Author Focus: Mike Resnick

SFFaudio Commentary

Mike ResnickThe prolific Mike Resnick is one of the winningest Science Fiction writers in history. He is also as a long-time participant in Science Fiction fandom. Like many of his peers, in the 1960s and 70s Resnick wrote sleaze sex paperbacks under pseudonyms. His most praised work so far has been his Kirinyaga cycle, which was inspired by his many visits to Africa. His daughter, Laura Resnick, is also an award-winning SF author. Unfortunately for us Mike Resnick still only has has a small percentage of his fiction available on audio. Here’s as much as we’ve been able to find:

Audiobooks:

Science Fiction Audiobooks - Kirinyaga by Mike Resnick One Perfect Morning With Jackals & Kirinyaga (Tales of Kirinyaga #1)
By Mike Resnick; Read by Pat Bottino
1 Cassette – 83 Minutes [UNABRIDGED]
Publisher: Infinivox
Published: 1997
ISBN: 1884612237
[READ THE SFFaudio REVIEW]

For I Have Touched the Sky (Tales of Kirinyaga #2)
By Mike Resnick ; Read by Pat Bottino
1 cassette – 71 minutes [UNABRIDGED]
Publisher: Infinivox
Published: 1997
ISBN: 1884612253
Once before, the Kikuyu tried to become something that they were not, and they became not city-dwelling Kikuyu, or bad Kikuyu, but an entirely new tribe called Kenyans. Those who came to Kirinyaga came here to preserve the old ways – and if women start reading, some of them will become discontented, and they will leave, and then one day there will be no more Kikuyu left.

Sci-Fi Audio - The Hugo Nominees 2002Sci-Fi Audio – The Hugo Nominees 2002
Edited by Jeremy Bloom; Read by Various
2 CDs – [UNABRIDGED]
Publisher: Frequency Audio Magazine / SciFiAudio.com
Published: 2001
ISBN:
This collection includes Resnick’s Old MacDonald Had A Farm and is read by Hour 25 Online host Warren James. The bio-engineered “butterballs” were saving the Earth’s impoverished billions from starvation. Even vegetarians couldn’t object to that, right? These animals exist only to be eaten… But when a reporter visits the factory farm where the butterballs are grown, he finds that things aren’t quite as simple as they seem.

Escape PodEscape Pod #055 Down Memory Lane
By Mike Resnick; Read by Alex Wilson
1 MP3 File – [UNABRIDGED]
Podcaster: Escape Pod
Podcast: May 26th 2006
Escape Pod editor Steve Eley picked this story along with 3 other Hugo nominated short stories for podcast in the Spring of 2006. The podcast of this story has lead to a successful movie rights purchase for Resnick.

Escape PodEscape Pod #073 Barnaby In Exile
By Mike Resnick; Read by Paul Fischer
1 MP3 File – [UNABRIDGED]
Podcaster: Escape Pod
Podcast: September 28th 2006
Editor Steve Eley picked this melancholic tale for podcast. The story is reminiscent of Pat Murphy‘s classic Rachel In Love.

Science Fiction Audiobook - Kirinyaga by Mike ResnickKirinyaga: A Fable of Utopia
By Mike Resnick; Read by Paul Michael Garcia
8 CDs or 1 MP3 CD – 10 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2006
ISBN: 9780786167906 (CD), 9780786174218 (MP3-CD)
[SFFaudio REVIEW FORTHCOMING]

Science Fiction Audiobook - Kirinyaga by Mike ResnickBirthright: The Book Of Man
By Mike Resnick; Read by Adams Morgan
11 CDs or 1 MP3 CD – Approx. 13 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2006
ISBN: 0786192941 (CD), 0786190531 (MP3-CD)
“Birthright: The Book of Man is a brilliant novel of science fiction that carefully constructs a blueprint of mankind’s history—social, political, economic, scientific, and religious—for the next 18,000 years.”

