‘The writing is humorous, painful, awesome in its effect on both mind and heart…There are few modern novels to match it.’ —Rolling Stone
On an arid Mars, local bigwigs compete with Earth-bound interlopers to buy up land before the Un develops it and its value skyrockets. Martian Union leader Arnie Kott has an ace up his sleeve, though: an autistic boy named Manfred who seems to have the ability to see the future. In the hopes of gaining an advantage on a Martian real estate deal, powerful people force Manfred to send them into the future, where they can learn about development plans. But is Manfred sending them to the real future or one colored by his own dark and paranoid filter? As the time travelers are drawn into Manfred’s dark worldview in both the future and present, the cost of doing business may drive them all insane.
Martian Time Slip has everything I love about Philip K Dick’s writing: artificial life, unsettling visions, chaos and decay, hilarious satire, and story horizons that stretch into eternity.
PKD’s Mars is a strange and slightly alien version of 1960s California: a desert suburbia where the powerful waste water to show off their status, neglectful housewives pop pills and complain about their “whiny and dreadful” neighbors, and dodgy door-to-door salesmen offer illegal Earth foods like turtle soup and smoked frogs legs.
Since machines degrade quickly in the dry climate and resources for constructing new things are scarce, repair is a big business on Mars. The story starts when Jack Bohlen, a working-class repairman and latent schizophrenic, is diverted from a remote repair job to help some Bleekmen out in the desert.
Bleekmen are the subjugated natives of Mars, apparently related to ancient humans and the sole residents of the planet for thousands of years until the colonists arrived. Now’s they’re left to work menial jobs, and even their mystic practices are being “corrected” by the newcomers. For example, after they give Jack a lovely but creepy gift called a water witch, they explain how it works…
More carefully examining the water witch, Jack saw that it had a face and vague limbs. It was mummified, once a living creature of some sort; he made out its drawn-up legs, its ears . . . he shivered. The face was oddly human, a wizened, suffering face, as if it had been killed while crying out.
“How does it work?” he asked the young Bleekman.
“Formerly, when one wanted water, one pissed on the water witch, and she came to life. Now we do not do that, Mister; we have learned from you Misters that to piss is wrong. So we spit on her instead, and she hears that, too, almost as well. It wakes her, and she opens and looks around, and then she opens her mouth and calls the water to her.”
While on this mission, Jack runs into Supreme Goodmember Arnie Cott, the leader of the Water Works Union (one of the most powerful positions on Mars). Arnie is an obnoxious, manipulative, and racist schemer. He decides he can use Jack and so brings him in on one of his schemes to harness the precog abilities of an autistic boy, thus giving Arnie an advantage in real estate investment.
However, once he brings the autistic boy Manfred Steiner and Jack together, things start to gets very, very weird (in the best kind of way).
Originally, I was almost going to give this book a low rating, thinking it might be the first PKD book I’ve read that I didn’t really like. I kept going back to the audiobook and thinking I’d re-started in the wrong place, or that I’d zoned out and missed something the last time. It wasn’t until I decided to try a print version that I realized the reason I was losing my way was a side-effect of the novel’s beautiful and crazy structure, which spirals around and folds back in on itself.
Once I had a handle on this, I fell in love with it. This novel doesn’t reward broken up or distracted reading, but if you can give it dedicated attention, it’s brilliant.
I thought the audiobook I listened to, narrated by Jeff Cummings for Brilliance Audio, was well performed and the characters were easily differentiated, even though personally the narrative style wasn’t for me. In my mind, I tend to hear PKD’s characters as sort of dry and indifferent, so some of the characters in this version seemed too enthusiastic for my taste. But this is a very subjective thing and I imagine this reading would work well for lots of listeners. Just check out the sample audio before you buy.
This is a funny, eerie, and unforgettable story and definitely recommended, especially for PKD fans!
