Gregg Taylor – the underappreciated genius of Decoder Ring Theatre

SFFaudio Commentary

Gregg Taylor, the creator and writer of Decoder Ring Theatre, is a creative genius, the quality and scope for which we have seen very few before. He is writer of genuine superbness, on the level of J. Michael Straczynski and Rod Serling. But unlike Straczynski, who wrote 92 of the 110 episodes of Babylon 5, and unlike Serling, who wrote 92 of 156 episodes of The Twilight Zone, Taylor has written 42 out of 42 episodes of Black Jack Justice and 70 out of 70 episodes of Red Panda Adventures. I don’t think there is any kind of precedent for this in the history of scripted drama, not on work of this quality or superfluity.

Battlestar Galactica, the recent TV series, ran 73 episodes. Writing credits for that show go to more that a dozen different writers. People think that Joss Whedon wrote Firefly. He did, but he didn’t do it alone. He wrote or co-wrote maybe only half the episodes of that short series. I’ve said it before and I’ll say it again: Nobody is doing anything like what Gregg Taylor is doing with scripted series, and I’m not sure anybody ever has, not on radio or TV. Taylor has, unbelievably, released a full cast production episode of both of his full cast series every two weeks, fall through to the spring, every year since 2005. That’s a stunning, stunning achievement.

I could go on and on and on. But if you just go and listen to the shows yourself I’m sure you’ll get as caught-up in them as so many fans of these independently produced shows have. Maybe start with the fairly standalone-ish episode #70 of the Red Panda Adventures |MP3|. Here’s the episode description:

There are some situations that you just can’t prepare for. You can be the cleverest mystery man on the block, there will still be days that you just never saw coming. Those are the moments that cry out for a fiery horse with the speed of light, a cloud of dust and a hearty… well, you know…

The talented Thomas Perkins, who does the covers for the Red Panda novels*, created this awesome “lobby card” art for the episode:

Red Panda Adventures - The Wild West

[via Bish’s Beat]

Posted by Jesse Willis

*Yes, Gregg Taylor is writing novels set in the Red Panda world too. And no, they are not mere reworkings of the scripts – theses are true canon series novels that fit into the chronology like so many Star Trek novels written for hire never did, and like the Babylon 5 novels claimed they would.

Recent Arrivals: Happy Catholic by Julie Davis

SFFaudio Recent Arrivals

I’ve known Julie Davis since at least 2007. I think I found her through her wonderful Forgotten Classics blog and podcast. Although, perhaps, I first heard her recordings for StarShipSofa. It’s kind of odd that we’re friends. We’re completely different kinds of people. Julie’s totally Catholic, I’m completely heathen. She’s a happy wife and mother. I’m a cynical childless bachelor. Yet we are friends because we both have very small-c catholic tastes in books. We’ve traded more than five hundred emails over the years. She’s been a frequent and valued guest on the SFFaudio Podcast (with at least ten appearances in 100 episodes). She’s recorded stories for me and for the world. She even started a wonderful podcast with my SFFaudio buddy Scott. So, I was happy to hear that my catholic Catholic book loving friend had written a book on her catholic Catholic tastes. Now I’m doubly happy, she sent me a signed copy. Thanks Julie!

Happy Catholic by Julie DavisHappy Catholic: Glimpses Of God In Everyday Life
By Julie Davis
Publisher: Servant Books
Puiblished: April 15, 2011
ISBN: 9780867169744
As she does in her blog, Happy Catholic, Julie Davis taps into quotes not only from Scripture and John Paul II but from The Simpsons and The Princess Bride, and doing so she discovers that all around her are glimpses of God. Her reflections on pithy quotes such as the one by famed rocker, Alice Cooper (“Trashing your hotel room is easy, but being a Christian – that’s rebellion”) draw back the veil, letting you connect with God in unexpected ways . With unique and inventive perspective Davis’s reflections will help you: – reflect on the strange economy of suffering – live with gusto – see the big picture – explore the value of quirkiness – learn the truth about happy and unhappy families

Now where’s the audiobook?

Posted by Jesse Willis

The SFFaudio Podcast #105 – AUDIOBOOK: The Most Dangerous Game by Richard Connell

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #105 – a complete and unabridged reading of The Most Dangerous Game by Richard Connell. Narrated by William Coon of Eloquent Voice.

A tempest tossed hunter crawls ashore on a mysterious island only to find his way to a creepy castle inhabited by a Russian Count named Zaroff.

After listening to this wonderful recording I heartily recommend you check out the 1932 RKO film version of The Most Dangerous Game. It has an excellent provenance having been produced by David O. Selznick and Merian C. Cooper. That’s the same team, with the same actors, with the same sets that was later used to make the original King Kong (1933)! The film version of Game adds a couple of characters (most notably a love interest), changes a few scenes, but really keeps the spirit of the piece and adds a haunting and beautiful visual motif. When the hero crawls ashore he meets the lovely Eve (played by Fay Wray) and her drunken brother Martin (Robert Armstrong), who were also shipwrecked. The film opens with a shot of a door with an ornate door knocker in the shape of a wounded centaur that’s carrying a subdued human woman. We see the door knocker once again and then later, inside the castle, the same iconic image is seen upon a mighty tapestry.

So, the wounded centaur is obviously a symbol. But for who or for what?

