Jesse Willis – Page 140

New Releases: iambik audio

Saturday, July 16, 2011 Jesse Willis

Aural Noir: New Releases

Here’s the latest crime collection from iambik audio. And while imabik offers excellent DRM free versions of their titles on their easy to use website you may also be interested to know that more than thirty titles are now available through Audible.com too.

The pick of the bunch, just going by the descriptions, appears to be The Vaults by Toby Ball. And based on the reviews of the print edition, which came out last September, it seems this debut novel is rather well regarded!

Hard Cold Whisper
By Michael Hemmingson; Read by Adam Verner
MP3 Download – Approx. 2 Hours 56 Minutes [UNABRIDGED]
Publisher: iambik audio
Published: July 15, 2011
Sample |MP3|
David Kellgren is a process server, a job where everyone wants to kill the messenger and things can get a little bit dangerous and out of hand. David is attacked when trying to serve legal papers to a gang member and an angel comes to his rescue: nineteen-year-old Gabriella Amaya, trapped in a large dilapidated house, caring for her dying aunt. This elderly aunt has money, diamonds, and real estate, promised to Gabriella when the aunt dies. Is there any way the sultry caregiver can get her crafty hands on that wealth sooner? And share it with her new lover, the unsuspecting process server who starts to wonder if he’s become a patsy in an elaborate murder plot, or if he simply cannot allow himself to truest any woman who says, “I love you.” Set in San Diego, Chula Vista, and Tijuana, Hard Cold Whisper is Michael Hemmingson at his finest, most terse and torqued prose in the crime genre. — Hemmingson wrote Hard Cold Whisper as an experiment during the 2010 3 Day Novel Challenge during Labor Day Weekend, a concerted event where writers all over the world participate. The method here pays homage to hardboiled noir master Gil Brewer, who wrote many of his finest Fawcett Gold Medal titles in a possessed, white hot flash fury of several days or a week. Hard Cold Whisper is Hemmingson’s nod to the feel and atmosphere of the Gold Medal paperback.

Listen To The Dead
By Randall Peffer; Read by Art Carlson
MP3 or M4B Download – Approx. 7 Hours 27 Minutes [UNABRIDGED]
Publisher: iambik audio
Published: July 15, 2011
Sample |MP3|
Inspired by one of the largest unsolved cases of serial killings in the United States, the New Bedford Serial Killings of 1988. Harbormaster Corby Church finds the bones of a human body on Bird Island off Cape Cod. As brassy, young police detective Yemanjá Colón struggles with the case, she realizes that Church may know more than he’s letting on, and a trip he took to the Bahamas in the ’80s may prove the key.

Richmond Noir
Edited by Andrew Blossom, Brian Castleberry and Tom De Haven; Read by Charles Bice
MP3 or M4B – Approx. 7 Hours 51 Minutes [UNABRIDGED]
Publisher iambik audio
Published: July 15, 2011
Sample |MP3|
Collection edited by Andrew Blossom, Brian Castleberry and Tom De Haven. “In The Air-Conditioned Nightmare, Henry Miller tosses off a hard-bitten assessment of the City on the James: ‘I would rather die in Richmond somehow,’ he writes, ‘though God knows Richmond has little enough to offer.’ As editors, we like the dying part, and might point out that in its long history, Richmond, Virginia has offered up many of the disparate elements crucial to meaty noir. The city was born amid deception, conspiracy, and violence…

The Painted Messiah
By Craig Smith; Read by Clive Catterall
MP3 or M4B Download – Approx. 9 Hours 54 Minutes [UNABRIDGED]
Publisher: iambik audio
Published: July 15, 2011
Sample |MP3|
The Painted Messiah combines a blistering action thriller set in the streets of Zurich and on the lakes and wooded slopes of Switzerland with a compulsive and convincing account of first century Romano-Judaean politics and the real reason for Pontius Pilate’s condemnation and execution of Christ. A legend persists that, after the ‘scourging’, Pilate commanded that his victim be painted from life. Somewhere, the painting survives, the only true image of Christ, granting the gift of everlasting life to whoever possesses it. Kate Kenyon, the wealthy young widow of an English aristocrat killed on a Swiss mountain, has an addiction to mortal risk. She feeds it by engaging in the armed robbery of priceless artefacts with her accomplice and lover Ethan Brand, a Tennessean who owns a bookshop in Zurich. Their latest target is a priceless ‘Byzantine’ icon hidden in the tower of a chateau by Lake Lucerne. So far they have never had to shoot anyone. This time will be different.