Audiobook - We Could Do Worse: A Millennial Collection of Alternate HistoriesWe Could Do Worse: A Millennial Collection of Alternate Histories
Edited by Martin Greenberg; Read by various narrators
4 Cassettes – 6 Hours [UNABRIDGED]
Publisher: Dove Audio
Published: 1999
ISBN: 0787119024
Includes as story called Over There by Mike Resnick, read by William Windom
[SFFaudio REVIEW FORTHCOMING]

Interviews with Mike Resnick:

Recorded at Chi-Con 2000 |MP3|
Recorded at ConJose 2002 |MP3|
Recorded at WindyCon 2006 |MP3|

Posted by Jesse Willis

Commentary: Make your own Public Domain Audiobook or Podcast Novel: Win A Prize

SFFaudio Commentary

Meta SFFaudio - SFFaudio Challenge - Make audiobook win an audiobookThe SFFaudio Challenge – # 1

What do you do if you have a good voice and want to record something Speculative Fiction related but don’t have any ideas on what to record?

I have a suggestion!

At SFFaudio our first and best love is UNABRIDGED Science Fiction audiobooks. The good news is there are a large number of public domain Science Fiction or Fantasy novels that have yet to be read aloud. You needn’t bother with fancy sound effects. There’s no need for incidental music. In fact most audiobook listeners prefer their listening to be without these frills. All you’ll need is a microphone and a nice quiet room. This is the way traditional audiobooks have been recorded for nearly thirty years. But even with all those years of recording there are still DOZENS and DOZENS of name-author novels and stories available for your narration. These will be exclusive recordings!

With all the hype about Creative Commons of late you may have forgotten or maybe you never realized that there is so much in the public domain still to be recorded. In researching the complete fiction audiography of Cory Doctorow I came across no fewer than three versions of Cory’s Down And Out In the Magic Kingdom audiobook. That is probably two times to many – especially when you consider that so many public domain titles are still languishing unrecorded!

Now it isn’t like everyone has forgotten about the public domain. Admittedly, there are a few people recording public domain SF & F – like our very own Time Traveler for instance. His Time Traveler Show has a classic Science Fiction short story in nearly every podcast. There’s also Maureen O’Brien, of Maria Lectrix, who has recorded novels like Little Fuzzy and Dawn Of Flame. We’re also fond of the folks at Voices In The Dark who have recorded a number of Lovecraft’s tales. And no discussion of public domain could forget LibriVox. LibriVox is doing good work, but they aren’t, for my tastes, doing enough that is close enough to the modern era. They do stuff like Burroughs, Shelley, Twain, London and Wells, in other words, a lot of stuff that traditional audiobook publishers have already done at one time or another. There are already versions of The Time Machine and Dracula and many, many other relatively familiar novels from dozens of different professional vendors. I think it is about time more people to start doing some SF or Fantasy that isn’t from the early 20th century or prior, or if it is, make sure at least that hasn’t been recorded commercially previously. To that end I’ve compiled a short list of potentially do-able novels. Check these puppies out:

COMPLETED TITLES:

The Green Odyssey by Philip Jose Farmer |Manybooks.net|
THIS TITLE HAS BEEN COMPLETED AND RELEASED (Completed December 17th 2006 by Mark Nelson – 1st title to complete) |RELEASE DETAILS|

Badge Of Infamy by Lester Del Rey |Gutenberg Project|
THIS TITLE HAS BEEN COMPLETED AND RELEASED (Completed January 14th 2007 by Steven H. Wilson – 2nd title to complete) |RELEASE DETAILS|

The Cosmic Computer (AKA Junkyard Planet) by H. Beam Piper |Manybooks.net|
THIS TITLE HAS BEEN COMPLETED AND RELEASED (Completed January 15th 2006 by Mark Nelson – 3rd title to complete) |RELEASE DETAILS|

The Answer by H. Beam Piper |Manybooks.net|
THIS TITLE IS CLAIMED AND WILL SOON BE RELEASED (Completed January 22nd 2007 by Mark Nelson – 4th title to complete) |RELEASE DETAILS|

Plague Ship by Andre Norton |Manybooks.net|
THIS TITLE HAS BEEN COMPLETED AND RELEASED (Completed March 2007 by Mark Nelson – 5th title to complete) |RELEASE DETAILS|

Star Surgeon by Alan Nourse |Manybooks.net|THIS TITLE HAS BEEN COMPLETED AND RELEASED (Completed June 15th 2007 by Scott Farquhar – 6th title to complete) |RELEASE DETAILS|

REMOVED FROM THE CHALLENGE:


Triplanetary by E.E. Doc Smith |Manybooks.net|
This title has been COMMERCIALLY RELEASED by Books In Motion.

