News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.
A few weeks ago Jesse posted my list of Best Free Audiobooks. I got a great response for this post, so I thought I’d do another one with my favorite free short stories that I’ve reviewed at Free Listens. Of course such lists are inherently silly, as they depend upon the listmaker’s tastes, current mood, memory, and a host of other little factors that have nothing to do with the quality of the story. So, if you’d rather, here’s a list of 10 really darn good stories (but maybe not the best):
The SFFaudio Podcast #068 – Scott and Jesse talk about recently arrived audiobooks.
Talked about on today’s show:
Recent arrivals, Penguin Audio, The Books Of Elsewhere: The Shadows by Jacqueline West, The Lion, The Witch, And The Wardrobe, TheBooksOfElsewhere.com, inherited books, The Green Knowe series, kids love series, Nelson DeMille’s The Lion, Lion’s Game, Collected Fictions by Jorge Luis Borges, The Gospel According To Mark by Jorge Luis Borges, Gene Wolfe, George Guidall, Anne McCaffery’s Dragonriders Of Pern: Dragon Girl by Todd McCaffrey, Mexico, Mexico City, “turista”, Dragonflight by Anne McCaffrey, the thread threat, the Honor Harrington series, Mission Of Honor by David Weber, Paul W. Campbell, On Basilisk Station by David Weber |READ OUR REVIEW|, Lois McMaster Bujold, Full Cast Audio, The Unicorn Chronicles: Book 4: The Last Hunt by Bruce Coville, Doctor Proctor’s Fart Powder by Jo Nesbo, Mobile Infantry vs. the immobile infantry, re-write Starship Troopers as Warehouse Troopers, Water Steps by A. LaFaye, Sense And Sensibility And Sea Monsters for kids, Spaceship Rat, baby rat trauma, capybara, Brilliance Audio, The Deed Of Paksenarrion: Book 2: Divided Allegiance by Elizabeth Moon, The Sad Tale Of The Brothers Grossbart by Jesse Bulington, The Vampire Earth: Valentine’s Rising by E.E. Knight, space vampires, Graphic Audio, The Immortals: Book 4: The Realms Of The Gods by Tamora Peirce, More Than Human by Theodore Sturgeon (read by Stefan Rudnicki and Harlan Ellison), gestalt, fix-up, Baby Is Three by Theodore Sturgeon, Caedmon, H.G. Wells, Microcosmic God by Theodore Sturgeon, Falling Free by Lois McMaster Bujold (read by Grover Gardner), The Reader’s Chair, Falling Free by Lois McMaster Bujold |READ OUR REVIEW|, Paul Is Undead by Alan Goldsher (as read by Simon Vance), zombies, has the public domain classics remixed with supernatural horror jumped the shark?, A Picture Of Dorian’s Gray, Quirk Books, “paranormal romance has got completely out of hand”, Dark Shadows, soap operas, Soap, M*A*S*H, Three’s Company, Bosom Buddies, Blackstone Audio, the Newford series, Widdershins by Charles De Lint, urban fantasy alert, Mindswap by Robert Sheckley, Tom Weiner, Altered Carbon, A Galaxy Trilogy: Volume 3, Giants Of Eternity by Manly Wade Wellman, The War Of The Worlds, “standing on the shoulder of giants”, The Girls With Games Of Blood by Alex Bledsoe, The Return: Book IV of Voyagers by Ben Bova, “sensawunda”, first contact, the Grand Tour series, the Asteroid Wars series, the 2006 Harlan Ellison interview, City Of Darkness by Ben Bova |READ OUR REVIEW|, Neil Gaiman, Around The World In Eighty Days by Jules Verne (as read by Jim Dale), Douglas Adams, The Hitchhiker’s Guide To The Galaxy: Live In Concert, Footfall by Larry Niven by Jerry Pournelle, Audible Frontiers, Police Your Planet by Lester Del Rey, Lest Darkness Fall by L. Sprague de Camp, The Sword Of Shannara, The Elfstones Of Shannara, Neal Stephenson, Anathem, Boneshaker, The City And The City, Julian Comstock by Robert Charles Wilson |READ OUR REVIEW|, Palimpsest, WWW: Wake, The Windup Girl, ebooks, Fictionwise, PaperbackDigital, Kelli Stanley, The Functional Nerds Podcast interview of Mike Resnick, Pump Six and Other Stories by Paulo Bacigalupi, The Alchemist And The Executioness by Tobias S. Buckell and Paulo Bacigalupi, Scott’s Pick Of The Week:Despicable Me, Jesse’s Pick Of The Week:Police Your Planet by Lester Del Rey, Zombie Astronaut, The Frequency Of Fear, The Frequency Lite.