Posted by Marissa van Uden
Talked about on today’s show:
1964, first serialized as All We Marsmen, a pair of boxing insects, threads that lead nowhere, “a wonderful train-wreck of a novel”, the two audiobook versions, repeating scenes are disconcerting in the audiobook, repeating moments, at Arnie’s apartment, is this a byproduct of the writing process?, problems with marriage and plumbers, The Search For Philip K. Dick by Anne R. Dick, “Goodmember Arnie Kott Of Mars”, Chinatown, The Two Jakes, developers, Heliogabalus, time travel, the broken Friendly Dad robot, the school is monitoring, when you’re reading your Kindle Amazon is watching you, school is to make you conservative, preserving Earth culture, the time gate anthology, Robert Silverberg, autonomous robots, door to door salesmen, teaching machines, the different robot teachers, Immanuel Kant robot, with certainty he pointed down the hall, a western bias (the interests of Philip K. Dick), Aristotle, Abraham Lincoln, Julius, Winston Churchill, Tiberius, Thomas Edison, warfare, history, a million neat ideas, Philip II of Macedon, Alexander the Great, schizophrenia and autism, experiencing time at a different rate, derangement in a sense of time, A.D.D. and A.D.H.D., Camp BG, setting your watch by the stars and by the seasons, schizophrenia as a tendency but not a disability, daylight savings time, recipe for going to jail: act as if daylight savings isn’t real, its what the novel is about, the Soviets, an American Mars, a Bradburyian Mars, Martians as elves, the Bleekmen, water witch, hunter/gatherers nomadic culture, the “tame” Bleekman, the dream-quest is payback, a “pilg” (pilgrimage), Deus Irae by Philip K. Dick and Roger Zelazny, the trek through the desert, Tibor, Psychology Today, “oh, boy!”, thiotimoline, reconciling realities, “gubble gubble”, sharped tongued secretary, bicycles in outer space, she’s the predator, he’s the predator, Arnie and Manfred, sniffing around Doreen, they’re from the “TOMB WORLD”, Silvia is the most common female character name PKD uses, an analogy (or metaphor) for marriage, uppers and downers, drugs and coffee, back to the keyboard, Dr. Glaub is desperate to make some money, Dick’s own financial concerns, Anne, webbed fingers, inside the minds of horrible people, the dialogue driven sex scene is kinda creepy, why is she with this guy?, access to all the booze, why does Jack go back to his wife?, the perfunctory affairs are unbelievable, unredeemable, somehow it seems to all work, the Swiss rocket, Bleekmen are homo-sapiens, the S.M. Stirling Lords Of Creation novels, Mars as California, Australian aborigines, “dreamlines dreamsongs and dreamtime“, Ludwig Binswanger, psychiatry, psychology, Ellen had split her life, the “tomb world”,” degenerate and degenerating”, being trapped in your own body, “a narrowing a contracting”, gubble as a marker, Being John Malkovich, “Malkovich Malkovich Malkovich!”, our bodies with their low needs distract them from our purposes (if we have any), oblivious to suffering, depression, it’s all brain chemistry, anorexia, obsession with death, Mafred’s “sick” drawing, Amweb as the “tomb world”, the Manfred illustration, the nightmare woman, “her tongue wants to cut”, seeing into the future is seeing death, awesome imagery, a recurring image, The Minority Report, armless and legless (limbless characters), the movie adaptation of A Scanner Darkly, dialogue driven storytelling, what are they reacting to?, mental processes, “it was there to be found”, Virgil Finlay, reading it harder, a post apocalyptic zombie novel, building up a picture, open to being expanded, PKD is concise, most books aren’t dialogue driven, creative writing classes, showing off descriptive skills, novels vs. poetry, is J.R.R. Tolkien responsible for this?, a reverence for the landscape, what color is the dust?, visuals are everything has colonized Science Fiction and Fantasy in the last 30 years, eating meals and walking the landscape, this book isn’t a distraction from life, a meta-description of life, what makes this a SF story?, “the chamber”, the technology is your mind and your brain, even Mars isn’t very different, mars rats, what do the bleekmen hunt?, water witches!, does the water witch protect Jack?, the pistol, the real SF idea behind this is PKD is trying top figure out what déjà vu is, the “I know what is going to happen next” feeling, we are very poor at