
Lee Child talks about John D. MacDonald’s Travis McGee series – which he argues is a series that doesn’t get worse as it goes along (perhaps because it’s about a character and not a plot).
Posted by Jesse Willis
News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.

Lee Child talks about John D. MacDonald’s Travis McGee series – which he argues is a series that doesn’t get worse as it goes along (perhaps because it’s about a character and not a plot).
Posted by Jesse Willis

Set in the Canadian wilderness, The Wendigo, one of the two very highly regarded Algernon Blackwood novellas (the other being The Willows). This story is credited as being the first major fictional work to introduce the titular creature into the public consciousness.
Having heard this audiobook version I think it would make an incredibly affective audio drama. According to my researches there actually was one, recorded for CBC Radio’s 1970s radio drama series Theatre 10:30, but I’ve not been able to track down a copy.
The audiobook narrator, Amy Gramour, does a very serviceable job telling the tale – though to my ear some of her pronunciation sounds a bit off. But, that may be simply the regional accent as Gramour reports her accent as being “Mainly a South of Boston Massachusetts accent with a Northern Maine influence.”
Here’s a turly choice line, from near the end of the story:
“The legend is picturesque enough,” observed the doctor after one of the longer pauses, speaking to break it rather than because he had anything to say, “for the Wendigo is simply the Call of the Wild personified, which some natures hear to their own destruction.”




The above illustrations come from the June 1944 issue of Famous Fantastic Mysteries.
The Wendigo
By Algernon Blackwood; Read by Amy Gramour
3 Zipped MP3 Files – Approx. 2 Hours [UNABRIDGED]
Publisher: LibriVox.org
Published: May 11, 2011
|ETEXT|
A hunting party, in the Canadian wilderness, separates to track moose, and one member is abducted by the Wendigo of legend. First published in the 1910 collection The Lost Valley And Other Stories.
Part 1 |MP3| Part 2 |MP3| Part 3 |MP3|
Podcast feed: http://librivox.org/rss/5449
iTunes 1-Click |SUBSCRIBE|
[Thanks also to WYSIWYG and TriciaG]
Posted by Jesse Willis


“During a drama rehearsal in CBR’s studio A, actor-writer Fletcher Markle (left), confers with CBC producer Andrew Allan. In the background are cast members Al Pearce, Claire Murray, Peggy Hazard and Kathy Graham. The play in production is probably from the series “Baker’s Dozen” written by Markle and broadcast in 1941 & 1942.”
[via the Vancouver Radio Museum]
Posted by Jesse Willis

The SFFaudio Podcast #157 – The Syndic by C.M. Kornbluth, read by Mark Nelson.
This UNABRIDGED AUDIOBOOK (6 Hours 20 Minutes) comes to us courtesy of SciPodBooks.com and WonderEbooks. The Syndic was first published in Science Fiction Adventures, December 1953 and March 1954.
Come back for our next episode (SFFaudio Podcast #158) to hear our discussion of it.
Here’s the etext |RTF| (Rich Text format).



Posted by Jesse Willis

I don’t know about you, but I almost never go into the iTunes store anymore. The podcast section deeply buried, and the category I usually look at, “Arts: Literature”, is full podfaded shows. And when the podcasts listed are up-to-date they are often podcasts about TV shows, or if they are book based they are dominated by a long parade of sparkly vampire, boy wizard, or starving-teenager-in-dystopia book series based podcasts.
So like I said I’ve nearly given up on iTunes as a source of podcast discovery.
But, late last year I started following a blog that does weekly podcast reviews, The Onion’s AV Club Podmass.
The way the site works, it’s basically a weekly roundup of review of about a dozen podcasts with sassy descriptions of new episodes.
I think we need a lot more blogs like this.
Here’s how The Onion AV Club’s Podmass describes itself:
Since the iPod debuted in 2001, it has gone from portable music player to a medium in itself: Podcasts, like blogs, have indelibly shaped the media landscape in less than a decade. The A.V. Club listens to a lot of them, so this week we introduce Podmass, our weekly round-up of the podcasts we follow.
Here’s how it will work: Each week, we’ll recommend the best of those we listened to, as well as quick write-ups of everything else. Because of the deadlines required to post on Friday, our coverage week goes Thursday through Wednesday. Every few weeks we’ll visit a fringe podcast, get a recommendation from a podcaster we like, as well as listen to something completely new to us. (If you have podcast suggestions, e-mail us at [email protected].)
The only thing missing from the reviews are links to the MP3s themselves. I would HuffDuff a lot more of the shows I’ve spotted there if they were deep linking.
I haven’t posted about Podmass previously because their focus is almost entirely on comedic podcasts. Most weeks see a review of about ten standup comic personality podcasts. There’s also a a sprinkling of history, or non-fiction subjected shows thrown in as well – but they’re not ones I usually love.
The good news is that their |LATEST POST| includes a familiar program. Check it out:
OUTLIERS
19 Nocturne Boulevard
Julie Hoverson is a writer and producer who lets her dark side show in this anthology audio-drama series. Many episodes of 19 Nocturne Boulevard are horror stories, including some quality adaptations of H.P. Lovecraft, but the show can include comedy, sci-fi, romance or whatever genre Hoverson feels like producing that month. The writing and the sound effects shine brightest in these productions, but the voice acting is made up of a mix of professionals and brand-new talent, which can produce a mixed result. The episode “Little Boxes” is a creepy tale of some store clerks who agree to sell a new product that could save their business, with disastrous results. The story is elegant in its simplicity and a good example of how music and sound effects can set a gloomy and foreboding mood. This is the perfect show for anyone who needs a good scare to motivate their morning jog. [AJ]
And if you go digging you’ll see Julie Davis’ Forgotten Classics was reviewed back in September!
Posted by Jesse Willis