1936, a Sunday in June. The tides of woe are sweeping in. Today is Robert E. Howard’s funeral.
Gloomy Sunday (1936) by Paul Whiteman with Johnny Hauser |MP3|
That must mean…
there’s a new Jake Sampson serial starting up.
Episode 1 of Jake Sampson: Monster Hunter: The Gods Of War |MP3| is out now!
Jake Sampson: Monster Hunter is my favourite original serial from BrokenSea. The show is set in 1930s and features a cast of characters that’s half Indiana Jones half Tales of the Gold Monkey. Throw in plots about Howard Carter, cursed Egyptian mummies, evil South American cults, vampires and the source of Robert E. Howard’s stories and you’ve got the fixins for one heck of a fun show.
At 110 years old The Wonderful Wizard Of Oz (aka The Wizard Of Oz), is one of the few children’s classic novels, that children read, and that WAS a children’s novel from the very beginning. Today a tour through the kids literature section of your local big box bookstore will probably turn up a dozen or so “classic novels” that purport to be ‘kid lit’ of some sort. For publishers what makes them ‘children’s classics’ is that they are public domain and they have recognizable titles. Few were written with actual children in mind, and due to the age many can use an English language that’s so archaic as to be hard for many adults to read. Not so with The Wonderful Wizard Of Oz. Sure it’s public domain too, but unlike most it was actually written with children wholly and completely in mind, unlike say, The Call Of The Wild, Frankenstein or Dracula.
In a 1975 essay entitled The American Grimm, comics legend Roy Thomas describes L. Frank Baum as the New World’s successor to “Hans Christian Anderson” and “The Brothers Grimm”. Writes Thomas:
“After trying his, hand at both acting and journalism, Lyman Frank Baum decided to create a unique Americcan fairy tale which did not owe its entire existence and background to the European tradition of goblins, witches, elves and the like. To do this, he set the beginning and ending of his story (which was originally called simply The Emerald City and at one point even From Kansas To Fairyland) in the heart of the American prairie. Of course. he didn’t completely keep out the witches.”
The Free Listens blog rates LibriVox’s audiobook version, as narrated by J. Hall, rather highly! Consider:
“J. Hall narrates the book with a pleasant American accent that would be at home at NPR. This isn’t a professional reading; Hall has several minor stumbles and he doesn’t attempt distinguishing voices for the characters. However, these minor faults can be easily overlooked when one considers the excellent pacing and emphasis with which Hall reads. The recording is free of any background sound, but has a compressed sound when played at higher volumes, perhaps due to noise filtering. All in all, this is a excellent choice if you’re looking for a recording of The Wonderful Wizard Of Oz that comes without silly voices or overacting.”
The Wonderful Wizard Of Oz
By L. Frank Baum; Read by J. Hall
1 |M4B| File, 25 Zipped MP3 Files or Podcast – Approx. 3 Hours 45 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: March 10, 2007 The timeless story of the Wizard Of Oz. Follow Dorothy as she leaves Kansas for Oz on a cyclone. She meets many strange, and wonderful people and creatures along the way. Enjoy it again with your children and family.
At 110 years old The Wonderful Wizard Of Oz (aka The Wizard Of Oz), is one of the few children’s classic novels, that children read, and that WAS a children’s novel from the very beginning. Today a tour through the kids literature section of your local big box bookstore will probably turn up a dozen or so “classic novels” that purport to be ‘kid lit’ of some sort. For publishers what makes them ‘children’s classics’ is that they are public domain and they have recognizable titles. Few were written with actual children in mind, and due to the age many can use an English language that’s so archaic as to be hard for many adults to read. Not so with The Wonderful Wizard Of Oz. Sure it’s public domain too, but unlike most it was actually written with children wholly and completely in mind, unlike say, The Call Of The Wild, Frankenstein or Dracula. 