The Black Star Passes by John W. Campbell |Manybooks.net|

|THIS TITLE IS COMPLETE (Completed by Scott D. Farquhar)|RELEASE DETAILS|

CLAIMED TITLES:

The Sky Is Falling by Lester Del Rey |Gutenberg Project|
THIS TITLE IS CLAIMED (Claimed by Jeffery Tillotson)

Operation: Outer Space by Murray Leinster |Manybooks.net|
THIS TITLE IS CLAIMED AND MAY BE IN PRODUCTION (Claimed by Daniel)

City At World’s End by Edmond Hamilton |Manybooks.net|THIS TITLE IS CLAIMED (Claimed by James Kocher)

The Defiant Agents by Andre Norton |Manybooks.net|THIS TITLE IS CLAIMED AND SHOULD BE COMPLETED BY THE END OF SUMMER 2007 (Claimed by Cindy Woods)

The Door Through Space by Marion Zimmer Bradley |Manybooks.net| THIS TITLE IS CLAIMED AND SHOULD BE COMPLETED BY AUGUST 2007 (Claimed by Christie Nowak)

A Strange Manuscript Found In A Copper Cylindner by James De Mille |Manybooks.net| This 19th century title hasn’t been audiobooked even by a commercial audiobook company.THIS TITLE IS IN PROGRESS (Claimed by Robert A. Graff)

The Skylark Of Space by E.E. Doc Smith |Manybooks.net|
THIS TITLE IS IN PROGRESS (Claimed by Mark P. Steele)

The Defiant Agents by Andre Norton |Manybooks.net|THIS TITLE IS CLAIMED AND SHOULD BE COMPLETED BY THE END OF SUMMER 2007 (Claimed by Cindy Woods)

The Secret Of The Ninth Planet by Donald A. Wollheim |Manybooks.net|
THIS TITLE IS CLAIMED (Claimed by Cliff Charles)

AVAILABLE TITLES:

This World Is Taboo by Murray Leinster |Manybooks.net| (Manybooks.net has a computer generated audiobook, but of course such a reading sucks compared to a human being)

Warlord Of Kor by Terry Gene Carr |Manybooks.net| *There is now a multiple-reader version available from LibriVox, but someone wanting to do a single voice reading is still invited to do so).

The Galaxy Primes by E.E. Doc Smith |Manybooks.net|

This is just a smattering of what exists in the public domain. You could turn any one of these into a complete podcast novel or an amateur unabridged audiobook. You could even turn them into copyrighted audiobooks should you so desire – and even try selling them. Your voicing of a public domain book is eminently copyrightable. Podiobooks.com has started hosting Librivox titles, if you do a good job with your reading I think you’d have a good chance of getting your files hosted with Podiobooks – and maybe even get some donations too! If that still doesn’t quite do it for you read on…

As an incentive, I will offer a BRAND NEW unabridged audiobook to the first person to complete and release an unabridged reading (in a single human voice) of one of the novels on this list above. As the first person to complete this challenge you’ll need to notify me by email and verify to me the existence and availability of these files. As a winner you’ll receive your choice of one of the following Blackstone Audio audiobooks:

Galactic Pot Healer by Philip K. Dick
This audiobook has been won by Mark Nelson for his completion of The Green Odyssey by Philip Jose Farmer

Stranger In A Strange Land by Robert A. Heinlein
This audiobook has been won by Steven H. Wilson for his completion of Badge Of Infamy
by Lester del Rey

Animal Farm by George Orwell
This audiobook has been won by Mark Nelson for his completion of The Cosmic Computer by H. Beam Piper

If you have any questions about the contest, or anything written above let me know and I’ll add details. SFFaudio wants you to make audiobooks!

