Category: Reviews

Review of Giants of the Frost

Scott D.

SFFaudio Review

Giants of the Frost by Kim WilkinsGiants of the Frost
By Kim Wilkins; Read by Edwina Wren
13 CDs – 15 hrs 18 min [UNABRIDGED]
Publisher: Bolinda Audio
Published: 2007
ISBN: 9781740939676
Themes: / Fantasy / Norse gods / Weather science /

Fleeing a failed engagement and mother who makes life decisions based on a psychic’s predictions, skeptic Victoria Scott joins a weather team on a Scandinavian island. Harassed by insomnia and her unpredictable boss, she writes off her dreams of a breath-sucking hag and forest creature made of twigs as nightmares. Eventually, however, she discovers that these creatures are real and possibly the least of those she may encounter.

The island is actually Midgard, a gate between our world and that of the old Nordic god, Asgard. The book alternately tells Victoria’s story and that of Vidar, a son of Odin, who has been waiting a thousand years for Victoria to be born. In Vidar’s world we meet, among others, his bondmaid Aud, who tells much of the story, and his cousin Loki, trickster god of the Norse pantheon.

At first, Victoria is extremely shallow and self-absorbed, especially in her constant worries that any kind man has designs upon her. However, as the story unfolds and mythological elements gradually are incorporated, this feeling is lessened. My foreboding that this story was simply a typical romance was relieved completely when Aud’s and Vidar’s voices began to be heard. At that point the story became more intricate and took on weight and depth. By the last third of the book, I was on the edge of my seat wondering how the destiny of the two star-crossed lovers could possibly have the happy ending that I desired. Although such questions drive the story forward, much of the story’s true strength comes from Wilkins’ almost poetic incorporation of accurate Norse mythology and weather science.

Narrator Edwina Wren delivers the story in either English or Scandinavian accents as the story requires. Her performance is compelling, especially when depicting Aud and Vidar. Transitions from one section to another are indicated with music which is welcome in helping the listener make the necessary mental switch in a book that has many points of view. This is an extremely pleasing audio book overall and Wren is a narrator to seek out in the future.

I had never heard of Kim Wilkins’ before but this book was a great treat. Definitely recommended. I will be looking forward to future works from both her, hopefully featuring a variety of cultural mythologies which I found one of the most interesting aspects of the book. As well, kudos to this audio label which put together such a good listening experience.

Posted by Julie D.

Review of Quarter Share by Nathan Lowell

Jesse Willis

SFFaudio Review

Podiobooks.com - Quarter Share by Nathan LowellSFFaudio EssentialQuarter Share
By Nathan Lowell; Read by Nathan Lowell
17 MP3 File Podcast – Approx. 8 Hours [UNABRIDGED]
Publisher: Podiobooks.com
Published: February – March 2007
Themes: / Science Fiction / Space Travel / Galactic Civilization /

When Ishmael Wang is orphaned by a flitter crash, he must make some hard decisions about how to survive in a Company-owned universe. With limited time and fewer options, he lands a job as the newest hand on the Solar Clipper Lois McKendrick and learns there’s more to life than making coffee. Join Ish, Pip, Big Bad Bev, and the rest of the Lois McKendrick’s crew as they sail the galaxy in search of profitable trade.

I listened to this podcast novel with no intention of reviewing it. But after putting $10 in the tip jar at Podiobooks.com it kind of seemed dumb not to give you another $0.02 with my opinion of it. It was just too good not to recommend. The story follows Ish Wang, a young kid without enough education or cash to make his way off the planet he’s orphaned on. He experiences a lot of other hurdles too. But, through perseverance, the kindness of a few strangers and a generous natural ability, he finds his place in the universe; and that place is as an able spaceman aboard a merchant spaceship called the Lois McKendrick. Nathan Lowell’s universe depicts a galactic civilization that is probably the least Science Fictiony ever created. Sure they’re traveling in interstellar spacecraft at faster than light speeds, but that doesn’t mean the beds don’t have to be made and the coffee filter doesn’t have to be scrubbed out. There are things to do to make this ship and crew run for heaven’s sake! Making friends and making profit aren’t usually the major plot points in a Science Fiction novel set in space. But, then again Nathan Lowell’s characters aren’t your typical space navy types either. Their more realistic for one. Their more dynamic than virtually any cosmic deckhands than I’ve spent time with in any other novel. there are now 5 novels in this series and a new 6th is forthcoming. I’ve just heard this one, the first, but the very next assembly job I take on will be made all the more enjoyable by having a Nathan Lowell audiobook in my ears.