capitalizing on our future knowledge, the slipped gear, “Oh, little Jackie.”, Philip K. Dick’s science fiction is Psychology Today, an ansible, this problem in science and the social situation between these characters, lying in bed in a hypnagogic state, doing dream style processing of mental white noise in a semi-conscious state, “all different all equally true”, different angles, the broken mosaic, the fact that these books are dated doesn’t age the books, the Brilliance Audio audiobook narrated by Jeff Cummings, Grover Gardner (Tom Parker) narration of Martian Time-Slip, the bicycles floating into space, a horrible human being (he wastes water), Heliogabalus -> Helio (sun -> son) will Gabalus (gubble) less, Elagabalus, the religion of the Roman Empire, a scene, W.A. Mozart, “I love Mozart!”, Bruno Walter conducting, that hideous racket, encoding messages, Manfred Steiner, is this the sign?, they emerged from her pores, whoever’s perspective we see the scene from they all enter the “tomb world”, “teeming with gubbish”, “he wanted to bite her lip”, the pivot point, screeches, the screech of the bus, music, what do dogs think of music?, what do autistic people think of music?, trance music, a Dickian idea, music and sound, the bus brakes screech, “fire!”, bears at the zoo cavorting for peanuts, the suicide, “more evidence that Arnie is a horrible human being”, we just need a little bit of hope, Do Androids Dream Of Electric Sheep?, Galactic Pot-Healer, Fair Game by Philip K. Dick, The World Jones Made, there are 36 public domain Philip K. Dick stories, Time Out Of Joint (is Paul’s favourite Dick novel), a constructed town,
Posted by Jesse Willis
Commentary: The Story Of A Story – a 1917 editorial about the publication of Jack London’s first story (1899)
Below you’ll find the complete editorial introduction to the January 1917 issue of The Black Cat. Published very shortly after Jack London’s death, November 22, 1916, it serves as an introduction to the republication of London’s first published story, A Thousand Deaths (which appeared in the May 1899 issue of The Black Cat).
A Thousand Deaths is a SCIENCE FICTION story and it was the beginning of Jack London’s career. London would return again and again to SCIENCE FICTION, see our podcasts on Goliah, The Red One, The Star Rover (audiobook and discussion), and The Iron Heel (audiobook and discussion).
The Black Cat’s Editorial Page
Jack London – – – – The Story of a Story
Vagabond, explorer and oyster pirate; fisherman, gold prospector and toiler down among men; sociologist, student of metaphysics, and country gentleman,- Jack London was all of them – Jack London who died the other day. Perhaps his varied activities would fall into three classifications. First and always, he was the adventurer, following many trails and working at many trades; then the country gentleman, living in a more refined, if less invigorating atmosphere; and finally, the professional man of letters, doing his daily stint of a thousand words year in and year out, and making all other pursuits subservient to this one.
It is said of writers that they need not tramp over half the world in order to write great books. But it is quite probable that the man who does see half the world or all of it, for that matter, will sit down to write with a sub-conscious mind overflowing into note books, will in the actual labor of composition command a style of more than ordinary vigor. Jack London died at forty-one, at an age when many men are just starting out to test the broadening effects of travel. Seventeen years before his stories had begun to appear in print, and even at this time, he was drawing upon personal experiences and, first-hand knowledge for the raw material which goes into stories. And
at that time he had been seeing life in its broader aspects for nearly ten years, dating back to the end of his grammar school days and his entrance to man’s estate as a longshoreman.
Thus from the first he experienced none of that writer’s sterility which comes from lack of ideas. His struggle was not with matter, but with form. His years of apprenticeship were wholly dedicated to the mastery of technique and the cultivation of style; while other writers who lived less strenuously, butchered the former and worried along with a hybrid form of the latter as they put all of their energy into the pursuit of an idea that would be sure to take with the editors.
