Review of Merian C. Cooper’s King Kong by Joe DeVito and Brad Stickland

Horror Audiobook - Merian C. Cooper's King KongMerian C. Cooper’s King Kong
By Joe DeVito and Brad Stickland; Read by a Full Cast
6 CDs – 6.75 Hours [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2005
ISBN: 1933322497
Themes: / Science Fiction / Horror / Movie making / Gorillas / Dinosaurs /

Full Cast Audio has really perfected their style. The first audio I listened to by them was back in 2002 – I reviewed it for SFSite, and you can find it here. Their Full Cast style of audiobook narration was new to me, I was a little put off by it, though I enjoyed the book (as did my son).

Here we are in 2006, and Full Cast Audio presents Merian C. Cooper’s King Kong, during which I marveled at the expert production. The skillful acting, the flawless editing, and the classic story make this a title not to be missed. Nobody does Full Cast Unabridged narration better than Full Cast Audio.

The story is familiar to nearly all of us. Carl Denham is a recklessly ambitious filmmaker in 1930’s New York City. He gathers a crew and an actress (Ann Darrow) to sail to a secret destination where he can film his masterpiece. The crew finds the mysterious island, where they find King Kong in an adventure that turns dangerous in a big hurry.

I haven’t seen the original King Kong film for many years, and it didn’t have the effect on me that it did on so many others, including Peter Jackson. I have seen Peter Jackson’s version, though. This version of the story is not a novelization of the Peter Jackson script. It is an expansion of the original novelization of Cooper’s original Kong story.

Posted by Scott D. Danielson

Review of A Wrinkle in Time by Madeleine L’Engle

SFFaudio Review

Fantasy Audiobook - A Wrinkle in Time by Madeline L'EngleA Wrinkle in Time
By Madeleine L’Engle; Read by Madeleine L’Engle
5 CDs – Approx. 5 Hours 17 Minutes [UNABRIDGED]
Publisher: Random House/Listening Library
Published: 2005
ISBN: 0307243230< Themes: / Fantasy / Space travel / Family / YA / Psychic Abilities / Newberry / The elementary school I attended as a kid had a big poster in the library showing the covers of all the Newberry Medal award winners. I remember A Wrinkle in Time by Madeleine L’Engle jumping off of the poster; the cover featured an almost photo-realistic mother-of-pearl centaur that was pretty damn cool looking to a ten year-old. I checked the book out, read it, and loved it, but my recent listen of the new audio edition of A Wrinkle in Time (Listening Library, 2005) made me wonder how much of the book I really understood as a kid. I’ve often thought that they should just come right out and say that books win the Newberry Medal not because they are outstanding children’s books, but rather outstanding children’s books for adults. A Wrinkle in Time definitely falls within this category. The fast-moving story and sympathetic characters definitely make it appealing to kids, but, like Philip Pullman’s stuff , there are thematic elements that are very mature, and maybe even a little subversive. If the book were any less intelligently or subtly written, I wouldn’t be surprised to see it show up on banned-book lists.

L’Engle reads the book herself, and does a fine job. She obviously has an intimate understanding of the material, and her expressive voice lets her keep the story flowing without having to use different voices to distinguish the characters. L’Engle apparently suffered a cerebral stroke in 2002, the effects of which are obvious in her voice; it’s slurred a lot like Johnny Cash’s on his later albums. The only criticism I have of this production is of the decision to use an echo effect for the dialogue of Ms. Which. In the book all of this character’s dialogue appeared in italics, but the in the audio book, the effect comes off as a little cheap.

The audiobook starts off with an introduction explaining how L’Engle read the story to her children as she was writing it. Those were some lucky kids. Hop in bed with A Wrinkle in Time, some cocoa and some good headphones and you’ll probably come pretty close to recreating that experience.

Review of Battlestar Galactica by Jeffrey A. Carver

SFFaudio Review

Science Fiction Audiobook - Battlestar GalacticaBattlestar Galactica
By Jeffrey A. Carver, based on the teleplay written by Ronald D. Moore and Christopher Eric James, based on a teleplay by Glen A. Larson
Read by Jonathan Davis
4 CD’s – 4 hours [ABRIDGED]
Publisher: Audio Renaissance
Published: 2005
Themes: / Science Fiction / War / Robots / Military / Government / Space Travel / Mythology / Religion /

Has anyone else noticed how good television has become during the past ten years? Well, 13 years. In 1993 Babylon 5 first aired, ushering in a new wave of science fiction and fantasy television that is both smart and damned entertaining. Following B5 was Joss Whedon’s Buffy the Vampire Slayer and Firefly. Many would put Farscape and Stargate in the same category. I haven’t seen enough of either to make that judgment. We could quibble about the list of this new wave all we want, but currently at the crest of that wave is the Sci-Fi Channel’s Battlestar Galactica, which is, without doubt, the best science fiction show currently in production.