This podiobook is read by the author, he tells this tale as if it were his very own life story. I would swear he must have been in the merchant navy at some point. What else could explain his vivid and fascinating depiction of such duty? I listened to most of Quarter Share while assembling a gazebo in my mother’s front yard. Let me give you a piece of advice. If you’ve got a gazebo to assemble you really want to have Quarter Share in your MP3 player. Quarter Share is a novel about work. Work, done well, by good, honest and hardworking people. I’ve never heard a novel that spent as much time talking about work, the minutae of it, or for that matter one that tells me how good coffee gets made (it’s all about having a clean pot dontcha know). If Nathan Lowell ever swings by these parts I’ll invite him over. Maybe we’ll even swing by my mother’s gazebo. He can make the coffee.

For more testimonials about how awesome Quarter Share is be sure to check out the official comments thread for it over on Podiobooks.com

Posted by Jesse Willis

Review of Blake’s 7 – Point Of No Return and Eye Of The Machine

Jesse Willis

SFFaudio Review

Blake's 7 - Point Of No Return and Eye Of The MachineSFFaudio EssentialBlake’s 7 – Point Of No Return and Eye Of The Machine (Vol. 1.2 & 1.3)
By Ben Aaronovitch and James Swallow; Performed by a full cast
2 CDs – Approx. 70 Minutes [AUDIO DRAMA]
Publisher: B7 Media
Published: November 2008
ISBN: 9781906577063
Themes: / Science Fiction / Politics / Crime / Artificial Intelligence / Terrorism / Noir /

‘Blake’s 7 draws much of its inspiration from the legend of Robin Hood. It follows a small band of outlaws, under a figurehead leader, leading a rebellion against a tyrannical regime.’

–A History and Critical Analysis of Blake’s 7 by John Kenneth Muir

This is the second release in the first season of Blake’s 7 prequel stories. For more information on the original the Trilogy Box Set and Volume 1.1 of the prequel series read our reviews HERE and HERE.

Point of No Return and Eye Of The Machine are two more rousing and unconventional adventures in the Blake’s 7 reimaginging. As is typical with most excellent series the music, sound design and acting are absolutely stellar. But, it is the writing which amazes me the most. There are two ways you can go with remakes of old television series. One is to write it so that the dumbest people in your audience won’t have any trouble following it (New Doctor Who I’m looking at you). The other is to re-imagine, re-construct and re-engage with those who loved a smart Science Fiction series for its intelligence. I’m happy to say that this new Blake’s 7 series is in the latter category. Feelings of surprise and utter engagement followed from the opening moments of a rainswept city soundscape to the final credit sequence. I was rapt, imagining the goings-on as vividly as if they were projected onto 1,000 foot screen. Here are my thoughts on each of the two episodes in this set…

Point of No Return – (Episode 1.2)
Written by James Swallow, directed by Andrew Mark Sewell

Point of No Return depicts a critical juncture in the life of Major Stefan Travis. Travis is a Blake’s 7 baddie, the Guy of Gisborne to Roj Blake’s Robin Hood. In this prequel story we find Travis assigned to investigate Carl Varon. Varon is a kind of proto-Blake – a political troublemaker who claims to have been setup by the powers that be. The evidence is against Varon is damning. There’s a laundry list of horrific charges against him. Plus, there’s all the video evidence. So what’s Travis’ problem? Just that Varon may be entirely innocent. Travis has two duties. 1. A duty to the state. 2. A duty to the truth. Which will he choose?

Actor Craig Kelly plays Travis. To my ears his voices sounds pretty similar to the original TV series actor Brian Croucher. What benefits Kelly here is that he gets a much meatier role than poor Croucher (the TV Travis) ever got. He also benefits by playing against a veteran like Peter Guinness. Guinness has a Jekyll And Hyde-like role in this story, we get him as the innocent man in jail and as a political terrorist (during some video playback sequences). Jake Maskall has the least to do here, playing Sub-Lieutenant Garcia. His role being to mostly act as a naive assistant to Travis.

