Review of Eye For Eye by Orson Scott Card

SFFaudio Audiobook Review

Science Fiction Audiobook - Eye For Eye by Orson Scott CardEye For Eye
By Orson Scott Card; Read by Stefan Rudnicki with Margy Stein
3 CDs – 147 Minutes [UNABRIDGED]
Publisher: ReQuest Audiobooks
Published: 2005
ISBN: 1933299517
Themes: / Science Fiction / Society / Morality / Youth / Power /

“If you’re a half way decent person you don’t go looking to kill people. Even if you can do it without touching them. Even if you can do it as nobody even guesses they were murdered you still got to try not to do it.”

Mick Winger is only seventeen – and already he’s killed over a dozen people. Not on purpose of course; he never meant to hurt anyone. But when Mick gets angry, people die, even the people he loves the most. Set in the contemporary world, Mick is a godfearing young man with a mysterious power – the ability to kill people just by getting mad at them. He doesn’t want to kill people, but sometimes he gets mad and then they die of hideous cancerous tumors – sometimes fast, sometimes slow – depending on how mad he gets. The phenomena is explained by some “bio electrical field” handwaving on Card’s part but that isn’t the heart of the story. Mick’s been an orphan since the day he was born – even as a baby his uncontrollable power killed his caregivers. When he grew old enough to realize the danger he posed to others, he left the orphanage to get a job doing manual labour for a decent father figure. One day Mick finds himself unconciously withdrawing his meager savings and travelling to his birthplace – like a salmon going to spawn – but on the way he meets an older woman who knows his terrible secret. She tells him he doesn’t have to go and tries to persuade him to come with her instead. But Mick has other plans. He’ll go work for the CIA, make some good of his ability to kill. Of course Mick has forgotten even he has to sleep sometime…

I plain loved this book. Not only is the story told crisply and cleanly, but it also gets one doing some deep thinking. Mick’s gift/curse is almost the perfect allegory for gun control. Not even the most rabid NRA members would suggest it’s a good idea to give pistols to toddlers, and that’s basically Mick’s situation. He’s been given a weapon that is so a part of him that he can no more stop it than he can stop breathing. His emotions are tied into a hair trigger of killing. Pity even the most loved friend who is standing near when his emotions run hot. Orson Scott Card has tied this all in with what looks like a cross between an Old Testament inbreeding program and a fundamentalist militia.

This whole situation reminded me of a phrase Robert A. Heinlein once coined: “An armed society is a polite society.”* This concept has been much trumpted by the firearms lobby and Eye For Eye shows just what it would mean if it were practiced. If everyone was like Mick Winger, a community of the armed would also be a community of fear, where even constructive criticism is to be avoided at all costs lest someone take offense. Love thy neighbor doesn’t extend very well when thy neighbor demands the freedom to own nuclear weapons.

In this age of seemingly endless series, thousand page fantasy epics, and general fiction sprawl, it is wonderfully refreshing to listen to a short novel or novella. Request Audiobooks, a brand new player in the audiobook market, has dipped into Science Fiction and Fantasy’s glorious past for some wonderous tales that don’t require a forklift to enjoy. Eye For Eye was first published in Isaac Asimov’s Science Fiction Magazine, Mar 1987 issue, and in 1988 it won the Hugo Award for best novella. Then in November 1990 it was paired as half of the Tor Double Novel #27 with another novella by Lloyd Biggle Jr. (The Tor Doubles are for my money the very best modern treeware series published). For more than ten years this terrific tale sat out of print. Then ReQuest Audiobooks stepped up. And boy did they ever! ReQuest presents the novella in all its glory, and then some. They tapped master narrator Stefan Rudnicki to read it. Rudnicki who’s sonorant basso has performed more Orson Scott Card audiobooks than any other voice on Earth is perfect for the job. Then, they went to Orson Scott Card himself and had him write an original afterword just for the audiobook. To finish it all off, they commisioned some truly eye-catching art. This is my very favorite kind of audiobook. A short novel with an intriguing premise, bristling with driven characters, read by a talented narrator, and sporting a bonus feature. With a USA price point of just $14.95 for three CDs this is like a slice of audio heaven.

*-The quotation comes from the novel Beyond This Horizon by Robert A. Heinlein

Posted by Jesse Willis

Willamette Radio Workshop on The Sonic Society

SFFaudio News

Willamette Radio WorkshopWillamette Radio Workshop returns to the The Sonic Society to close out their wildly successful inaugural season with the award winning production of Archibald Macleish’s “The Fall of the City”. A verse drama originally commissioned for the Columbia Workshop (the inspiration for WRW) in 1937. You won’t believe it’s only 30 minutes long.

A note for The Sonic Society regulars, WRW doesn’t have podcast rights for “Fall of the City”, so the final Society podcast will have a Texas Radio Theater episode.