This audiobook is an abridgement of the novelization of the first Battlestar Galactica show, which was a 4-hour mini-series that originally ran in 2002. I admit that even typing that makes me wince. An abridgement of the novelization of a television show. How much farther from Shakespeare can a person get? Not exactly high falutin culture here.

But this story is edgy, tense, and complex. It opens with a complacent human race that has gotten used to life without their enemy, the Cylons. The Cylons were human-built machines that rebelled, then accepted an armistice agreement around 40 years before the beginning of this audiobook, which is primarily about the sudden unexpected attack on humanity by the Cylons. The attack leaves the Battlestar Galactica as one of the very few ships that survives, and the immediate aftermath sets up several storylines that are followed in the television series.

Jonathan Davis, who keeps pretty busy with the many Star Wars audio titles, narrates, and does his typical and excellent job with it.

I’m a fan of this series, and was happy to receive this audiobook. Though the audio offers nothing new over the miniseries itself, it was an enjoyable way to experience the story while driving. I’m not sure if Audio Renaissance plans to continue releasing Battlestar Galactica titles, but because of the nature of the series, they would have to release every episode since each one is dependant on what takes place before.

Posted by Scott D. Danielson

Review of The Time Machine by H.G. Wells

SFFaudio Review

Science Fiction Audiobooks - The Time Machine by H.G. WellsThe Time Machine
By H.G. Wells; Read by James Spencer
MP3, OGG or AAC files download – 3 hours, 2 minutes [UNABRIDGED]
Publisher: TelltaleWeekly.org
Published: 2004
Themes: / Science Fiction / Time Travel / Math Fiction /

I felt assured that the Time Machine was only to be recovered by boldly penetrating these underground mysteries. Yet I could not face the mystery. If only I had had a companion it would have been different.

Sounds suspiciously like the plot of every Doctor Who episode doesn’t it? But The Time Machine isn’t just about exciting time-travel adventures, it’s also about the class struggle in Great Britain in the late 19th century, the widening gap between rich and poor, what Humans have control over and what they don’t. Doctor Who has been known to tackle these ideas too, one of it’s serials even has H.G. Wells as a character, but the fact that The Time Machine did it first, and so well, speaks volumes.

Scientifically explained SF stories of time travel take their cue for explanation, when they do it at all, from this novel. Prior to its publication stories of travel in time went unexplained, the Connecticut Yankee, of Mark Twain’s comedic time-travel novel got a knock on his head that sent him back to Middle Ages England – and that was explanation enough in its way. But The Time Machine isn’t played for comedy, Wells’ futures are allegories for his worries about capitalism and communism, for his notation about gender blurring in the industrial age and his realization that not only are all men mortal, but so in fact is Mankind itself!

In just three hours Wells posits two futures: 1. A relative near term future humanity which has bifurcated into two distinct species (Eloi and Morlock) – they stand as the evitable result of aristocrat and proletariat class calcification present in the political theory at the time of it’s writing. 2. A vision of a far future Earth, showing the inevitable and unavoidable physical reality of the universe. Were this not a public domain text, and were not the plot so familiar to us we’d have to think ourselves blessed by this excellent reading. As it is, and as cheap as it is this classic of science fiction can be judged only by it’s audiobook. Thankfully the reading keeps pace with the text.

Sound quality is excellent, but the reader, James Spenser, doesn’t have much to do in the way of voices. He does however a marvelous job engendering anticipation, fear, disgust and sympathy through pacing. Spencer’s lack of an English accent for this Englishman’s tale doesn’t really matter, only one character in the novel is named, she couldn’t sensibly be called English and she doesn’t even have a speaking part. Much of the difficulty in this story comes from the stilted way it is rendered. Told in first person by an unnamed witness to the recounting of the main events, we are regaled second hand with the time traveler’s adventures in time. I can charitably call it “quaint.” Arthur C. Clarke later took up this kind of storytelling with his “Tales Of The White Heart” series of short stories, likely I think in homage to Wells. I’ve heard several audiobook renditions of The Time Machine now, of the non British reader’s Spencer’s is “the definitive edition.” And at just $5.00 it’s a deal.

