2011 Nebula Nominees Audio

SFFaudio Online Audio

nebula iconThe 2011 Nebula Nominees have been announced.  Sfsignal has a good collection of links to free online text of the shorter works.  I’ll list all the available audio versions.  I think it’s just from Clarkesworld and Lightspeed (I found a few others).  Clarkesworld should make it easier to go from their online text versions to their online audio versions.  Jenny says listen to E. Lily Yu first.

Best Novella:

Catherynne M. Valente – Silently and Very Fast (Clarkesworld) – Part 1 Part 2 Part 3

Best Novellette:

Jake Kerr – The Old Equations (Lightspeed) – |MP3|

Best Short Story:

Adam-Troy Castro – Her Husband’s Hands  (Lightspeed) – |MP3|

Tom Crosshill – Mama, We are Zhenya, Your Son  (Lightspeed) – |MP3|

E. Lily Yu – The Cartographer Wasps and the Anarchist Bees (Clarkesworld) – |MP3|

Ken Liu – The Paper Menagerie (Podcastle) – |MP3|

Nancy Fulda – Movement  (Escape Pod) – |MP3|

Posted by Tamahome

Small Town by Philip K. Dick is PUBLIC DOMAIN

SFFaudio News

Philip K. Dick’s short story, Small Town, is PUBLIC DOMAIN. Here’s a |PDF| of it.

Small Town by Philip K. Dick second publication in the April 1967 issue of Amazing Stories

Small Town was first published in the May 1954 issue of Amazing Stories. Here is the copyright page from that issue:

Table of contents from Amazing Stories May 1954

The fact that the story was not previously known to be PUBLIC DOMAIN is because there was a bogus copyright renewal claim made in 1983. In order for a claim to be properly renewed the first publication date must be cited in the renewal form. It wasn’t. Instead a false first publication date was swapped in.

RE190631 Page 2 (back) includes Small Town:
RE190631 Page 2 (back) Prominent Author, Progeny, Exhibit Piece, Shell Game, A World Of Talent, James P. Crow, Small Town, Survey Team, Sales Pitch, Time Pawn, Breakfast At Twilight, The Crawlers, Of Withered Apples, Adjustment Team, Meddler

As you can see in a scan of the renewal form, pictured above, the renewer has stated that the story was published in the May 1955 issue of Amazing Stories. This is completely false. Here is the table of contents page from Amazing’s May 1955 issue:

Amazing Stories, May 1955 - table of contents

Had the renewer, in 1983, noted the actual first publication date of Small Town the renewal wouldn’t have been valid. By 1983 the copyright had lapsed.

The evidence for bad faith in the copyright process doesn’t end there. Indeed, while story was subsequently republished in Amazing Stories – perhaps lending credence to the idea that the renewer had merely mistaken the first publication for the second, the republication wasn’t until the April 1967 issue of that magazine. And of course a notation in that 1967 re-publication cites the story as having been copyrighted in 1954.

Detail from the April 1967 issue of Amazing Stories, showing that Small Town was copyrighted in 1954

Small Town by Philip K. Dick is PUBLIC DOMAIN!

Posted by Jesse Willis

CBS Radio Mystery Theater: Wuthering Heights adapted from the novel by Emily Brontë

SFFaudio Online Audio

We’ve got the audiobook version, and here’s cool radio drama adaptation from the 1970s. I’ll be listening to this tonight as I drift off into dreamland.

CBS Radio Mystery TheaterCBS Radio Mystery Theater – #0643 – Wuthering Heights
Based on the novel by Emily Brontë; Adapted by Elizabeth Pennell; Performed by a full cast
1 |MP3| – Approx. 45 Minutes [UNABRIDGED]
Broadcaster: CBS
Broadcast: April 29, 1977
Provider: CBSRMT.com
Heathcliff, an adpoted son, returns home to the family that mistreated him as a youth.

Cast:
Lloyd Battista
Paul Hecht
Russell Horton
Roberta Maxwell
Bryna Raeburn

Bonus: The Semaphore Version of Wuthering Heights (courtesy of Month Python):

Posted by Jesse Willis

The SFFaudio Podcast #148 – READALONG: The Odyssey by Homer (Books I – IV)

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #148 – Scott and Jesse, in the first of a six part series, discuss the first four books of The Odyssey by Homer (books I, II, III and IV).

