrees) into a virtual world. Some users go so far as to get neural cannulas, so that they can “jack in” and have the VR system provide a direct link to their brain, become fully immersed. Renie, wanting to try to find out more about how her brother came to be in the coma, went online to try to learn what she could of what he got into. Unsurprisingly, she found herself sucked into and literally stuck in a virtual world, unable to disconnect (sort of like Sword Art Online). While there, she meets others who have family members with the same affliction as her brother, and still others who have been recruited by an unknown agent to help Renie and those who are trying to help their children/family members. In parallel, there is the story of the Grail Brotherhood, a private group of the world’s most powerful and wealthiest elite, who wish to achieve immortality, and invest heavily in a system to do so. In a third story line, there is additional intrigue about a psychopath who calls himself “Dread” and seems to seek out ways to torture and kill others, online and in reality. His story ends up weaving and in some ways connecting the Grail Brotherhood and those of the people trying to help the children. Throughout, there are a multitude of worlds created by various users of the online system, many with literary references (such as The Wonderful Wizard of Oz and The War of the Worlds) or other evolving schema (such as a virtual rainforest that actually begins to evolve in the simulation world, similar to how it might have on earth). Williams uses cyberpunk, the idea of virtual/simulation worlds, and some more fantastical elements (some characters have special abilities, particularly abnormal/special mental powers) to weave a tale that leaves the reader picking up puzzle pieces and slowly piecing things together, just as the heroes do in the story.
I’m most amazed at how prescient Williams was. The book was written in the mid-90’s, yet there are references to things in the world today, innovations that were barest ideas of science fiction in the 90’s. The first and most obvious observation is that the VR world, while more immersive than anything we really have today, is very much akin to the internet of today, with people spending entire lives and making entire livelihoods on the internet. People use tablet-like devices to connect to the networks, to make calls, to shop, to go into their simulation worlds–much like an iPad or other tablet of today. People watch movies on the internet, so-called “Net Flicks” (I really wonder if that’s how Netflix’s name came to be), and an automated robotic floor-sweeping robot (Roomba, anyone) makes an appearance or two. Kids have “storybook sunglasses” which sound a bit like more immersive (and frankly more fun) versions of Google Glass. Just today, I read an article on Slashdot about body hacking through the vagal nerve, a topic that’s actually brought up in the book (as a therapy that is abused, oddly enough). There are other examples, which reading in 2015, are fun nuggets to pick up along the way. It’s crazy how forward-thinking this book was, how much it got “right” even for 2015 (I think the book is supposed to take place closer to 2050).
I liked this book and really enjoyed the series. I think that listening was a fantastic way to experience the book, to be able to lay back and shut my eyes and become immersed in the book as the characters are immersed in their world. The narration was (as I’ve said in my other reviews) great, if a little slow. But that meant that I could speed the book up slightly in the playback, cutting down some of the listening time.
The book (and series) may not be for everyone. I think it’s fair to criticize this book for going on a little “too long” or for being a little “too neat,” and it’s equally fair to think that Book 1 started slow or that books 2 and 3 wandered a bit (they absolutely were “middle books” in a series, which not everybody enjoys). But I still really liked the series. I look forward to reading it again in the future, maybe in a few years, to see how much I can pick up in advance, knowing as I do now, how the book ends.
Posted by terpkristin.
This UNABRIDGED AUDIOBOOK (8 hours 20 minutes) comes to us courtesy of LibriVox.
The Lost World was first published as a serial in The Strand Magazine from April to November 1912.
The next SFFaudio Podcast will feature our discussion of it!
Posted by Jesse Willis
Mountain of Black Glass (Otherland #3)
By Tad Williams; Narrated by George Newbern
Publisher: Penguin Audio
Publication Date: 17 March 2015
[UNABRIDGED] – 27 hours, 17 minutes
Themes: / techno-thriller / science fiction / Greek mythology / game simulation /
Mountain of Black Glass is the third volume of Tad Williams’s highly acclaimed four-book series, Otherland. A truly unique reading experience combining elements of science fiction, fantasy, and techno-thriller, it is a rich epic tale in which virtual reality could prove the key to a whole new universe of possibilities for the entire human race – or become the exclusive domain of the rich and the ruthless as they seek a technological pathway to immortality.
The sequel to City of Golden Shadow and River of Blue Fire, this is the third installment (of 4) in the Otherland series. As with River of Blue Fire, Mountain of Black Glass picks up where the last one left off. Where I rated River of Blue Fire 3 stars (it was a solid “middle book” in a series), this one gets 4 because of the time spent in Greek mythology, something I’ve always loved.