More than seventeen years ago, in May 1899, Jack London’s first story, “A Thousand Deaths,” was published in THE BLACK CAT. Doubtless many of our readers are already familiar with the facts concerning its publication as they are here set forth.
In Martin Eden, the book which more than any other of his is autobiography, London tells the old story of an author’s struggle for recognition. Martin Eden is about to go back to coal heaving, despairing of fame as a writer, when a letter from “The White Mouse” informs him of the acceptance of his story, ”The Whirlpool.’ That is the story in fictional form.
Here is the way London tells of his first acceptance by THE BLACK CAT, written as an introduction to “The Red Hot Dollar,” a collection of tales ‘by the founder of the
magazine, the late Mr. H. D, Umbstaetter.
“As I say, I was at the end of my tether, beaten out, staved, ready to go back to coal-shoveling or ahead to suicide. And then one morning I received a short. thin letter from a magazine.” (Mentioned as The Transcontinental in Martin Eden.) “This magazine had a national reputation. It had been founded by Bret Harte. It sold for twenty-five cents a copy. It held a four thousand word story of mine, ‘To the End of the Trail.’ I was modest. As I tore the envelope across the end, I expected to find a check for no more than forty dollars. Instead, I was coldly informed (by the Assistant Sub-scissors, I imagine) that my story was ‘available’ and that on publication I would be paid for it the sum of five dollars.
“The end was in sight, I was finished – finished as only a “very young, very sick and very hungry young man could be. And then, that same day, that very afternoon, the mail brought a short thin letter from Mr. Umbstaetter of THE BLACK CAT. He told me that the four thousand word story submitted to him was more lengthy than strengthy, but that if I would give permission to cut it in half. he would immediately send me
a check for forty dollars.
“I told Mr. Umbstaetter he could cut it down two halves if he would only send the money along. He did, by return mail. And that is precisely why I stayed in the writing game. Literally and literally I was saved by THE BLACK CAT short story.
“To many a writer with a national reputation THE BLACK CAT has been the steppingstone. The marvelous, unthinkable thing Mr. Umbstaetter did. was to judge a story on its merits and to pay for it on its merits. Also, and only a hungry writer can apprcciate it, he paid immediately upon acceptance.”
That is the story, of the story which marked the genesis of Jack London’s career as one of America’s most robust writers. We republish “A Thousand Deaths” as the first story this month and dedicate this number to the mememory of Jack London, the author, and to the memory of H. D. Umbstaetter, the editor who gave him a hand.
Posted by Jesse Willis
The SFFaudio Podcast #288 – Jesse and Mr Jim Moon talk about The Night Land by William Hope Hodgson.
Talked about on today’s show:
1912, The House On The Borderland, a great flawed masterwork, Panther UK, The Ghost Pirates, Carnacki, “you could club a night hound to death with it!”, why you shouldn’t skip the first chapter (or why you should), what’s missing: hey we found this document, the unnamed protagonist(s), a handwritten font, a seventeenth century that never was, the style and the tics, giant paragraphs starting with “and” “yet” “now”, no dialogue at all, the Lady Mirdath, a deliberately clumsy journal, a found footage book, a book to savour, Scott Danielson, mostly kissing, a little spanking, washing and kissing feet, playing the coquette, the Ballantine publication with the Lin Carter introduction, why is Hodgson such a romantic in this book?, Sam Gafford, writing order vs. publication order, The Night Land as the work of a young adolescent man, getting into the rhythm of the language, the Pyramid of the Lesser Redoubt, the 80% mark, the black river, a morass of romance, gender politics, horror?, Lovecraftian horrors in the background, fantasy, adolescent fantasy, a mother and a damsel, fight monsters and capture the princess, honoured as a hero, a classic adventure story, the landscape itself, how does the ecology work?, no sun and no moon, an utterly far future, it retains its plausibility, a new dark age of science and sorcery, a scientifically minded man, a 17th century man, the “earth current”, geothermal energy, when the earth was struck by a comet, pierced to the mantle, the oceans drained away, a dying earth, flying machines, The Night Land is future-proofed, the Earth is tidally locked, Lord Kelvin’s estimate, trees? trees?, the Moon is gone, the stars are gone, an underground world, the other stars have also burned out, billion year old petrified trees?, mega-fauna, at the ocean’s bottom there are lots of predators, moss bushes, living on the little light of the lava pits, the Country Of Seas, the