Thought You Were Dead
By Terry Griggs; Read by Gregg Margarite
MP3 or M4B Download – Approx. 7 Hours 42 Minutes [UNABRIDGED]
Publisher: iambik audio
Published: July 15, 2011
Sample |MP3|
Meet the Perfect Man… no, no he’s not the hero of Thought You Were Dead. That would be Chellis Beith, literary researcher, slacker, reluctant detective, and a man bedeviled by every woman in his life. There’s his lost love, Elaine Champion, a now happily married inventor who uses him for market research, his best friend’s dotty ex-wife, Moe, his two vanished mothers, and his menacing boss, Athena Havlock, a celebrated writer who herself becomes embroiled in the dark side of fiction. The humour is wild, the language a thrill, the mystery within marvelously deft and daft. And as for the Perfect Man… well, nothing is as it seems. Is it? Thought You Were Dead is the most unconventional of all murder mysteries, turning the genre completely on its head, by bludgeoning flat language and Puritanical sensibilities with evident glee. This is further evidence that Terry Griggs is sui generis: an original and completely inimitable literary voice, with an eye for the cinematic.

The Vaults
By Toby Ball; Read by Michael Agostini
MP3 or M4B Download – Approx. 9 Hours 5 Minutes [UNABRIDGED]
Publisher: iambik audio
Published: July 15, 2011
Sample |MP3|
In a dystopian 1930s America, a chilling series of events leads three men down a path to uncover their city’s darkest secret. At the height of the most corrupt administration in the City’s history, a mysterious duplicate file is discovered deep within the Vaults—a cavernous hall containing all of the municipal criminal justice records of the last seventy years. From here, the story follows: Arthur Puskis, the Vault’s sole, hermit-like archivist with an almost mystical faith in a system to which he has devoted his life; Frank Frings, a high-profile investigative journalist with a self-medicating reefer habit; and Ethan Poole, a socialist private eye with a penchant for blackmail. All three men will undertake their own investigations into the dark past and uncertain future of the City—calling into question whether their most basic beliefs can be maintained in a climate of overwhelming corruption and conspiracy.

Posted by Jesse Willis

The Fire Of Asshurbanipal by Robert E. Howard

Thursday, July 14, 2011Sunday, March 2, 2014 Jesse Willis

SFFaudio Online Audio

If you’re looking to add a Robert E. Howard story to your reading library, but don’t want to get started down the Conan path, look no farther than The Fire Of Asshurbanipal. It was the cover story for the December 1936 issue of Weird Tales!

Weird Tales December 1936 - The Fire Of Asshurbanipal by Robert E. Howard

WEIRD TALES The Fire Of Asshurbanipal - illustration by J. Allen St. John

The Fire Of Asshurbanipal was sold posthumously to Weird Tales by Howard’s father, then the only surviving member of Howard’s immediate family. The story features a pair of adventurers. One is an American, named Steve Clarney, and the other is an Afghan named Yar Ali. They make a fun pair.

Eric Wilkerson‘s depiction of Clarney, for the Call of Cthulhu Collectible Card Game, makes Clarney look like Indiana Jones (minus the whip), and that’s not wholly wrong. But Clarney isn’t an archaeologist, though he and Yar Ali are treasure hunters, and the period and setting is pretty close.

Eric Wilkerson's depiction of Steve Clarney

It is available in print as a part of easily the Ballantine Del Rey collection called The Horror Stories Of Robert E. Howard (ISBN: 0345490207); there was also a pair of deluxe releases by Subterranean Press. And most importantly there is a wonderful professionally narrated audiobook edition available from Tantor Media (it’s read by the talented Robertson Dean):

The Horror Stories of Robert E. Howard
By Robert E. Howard; Read by Robertson Dean
2 MP3-CDs – Approx. 24 hours [UNABRIDGED]
Publisher: Tantor Audiobooks
Published: 2010
ISBN:
Sample |MP3|

The paper editions feature two stunning images from the story by Greg Staples.

The Fire Of Asshurbanipal as illustrated by Greg Staples

The Fire Of Asshurbanipal art by Greg Staples

Interestingly, a different version of the same novelette, The Fire of Asshurbanipal, was published in more recent times as a straight adventure story (same characters but minus the supernatural elements). That fantasy-free version and can be found in another Ballantine Del-Rey collection entitled El Borak And Other Desert Adventures (ISBN: 034550545X).

El Borak And Other Desert Adventures

And that one includes wondrous illustrations by the master of comic book covers Tim Bradstreet.