Eye Of The Machine – (Episode 1.3)
Written by Ben Aaronovitch, directed by Andrew Mark Sewell

Eye Of The Machine also follows a baddie (but one of the less bad baddies). Kerr Avon (the Will Scarlet of Blake’s 7) in this prequel story is a brilliant and geeky post-graduate student at Oxford in 2230. The university’s campus, like so many on Earth, is roiling with political protest movements. Avon wants nothing to do with politics, but a fellow student is hot for two things – political change and Kerr Avon. Meanwhile Avon’s brilliance in his chosen studies has caught the eye of a respected cyberneticist professor. Professor Ensor is working on an artificial intelligence breakthrough – he needs a mind like Avon’s. Will Avon’s attendance at Freedom Party meetings or the ambitious Professor Ensor be his undoing?

Colin Salmon (playing Avon) is a movie star with stage acting chops. Anna Grant (played by Keeley Hawes) is fast talking and passionate. She’s terrific. Ensor, is played by Geoffrey Palmer, a veteran of virtually every television series made in the U.K.. In this he’s slimy, mean-spirited and perfect. The script jumps back and forth between the events as they unfolded chronologically and sometime shortly after ‘what happened’ wherein Ensor and Grant give one sided answers to an interrogator’s questions. Both Episode 1.2 and 1.3 use just three actors each but we don’t need even more. These scripts are perfectly polished audio drama gems. Highly recommended.

Posted by Jesse Willis

Aural Noir Review of The Fabulous Clipjoint by Fredric Brown

Jesse Willis

Aural Noir: Review

[This audiobook was created by Wonder Audiobooks which is owned by SFFaudio contributor and a past reviews editior Rick Jackson]

Wonder Audiobooks - The Fabulous Clipjoint by Fredric BrownSFFaudio EssentialThe Fabulous Clipjoint
By Fredric Brown; Read by William Coon
Audible Download – 5 Hours 36 Minutes [UNABRIDGED]
Publisher: Audible.com / Wonder Audio
Published: 2009
Themes: / Crime / Mystery / Murder / Alcoholism / Noir / Carny / Chicago / Janesville /

You’ll hear the soft, lazy voice of a dame who’s been around, and you’ll meet up with a beautiful heller. You’ll learn the lurid secrets of a man’s locked past, and you’ll prowl dark alleys with two men–two men turned hunters. And you’ll wonder–why Ed and his Uncle Am didn’t level with the cops; what business a gang would have with Ed’s dead father; and where the killer thought the hunters would go wrong. Here are your answers, in this fast-spinning, two-fisted mystery about thugs, molls, and carnival folks.

Ed Hunter is 18, an apprentice linotype operator in 1940s Chicago. He works with his father. One morning Ed gets up to work only to find his father missing, having not come home the night before. This can only mean one thing – MURDER! The cops aren’t too interested, his alcoholic stepmother and oversexed step sister aren’t up for it, so it’s up to Ed to get justice. But to get the job done he’ll need help so For he enlists his uncle, a carny with more brains and experience than any man Ed knows.

Rick Jackson, the man behind Wonder Audiobooks, is a good friend of mine. It’d be hard to say I’m 100% objective about reviewing his stuff. The problem mostly being that he and I have such similar tastes in audiobooks and fiction that to praise one of his audiobooks is very much like saying how cool I am! But he is cool damn it! And more importantly this is a truly awesome audiobook. I will stake my reputation on you loving it. If you’re twice as apt to like an old crime novel as a new one, then you’re three times as apt to love The Fabulous Clipjoint. The mystery is not hard to follow, the story is told in first person, but conversely it was devilishly hard to solve. I pride myself on being an excellent armchair detective, but I was happily baffled right up til the big reveal. That’s really saying something. William Coon sounds like a wise teenager. But then whenever he’s tasked with another character’s voice he switches: Falsetto, gruff, kindly, Coon does them all. Highly recommended.