Black River, moss trees?, spiders, scorpions, snakes, the four armed men, the humped men, the great men, monstrous mutations, the Night Hounds and the Watchers are unclean things intruding into our world, damaging the fabric of reality, abhumans, neither animal nor supernatural, Outside forces, the Watchers, converging on the Great Redoubt, you don’t see anything as menacingly powerful even in Mordor, subsisting on isotopes, giant eidolons or avatars of outside forces, pawns of the power of evil shaped out of the landscape itself, the Listening Ear, slow but intelligent, the Thing That Nods, the Earth will be destroyed (in so many ways), WWI, mutating away, all these threats to humanity are symbolized, aeons of encroachment, the Watcher Of The South, the Watcher Of The North-East, the light in the eye, “the essential doubt that is part of myth and legend”, cast iron mythology, the joys of The Night Land, the last of humanity in one building, it won’t belong before humanity degenerates, the grey metal armor, the diskos, a spinning metal weapon wouldn’t work, “don’t hold it that way”, whipping, immature attitudes, whose wearing what, “you’re not eating you pills!”, something real and human, a youth of 17, beneath the constant kissing, the audiobook version, an epic of two characters, the Master Monstruwacans keeping the telescopes warm, the top of the pyramid, the farmers (as usual) are at the bottom of the social pyramid, deep into the Earth, the first proper dying earth, a sequel to The Time Machine by H.G. Wells, a fannish projection, Darkness by Lord Byron, the journey to the far future, the journey through Mordor, C.S. Lewis read The Night Land, J.R.R. Tolkien, The Inklings, Sam Gafford’s hypothesis, the first fully fledged dying earth story, Clark Ashton Smith’s Zothique, Jack Vance, a love across time, the dog and the sister, human emotion played out across a backdrop, the last reel of 2001: A Space Odyssey, deep future, TheNightLand.co.uk, why you should read chapter one, they always meet at night, attacked by footpads, boar hounds, pigs, she dies in childbirth, then the crazy stuff happens, it was all mistake and they lived happily ever after, the framing sequence in The House On The Borderland, a journal of actual life and a journal of a future incarnation, “she called me by my pet name”, “I called her Mirdath”, the product of a nervous breakdown, a manic wish-fulfillment, the focus is not on the 17th century writer, deep into the night, the names, powdered food and powdered water, telepathy, mind elements, the night hearing, awesomely hilarious and completely wrong, “the master word”, an authentication against false messages, public key cryptography, discos?, a 17th century man who somehow got a hold of the projector and some reels of Tron (1982), the plot of Tron, an avatar of everyone he knows is in there, The Lego Movie (2014) has the same plot, Small Town by Philip K. Dick, some crazy futurist, Frank Tippler, reincarnated in a computer program, a dreamland, the hypnagogic land, a novel theory, Hodgson is such a good writer that we are doing most of the work, the greater and the lesser, the reflections, what’s going on in the House Of Silence?, why is the nodder nodding?, the road where the silent ones walk, the country from where comes laughter, monstrous black slug creatures, wilderness hazards, capital “E” evil, “Ah, last of humanity.” [licks lips], is the House of Silence the House on the Borderland?, the arena, Hodgson is an amazing power of a writer, retelling of The Night Land, stories set in The Night Land, he has the power of H.P. Lovecraft, August Derleth, because Lovecraft liked them, the unrecognized part of Lovecraft’s legacy is that he was a fan, oh the really long difficult one, you need to be a mature and patient reader, The Dream Of X, The Shadow Out Of Time, a mind swap through time, Lovecraft was fundamentally uninterested in making money, somebody’s pet project, an artwork, will this be popular?, I wanna make some money, the Carnacki stories were commercial, prog-rock, a concept album, self-indulgent doesn’t necessarily mean bad, “what I really need is a 500 page novel written in 17th century language”, written for his own edification and amusement, nautical fiction, The Boats Of Glen Carrig, The Voice In The Night, horrible and romantic, an infection story, body horror, The Night Boat?, “I just found this it was in an old trunk”, “outshone by the Wellses, Doyles, and Ashton Smiths”, there’s something to this idea, John C. Wright, Greg Bear, screen adaptations, The Rivals Of Sherlock Holmes, The Night Land is ideal for film script, giant slug battles, A Princess Of Mars by Edgar Rice Burroughs has the same plot, he out-Howards Robert E. Howard, the nobility of masculinity, a male archetype, physical culture, body building, William Hope Hodgson was a hottie, a Hodgson bio-pic would be a winner.
