News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.
I’ve created a PDF Page, that is a page full of printable PDFs. Most are short stories, most are in the public domain (in most places). There are more than fifty PDFs there. All ready for download and printing.
Now I’m afraid that most have no OCR. But on the other hand the files are unlocked and so you could OCR them yourself should you so desire.
It’s currently filed under out FEATURES page, but HERE‘s the direct link.
Please let me know if any of the files there don’t download.
Authors included:
Charles Beaumont, John Buchan, Ambrose Bierce, Ray Bradbury, Anthony Boucher, Emily Brontë, Lucy Clifford, John Collier, Philip K. Dick, Sir Arthur Conan Doyle, Laura Lee Hope, Robert E. Howard, W.W. Jacobs, Henry Kuttner, Jack London, H.P. Lovecraft, C.C MacApp, William Morrison, Fitz-James O’Brien, Edgar Pangborn, Edgar Allan Poe, Robert Sheckley, T.S. Stribling, Voltaire, H.G. Wells, and Manly Wade Welman.
Tony Smith, of StarShipSofa, was telling me, a few months ago, that he was working on a new podcast. I’m not much for plans. I don’t like to be disappointed. I don’t want to know what’s coming out next month or next year. Instead, I look backwards into what I see as the ever settling waters of history.
Tony had said the show was going to be crime fiction themed. He was excited. I was non-committal. But, now I’m excited.
That show he mentioned has come to fruition and is perfectly wonderful.
The first episode of Crime City Central features a short story by one of the world’s all-time best crime fiction writers, Lawrence Block. Keller The Dog-Killer was first published in the May 2008 issue of Ellery Queen’s Mystery Magazine – but it was originally a part of a novel, called Hit Parade, which itself was a part of a series of short stories that were fix’d-up into another novel (and then spawned more novels, which themselves were fairly episodic – and which included Hit Parade) – hence this short story. The “Keller” series features the adventures of Keller. He’s a shy stamp collector and curiously amiable freelance hit man who operates out of New York. You’d probably not want to know Keller in real life – he’s rather dangerous. But as a fictional character, he’s very fun to hang out with.
Aficionados know that Lawrence Block often narrates his own audiobooks, and he does a great job at it. But the narration here by reader Ray Sizemore is top shelf too. He does a seamless back and forth between Keller and Dot (his agent) and the story flows very smoothly.
The Engines of God
By Jack McDevitt; Read by Tom Weiner
14 Hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2012
Themes: / Science Fiction / Archaeology / Climate Change / Aliens / Space / Space Exploration /
Climate change has Earth on the brink of disaster. The only viable solution is terraforming other planets to ensure survival. For a small group of archaeologists, however, terraforming is the worst possible solution. The only suitable planet is also the one planet with the most promising artifacts of an unknown alien race. Known as the Monument Makers, the aliens’ buildings feature a seemingly uncrackable code on them. The team is looking for the alien equivalent of the Rosetta Stone and must race against time to finish excavations before terraforming begins.
Despite the fact that the book begins by talking about climate change, which always gives me a sinking feeling, that is just the pretext for launching readers into a mystery. The team’s quest takes them to outer space, other planets, and into extreme danger as they follow the Monument Makers’ trail to discover their whereabouts and why every alien civilization has been abandoned.
This book reads as if it were a series of four novellas strung together with the common thread of tracking the Monument Makers. Each of the completed stories gives Jack McDevitt the opportunity to take the reader a bit further into archaeological mysteries while also examining different planets, space travel, and alien beings. Transitions between “novellas” are minimal at best and character development is weak. Still McDevitt wove a mystery that kept me listening at a red-hot pace. This is surprising because the author revealed his story in a very straight forward manner with plenty of foreshadowing. In McDevitt’s case, however, the telling itself was so compelling that I was fascinated to hear what would happen next.
In short, I enjoyed this very much, although at the end the story suddenly threw off narrative and resorted to bullet points to finish things off. “In audio, it was an abrupt ending that startled me, however, that didn’t spoil it as the story itself was done. In fact, I didn’t care about the “[insert name here] went on to do this” summary and it could have been left out without hurting anything.
Tom Weiner did a fine job of narrating the book. His reading was not something that stood out for any reason but which carried the story along very well. It left me with the memory of story rather than reader, which is surely what good narration should accomplish.
McDevitt tells a very good mystery that gives answers to some questions and leaves others to the readers’ speculation. Engines of God is ultimately a satisfying adventure which introduces us to a universe that he went on to write other novels about and which I will be seeking out.
One of (if not the most) adapted novels in the history of cinema is The Hound Of The Baskervilles. I myself love the novel and have seen at least a half dozen screen adaptations. But the latest adaptation I’ve witnessed is my new favourite.
Bert Coules’ 1988 BBC Radio adaptation is absolutely fantastic. It keeps nearly every scene I like from the novel. Better yet, it’s use of sound, to both cut from scene to scene and to drive the action forward, is absolutely masterful. Audio drama of this quality is just that step above. It’s truly wondrous listening!