The Fire Of Asshurbanipal illustration by Tim Bradstreet

And the version available on Gutenberg Australia’s website is, of course, the original Weird Tales version, complete with references to the Necronomicon, Yog-Sothoth and other sundry Cthulhu mythos details. And that’s the version which has recently been podcast by FNH’s Cthulhu Podcast.

I think I first read this story about twenty-five years ago, and remembered it as a gripping adventure yarn with a fairly strong Lovecraftian feel. I picked it up second hand, in a used bookstore in a handsomely covered collection of ‘weird’ Howard stories called Wolfshead (ISBN: 055312353X). In that 1979 book, there is an excellent introduction by Robert Bloch in which he argues that the “stylistic excesses” found in Howard’s stories, like The Fire Of Asshurbanipal, can be “easily excused” because within Howard’s writing “lurks a dark poetry, and the timeless truth of dreams.”

That still sounds right to me. The Fire Of Asshurbanipal is exciting, happily and ornately adjectival, and carries about with it a heft that most adventure fiction can’t really come close to matching. Listening to this podcast edition I’ll admit it possesses a raw power that I still appreciate even today, much later in life. What jars most, of course, is the prominent position given to race, the reliance on instinctual knowledge, and the repeated use of jungle cat metaphors (which feel particularly out of place in the Arabian desert setting).

Over on the Black Gate blog Ryan Harvey argues that The Fire Of Asshurbanipal is cut from the same cloth as H. Rider Haggard’s King Solomon’s Mines and Rudyard Kipling’s The Man Who Would Be King. I agree.

If you’re looking for more stories like The Fire Of Asshurbanipal I highly recommend another novelette, of more recent vintage, that follows in the tradition very well – That’d be Charles Ardai’s Nor Idolatry Blind the Eye (available in audio as a part of the Audio Realms audiobook Hunt Through The Cradle Of Fear |READ OUR REVIEW| and as an |ETEXT|).

For those who are more comics inclined, check out Joseph Remy’s 40 page webcomic adaptation of The Fire Of Asshurbanipal which begins |HERE|.

And in case you were wondering, the Asshurbanipal of the title was a 7th century BC Neo-Assyrian king famed for the creation of the Library of Ashurbanipal which held among its collection the Epic Of Gilgamesh. It is reported that Alexander the Great, upon seeing the great library of Ashurbanipal in Nineveh, was himself inspired to create his own library and that one became perhaps the most famous library of all.

Detail from the Paul Lehr’s cover for Wolfshead:

Wolfshead cover illustration by Paul Lehr

Posted by Jesse Willis

X-Minus One: Skulking Permit by Robert Sheckley

Wednesday, July 13, 2011 Jesse Willis

SFFaudio Online Audio

skulk (v.) /skəlk/ – Keep out of sight, typically with a sinister, evil or cowardly motive
Example: The thief skulked in the shadows.

Skulking Permit is a cute Robert Sheckley story. Frankly, it is not one of his best. His best stuff will send your brain into a week long head-shaking fugue state that’ll leaving you both laughing and crying at the pathetic beast called man. But, Skulking Permit definitely is cute and it definitely does deliver the anthropological satire that Sheckley is so very fond of.

In this case there’s a Earth colony, called New Delaware, which had been cut-off for more than two hundred years. Luckily, it has recently been informed that it’ll be receiving a visit from a representative from Earth. To prepare for the occasion they colonists have decided to make everything familiar to the coming representative – make it all homey, like back on Earth – and so they’ve assigned societal roles to every member of the colony’s community. Everyone is getting used to their characters: the mayor is telling everyone what to do (he’s got to write up some laws real quick) and the police chief has to make his own badge. The little red school house and the little white church are being built and painted and the “no aliens allowed within city limits” sign is being put up. But the plan to make New Delaware a little mirror of Earth aren’t going perfectly smoothly. For what exactly is a criminal? And who can possibly play such a demanding role?

“Wanted: one man to do a totally impossible job. Salary: the knowledge that a planet’s life depends upon his being able to do it!”

X-Minus One – Skulking Permit
Based on a story by Robert Sheckley; Adapted by Earnest Kinoy; Performed by a full cast
1 |MP3| – Approx. 29 Minutes [RADIO DRAMA]
Broadcaster: NBC Radio
Broadcast: February 15, 1956
Provider: Internet Archive
|SCRIPT|
A small colony, cut off from Earth for generations, must prove they are a model of Earth culture when a ship arrives to effect their ‘reclamation’. They strive to provide archetypes of Earth society, including a town criminal… First published in the December 1954 issue of Galaxy Science Fiction magazine.

