CBC Radio Podcast: Sounds Like Canada plugs Science Fiction Podcasts

Online Audio

CBC Radio's Sounds Like Canada Podcast Sounds Like Canada, CBC Radio One’s feature morning program has a podcast. The SLC’s “Digital Extra” features stories of what happens off the air. The latest podcast features three podcasters from the Podcasters Across Borders event that happened in June. Tim Campbell was one of the guests (his is a motorcycle podcast, The Twisted Wrist) but he gave a good plug for Science Fiction. Tim writes: “I listen to a lot of SF on podcasts, most notably Slice of SciFi and Escape Pod, and wanted to represent a little bit of the SF podcast world in the interview.”

Download the MP3 direct, or subscribe to the podcast via this feed:

http://www.cbc.ca/podcasting/includes/slc.xml

Elric of Melnibone on Audible

SFFaudio News

Thanks to SFFaudio reader Esther for pointing out that the Audio Realms unabridged (and Excellent) Elric of Melnibone by Michael Moorcock is Audible.com‘s Selection of the Day! That means you can get this Excellent title for $9.95 today only. Don’t miss it!

Science Fiction Audiobooks - Elric of Melnibone by Michael MoorcockElric of Melniboné
By Michael Moorcock, Read By Jeffrey West and Michael Moorcock
5 CD’s – 5.5 Hour [UNABRIDGED]
Publisher: Audio Realms
Published: 2003
ISBN: 097315960X
Themes: / Epic Fantasy / Magic / War / Gods /

Click here for SFFaudio’s rave review of this title, from 6/29/2005.

Ed – $9.95 is the non-member price. The member price is only $6.97.

Posted by Scott D. Danielson

Review of Shadow of the Hegemon by Orson Scott Card

Science Fiction Audiobook Review

Science Fiction Audiobook - Shadow of the Hegemon by Orson Scott CardShadow of the Hegemon
By Orson Scott Card; Read by David Birney, Scott Brick, Gabrielle de Cuir, and Stefan Rudnicki
11 CDs – 13 hours – [UNABRIDGED]
Publisher: Audio Renaissance
Published: September 2006
ISBN: 1593974809
Themes: / Science Fiction / War / Politics / Youth / Strategy /

In Ender’s Game, Ender Wiggin and his jeesh won the war against the buggers. From there, the story of Ender and his sister Valentine continues in Speaker for the Dead, Xenocide, and Children of the Mind. But what of the people Ender left behind? What of Ender’s power hungry older brother Peter? What of Bean and the other Battle School kids? Orson Scott Card gives us that story beginning with Ender’s Shadow, then continuing with this novel, Shadow of the Hegemon, and on to Shadow Puppets and Shadow of the Giant. (NOTE: Shadow Puppets is the only novel mentioned here that has not yet been released in unabridged format on CD by Audio Renaissance, but it is in their schedule for January 2007.)

One of the things I admire about the Ender novels as a whole is that Orson Scott Card has not written the same novel twice. Speaker for the Dead is a different kind of novel than Ender’s Game, and Xenocide different again. Ender’s Shadow marked a return in tone to Ender’s Game, but this book was different again. Shadow of the Hegemon is boardgame of a novel, a sort of international chess match between nations battling for dominance after the outside threat of the Buggers has been eliminated.

The Battle School kids are 14 or so now, and have all returned to Earth. Achilles (a failed Battle School student from the previous novel) works for Russia and is given a LOT of power. He orchestrates an operation to kidnap all of Ender’s jeesh from wherever they are in the world, then proceeds to convince these kids that they need to help Russia or rot in a cell where no one else can use them. I had tough time believing that this young man would be given authority to do what he does – what kind of government would give such power to a young teen? Even though history is full of young men in positions of great power, it didn’t ring true for me. The actions of all the other characters in the book were not problematic for me, but I couldn’t help but feel that Achilles just had too much authority, and I just couldn’t see adults readily giving that authority to someone that young.

The main character in the book, and in all the Shadowbooks, is Bean, who is a fascinating and engaging character throughout the series. He manages to figure out what’s going on before getting kidnapped himself, and thus starts the story.

The book switches point of view frequently, moving from Bean to Petra to Peter Wiggin. Scott Brick read the Bean chapters, Gabrielle de Cuir read the Petra chapters, and David Birney the Peter Wiggin chapters. Card provided plenty of dramatic moments in the novel for these performers, most notably the first meeting between Bean and Ender Wiggin’s mother, powerfully read by Scott Brick.