According to the notes on RadioArchive.cc (where I got it) this version has never been rebroadcast on the radio. That’s a big shame, it’s an absolute treasure!
Even more strangely this adaptation is actually the first of two separate Bert Coules adaptations of Hound done for BBC Radio.
The Hound of the Baskervilles
Adapted from the novel by Sir Arthur Conan Doyle; Performed by a full cast
2 MP3 Files via Torrent – Approx. 110 Minutes [UNABRIDGED]
Broadcaster: BBC
Broadcast: 1988
Cast:
Sherlock Holmes … Roger Rees
Dr John H Watson … Crawford Logan
Sir Henry Baskerville … Matt Zimmerman
Dr James Mortimer … Peter Craze
Jonathan Stapleton … Jonathan Tafler
Beryl Stapleton … Caroline Gruber
Barrymore … Richard Tate
Mrs Barrymore … Barbara Atkinson
Mrs Hudson … Barbara Atkinson
Arthur Frankland … Norman Bird
Laura Lyons … Moir Leslie
Postmaster … John Baddeley
Violinist: Katherine Adams
Script by: Bert Coules
Produced and directed by: David Johnston
The Dead Astronaut is a part of a larger subset of J.B. Ballard stories adapted for the long running CBC radio series The Vanishing Point. This tale of a haunted Cape Kennedy is typically Ballardian, surreal, full of abandoned buildings, abandoned people, and abandoned dreams.
The Vanishing Point – The Dead Astronaut
Adapted from the story by J.G. Ballard; Dramatized by Lawrence Russell; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
Broadcaster: CBC Radio
Broadcast: 1988
First published in Playboy, May 1968.
Cast:
Gordon Clapp … Philip
Donna Goodhand … Judith
Peter McNeil … Quentin
Tom Duckworth … the voice
Here’s the original art that accompanied the story’s publication in Playboy:
Talked about on today’s show:
Not the Jonathan Davis of Korn, favourite audiobook narrators, Luke’s real job (juggling), how to become an audiobook narrator (or a professional juggler), acting, theatrical acting, voice over, New York, Testament by John Grisham, Brazil, Portuguese vs. Brazilian Portuguese, Gone For Soldiers by Jeff Shaara, long form narration, Snow Crash by Neal Stephenson, urban samurais and Aleutian assassins, binaural recording, The Shadow Of The Torturer by Gene Wolfe, The Windup Girl by Paolo Bacigalupi, London, Paris, Iowa City, Thailand, genetic engineering, Japan, accessory dogs, GMO food, graphic sex scenes in mid-juggle, Glamorama by Bret Easton Ellis, Zoolander, American Psycho, a 12 page sex scene, Star Wars, Genghis Khan And The Making Of The Modern World by Jack Weatherford, straight readings vs. impersonations, Yoda, Ewan McGregor, Liam Neeson, Luke re-edits Star Wars, alien languages, Calculating God by Robert J. Sawyer, When Gravity Fails by George Alec Effinger, Ian Mcdonald, North Africa, Egypt, Arab Spring, Bedouin, narration styles, straight narration vs. theatrical performance vs. cinematic narration, Michael Caine, scalpel vs. laser, Mike Resnick’s Starship series, voice based books, Star Trek, David Copperfield, Oliver Sacks, The Watchers by Jon Steele, Kirinyaga, The Scar by Sergey Dyachenko and Marina Dyachenko, Starship: Mutiny, Elinor Huntington, existential resonance, Harry Potter, conspiracy, dystopia, Ray Bradbury, Cool Air by H.P. Lovecraft, Starship: Rebel, no research, just fun, language, audiobooks as a collaboration between an author, a narrator and a listener, Walking Dead by Greg Rucka, espionage, comics, Neil Gaiman, Catch And Release by Lawrence Block, Hex Appeal, Jim Butcher, The Dresden Files, studio time, The Book Of The New Sun, “do your homework”, “suddenly revealed to be a Texan”, an Aleutian Rastafarian, Hiro Protagonist, Minding Tomorrow, revealing voices, American Gods, George Guidall, “the perfect audiobook experience”, Woden (aka Odin aka Mr. Wednesday), The Stand by Stephen King, reading with your ears, preferred narration styles, The Hundred Thousand Kingdoms by N.K. Jemisin, racism, Dune, Zoo City by Lauren Beukes, Johannesburg, South Africa, fantasy fiction shouldn’t have an American accent, Luke’s SFBRP review of The Scar, House Of Suns by Alastair Reynolds, an Arkansas accent, inner monologue vs. dialogue, the Sling Blade voice, Casaundra Freeman, audiobook narration is difficult, learning the characters over a series, George R.R. Martin, A.J. Hartley, Act Of Will, Will Power, working with authors, Cyteen by C.J. Cherryh, Book Of The Road, male and female narration, Gabra Zackman, Jonathan is the infodumper, Full Cast Audio, a one man show vs. theatrical collaboration, Scott Brick, Feyd-Rautha, a Jamaican brogue?, The Brief Wondrous Life of Oscar Wao, do you like computer games?, Max Payne 3, Tron, “that’s my neck fat”, Vladamir Lem, Armando Becker.