Cast:
Dick Hamilton
Wendell Holmes
Joe DeSantis
Joseph Boland
Alan Hewitt
Bill Quinn
Mandel Kramer
Ruby Dee

Announcer …. Jack Costello

Directed by Daniel Sutter

Illustrations, by Mel Hunter, from the original Galaxy publication:

Skulking Permit by Robert Sheckley - illustration by Mel Hunter (Galaxy Magazine's December 1954 issue)

Posted by Jesse Willis

CBS Radio Workshop: The Space Merchants RADIO DRAMA

Monday, July 11, 2011Monday, July 11, 2011 Jesse Willis

SFFaudio Online Audio

As mentioned on SFFaudio Podcast #116 there is no commercially available audiobook edition of The Space Merchants. What I failed to mention, however, is that there is a two-part radio dramatization from 1957:

CBS Radio Workshop – The Space Merchants
Based on the novel by Frederik Pohl and C.M. Kornbluth; Performed by a full cast
2 MP3 Files – Approx. 1 Hour [RADIO DRAMA]
Broadcaster: CBS
Broadcast: February 17th and 24th, 1957
Provider: archive.org
Mitch Courtenay, portrayed by Staats Cotsworth, is a rising star copywriter for the Fowler Schocken Advertising Agency. He’s just been given the company’s biggest campaign – he must promote the colonization of Venus. You’d think would be no problem at all given that Earth is an over-populated planet with polluted air and played-out resources. But there’s a wrinkle – somebody is working against Mitch, and an underground rebellion threatens the very foundations of Earth’s economy!

Part 1 |MP3| Part 2 |MP3|

First serialized in the March through May 1952 issues of Galaxy Science Fiction under the title Gravy Planet, The Space Merchants by Frederik Pohl and C.M. Kornbluth was one of the most popular science fiction novels of the 20th century. Here’s the first ever depiction from it, by Ed Emshwiller, for the cover story from the March 1952 issue of Galaxy:

Galaxy June 1952 - GRAVY PLANET

Darrell Sweet’s cover for the 1976 Ballantine Books paperback edition took inspiration from the original magazine appearance:

Ballantine Paperback - The Space Merchants - detail

Whereas Steve Stone’s cover art for the Orion / Gollancz – SF MASTERWORKS (Volume 54) edition seems more inspired by Blade Runner:

Orion / Gollancz - SF MASTERWORKS (Volume 54) - The Space Merchants

[Thanks Bill]

Posted by Jesse Willis

LibriVox: The Outlaw Of Torn by Edgar Rice Burroughs

Friday, July 8, 2011Tuesday, July 5, 2011 Jesse Willis

SFFaudio Online Audio

Submitted for your approval…

The Outlaw Of Torn
By Edgar Rice Burroughs; Read by Richard Kilmer and Susan Umpleby
19 Zipped MP3 Files or Podcast – Approx. 7 Hours [UNABRIDGED]
Publisher: LibriVox.org
Published: March 31, 2010
The story is set in 13th century England and concerns the fictitious outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king’s fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.

Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort’s daughter Bertrade, defending her against her and her father’s enemies. She notes in him a curious resemblance to the king’s son and heir Prince Edward.

Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade

Podcast feed: http://librivox.org/rss/3632

iTunes 1-Click |SUBSCRIBE|

[thanks also to Richard Kilmer, Laura Caldwell, mim@can and Annise]

Posted by Jesse Willis

BBCR4 + RA.CC: Daniel Keyes’ Flowers For Algernon RADIO DRAMA

Thursday, July 7, 2011 Jesse Willis

SFFaudio Online Audio

Some stories adapt better than others. I think a straight narration of an audiobook of Daniel Keyes’ novelette of Flowers For Algernon would be an easy and natural way to experience most of the story’s power. Sadly, that’s still yet to happen.

The original story, of course, makes great use of spelling mistakes which could not fully be illustrated in any audiobook narration, but a straight single voiced reading of the story still provides the main thrust of the tale’s dramatic technique; we get the grammar of the main character, his account of what his doctors ask of him, and we get what his”friends” think of him.

The film and television versions that I’ve seen have, with video’s visually orientation, have all eliminated much of the very valuable power inherent in the epistolary.

Indeed, as editor James Gunn puts it in his introductory essay to Flowers For Algernon, found in The Road To Science Fiction #4 – From Here To Forever, “Part of the appeal of the story is the comparison of the reader’s knowledge to Charlie’s, and the ability to see more in Charlie’s reports than he knows is there.” Once you actually get out of Charlie’s head you lose his perspective and lose the unreliable narration.