More details are available on Willamette Radio Workshop’s website.

Review of Look to Windward by Iain M. Banks

SFFaudio Audiobook Review

Science Fiction Audiobook - Look to Windward by Iain BanksLook to Windward
By Iain M. Banks, read by Robert Lister
10 Cassettes – Approx. 14.25 Hours [UNABRIDGED]
Publisher: Clipper Audio
Published: 1990
ISBN: 1841971839
Themes: / Science fiction / Aliens / Space Travel / War / Afterlife

Civil war has taken its toll on a planet called Chel, whose furry predator-descended people live in a strict caste-based society with an exacting religion. One of them, a famous composer named Ziller, has disowned his home world to live on a Culture orbital called Masaq’. He lives in crusty happiness among the humans and formerly human machines there, composing, exploring, and attending dinner parties. But word has come of a second Chelgrian, a former soldier and monk named Quilan, who appears determined to persuade him to return to Chel. The Culture are partially responsible for instigating the Chelgrian civil war, and it may be that Quilan has a deeper mission that even he knows nothing about.

This is the compelling lead-in to Iain M. Banks’ novel Look to Windward, but it is far from the whole story. The novel takes us far into the future of humanity, across the astoundingly large artificial surface of Masaq’, down deep voids of space on a series of amusingly named spacecraft, through the bitter civil war on Chel, and even into the belly of a large, atmosphere-containing being and the enormous blimp-like life forms inside it. The range of emotion is similarly grand, beginning with a harrowing descent into the war and its aftermath, segueing into an amusing and confusing dinner party, and setting off into stirring adventure and philosophical discussions of risk, war, love, life and death.

This is an introspective novel, and its most involving aspects unfold almost entirely in dialog. Such dependence on conversation demands an author who can produce interesting, distinct, and consistent voices for the various characters. Iain Banks delivers in spades, and Robert Lister interprets his dialog with near-perfection (the notable exception is Kabe, who sounds like a B-grade Igor). Hearing Ziller’s profane peevishness, Quillan’s calm hopelessness, and even Colonel Hyler’s avuncular old war-horse is like perceiving the characters in extra dimensions. In particular, there is a discussion late in the book between Quillan and Hyler that, while horrifying in topic, is presented with such remarkable tenderness that I found it one of the most outstanding scenes of fiction I’ve ever heard.

Look to Windward is part of a larger series of Culture novels, but don’t let that scare you off. I haven’t read any of the others, and you won’t be required to, either. If you like a thoughtfully-paced interplay of characters and ideas in a futuristic but oddly British setting, then you will love this book. And, like me, you’ll soon be trying to get your hands on more.

Posted by Kurt Dietz

UK Radio Programme Welcome To Mars available as a podcast

Online Audio

Welcome To Mars (1947-1959)Welcome To Mars (1947-1959) is a fascinating collection of non-fiction oddments about the fantastic futuristic world of the fifties. Presenter Ken Hollings in a live twelve-part series reflects on the “fantasy of science” in the early years of the American Century.

“Between 1947 and 1959, the future was written about, discussed and analysed with such confidence that it became a tangible presence. This is a story of weird science, strange events and even stranger beliefs, set in an age when the possibilities for human development seemed almost limitless.”

The show is broadcast live on Wednesdays at 3.30pm GMT on Resonance FM (104.4 FM) in the UK and podcast to the world via XML feed:

http://www.simonsound.co.uk/podcasts/marspodcast.xml

Episodes released so far:

Part 1: 1947: Rebuilding Lemuria |MP3|
Part 2: 1948-49: Flying Saucers over America |MP3|
Part 3: 1950: Cheapness and Splendour |MP3|
Part 4: 1951: Absolute Elsewhere |MP3|
Part 5: 1952: Red Planet |MP3|
Part 6: 1953: Other Tongues, Other Flesh |MP3|
Part 7: 1954: Meet The Monsters |MP3|
Part 8:
Part 9:
Part 10:
Part 11:
Part 12:

posted by Jesse Willis

1967 Radio Drama of a Science Fiction classic available for FREE in MP3

Online Audio

Via BoingBoing.net

“In 1967, WBAI produced a two-hour radio dramatization of Samuel R. Delany’s first short piece [a novellette] of SF, ‘The Star-Pit’, with narration by Delany himself.” That broadcast is now available as 4 FREE Mp3s, all of which are downloadable HERE, along with a fascinating article chronicling the radio drama’s production history. Enjoy!

Benjamen Walker's Theory Of EverythingThe Star Pit
By Samuel R. Delany; Perfomed by a Full Cast
4 MP3 Files – Approx. 2 Hours [RADIO DRAMA]
Broadcaster: Mind’s Eye Theater / WBAI FM New York
Broadcast: 1967
A tale of loneliness and difference, about grounded workers who service the starships that will travel the galaxy.