Talked about on today’s show:
Odysseus doesn’t appear in the first four books of The Odyssey, planting the seeds for the end of the story, The Iliad, and the missing epics, why not read The Iliad first?, novel vs. tragedy, Robert Fagles, E.V. Rieu, Ian Mckellan’s narration, The Apology Of Socrates by Plato, Telemachus’ dilemma, The Teaching Company, The Telemache (the first four books of The Odyssey), xenia, xenos (guest, host, foreigner, and friend), hospitality and the ancient world, an exploration of the concept of xenia, Pallas Athena, disguised, “he’s a suitor”, O Brother, Where Art Thou?, war orphans, embracing the stranger, xenophilia, the recurring turns of phrase, “the wine dark sea” and “bright eyed Athena”, the wise don’t lie, Basil Fawlty is not a very wise man, gearing down, Dan Simmons’s Hyperion, a story for a nation of city states, Nestor’s son was the fastest runner, wisdom comes in many flavours, Helen as a host, was Helen complicit with her kidnapping?, how should we read Helen?, dosing the household, the status of women in ancient Greece, the Entitled Opinions podcast (on Homer And Homeric Epics), The Odyssey is the story of a marriage, adventure with gods, the role of The Odyssey in ancient Greek religion, Socrates was convicted (in part) of denying the gods, miracles as an intervention, why do the gods disguise themselves?, are the gods simply external manifestations of human thought?, were the ancient Greeks more gullible than we?, the editorial introduction by E.V. Rieu, one of the greatest books ever, next time will be books V, VI, VII and VIII.

The World Of Homer - illustrated by Ernie Chan

Posted by Jesse Willis

Cathy And Heathcliff by Emily Brontë – from The Crackerjack Book For Girls

SFFaudio Online Audio

Cathy And Heathcliffe by Emily Brontë - illustration by William Stobbs

I’ve been looking for an excuse to begin reading Emily Brontë‘s Wuthering Heights!

Now I’ve got one.

This excerpt from the novel works well on it’s own, and makes up the bulk of chapters IV, V, and VI.

I found it in a great uncopyrighted (and undated) kid’s book from the mid 20th century called The Crackerjack Book For Girls!

The Crackerjack Book For Girls

I love these old collections, they combine terrific illustrations with a level of intelligence that’s hard to find in modern kid’s books.

What I’ve actually done here is taken the story’s text and images |PDF| and matched them up with the terrific solo narrated audiobook as performed by the talented Ruth Golding for LibriVox. Or to put it another way I abridged the public domain audiobook of Wuthering Heights to match the text as it appears in The Crackerjack Book For Girls. Here’s the |MP3|.

I should also point out that the complete audiobook of the novel is HERE).

Before you listen, read, or watch the video check out the introduction to Cathy And Heathcliff as it appeared in The Crackerjack Book For Girls:

Emily Brontë was one of three sisters – all if them writers – who lived in the first half of the nineteenth century. Their father was a clergyman and their home was Haworth Parsonage, a bleak, rather forbidding house with the gravestones if the churchyard on one side and the wild, desolate Yorkshire moors on the other.

Their lives were spent in this lonely little village if the West Riding, and the Yorkshire character and landscape colour all their writings. Emily, particularly, loved the windswept, moorland country which surrounded their home, and Wuthering Heights, her only novel, owes its sombre, fascinating atmosphere to the background if her life.

Of the three sisters, Charlotte, Emily and Anne, only the work of Charlotte gained recognition in the author’s lifetime; but now, a century later, we recognise the true genius if Emily. The beauty of her poetry, and the power and dramatic quality if her novel far excel anything written by her sisters (even Charlotte’s masterpiece, Jane Eyre).

Wuthering Heights relates the histories of two neighbouring Yorkshire families, the Lintons and the Earnshaws, through three generations; and the changes if fortune brought upon both of them by the chance action if Mr. Earnshaw, which is described in the excerpt from the book which follows. The strange little foundling boy grows up to be the principal actor in the drama. This is Heathcliff, a character drawn with a power and assurance which at once mark Emily Brontë as a great English writer.
(The story is told in the first person, and is taken up in turn by minor characters in the book. Here Nellie Dean, an old family servant, is telling the story.)

And here’s the afterword:

This incident marked the close of a chapter in Heathcliff’s life. The Cathy who came back to Wuthering Heights had changed beyond his recognition; her stay with the Lintons had turned her into an elegant young lady with fine clothes and manners. In bitter disappointment and despair, Heathcliff fled. Years later he returned, a grown man. Hatred and a desire for revenge had taken complete possession of him, and his one reason for living had become vengeance upon Hindley.

Posted by Jesse Willis