So I was thinking about all of this as I was downloading a 1991 BBC Radio dramatization, via torrent, from RadioArchive.cc.

I was pretty skeptical of any radio dramatization’s ability to convey the story’s full power. Now though, after listening, I’ve come away convinced that it retains much of its power, and offers up a very innovative use of the aural medium. It is actually quite a tricky balance but it totally worked in the way it is put together.

Bert Coules, who adapted the novelette had this to say:

“In 1991 the BBC asked me to suggest some SF material for a short season. I drew them up a list and at the same time put in a claim to do Flowers, which I think is a tremendous story: it completed knocked me out when I first read it as a kid. I was delighted when I got the commission.”

In Flowers For Algernon the central character keeps a diary – in fact, the entire story consists of his diary entries. I changed the diary into a series of audio recordings made on a personal tape machine, and interspersed them with dramatised scenes which are mentioned or implied in Daniel Keyes’ original but which don’t actually appear in the story at all. When you’re writing new material like that, the challenge of course is to keep it consistent with the stuff that does come more or less straight from the book.

Flowers posed a particular problem: if you’ve read the story you’ll know that Charlie Gordon, the central character, goes through some huge changes which are brilliantly depicted by the way his diary entries are written: as he develops, so does his spelling, grammar and punctuation. I had to find a spoken way of reflecting the same journey.”

I believe he’s done a fantastic job with it.

Incidentally, the other plays in that series included: Brave New World, Kaleidoscope, The Midas Plague, The Chrysalids, Space Ache, Who Goes There? and Tiger! Tiger!.

So, like I was saying, if you haven’t read the original novelette, I recommend you experience the story that way, as a piece of text, first. If you have read it, then I heartily recommend you try the audio drama. It’s a wonderful adaptation with excellent acting and a highly innovative use of the microphone.

Flowers For Algernon
Adapted from the novelette by Daniel Keyes; Dramatized by Bert Coules; Performed by a full cast
Approx. 59 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: September 5, 1991
Source: RadioArchive.cc
The play featured as part of a series of forward-looking productions collectively named “The shape of things to come.” Tom Courtenay stars as the intellectually challenged Charlie, who as part of an experiment is offered a “cure” for his low IQ…..First published in The Magazine Of Fantasy And Science Fiction’s April 1959 issue.

Cast:
Tom Courtenay ………………… Charlie
Algernon …………………….. Himself
Joanna Myers …………….. Miss Kinnian
Barrie Cookson …………….. Dr Strauss
Ronald Herdman ………………. Dr Nemur
Clarence Smith ………………….. Bert
Nigel Carrington …………. Joe/Donnegan
Auriol Smith ………….. Mrs Flynn/Ellen
Alan Barker …………. Frank/Sherrinford

Adapted by Bert Coules

Produced by Matthew Walters

Recorded Books produced an unabridged edition of the novelized expansion of the story:

Flowers For Algernon
By Daniel Keyes; Read by Jeff Woodman
8 CDs – Approx. 9 Hours [UNABRIDGED]
Publisher: Recorded Books
Published: 1998
ISBN: 9781402550348
Charlie Gordon knows that he isn’t very bright. At 32, he mops floors in a bakery and earns just enough to get by. Three evenings a week, he studies at a center for mentally challenged adults. But all of this is about to change for Charlie. As part of a daring experiment, doctors are going to perform surgery on Charlie’s brain. They hope the operation and special medication will increase his intelligence, just as it has for the laboratory mouse, Algernon. Meanwhile, each day Charlie keeps a diary of what is happening to him. This is his poignant record of the startling changes in his mind and his life. Flowers for Algernon was first published as a short story, but soon received wide acclaim as it appeared in anthologies, as a television special, and as an award-winning motion picture, Charly. In its final, expanded form, this haunting story won the Nebula Award for the Best Novel of the Year. Through Jeff Woodman’s narration, it now becomes an unforgettable audio experience.

As mentioned earlier there have been four major video adaptations of Flowers For Algernon (three television movies and on theatrical film): Des Fleurs Pour Algernon (a 2006 French TV movie), Flowers For Algernon (a U.S. TV movie from 2000), Charly (a U.S. theatrical release from 1968) and a live broadcast teleplay that aired as a part of The United States Steel Hour in 1961 (it was titled The Two Worlds of Charlie Gordon).

Des Fleurs Pour Algernon

And I’m afraid there was also a frightening looking musical theater version:

Posted by Jesse Willis