** UPDATE ** Nov 13th 2006 @ 1PM

Nate Peterson has written in asking:

“How do I get started? What equipment do I need and what software? What format do you want?”

Here are some answers Nate:

1. Choose a title from the list above. You’ll probably want to print out at least one copy of it. Read through the novel, make sure it is something you’ll want to record.

2. Get yourself a microphone. I hear USB mics work quite well but many amateur narrators get good use out of cheaper equipment.

3. Audacity is some good freeware that many people starting out using. It is relatively versatile and the learning curve isn’t too high. You’ll probably also want to grab an MP3 LAME encoder so you can export your files into the MP3 format. HERE is a link on how to do that.

4. MP3 format is the preferred standard, but it isn’t required to fulfill the contest. Details on what bit-rate, etc, should be worked out in advance, LibriVox and Podiobooks.com both have resources that can help you choose (more on that below).

5. There is a terrific resource available at Podiobooks.com. Their authoring guidelines (a PDF file) will give you a good general outline of what standards and practices will help you to make a better audiobook. Also, LibriVox has a number of experienced amateur narrators in their forums from which you can draw expertise. They have also created a wiki that will answer many technical questions.

** UPDATE ** Nov 16th 2006 @ 9:30PM

Banshee points out that…

“Manybooks.net apparently has the wrong version of some of those books which Gutenberg is going to post, but hasn’t posted yet. For example, the version of The Skylark of Space on manybooks.net is the book version, which is still under copyright. The public domain version is the magazine version, which they have over at durendal.org. Since Smith extensively revised Skylark, that’s a problem you can’t just sweep under the rug.”

Thanks for pointing that out Banshee. Yikes! If someone has already started recording a copyrighted version of one of these novels listed at Manybooks.net they will still be eligible for the prize (but they will still have to prove they recorded the entire novel), they will obviously however not be able to release the audiobook in any sort of commercial capacity. If this turns out to be the case the entrant who recorded a public domain version will still get a prize. I will award two prizes (of your choice) – one to the ‘mistaken copyrighted’ entrant, one to the public domain entrant. Nobody will be cheated for an error of ‘was it copyrighted or public domain?’ Sound fair?

** UPDATE ** Dec 19th 2006 @ 11:38PM

Three titles have been claimed! One has already been completed, another is set to release and one is set to begin recording. Nice work folks!

** UPDATE ** Dec 22nd 2006 @ 11:30PM

Four titles have been claimed. One has completed, another is set to release and two others are going to begin recording soon. Cool!

** UPDATE ** Jan 8th 2007 @ 2:10PM

Seven titles have been claimed. One has been completed and released, another has been completed and is being podcast! More updates as they come.

** UPDATE ** Jan 21st 2007 @ 12:10AM

Eight titles have been claimed. Three have been completed and released! All three of the prize audiobooks have been won. I’m still not sure what prizes will be offered to those challengers who are still striving to complete their claimed titles. Suggestions are welcomed.

** UPDATE ** Jan 22nd 2007 @ 8:48PM

Only 9 titles remain unclaimed! I’ve pulled Triplanetary by E.E. “Doc” Smith from the list because it has actually been commercially released already. The Answer by H. Beam Piper will be appearing in an H. Beam Piper short story collection.

** UPDATE ** March 30th 2007 @ 11:17PM

Only 7 titles remain unclaimed! This is so awesome.

** UPDATE ** May 16th 2007 @ 8:25AM

A mere 6 titles remain unclaimed! Nice work folks!

** UPDATE ** July 16th 2008 @ 4:53PM
7 titles have been completed, and only 4 titles are left to be claimed.

Commentary: Amateur Audio Drama & What’s Wrong With It

Meta SFFaudioWe’ve been talking about audio drama a lot here lately. Personally I like audio drama, and I should point out I like amateur audio drama too. But It doesn’t all make me happy. The industry has a number of problems. This post isn’t designed to discourage people who want to get into the business, it’s your time, you can use it how you want. Heck if you’ll make stuff I’ll enjoy I actively encourage you! But I do see problems, some that are fixed far easier before you start recording. Here are five problems I see in amateur audio drama…

Problem #1: Too many and too little.
Maybe there are too many people trying to do audio drama. It seems that almost everybody and their friend is making original audio drama. Good for you. A recent visit to a dedicated audio drama blog gave me a list of more than two dozen (!) audio drama troupes with websites. There are more without websites. How sad is that? Methinks it is time to consolidate people! Umbrella organizations seem to help with production schedules and technical know-how. In a group you’ll probably find peer feeback feedback will help you keep encouraged, keep you on a schedule and help keep your actors showing up for sessions. Even better as a co-operative you’ll benefit from economy of scale in terms of word of mouth.