Now if you think about it, I’m sure you’ll see it, just as I did. Let’s break it down:

1. A centaur is, of course, half-man and half-beast.

2. The wound is from an arrow.

3. The woman in the centaur’s arms is either being rescued or abducted.

That’s almost enough. But it may help to know that, as I figure, the image was inspired by the myth of the centaur Chiron. In one part of the legend of Chiron, he is wounded by Hercules, with the wound’s cause being an arrow. An arrow dipped in the blood of a hydra. And hydra blood (of course) causes a wound that can never heal.

Now here’s the clincher, there’s a character in the film that has a wound that constantly bothers him. Get it?

As one of the reviewers on Archive.org’s page for The Most Dangerous Game put it: “[It’s a] film you can watch again and again.” Another reviewer put it this way:

“I think watching this movie has awakened my latent homicidal tendencies and right now I wanna fart around on an island with a cod Russian accent, wear a black polo neck sweater guzzle the best cognac smoke filterless cigarettes … and im gonna start right now.”

The Most Dangerous Game by Richard Connell

The Most Dangerous Game

The Most Dangerous Game FILM

The Most Dangerous Game

The Most Dangerous Game

Download the |AVI| of the public domain movie!

Posted by Jesse Willis

LibriVox: Warrior Race by Robert Sheckley

SFFaudio Online Audio

LibriVoxRobert Sheckley’s Warrior Race was briefly mentioned on last week’s SFFaudio Podcast (#104). It’s available in audiobook form as on part of LibriVox’s Short Science Fiction Collection Volume 41. As is usual with so many of the Sheckley tales recorded for LibriVox it’s read by Gregg Margarite. YAY! And since we all seem to be in a pretty good Sheckley groove right now I thought I’d follow through with a pretty |PDF| edition of the story – it was constructed from a scan of the original Galaxy publication pages. This should be a fun read and listen!

LIBRIVOX - Warrior Race by Robert SheckleyWarrior Race
By Robert Sheckley; Read by Gregg Margarite
1 |MP3| – Approx. 27 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: October 26, 2010
|ETEXT|
Destroying the spirit of the enemy is the goal of war and the aliens had the best way! First published in the November 1952 issue of Galaxy Science Fiction.

Posted by Jesse Willis

Blackstone Audio: Grover Gardner interviews Stacy Keach

Aural Noir: Online Audio

Blackstone AudiobooksJeremy Brett was Sherlock Holmes and Stacy Keach is Mike Hammer. I’ll brook no arguments to dispute either claim. See, I’ve been a Stacy Keach fan since I was a kid. Sure Ralph Meeker was an absolutely terrific Mike Hammer in Kiss Me Deadly, no question there, but that was not the defining portrayal. That started with Keach in the Mickey Spillane’s Mike Hammer 1984/1985 TV series. Two more Mike Hammer TV series followed, and then it propagated into several of the 1980s audiobooks (I’ve still got Keach’s reading of I, The Jury somewhere around here). So now you know why I was so excited to see that Grover Gardner, himself recently a guest on SFFaudio Podcast #093, had posted a truly engaging new interview with Stacy Keach on the Blackstone Audio blog.

They talked about Blackstone’s Kiss Her Goodbye, a new Max Allan Collins/Mickey Spillane novel, the ongoing The New Adventures Of Mickey Spillane’s Mike Hammer (Volumes 1, 2, 3) audio drama series (which I shamefully still haven’t heard) and they even touch on Keach’s new boxing/crime/family drama TV show Lights Out in which he plays the cagey patriarch to a pair of boxer sons.

Have a listen |MP3|

Posted by Jesse Willis

RECEIVED: DMCA Copyright Infringement Notification – “Adjustment Team” by Philip K. Dick

SFFaudio News

Though the Digital Millennium Copyright Act (DMCA) is a United States copyright law, and hasn’t been adopted by Canada, I suspect that’s not the point of the following email.

DMCA Notice

The post that Kristina Moore refers to is HERE. It has comments on it that clarify why one of the links is now dead.

But that’s not the end of the story, lets go back a bit and consider why I was contacted at all. Let’s take it as a hypothetical given that, as Kristina Moore’s email is claiming, Adjustment Team is copyrighted.

I don’t believe that to be the case, not from what I read about it being a case of copyfraud. But even so, lets assume Moore’s claim to be true. What then does that have to do with my post? I did not post the story. I linked to it. And from my reading of Chilling Effects FAQ page on linking (and deep linking), that is not a copyright violation under the DMCA. And, even if it were the DMCA is United States law, not a Canadian one.

Now I will admit I did put up, and host, two pictures from the original publication in Orbit Science Fiction’s Sept-Oct. 1954 issue – but that surely can’t be what The Wylie Agency was upset about. The Philip K. Dick estate certainly does not hold the rights to the images. And, yes, though I did link to an audiobook version of Adjustment Team, that file was removed from LibriVox because of a similar DMCA notification to LibriVox.

In case you would like to do your own research on the matter, I point you to the Wikimedia Commons source for Adjustment Team. Where the story is still available HERE. That’s where I got the pictures.

I will leave up my original post until I get a reasonable explanation for why I shouldn’t. In hopes of getting one I have replied to Moore’s email with an invitation to appear as a guest The SFFaudio Podcast.

Posted by Jesse Willis