Posted by Jesse Willis
The SFFaudio Podcast #286 – The Red One by Jack London; read by Oliver Wyman. This is an unabridged reading of the novelette (1 hour 3 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Bryan Alexander, and Oliver Wyman.
Talked about on today’s show:
Bryan and Ollie, 1918, WWI, Jack London in Hawaii, a super science fiction story, H.G. Wells, existential concerns, the misogyny and racism, “unbeautiful”, London was racist and anti-racist, Lovecraft, cosmic science fiction, a beautiful sad ending, a transcendent ending, the motifs (motives), head and finger injuries, head blown off, his guide loses his head, the final head chopping, the devil devil house, twisting in the smoke, breadfruit, banyan, God’s Grace by Bernard Malamud, the Solomon Islands, Guadalcanal, the mosquitoes, headhunting, blackbirding is essentially slavery, giant butterflies, the Atlas Moth, it’s not an alien spaceship is it?, Stephen King’s Dark Tower series, Philip K. Dick, unresolved endings, a potential stage production of Flow My Tears The Policeman Said, a giant alien head, the striker has helmeted figures, ancient astronauts is the next year, 1919, Charles Fort, Erich von Däniken, Jack London’s 10 Sex Tips, Cosmopolitan -> cosmos -> cosmetology, Rendezvous With Rama by Arthur C. Clarke, The Sentinel by Arthur C. Clarke, a tripwire, a Lovecraftian sense of the universe, explorer narratives, Mungo Park, Bassett,
“And beneath that roof was an aerial ooze of vegetation, a monstrous, parasitic dripping of decadent life- forms that rooted in death and lived on death.”
Robert E. Howard, Solomon Kane, Mexico, London stole from others and his own life, journal writing, Heart Of Darkness by Joseph Conrad, “the abrupt liberation of sound”, the walls of Jericho…, two score feet in length, an alien ark, the libraries of supermen from other stars?, the Jungian analysis, a giant egg with Bassett as a sperm, Earle Labor, the ending resonates, the red one as a mandala, from a distance it appears lacquered, fever dreams, childhood hallucinations and visions, what’s the logic behind head-hunting, mortification, the other white man’s head, helmeted figures sitting inside the mouths of crocodiles, a labour of thousands of years, the twelve tribes, breadfruit is called “nimbalo” in the Solomon Islands -> “nimbus”, ringmanu -> Manu -> the progenitor of all humanity, the twelve apostles, the red one is a voice, twelve deaf apostles, gospel = good news, cure it well, immortality, London was a super-atheist, Lovecraft was an atheist, the harsh horrifying reality of death, “the serene face of the Medusa. Truth.”, Lovecraft’s poems, Alethia Phrikodes, “Omnia risus et omnia pulvis et omnia nihil”, Thomas Ligotti, True Detective, “I think human consciousness, is a tragic misstep in evolution. … species to do is deny our programming, stop reproducing, walk hand in hand into extinction”, Edgar Allan Poe, Songs Of A Dead Dreamer, The Conspiracy Against The Human Race, Pseudopod The Bungalow House, being a narrator doesn’t give you time to read, comics maybe, The Manhattan Projects, dealing with the problem of physical, Rainbow’s End, Geoffrey Household, Limbo by Bernard Wolfe, not enough physical volume in the universe, books with maps, books with art, Eadweard Muybridge, Jeff Bezos, ebooks are notorious for not having good art in them, the art of Alex Ross as a PDF, London as a tangible writer, “a mighty cry of some titan of the elder world”, Olaf Stapledon, Starmaker, the separation of the soul and the body, you are your head, the martians in The War Of The Worlds, who is telling this story?, feelings and questions, The Call Of The Wild, he’s a basset hound chasing after a big red ball, London was a