All four parts:

Part One (24.3 MB)
Part Two (23.7 MB)
Part Three (22.8 MB)
Part Four (25.9 MB)

Performers: Samuel R. Delany, Baird Searles, Randa Haynes, Walter Harris, Jerry Matts, Joan Tanner and Phoebe Wray.
Produced by Baird Searles
Production Assistant Neal Conan
Directed by Daniel Landau
Music and Sound Effects by Susan Schweers
Technical Direction by David Rabkin and Ed Woodward

posted by Jesse Willis

Review of Caedmon’s Science Fiction Soundbook

SFFaudio Review

Science Fiction Audiobook - Caedmon Science Fiction SoundbookScience Fiction Soundbook
By Ray Bradbury, Isaac Asimov, and Robert A. Heinlein
Read By Leonard Nimoy and William Shatner
4 hours – 4 Cassettes [UNABRIDGED]
Publisher: Caedmon
Published: 1977
Themes: / Science Fiction / Mars / Edgar Allan Poe / Computers / Mathematics / Sociology / Space Travel /

This out-of-print Caedmon set was a wonderful find (thanks, Esther!) because it contains two cassettes (four stories) that are amongst the earliest science fiction audio I ever heard. The stories are “The Green Hills of Earth” and “Gentlemen, Be Seated” by Robert A. Heinlein, and “There Come Soft Rains” and “Usher II” by Ray Bradbury, all read by Leonard Nimoy. Also included here is “The Psychohistorians” by Isaac Asimov and “Mimsy Are the Borogroves” by Henry Kuttner, both read by William Shatner. The audio was originally published in 1977.

I found Leonard Nimoy’s readings to be excellent. In Bradbury’s “Usher II”, he delivers a passionate speech about the evils of book burning with perfection. In “Gentlemen, Be Seated” and “The Green Hills of Earth” he portrays working class spacemen with complete success.

William Shatner, though, was disappointing. I’ve heard him read some Star Trek titles, and felt his delivery was pretty good, but here, on both cassettes, he reads as if he needs to be across town in fifteen minutes. He zips through the text, sometimes fast enough to affect my comprehension.

The stories are all bona-fide 5-star classics:

“There Will Come Soft Rains” by Ray Bradbury, read by Leonard Nimoy
This famous story is about a house. That’s it, just a house. An automatic, programmed house that keeps running and running… but where are its inhabitants? Bradbury manages to tell a very human tale without any actual people.

“Usher II” by Ray Bradbury, read by Leonard Nimoy
A fantastic story, passionately read, about a man who builds Poe’s House of Usher on Mars. Because of the social climate on Earth, it would be illegal to build such a fantastic structure, because stories of fantasy are simply no longer allowed. If you agree with that policy, this fellow would be happy to show you around, and he does get that opportunity. As I mentioned earlier, a highlight is a speech on censorship that was an obvious precursor to Bradbury’s Fahrenheit 451.

“The Psychohistorians” by Isaac Asimov, read by William Shatner
This is the first novelette in the first book of Asimov’s Foundation trilogy. In it, you meet Hari Seldon and Gaal Dornick in an introduction to some of the key elements of the Foundation story, including the Empire in decline and the mathematics of psychohistory. However, I did have difficulty get into Shatner’s narration.

“The Green Hills of Earth” by Robert A. Heinlein, read by Leonard Nimoy
Rhysling is a Spacer who lost his eyesight in a reactor pile accident. Now, he’s a famous bard, and this is his story. The story is an excellent portrayal of what spaceflight might be like from the working stiff’s point of view, once flight becomes common. At least from the perspective of a science fiction writer in 1948. No NASA engineers here.

“Gentlemen, Be Seated” by Robert A. Heinlein, read by Leonard Nimoy
This story is similar to “Green Hills” in that the characters are working class spacemen. One agrees to take a reporter through some new buildings on the moon (yes, he does get overtime pay for it), but an accident occurs during the tour. Another story from the late 1940’s, which is the part of Heinlein’s long career that I enjoy most.

“Mimsy Were the Borogroves” by Henry Kuttner, read by William Shatner
This story fared better under Shatner’s cadence than did “The Psychohistorians”. I was captured by it within 5 minutes or so of concentrated listening, and Kuttner’s story held my attention even when Shatner didn’t. The story involves some toys that were sent back in time by a far-future scientist with too much time on his hands. The toys are found by some kids, who play with them, and are changed by them. The story plays with the ideas of how people think – how kids think, how adults think, and how it could possibly be different. I found it a well-written and entertaining exploration of these ideas. Great science fiction.

Posted by Scott D. Danielson