A Scanner Darkly is not only a new movie it is a…

A Scanner Darkly is not only a new movie it is also an old Science Fiction novel by Philip K. Dick. When a Hollywood studio adapts one of his novels into a “major motion picture” these days we aural-literary-types are also justly blessed. For both Minority Report and Paycheck Harper Audio released the short stories as audiobook MTIs (movie-tie-ins) as read by Keir Dullea – now, with imminent release of A Scanner Darkly we’re getting what sounds like possibly the best Philip K. Dick Movie-Tie-In audiobook yet! Random House Audio is releasing….

A Scanner Darkly
By Philip K. Dick; Read by Paul Giamatti
CDs – [UNABRIDGED]
Publisher: RH Audio
Available: February 7, 2006
Price: $34.95 USD
ISBN: 073932392X

Bob Arctor is a dealer of the lethally addictive drug Substance D. Fred is the police agent assigned to tail and eventually bust him. To do so, Fred takes on the identity of a drug dealer named Bob Arctor. And since Substance D–which Arctor takes in massive doses–gradually splits the user’s brain into two distinct, combative entities, Fred doesn’t realize he is narcing on himself.

Dick was no stranger to paranoid drug fantasies. Back in 1972 with his fourth marriage in ruins, an unsolved burglary in his home and a serious amphetamine addiction Dick travlled to Vancouver, British Columbia to be Guest of Honor at V-Con, after delivering a landmark speech he attempted suicide. Desperate, Dick begged and gained entrance to a heroin addiction treatment center called X-Kalay despite the fact he wasn’t addicted to heroin. When he eventually retuned to Calfornia he started work a new novel. A Scanner Darkly was the result. Now 33 years later Dick’s novel is being adapted for audio.

Paul Giamatti (who had a supporting role in the film version of Paycheck) is set to read the unabridged audiobook! His twitchy on-screen persona should make A Scanner Darkly an awesome listen – Giamatti is the epitome of a PKD protagonist. Here’s some evidence of that – back 1994 in an interview conducted for MoviePoopShoot.com interviewer Josh Horowitz talked to Giamatti about the adaptation of Dick’s films:

JH: Speaking of which…is Paycheck more than just a paycheck?
PG: (LAUGH) Well, you know…I mean, I really do like [director] John Woo. I almost did that Windtalkers movie which I never saw.

JH: That kind of movie has to be a no-brainer to do anyway. It’s a big budget film with John Woo based on a story by Philip K. Dick.
PG:
Yeah, Philip K. Dick is another reason to do it although they never do his stuff right. They turn them into these big action movies when there’s really no action in them and the heroes in them are nerdy, geeky, loser guys.

JH: So you’re saying Ben [Affleck] should have been your sidekick instead of vice versa?
PG:
(LAUGHS) There you go. Exactly. It should be a guy like Steve Buscemi or somebody like that. It’s a weird guy to use as a basis for action movies.

Well said Paul!

You listen to him Hollywood, but even if you dont… please keep adapting PKD to film, we need more of his audiobooks.

The second issue of Orson Scott Card’s Intergala…

SFFaudio News

The second issue of Orson Scott Card’s Intergalactic Medicine Show will feature a bonus audio mp3 version of Middle Woman a short Science Fiction Fantasy which was written by OSC in 1981. It’ll run nearly 10 Minutes and will be read by our very own Mary Robinette Kowal. Congrats go to both Mary and the subscribers of OSC’s IGMS magazine! This’ll be another must buy!

Posted by Jesse Willis

Review of The Quantum Rose by Catherine Asaro

Science Fiction Audiobooks - The Quantum Rose by Catherine AsaroThe Quantum Rose
By Catherine Asaro, read by Anna Fields
1 CD (MP3) – 13 ½ hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2004
ISBN: 0786186232
Themes: / Science fiction / Fantasy / Romance / Space opera / Telepathy /

I’ve always been a big fan of math. I like the chumminess of commuting, associating, and distributing; the edginess of integrating by parts; and the sharp antiseptic sting of differentiating exponentials. In The Quantum Rose, Catherine Asaro brings the robust methodology of a table of cosines to romantic space opera. Like a seasoned mathematics professor, she begins by defining the variables: A fantastically beautiful heroine; her strong, handsome but brutish betrothed; and a mysterious stranger who takes a sudden interest in the heroine. She then lays out the equations for us: fear, mutual need, and strange loyalty between her and the betrothed; fear, mistrust, sexual attraction, and a hidden wound that must be healed between her and the stranger. From there, she manipulates the terms using standard algebraic operations such as nudity, well-meaning ignorance, revenge, treachery, self-sacrifice for the greater good, declarations of undying love, and first time sex so amazing it humbles those of us with decades of experience.

Asaro’s story-solving skills are honed to such an atom-splitting edge that only halfway through the book, she derives the main quantity of interest: True love. Not satisfied with so straightforward a proof, however, she dashes diligently on to lead us through a desperate, if leisurely (and admirably bloodless), rescue of an exiled royal family halfway across the galaxy. It’s all quite rigorous.