As a “middle book” in a series, it’s hard not to say things about Mountain of Black Glass that I didn’t say in my reviews for City of Golden Shadow or River of Blue Fire. The story started with key characters still separated (as they were at the end of River of Blue Fire), though much of the book was spent either a) moving them back together, b) exploring their pasts, learning more about their history, or c) giving the reader more insight into the Otherland network itself and the motivations of the people running the network. Unlike River of Blue Fire, in this book, many details seemed to “finally” be pieced together, so more complete histories of characters were formed. It was also a transformative time for some of the Otherland network owners/operators, as they put the final pieces together to try to gain immortality. Other characters, such as the psychopathic servant of the Otherland founder also get a lot of time in this book, as do the police officers looking into his murderous ways. Sellers, the old man who remains quite a mystery but seems to be some of the force that brings the heroes together, also has a key storyline, though it took quite a different turn from what I expected going into the story.
An adventure from proverbial cover to cover (since I listened to the audiobook), a lot of time in this book was spent with the characters all trying to reach the Otherland‘s version of Troy. One of the characters is actually Odysseus, while others play key characters in the Trojan War, including Achilles, his companion Patroclus, and even Diomedes. The character who became Odysseus was forced through the Otherland simulation to re-enact Odysseus’ story somewhat in reverse, having seemingly gone through the events of The Odyssey prior to living through the Trojan War, as told in The Iliad. Our other heroes also eventually ended up in Troy, but not without enduring some trying circumstances in a few different worlds. As one might expect, though, these experiences allowed them to learn more about the network itself, and will undoubtedly help them in their quest to overthrow the Otherland founders (The Grail Brotherhood) and save the children who seem to be trapped by the network.
It’s not all sunshine and roses, though. After finally learning more about each character, becoming significantly more invested in each of them, it seems that one or more of them may have actually died through the course of the narrative. It’s hard to tell for sure, and I suspect I’ll find out what exactly happened when I finish the series with Sea of Silver Light, but the emotional gut punch was harder than I expected it would be. It’s a credit to Williams’ writing that I could simultaneously know how literally frail each of these characters are, playing a life and death game where they don’t know the rules and the rules seem to change, yet still be surprised and saddened when harm (or death) comes to a character. Or how much I really hate Dredd, the servant turned monster, preying on Otherland users/members for his own fun and games.
Tad Williams again seemed to have fun with the simulation worlds, making alternate worlds of popular stories such as the previously-mentioned The Iliad and The Odyssey. There were at least two other worlds explored in this book. One seemed to be an “empty” world, what someone might consider the null space of code to be…since the Otherland network is only code, after all, it does make some sense that the users (our heroes and our villains) would sometimes find literally empty space. There was another world, a world of a house, the reference I didn’t connect (if there was a literary reference, which I suspect that there was). Still, the worlds all felt real, were able to bring me in. This is especially true for the Trojan War. I have long been a fan of Greek mythology, and it was a fun but unexpected surprise to spend so much of this book in that world…at least, that simulated world.
The audiobook was great to listen to, if the narration was slightly slow. I listened to it slightly sped up (using the 1.5x feature for spoken word playback on my iPhone) and it seemed perfect. George Newbern does a great job making the characters come to life. Where some narrators can seem flat or one-note, he always makes it clear which character is talking, and further engages the listener by taking on the exclamation, the feeling of the words. If someone is surprised, for example, his voice lets you know it, you don’t have to rely solely on supporting descriptors. He brings the book to life.
I’m looking forward to starting into Sea of Silver Light, which is queued up and ready to go. It’s a good bit longer than any of the other books in the series (~10 hours longer than this one), but that just means I’ll have to find more excuses to listen.
Posted by terpkristin.
The SFFaudio Podcast #324 – This Crowded Earth by Robert Bloch; read by Gregg Margarite. This is an unabridged reading of the novel (3 hours 30 minutes) followed by a discussion of it. Participants in the discussion include Jesse and John Feaster.