Problem #2: Its It’s called DISTRIBUTION, stupid.
I don’t have a handle on the exact extent of the audience for audio drama, and I doubt anyone else does, but I’m going to guess that the audience for some of the amateur productions is not much higher than the number of people involved in making them (if that). Many websites didn’t even seem to be aware of the existence of podcasting. And most don’t do it. This is a major mistake. If you are one of these people do yourself a favour and buy a copy of Podcasting For Dummies. Podcasting is going to be bigger than television is now and bigger than radio was in it’s its heyday. The distribution and infrastructure costs are ridiculously cheap, you only pay big $$ if people LOVE your stuff. If you don’t make it easy for people to listen, they won’t. If your stuff isn’t on the radio, isn’t being reviewed by anyone or being syndicated by another podcast your audience isn’t just going to come to you. Podcast distribution is the solution! Pendant Productions, Darker Projects and The Sonic Society all podcast, this makes them have an audience FAR bigger than if they didn’t. Try it.

Problem # 3: Who the hell are you? And why should I care?
When you name is Llama Escondido or Sheila Whatshername your you’re in deep trouble. I’m more likely to be searching for somebody I already know about and love than you and your vague audio drama, it’s vague name and your vague writer name. Worse if none of my keywords show up in your indecipherable audio drama description, you’re lost. Don’t say that your audio drama offers a “unique perspective,” or that it consists of “funny adventures” with “new visions” that is just boring. Instead use names, either by licencing name authors fiction or by setting your dramas in places I’ve heard of “Barsoom” is better than “Planet Y.” Specifics are always better, 2052 is better than “the future.” Another approach, and Scott’s going to love this one, is to do a little Audio Drama Fan Fiction. Some umbrella organizations take this approach. People will find you this way, searches for Star Wars, Firefly, Star Trek are far more common than searches for:

Generic/Abstract Audio Drama Title
Weitten Written by Boring Guy You’ve Never Heard Of (with a “FULL CAST”)

When J. Marcus Xavier started his Silent Universe audio drama series he smartly compared his show to 24 and Battlestar Galactica. He’s since dropped the comparison (he still uses “choose-your-own-adventure” in the description) in part, no doubt, because his show is now established and known.

Problem # 4: It ain’t all that funny, buddy.
If you haven’t already, consider writing “serious” audio drama. Funny is harder to write well. I think the reason people write so much “funny” audio drama might have to do with the worry about whether or not it will be any good. Maybe it is a defensive mechanism on the part of the writer? If it is supposed to be funny and people don’t laugh, you can always say to yourself “they just don’t have a good sense of humor.” If they point out that your plot is derivative, don’t say “It is supposed to be. that’s what’s so funny.” Fear of critcism criticism shouldn’t be the motivation for a script’s direction. Another related issue: Audio dramatists tend to dumb down the science in their “funny” science fiction audio dramas. Just because it is “funny” doesn’t mean you can go slack on the science. Red Dwarf was full of ridiculously impossible physics, but they respected the audience, knew the actual tropes of SF and made serious SF ideas a part of the plot. Try that.

Problem #5: Do a reality check. Campy isn’t cool.
I’m not saying this to be cruel, I just am getting tired of the obliviousness… one thing that I’ve heard over and over again is a line that goes something like this: “We’re resurrecting Old Time Radio. Millions of people used to be glued to their radios in the 1930s and 1940s. We’re going to make it again.” I’ve heard that or variations on that pathetic dream at least a half dozen times in interviews with amateur audio dramatists. I think that’s part of the problem, you’re taking the 1930s clunky sensibility and expecting it to work in the 21st century. So maybe you did recognize this in the first recording session and so instead of updating the plots and the dialogue, you make it “campy fun.” I can only take so much camp, and right now I’m all filled up. I’m betting “campy fun” is about 100 times more fun to make than it is to listen to.