dog man, the two dog books, The Sea Wolf is an intense book, To Build Fire, “the cold of space”, a hypnagogic state, the physical and the philosophical, The Iron Heel, so many writers never leave the room where they write the book, the premise for The Red One was suggested by George Sterling, A Wine Of Wizardry, what if aliens sent a message to the earth and it was not understood, if it had been shot, the gun that doesn’t go off, King Kong and Skull Island, a cynical take on religion, the Cosmopolitan illustrations, definitely an artifice, the core of a star that fell to Earth, aliens came out and they killed them, ships or jet fighters, organic ships, the spore of the organic ships, Prometheus, worth looking at and listening to, the most expensive work of fan fiction ever made, the autodoc scene, this is the thing that didn’t need to be made, Alien, Ron Cobb and Geiger, 1966, the year of Star Trek and Batman, Alan Dean Foster, Alien: The Illustrated Story by Archie Goodwin and Walt Simonson, recent alien invasion fiction, Footfall, Protector by Larry Niven, infantilized aliens, the fruit of the tree of life, Forge Of God by Greg Bear, “I have bad news”, Orson Scott Card, reared by robots, astrogation, Anvil Of Stars by Greg Bear, Sundiver by David Brin, Forbidden Planet, Glen Cook‘s Starfisher series, Captain Harlock, Anathem by Neal Stephenson, William Dufris, the glossary, Gateway by Frederik Pohl, mushrooms, characters in therapy, one of the greatest works of Science Fiction period, the serialization of Gateway in Galaxy, Dagon by H.P. Lovecraft, 1920, The Temple, black muck, they’ve got cults going.
Posted by Jesse Willis
The SFFaudio Podcast #285 – Jesse, Scott, Luke, and Jenny talk about The Girl Who Was Plugged In by James Triptree, Jr.
Talked about on today’s show:
Alice Sheldon, why no audiobook?, how James Triptree, Jr. died, the award, the Virginia Kidd agency, the PDF version, who owns it?, James Tiptree, Jr.: The Double Life of Alice B. Sheldon by Julie Phillips, Her Smoke Rode Up Forever, she was a spy, Racoona Sheldon, a murder/suicide or a suicide pact?, nearly blind, what would Seth think of that?, Huntington D. Sheldon, OSS -> CIA, Cordwainer Smith, Jesse is glad “new wave” is dead, re-reading, you must pay close attention, grammar, a potential audio version, caps and italics, Scott’s proto-cyberpunk, story summary, holographic TV, a “waldo” system, product placement advertizing, the 1998 TV adaptation for Welcome To Paradox (was very faithful), emotional, internal, the weird framing style device, is it NEW WAVE?, J.G. Ballard, an ancient version of the singularity, the reader needs to do a lot more work, Day Million by Frederik Pohl, who is the narrator talking to?, “Listen zombie, believe me…”, the truth is in question, Scott is falling down the Jesse Well, Evel Knievel, media and money, someone goes time traveling, the sharp faced lad, Luke goes biblical, why do we need firm ground?, P. Burke, a media controlled dystopia, post-modern stream of consciousness, its set in the 1970s, “Nixon Unveils Phase 2″, a loopy temporal anomalyizer project, bringing the horrible future into being, investment opportunities, what do people do in this future?, the Wikipedia entry on product placement, “gods”, media consumers, Kyle Marquis @Moochava tweet: “Yearly reminder: unless you’re over 60, you weren’t promised flying cars. You were promised an oppressive cyberpunk dystopia. Here you go.”, dystopic is this?, reserving the word dystopia, “a bad place”, Nineteen Eighty-Four by George Orwell, a world community, “the world is a dystopia for poor people”, buying into it, required consumption, a softer opt-in dystopia, Wool by Hugh Howey, the lack of truth, the six people