Never does Asaro skip a step. In fact, for the elucidation of the reader, she will often review a step several times to ensure we’ve understood each point before moving on to the next. She also provides enlightening chapter headings, which contain both a plain English title and a subtitle composed from quasi-quantum mechanical terms (for those hopelessly muddled by such clever cryptology, I’ll provide a clue: Substitute the word “person” for “particle” in these subtitles, and you’ll crack the code for over half of them). Thus, we are duly apprised of all developments well before they occur in the text. As a final touch, Asaro has defined most of the significant variables to be empaths or telepaths, which means we are never in doubt of what anyone in the story is thinking or feeling unless some misunderstanding is required by the plot.

Anna Fields adds to the proceedings by reading the text out loud for us. As an intriguing counterpoint to Asaro’s linear clarity, Fields adds a note of mystery by using female character voices that are quite similar to one another and by occasionally using the voice of one lead male to deliver the dialog spoken by another. The drunken mutter she maintains for the most prominent male throughout the entire length of the book also tends to soften the hard edges of understanding that sometimes seem too prominent for comfort.

The most exciting aspect of this audio book, however, is the medium it is recorded on. That MP3 technology allows nearly 14 hours of spoken text to be recorded on a single, handy CD is like a divine response to listeners’ prayers. There is only one nicely packaged jewel box to open–no snarling tapes nor floppy CD sleeves that produce obligingly but accept only grudgingly, the sound quality is excellent, and the production is clean. Maybe someday I will have the opportunity to actually enjoy an audio book in this format.

Posted by Kurt Dietz

Review of Citizen of the Galaxy by Robert A. Heinlein

Science Fiction Audiobook - Citizen of the Galaxy by Robert A. HeinleinCitizen of the Galaxy
By Robert A. Heinlein; Read by Lloyd James
8 CDs – Approx. 9 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786183810
Themes: / Science Fiction / Space Travel / Sociology / Politics / Contractarianism /

SLAVE: Brought to Sargon in chains as a child — unwanted by all save a one-legged beggar — Thorby learned well the wiles of the street people and the mysterious ways of his crippled master…

OUTLAW: Hunted by the police for some unknown treasonous acts committed by his beloved owner, Thorby risked his life to deliver a dead man’s message and found himself both guest and prisoner aboard an alien spaceship…

CITIZEN: Unaware of his role in an ongoing intrigue, Thorby became one of the freest of the free in the entire galaxy as the adopted son of a noble space captain . . . until he became a captive in an interstellar prison that offered everything but the hope of escape!

Thorby’s earliest memories are of his “papa” Baslim, a professional mendicant, purchasing him at the slave market on the capital city of Sargon, a distant planet that was long ago colonized by a now space faring mankind. There Baslim teaches the rebellious Thorby the art of begging which in itself is an interesting enough trade – but Baslim also has a secret job, one that will eventually propel his adopted son all the way across the galaxy. Citizen Of The Galaxy is one of the most conceptually expansive of Heinlein’s juvenile novels, it tackles many issues including social organization, the nature of ontractarianism and most of all freedom. The society aboard the free-trader starships for example is one of the most interesting Heinlein ever invented (it would have worked as a single novel unto itself). Exploring that culture for me was the best part of the book but there were plenty of other good bits too. Of course heavy handed straw men are peppered throughout the novel to trip up our hero. This has been a big problem for Heinlein, he could never make a villain smart in any meaningful sense. Had Heinlein given us some villains along the lines of Roy Batty of Blade Runner or “The Operative” in Serenity, in other words three dimensional villains, he’d be even more luminous in reputation than he has. And that really is hard to imagine! Straw men aside, there aren’t that many interesting dilemmas for Thorby to overcome in this
one, he’s a relatively passive hero who reacts more often than he acts. As a juvenile novel it works extremely well. A great listen for teenagers and adults.

On the audio end of things Blackstone has made my wish come true! Lloyd James is becoming the definitive voice of unabridged single voiced Heinlein audiobooks. He can do both youth and adults of both sexes easily and ads accents where appropriate. Sound quality, as always these days from Blackstone, is phenomenal. The CDs had not even a hint of anything other than the voice of the text recorded on them. Well done. The original cover art on the Blackstone packaging is a triptych of Thorby from the three sections of his youth. I’ve reviewed here the “library edition” which comes in a library style clamshell binding – but also available are an MP3-CD and cassette edition as well as a retail edition on CD. Check one out in your preferred format, you’ll be glad you did.

Posted by Jesse Willis

Adam Rakunas of the blog Giro.org is podcasting …

SFFaudio Online Audio

Adam Rakunas of the blog Giro.org is podcasting his Science Fiction novellete entitled Making Numbers.

Adam describes Making Numbers thusly:

“It’s the story of Maggie Tsu-Chen, a burnt out career counselor for uploads (she’s one, herself). She’s one client away from making her Number, thereby meeting her obligation to the System. Take a step Inside, and find out why uploading may not be all that and a bag of chips.”

Making Numbers is broken up into 11 parts, Adam’s about half way through posting all the parts – his reading is good but he’s in desperate need of a pop-filter:

You can subscribe to the feed by plugging this into iTunes:

http://feeds.feedburner.com/adam_rakunas

Posted by Jesse Willis