Talked about on today’s show:
the only public domain novel by Robert Bloch, a member of the Lovecraft circle, fans of Lovecraft vs. the public at large, The Shambler From The Stars, a sense of humour, Leffingwell = livingwell, a Nazi-esque character, Paul F. Thompkins, 1958, Make Room, Make Room, 1968, overpopulation, The Population Bomb, the baby boom, the Asiatics, a terrible book, a monster of a book, the yardsticks aren’t a metaphor for racism, “midgets”, The Lonely Crowd, the women in this story…, housewives and pretend nurses, not a pure SF novel, Slaughterhouse Five by Kurt Vonnegut, a sociological novel, Jesse isn’t a fan of Psycho, Yours Truly Jack The Ripper, mainstream hack solutions, Bloch is a fan of science fiction, he’s talking about Clifford [D.] Simak here, the solution to overpopulation is to make everybody smaller, you have to lean into that, a weird pacing, Game Of Thrones, an underground secret society, the meta stuff is pretty good, the opening chapter, 70s era Jack [L.] Chalker, caesarian section is the solution?!, an entertaining story, why the heck is little Harry Collins named Harry Collins?, “you’ve dropped your premise”, western wildernesses, why is the President of The United States so excited about 20 pounds of hamburger, really undercooked (hamburger), the 7 hour workday, the 5 hour workday, the 4 hour workday, a 15mph commute, population efficiency, just fix the trains in this world, Soylent Green, not enough room (physical space), telecommuting, personal transport laws, a mash-up of Nineteen Eighty-Four, the Project Mayhem portion of Fight Club and The Wizard Of Oz, Collins is constantly searching for the wizard, mistaking Beatniks for a religious order, a high-Daddio, The Planet Of The Apes premise, a dog and cat disease, accepting the premise, playing with science fiction tropes, an impressionistic idea of the world and the path it is on, the naturals or naturalists, its almost hippies, a generational metaphor, drug use, everybody takes yellow jackets, barbiturate, mixing with alcohol, a one child policy is IMPOSSIBLE?, emigration is IMPOSSIBLE, faster maturity faster death, living on Mars would make you barrel chested, island isolated animals change their size (Island gigantism or Insular dwarfism), pilots need to be short, small people and women endure g-forces better, little people on generation starships, food consumption, he follows through with his own joke, a buffet of ridiculous premises, a strange buffet, an entertaining buffet, politics and the super-rich go hand-in-hand, “the little plan”, “small government”, “it’s a small world after all”, Little John, silly, packed with a lot of weirdness, like a season of Star Trek, written over a weekend?, such a little apartment, “he’s living in a closet”, this would have to be a cartoon if it were a film, the world is a Flintstones background, if there had only been a female character who…, Stephen King loves westerns but can’t write them, lean into it, so why is this world not our problem?, LosSisco, William Gibson’s the Sprawl, Chicago and Milwaukee, well crafted characters (for talking heads), Pol Pot, no actual shitbags, the story of a 15 year old, sociologically and emotionally, the Goodreads reviews, Isaac Asimov’s the Hari Seldon plan, Marching Morons by C.M. Kornbluth, breeding a crazy man, West End Games, Paranoia, the crappy text adventure games (that were fun to play), walking off to the unmapped areas, what about this bugbear?, in a future where cows are caviar, “bring your wife, we’ll have a party”, I’ll bang off something for Planet Stories, Psycho, 1959 and 1960, John defends Psycho, Bloch’s Star Trek script “Wolf In The Fold“, Bloch’s obsession with Jack The Ripper, Richard Matheson’s Night Gallery episode, Time After Time, a future thrill kill story [sounds somewhat like The Roller Coaster by Alfred Bester], before The Silence Of The Lambs, Hannibal, charismatic serial killers is a trope now, Ed Gein, H.H. Holmes (not H.H. Munro), the Chicago murder castle, a writer re-writing and thinking about an idea over and over again, serial writers must do it again, to “recreate it”, seeing a writer writing outside of his main genre, Stephen King’s The Dark Tower series, it’s a little 15-year old, simply written to pay a bill, finally Scotty gets his own episode, I canna remember, Star Trek with a serial killer is weird, That Hellbound Train, The Gold Key The Twilight Zone comics, an EC Comics knockoff, I’m being published for crappy reasons, nobody’s going to read this in two weeks so read it now, this story is a bird-house made by a talented mechanic, a giant truck that is the internet, 60s and 70s era Robert Bloch are sealed up outside of the trunk that is the internet, accept it within its boundaries, a character from the 1950s in a crazy 1950s future, how does the story affect you?, a Rorschach test, it doesn’t care about you, this story is a friend of yours off in the corner playing with LEGOs and the only thing you can do is criticize what he’s building.