Card kept the scale of the novel both personal and global, and mentions Tom Clancy in his afterword as an influence. The book is an enjoyable addition to the Ender universe, and I’m eager to hear the next book, Shadow Puppets, when it is released. In fact, when it is, I may treat myself to the entire Shadow series again. They are superb productions, every one.

Audio Renaissance’s website has a page dedicated to the entire audio Ender series – find it here.

Posted by Scott D. Danielson

Review of Alien Voices: The Time Machine

Science Fiction Audiobook Review

Science Fiction Audiobook - Alien Voices - H.G. Wells' The Time MachineH. G. Wells’ The Time Machine
By H. G. Wells, performed by a full cast
2 Cassettes, 2 CDs, Approx. 2 hours – [AUDIO DRAMA]
Publisher: Simon and Schuster
Published: 1997
ISBN: 0671575538 (cassettes), 0671575546 (CDs)
Themes: / Science fiction / Time Travel / Evolution / Future /

When a time traveler seeks a better world 802,000 years in the future, his optimism is shaken when he discovers that the human race has turned upon itself in a primal display of horror.

For their first adaptation, Alien Voices choose one of the most important stories ever written in SF. And with Leonard Nimoy as the time traveler and John DeLancie as the narrating friend of the time traveler, we’re among the pantheon of SF deities.

This adaptation is very faithful to the original story. A gentleman of the late 19th century invents a time machine. Over a dinner conversation with colleagues he explains that time is the fourth dimension. At their next dinner engagement he comes in bedraggled and tells them the amazing tale of his journey in time. The story he tells is of the year 802,000. He meets a gentle race called the Eloi. A Garden of Eden of sorts, but the Eloi are as simple as small children, but without their curiosity or enthusiasm. Another threatening race live in subterranean tunnels. They are the Morlocks and feed upon the innocent Eloi. After befriending a female Eloi, named Weena, and losing her during a battle with the Morlocks, the time traveler returns home to tell his tale to his colleagues.

The dramatization is well produced. Nice original music and crackling sound effects. But one effect was totally distracting and detracting to the story. The Eloi all spoke with this strange chorusing effect to their vocals. It reminded one of an alien or telepath, certainly not the sound of a child-like being described in the story. It’s as if their voice boxes bifurcated into a strange mutated form. This destroys the illusion that they are simple child-like.

Much of the time is spent with the time traveler reciting his adventure in long monologues of his future adventure. And although this is faithful to the book and Leonard Nimoy’s voice is golden, it does not take advantage of a cast recording and is more reminiscent of a traditional audiobook for long stretches at a time.

Podiobooks.com announces Q&A for Singularity

SFFaudio News

SingularityBill DeSmett, author of the podiobook Singularity is planning on doing a wrap-up episode in a question-and-answer style. If you are a listener of this book and would like to get in on the action you have three options:

1. Email your question in plain text to: [email protected]

2. Record your question as an audio file and email it to [email protected]

3. Leave a voice mail by calling 206-888-2448

Questions can be about the characters in the book, what really goes on inside of a naked singularity, physics, Russian studies or anything else related to the novel or the author. More info can be found on the official Singularity website.

Evo of Podiobooks.com also adds “The best question or comment, as selected by our impartial panel of judges, will receive a free, autographed hardcover copy of Singularity.”

Joe Mahoney digs out some old WORLDCON gold: Larry Niven, John Scalzi and Frank Wu

Online Audio

Assorted NonsenseJoe Mahoney, CBC Radio Producer, has posted three interesting MP3 interviews that he recorded at Torcon in 2003 to his blog (AssortedNonsense.com). Joe writes “I happen to have some tape of some of this year’s Hugo winners [and Larry Niven]. I thought, well, I could let it rot on my bookshelf or give it to the world. So I roused myself from my usual lethargy and blew the dust off some of the material I recorded back at the 61st World Science Fiction Convention in Toronto in 2003.”

Larry Niven interview |MP3|
“A Science Fiction convention is something like heaven to me.”

John Scalzi interview |MP3|
“I wrote a novel called Old Man’s War …”

Frank Wu interview |MP3|
“I’d really like to do a lot more spaceships, robots and aliens.”

Joe also says: “As you might already know (especially if you read this blog), Robert Charles Wilson just won a much deserved Hugo for his novel Spin. We just had the man in the studio a few minutes ago and I interviewed him about Spin and winning the Hugo, and he’ll be on The Arts Tonight [a CBC Radio One show] within the next couple of weeks.” you can look for the link HERE some time this coming week.