Posted by Jesse Willis

Aural Noir Review of Drive by James Sallis

Jesse Willis

Aural Noir: Review

Blackstone Audio - Drive by James SallisDrive
By James Sallis; Read by Paul Michael Garcia
Audible Download – 3 Hours 26 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
Provider: Audible.com
Themes: / Crime / Noir / Los Angeles / Hollywood / Arizona /

“Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there’d be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn’s late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room…”

Drive starts with an important dedication. “To Donald Westlake, Ed McBain and Larry Block.” If an author is going to choose any three modern crime writers as inspiration for a book they could pick no better three than these dudes. Drive starts off with an opening sentence that could have been written by Richard Stark (a pen-name of Donald Westlake), proceeds to punch-out clean and clinical prose like McBain’s 87th Precinct novels and punches the story along like Lawrence Block at his best. Drive stars “Driver”, a nameless Hollywood stunt driver by day and a criminal getaway driver by night. We get how he started in the business of stunt-driving, a few scenes of him pulling off those incredible feats of automotive control, and how he got involved in the punishing business of criminal getaway driving. It’s fast, but it ain’t furious, it’s more of a simmering sizzle.

Blackstone narrator Paul Michael Garcia, who I last heard as the reader of Starman Jones, has a young voice – I knew I’d enjoy his reading of something in this genre. Garcia’s narration made it an incredibly solid listen. What’ll keep it from being a classic of the niche is that same anonymity of the protagonist. I enjoyed the ride with the guy, the “driver”, he has an incredible story to tell, but it was like I got hypnotized by the road somehow – I got to the end, refreshed and exhilarated but not particularly aware of what route we took. Perhaps this makes Drive the ideal summertime, top down, high-gear audiobook? It’s a novella so it’s short and you’ll zip through it practically before the commute is over. I think its worth giving a try.

Posted by Jesse Willis

Review of Blake’s 7 – When Vila Met Gan (Vol. 1.1)

Jesse Willis

SFFaudio Review

Blake's 7 - When Vila Met GanSFFaudio EssentialBlake’s 7 – When Vila Met Gan (Vol. 1.1)
By Ben Aaronovitch; Performed by a full cast
1 CD – Approx. 50 Minutes [AUDIO DRAMA]
Publisher: B7 Media
Published: October 2008
ISBN: 9781906577056
Themes: / Science Fiction / Crime / Dystopia /

Earth. 2230 AD. A time of social and political turmoil. Olag Gan wants to marry the woman of his dreams. Vila Restal wants to steal anything that isn’t nailed down. When they form a partnership, a perfect combination of strength and skill, it seems that nothing stands between them and the easy life. But fate hates to give a sucker an even break and the course of true love never did run smooth.

Though set after the events of the Blake’s 7 – Audio Adventures (Trilogy Box Set) |READ OUR REVIEW| When Vila Met Gan is primarily a prequel showing Gan and Vila back on Earth. There they work in the criminal underworld, Vila as a burglar and Gan as syndicate muscle. This is where the show shines, with Ben Aaronovitch having carefully constructed even more of the world he illustrated in the Trilogy Box Set. Very little of Earth was shown in the original television series – so Aaronovitch makes the tyranny of Earth actually tyrannical by drawing heavily upon the culture and lexicon of Aldous Huxley’s Brave New World. The story on Earth is set within a framing sequence in which a post-Trilogy Box Set Vila and Gan are visiting a colony world. They are there to take some much needed shore leave – but after they’ve spent all their money boozing up the planet Gan gets misty, and pines for his lost love back on Earth. It is at this point the narrative jumps back to Pre-Trilogy Box Set London (Rog Blake is still just a reformer candidate in upcoming planetary elections).

The story itself runs 30 minutes. The writing is fresh and funny with Gan and Vila make a terrific pair. Michael Keating, reprising the role he created in the original TV series, sounds just like he did on the show (even 30 years on). Owen Aaronovitch plays Gan. Also noticeable in this script is Ben Aaronovitch’s addressing of the original TV series “teleport” capabilities. The TV B7 “teleporter” and Star Trek‘s “transporter” technologies have been seen by SF fans as a kind of deus ex-machina. I think that’s why they were left out of the Trilogy Box Set. But, in When Vila Met Gan, our stranded heroes bemoan the lack of teleport technology. It verges on self-parody, but in the context of the framing story it works very well. This is a serial audio drama series of the highest caliber.

Also included on the CD are the Season 1 trailer, and the Season 2 trailer!

Posted by Jesse Willis