I am without audio drama sin (or virtue), being just a consumer of it, so I feel justified in casting these stones. Am I wrong?

*Typos fixed: (October 14th). Thanks Joe!

Commentary: Podcast Audio Drama vs. Professional Radio Drama

Meta SFFaudioI like a good podcast as much as the next guy. Heck, maybe even a little more than the next guy. BUT… SFFaudio lately has become an endless parade of posts about podcasts. Great podcasts, excellent podcasts, check-this-out-it’s way-cool podcasts.

In a recent post, Jesse said that one of the podcast audio drama series is one of his two favorite audio dramas. And that gave me pause. Wait a second here, I thought. Time out. Seriously? And the door opened to all kinds of issues. The main one being this:

There seems to have developed a dual standard of excellence on SFFaudio. First, there’s the FREE standard of excellence. Meaning, if it’s free, the standard for excellence appears to be lower. I couldn’t possibly call the audio drama I’ve heard via podcasting “excellent” if I compare it with almost any professional audio drama.

In reviews and commentary, I think we should be comparing audio dramas to audio dramas. The finest audio dramas ever produced – THOSE are the gold standard. People like Dirk Maggs, Roger Gregg, and Yuri Rasovsky continue to produce first-rate audio drama, and 99% of the amateur stuff is… well, it’s amateur stuff.

I’m all for letting folks know what’s out there – that’s really SFFaudio’s mission. But, in reviews and commentary, a reviewer needs a single standard of excellence, not two. If a piece of amateur audio drama garners a great review, it ought to compare favorably with a professional piece of audio drama that also got a great review. The same goes for podcast novels.

Commentary: Science Fiction, Fantasy and Horror Podcast Directories

SFFaudio Commentary

SFFaudio's Online Audio DirectoryOther than our recently updated Online Audio directory, there are several options for finding Science Fiction, Fantasy and Horror related podcasts…

TSFPN: The Science Fiction Podcast NewtorkOldest among the specialized driectories is TSFPN.com, which started strong last year and then too rapidly expanded into other categories of podcasting – this seems to have hurt their Speculative Fiction listings. A useful feature for some is their listing of podcasts by age appropriateness (General Audience, Safe For Age 14 and Not Work Safe) unfortunately they no longer include what I would consider some of the top podcasts (if you don’t list Escape Pod there has to be something wrong) though to be fair there are still some truly great podcasts listed on TSFPN, The Rev-Up Review, fior instance. Unfortunately the categories are not strictly SF, F and H related. Skepticality is listed and I think it is a terrific show, and I know it to be beloved by many speculative fiction fans, but it has no speculative fiction content at all.

SciFi PodsSciFiPods.com, a new venture that started just one week ago, is a daughter site of PodcastPickle.com. Strangely it also lists Skepticality, just because the show is awesome doesn’t make it speculative fiction. This is a nit-pciky thing, I love skepticality but I’ve never found a away to mention my favorite no Speculative Fiction podcast on SFFaudio’s Online Audio page, sure History According To Bob is an awesome podcast, but it just isn’t related. Like TSFPN, SciFiPods also gives an explicit content ranking system to their 139 currently listed podcasts. You’ll find more content listed here than anywhere except for iTunes. Unfortunately the site has a flash intro, that while entirely skippable, serves no purpose.

iTunesiTunes’s Music Store (so named in spite the fact that the podcasts are all free), offers a comprehensive search feature that will dig into the podcast descriptions and find some excellent obscure podcasts. iTunes also offers featured podcasts picked by some nameless Apple folks. There are some terrific picks in there, but if a podcast doesn’t have a decent looking logo, the chances of being featured approach zero. There is a new feature tyhat alows you to browse by category too. By clicking around in there you may be able to find their “Arts : Literature” section, which lists many interesting podcasts.