Posted by Jesse Willis
The SFFaudio Podcast #323 – Jesse, John Feaster, and David Stifel discuss the audiobook of The Monster Men by Edgar Rice Burroughs (narrated by David Stifel)
Talked about today’s show:
Project Gutenberg, Ace Book, The Girl From Hollywood, The Mucker, dope rings, The Efficiency Expert, ERB’s wife meets Earnest Hemingway, Frankenstein, The Island Of Doctor Moreau, nitric acid, what Frankenstein studies at university, alchemy, growing people, mandrake root, Luigi Galvani, the chemical tradition, girl with a machine gun, a feisty heroine, an axe, Virginia, constant clinging Deja Thoris, how old is Virginia?, there’s nobody good enough to marry my daughter, eugenics, racism of the period, Sing is the hero of the story, stalking, I bet you a car, some of the most improbable stuff, Number 13’s identity, “The Man Without A Soul”, a Scooby Doo theme, a nice rich stalking man (if he’s rich), test tube men, playing to the audience, nothing is more horrible than miscegenation, noble savages, Burroughs hated Germans, more of the creation, Burroughs is good at action, the bullwhip, the orangutan females (beautiful ladies), Von Horn, pirates, headhunters, evolution, brutish, stone age, The Synthetic Men Of Mars, the Caspak series, slow evolution, the progression of man, Charles Darwin, “oh, by the way you’re all apes”, Gods And Generals, why not a European castle?, nameless creatures, a series of unfortunate events, the aborted second creation (the bride of Frankenstein’s monster), a woman’s right not to marry, Penny Dreadful‘s Frankenstein Caliban and Proteus, Professor Maxon’s madness, why Borneo?, an exotic location, silly laws, Breaking Bad, the edge of the world, Jack London, black-birding, Dayak, Sarawak, James Brooke, Rajah of Sarawak, go west young man, poor demonized orangutans, Edgar Allan Poe, Fritz whipping the monster, playing god, one of the most fun writers ever, the spice of this guy, a satisfying writer, the Hollywood recipe, a forced love connection, Burroughs seems genuinely interested in man-woman romance, a Heinleinian father figure, Edgar Rice Burrough’s Twilight, a heroine with gumption, Christan waitresses worshiping Twilight (save yourself before marriage), no vampires, severed head creatures in Chessmen Of Mars, mind-flayers, Erol Otus, no supernatural elements, Mastermind Of Mars, Turus Tur, the power of will, a man of action (from money and breeding), if Tarzan’s parents had been plumbers, the most undercooked part of the book, had the man actually not had a soul…, Burroughs bully Teddy Roosevelt athletic men, conventional morality, a clean cut white man, the alternate love interest turns out to be the villain, is Townsend Harper a late addition?, y’ever seen a newborn baby?, just out of the cooker, that dull yellow eye, Young Frankenstein, lookism, in Edgar Rice Burroughs world it seems reasonable, was there cannibalism in that boat?, it is strongly inferable, drawing straws, tiger woman, cheetah lady, a light romp, wondering about H.G. Wells as a person, The Island Of Lost Souls, vivisection, unpleasantness, no Negroes in Tarzana, California, with not a single European, loyal Sing, yellow perily, Burmese, its the U.S. Navy!, this book really has everything, every kind of possible conflict, he wasn’t interested in doing dangerous quirky stuff, there’s a reason this isn’t an Earnest Hemingway podcast, a grand connected universe, Tarzan in Africa, John Carter on Mars, John Feaster should be pitching this as a show to the ERB estate, public domain tropes, Tarzan At The Earth’s Core, the Gridley Wave, more mash-up, the John Carter movie should have been more popular, picking a couple of nits with the film, limiting the focus of their world, Woola, the missing dog!, just another superior white man, number zero, Cornell, Ithaca, NY, Beyond Thirty (aka The Lost Continent) by Edgar Rice Burroughs, how will WWI wind up?, a submarine/airship, all the Mars are finished, Caspak is finished, Tarzan is finished, social realism, The Efficiency Expert, The Outlaw Of Torn, The Mad King, a Ruritanian romance, Winston Churchill’s ruritanian romance, helping to restore the monarchy (except it’s a republic), other authors?, meeting with the ERB estate, James Sullos, Edgar Rice Burroughs audiobooks need to be read by a California, Singapore, “Celestials” as a term for Chinese, Deadwood, the politically correct term at the time, negro, the “c” epithet?, on the side of the heroes, ERB was liberated for his time, Robert E. Howard didn’t have the wealthy heroes, Jack London, conservative free enterprise, the power of will, big muscles, when Roosevelt was obsessed with breaking up the trusts.
Posted by Jesse Willis