Posted by Jesse Willis

Review of A Princess of Mars by Edgar Rice Burroughs

SFFaudio Review

Science Fiction Audiobook - A Princess of Mars by Edgar Rice BurroughsA Princess of Mars
By Edgar Rice Burroughs; Read by John Bolen
6 CD’s – 6 hours – [UNABRIDGED]
Publisher: Tantor Media
Published: 2001
ISBN: 1400100186
Themes: / Science Fiction / Mars / Aliens / Swordplay / Classic /

There are few classic novels with as much influence as Edgar Rice Burroughs’ A Princess of Mars. First published in 1912 (serialized in All-Story magazine with the title Under the Moons of Mars), Burroughs sparked the imagination of many of science fiction’s golden age writers, including Ray Bradbury and his Martian Chronicles. The audiobook cover is a detail from the 1919 Grosset & Dunlap cover.

A Princess of Mars is an imaginative adventure novel in which John Carter, a Virginian military man who starts the story running from Indians in the Arizona desert, is magically transported to Mars. Burroughs does not go into detail on the mechanics of the transportation, but does go into great detail about the inhabitants of Mars, called “Barsoom” by its natives.

There are two races on Mars – a four-armed green warrior race, and a red human-like race. The princess of the title is Dejah Thoris of Helium, whose beauty captures John Carter when he sees her taken by him in chains by some four-armed Barsoomians.

The novel is filled with damsel-in-distress/derring-do-male-hero sensibility that is laughable at times, but still the story holds up as a classic of the genre. Burroughs’ description of an alien culture is a forerunner of an entire category of science fiction, and I found it entertaining on that level. I also felt a great deal of nostalgia, because I read this book a few times as a early teen, along with the other ten Mars volumes, and a Tarzan or three.

John Bolen performs the whole book as John Carter, with a southern gentlemanly manner that the character demands. This means not only Carter’s attitude, but his southern accent, which took me a few minutes to settle into.

Check out Tantor’s science fiction and fantasy section for more Edgar Rice Burroughs titles.

Posted by Scott D. Danielson

Review of A Feast for Crows by George R.R. Martin

Fantasy Audiobook Review

Fantasy Audiobook - A Feast for Crows by George R.R. MartinA Feast for Crows
By George R.R. Martin; Read by John Lee
26 CDs – Approx. 31 Hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2005
ISBN: 0739308742
Themes: / Fantasy / Epic Fantasy / Medieval setting / Power Struggle / Dragons /

There’s a long story behind A Feast for Crows, but I’ll make it short. George R.R. Martin, while writing the fourth installment of the superior A Song of Ice and Fire epic fantasy series, found it was getting too long. Long enough, in fact, that if he published it as-was, it would need to be broken up into two volumes. So, rather than break the book into two pieces at the middle, he split the book by character, including the complete story of select characters in one volume, leaving the rest of the characters to appear in the next volume. A Feast for Crows, then, is the fourth book, and a new fifth book (A Dance with Dragons) will be published relatively soon. This novel is a bit shorter than the previous volumes, but still clocks in at 31 hours on unabridged audio.

Roy Dotrice read the first three volumes in the series, but this time British actor John Lee narrated. I’m not sure why the change was made; the narrators were very different. While Dotrice has a rough, earthy delivery, Lee’s style is smooth and skilled. Both narrators succeed with Martin’s story, because with such a large number of characters, ranging from royalty to peasants, each found places to shine.

The myriad of characters brings me to my next point. This is the first of these large novels that I’ve heard before I read. Some listeners have complained that the novels are difficult to follow on audio because there are so many entrances, but I didn’t feel that way until now. With this novel, I found that the portions of the book that involved characters I didn’t know from previous books were indeed difficult to follow. When a character I knew arrived on the scene, I was fully engaged with the story.

There is a very simple remedy to this. There are acres of real estate on the packaging for large audiobooks. Why not include a Cast of Characters (Dramatis Personae)? Why not include the maps from the print version? Both of these items would have been welcome.

I thoroughly enjoyed this book. I am a huge fan of Martin’s, and especially this series. I felt that this one started a bit slowly, but ended with a bang. I reveled in being in Westeros again. Many of the characters I like were not included in this novel, which both disappointed me and heightened my anticipation for the next volume. A Feast for Crows delivers much – I was riveted to the last third of this audiobook – but I can’t help to feel that it is incomplete, because of the missing characters and because it is the middle of a long wonderful saga that I am patiently waiting to see through.

Posted by Scott D. Danielson