PodiobooksPodiobooks.com gets short shrift in listings, it isn’t a podcast per se, though it does have a “what’s happening at podiobooks” podcast. Instead it is a podcast provider, a collection of podcast fiction, one like no other. Listed among its dozens and dozens of podcasts are three solid categories, Horror/DarkFantasy, Science Fiction, and Fantasy sections. In them are dozens of excellent podcast novels and books. Sure, some of the podcasts listed on Podiobooks.com get attention elsewere, 7th Son for example is currently listed at #1 on SciFiPods.com’s top 100 podcasts. But if you want to find some of the older titles, still available to your podcatcher Podiobooks.com is the place you need to go.

iTunesThere is also the venerable, PodcastAlley.com, the oldest of all podcast directories. But they do not list “Science Fiction,” “Fantasy,” or “Horror” categories. The closest they come to making navigation managable is a “storytelling” category. There they do list many excellent podcasts, but the ranking system puts DVD review podcasts ahead of actual storytelling podcasts. Its more of a popularity ranker than a podcast directory in that respect.

So which directory should you be using? Here’s my opinion:

1. Use iTunes and slog through their massive listings using as many related search terms as you can. But be warned, they don’t always bring results, to find the Yog Radio podcast, for instance, you can’t use “Lovecraft” as a search term, even though Yog Radio releases unabridged H.P. Lovecraft stories, instead you’ll need to use the term “Cthulhu.”

2. Keep visiting SciFiPods.com, maybe they will become the resource in the months to come. But for that to happen they’ll probably have to dump that annoying intro.

3. Visit Podiobooks.com or subscribe to their blog’s RSS feed. The Podiobooker podcast is also useful, though it is currently on hiatus (I’m told it is coming back).

4. Keep us subscribed, or occasionally visit our Online Audio page. It is organized visually with logos from the listed podcasts and other online audio sources. It is by no means exhaustive, but we have tried to include many of the best podcast and online audio resources that deal in Speculative Fiction.

You MUST Subscribe The Dragon Pages Podcasts

Podcasters aren’t just the voices in your earbuds, they are people. Sometimes you might think some of them are the kinds of people you’d like to have as friends. Well last weekend I was privileged enough to test that theory. I had an entire family of podcasters visit during the annual celebration of my birth. And do you know what? I now consider them friends. Attending my birthday party were Evo Terra and Sheila Unwin, (as well as their hip teenage son NJ). We talked about podcasting, drank hoppy hoppy beer and had a swell-old time. As a birthday present to me Evo and Sheila even agreed to allow me to snap a promotional photo too (note that very cool mug Evo’s holding)…

Evo Terra & Sheila Unwin of Dragon Page Cover To Cover and Dragon Page With Class
I’ve been a fan of the various Dragon Page shows since before they were even podcasts, but even if you were not so lucky, you can still get in on the fun. Both Sheila and Evo’s podcasts can be found on the main www.dragonpage.com site as well as in the iTunes podcast directory (search word “dragon page”).

Interviews with and educational advice from Young Adult authors Sheila’s show, is Dragon Page With Class, the classier half of the Dragon Page podcasting phenomenon. She hosts her podcast with fellow middle school teacher Lorrie Mennenga. Together they talk about tips and techniques for use in the classroom, discuss educational trends as well as interviewing the top young adult and childrens literature authors (with a particular emphasis on Science Fiction and Fantasy authors I’m pleased to say). If you haven’t already you should subscribe using this feed:

http://www.dragonpage.com/podcastWC.xml

Interviews with your favorite science fiction and fantasy authorsEvo Terra’s show, for those of you who’ve just stepped out of a 10 year cryogenic chamber sleep, is Dragon Page Cover to Cover. C2C is all about SF and Fantasy literature, Evo and his co-host Michael Mennenga do weekly interviews with the creators of the best in Science Fiction, Fantasy and Horror literature. These two heros have more than 200 shows in their history (and are directly or indrectly responsible for more than a dozen other podcasts. You can subscribe using this feed:

http://www.dragonpage.com/podcastC2C.xml

P.S. Evo, Sheila, NJ, you’re welcome back anytime guys! Next time we’ll do the grand tour.
Jesse Willis