in the GTX tower, Rupert Murdoch, government control vs. corporate control, biography of Anonymous, Wikileaks, Amazon.com, PayPal, MasterCard, Visa, Russia, Jony Ive, Jeff Bezos, Google, this one person, this relationship, the emotional part of the story, a suicide attempt, “her eyes leak a little”, the godlings, media stars, Fahrenheit 451 by Ray Bradbury, the family and the fourth wall, a tax-dodge marriage, the narrator is full of contempt for everything, a soap opera and the show around that, Jean Harlow‘s story, the actress in that movie vs. the person in that life, her Prada bag, her Jimmy Choo, her iPhone 6, the meta-story, the movies remind us why they’re famous, South America, they’re just shows that happen to love soap (not soap operas), another allusion, Green Mansions by William Henry Hudson, Rima the Bird Girl, Audrey Hepburn, tragic end, “your brain is a dystopia for you”, tragedy, what of the empty body?, the best expression of the system, a plastic brain, a red herring?, was she trying to kill her biological body?, plugged in emotionally, I Will Fear No Evil by Robert A. Heinlein, old man becomes young woman, grandfatherly lust, P. Burke thinks she is Delphi, The Matrix, if this is the start of the technology, The Beautiful People by Charles Beaumont, Scott Westerfeld’s Uglies series, vat-grown avatars, Wii miis, World Of Warcraft, Team Fortress 2, unique trumps beauty, the second smartest man in the world, scars are cool, trans-humanism, did anyone enjoy this book (story)?, Jenny loves this story, Scott liked it, the value of short fiction, James Triptree, Jr. writing is not like other people’s, it feels like an artifact, hey you daddy-o, Luke is the dissenting voice, Luke doesn’t like short fiction very much, Rudy Rucker’s Software and Wetware, Cory Doctorow, the futuristic patois, Luke doesn’t like the punk in cyberpunk, “it kind of just flops there”, KCRW’s Bookworm, Reading Like A Writer by Francine Prose, using people, “the real hairy thing…love?”, the narrator’s cynicism, Isaac Asimov’s thoughts on New Wave, New Wave as the literary version of SF, style over content, what Rudy Rucker was doing, what is the first cyberpunk book?, Anne McCaffrey’s short story The Ship Who Sang, what it’s not, who wants straightforward?, addressing the reader directly, Peter Watts, infodumping, “As you know Jim…”,
On this day I want to tell you about, which will be about a thousand years from now, there were a boy, a girl and a love story. Now although I haven’t said much so far, none of it is true. The boy was not what you and I would normally think of as a boy, because he was a hundred and eighty-seven years old. Nor was the girl a girl, for other reasons; and the love story did not entail that sublimation of the urge to rape and concurrent postponement of the instinct to submit which we at present understand in such matters. You won’t care much for this story if you don’t grasp these facts at once. If, however, you will make the effort, you’ll likely enough find it jam-packed, chockfull and tiptop-crammed with laughter, tears and poignant sentiment which may, or may not, be worth while. The reason the girl was not a girl was that she was a boy.
“There’s a great future there”, All You Zombies by Robert A. Heinlein, it’s not a time travel story?, newspapers, typewriters, telegrams, has writing gotten worse or is it just evolving?, brid -> bird, Luke thinks it’s all cyclical, this is just another princess, this is Princess Diana’s story, we are complicit, the message, everyone should have to read the news in a second language, being two steps removed from current events, the value of the short story (it’s short), speed dating books, good luck.
Posted by Jesse Willis