The SFFaudio Podcast #274 – AUDIOBOOK/READALONG: Facts Concerning The Late Arthur Jermyn And His Family by H.P. Lovecraft

Podcast

Facts Concerning The Late Arthur Jermyn And His Family
The SFFaudio PodcastEldritch Tales by H.P. LovecraftThe SFFaudio Podcast #274 – Facts Concerning The Late Arthur Jermyn And His Family by H.P. Lovecraft, read by Gildart Jackson (this audiobook comes to us courtesy of Blackstone Audio’s Eldritch Tales). This is a complete and unabridged reading of the story (28 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, and Samantha Wikan

Talked about on today’s show:
The story was also published as Arthur Jermyn and The White Ape, Weird Tales, 1921, The Wolverine, the 1980s, “that’s not a big deal”, “our more enlightened times”, Lovecraft’s letter to Weird Tales, Rhodesia, “the Dark Continent”, “our brothers and sister in the jungle”, racism, Allan Quatermain, telegraphing the twist, is Lovecraft making a joke?, a more horrific reading, no Elder Gods, no Dreamlands, atavism and degeneration, great grandmother was a gorilla, miscegenation, bestiality, Dagon, Shadow Over Innsmouth, atavism, losing sanity points, Sir Wade Jermyn (African explorer with a “Portuguese wife” -> Philip Jermyn (a very agile sailor) -> Robert Jermyn (an anthropologist) -> Nevil Jermyn (runs off with a dancer) – > Alfred Jermyn (joins the circus) -> Arthur Jermyn (the poet scholar), Lovecraft became despondent when his family had to leave their home, Lovecraft’s mom said he was “exceedingly ugly”, Lovecraft’s father (died in an asylum), a tainted heritage, fear of degeneration, the ape goddess, diluting the noble bloodline, Arthur was the most unattractive one that was allowed out of the bedroom, Nevil’s siblings, a music hall singer of “unknown origin”, a lack of respect for the lower classes, below or above one’s station, a common sailor, the gamekeeper’s daughter, Winesburg, Ohio, Ray Bradbury’s inspiration for The Martian Chronicles, who is telling this story?, “demoniacal hints”, oppressive science, a future echo to Pickman’s Model, squamous eldritch adjectives, a gentleman in a club, “the gorilla boxing match death”, a smoking jacket holding court, clubman tales, Lord Dunsany, Arthur C. Clarke’s Tales Of The White Hart, Isaac Asimov’s The Black Widowers Club, Supernatural (1977 BBC TV series), “the club of the damned”, blood freezingly funny, “really ugly or unconventionally beautiful”, Arthur’s life story is quite sad, we really empathize with Arthur Jermyn, Victorian society, aren’t we all Arthur?, a lot of people probably don’t like the idea we are related to apes, maybe we should reject it even though its true, Douglas Adams “Earthmen are not proud of their ancestors and never invite them around to dinner”, digital watches, the ape city, hybrids, what of the other side?, S.T. Joshi’s reading, “that last clause is critical”, the white apes as the missing link, “the entire white race”, the only explanation, miscegenation assumes certain things, eugenics, “he married that ape”, “he made an honest ape of her”, the illustration from Weird Tales, how pretty was she?, the community’s contempt, judgements from a group of racist assholes, “that being said I’d rather be a poet than a sailor”, the butler, the servants, the black nanny, “the aged Soames”, the 1993 comic book adaptation by Stephen Phillip Jones, the visitor named “Seaton”, the only one who survives is Alfred, the adaptation goes off on this weird tangent -> The Terror Of Blue John Gap (first published in 1910), Samuel Seaton is in both stories (The Facts Concerning The Late Arthur Jermyn And His Family and The Terror Of Blue John Gap, She by H. Rider Haggard, a more realistic version of that story, Tarzan series by Edgar Rice Burroughs, the lost city of Opar (a lost colony of Atlantis), the John Carter books, this story is underrated, the humour and the pathos, not going into purple overdrive, the Jorkens tales, dry British wit, take off the Cthulhu blinkers, Jesse would like Mr Jim Moon to read aloud The Terror Of The Blue John Gap, Blue John (the mineral), Sir Arthur Conan Doyle, “obviously its insane”, Heart Of Darkness , Henry Morton Stanley, Dr. Livingston, Penny Dreadful is a mash-up of late 19th century horror fiction, Timothy Dalton plays a kind of Allan Quatermain kind of character, Mina Harker, demon possession, “raping their way across Africa”, the Grand Tour, “sending sons to the colonies for hunting, drinking, and whoring”, Sir Wade is the White God, the Congolese natives’ stories are all true, what’s in the box?, two statues?, a subterranean ocean, a fish man?, “I’m your great grandfather boy”, the Spawn of Cthulhu, “Deep Ones can mate with any species”, when we read Lovecraft we do a disservice to force connections to the Cthulhu Mythos, presenting it as a theory, “the locket!”, “what’s in the locket?”, the locket was empty, they threw the locket in a well, interpretations, stopping the spread vs. just being horrified, putting them over the percentage, “they had to make it not be”, having an ancestor delivered to your door, “Sir Wade collected things one wouldn’t ordinarily collect”, what did he bring back?, tending away from the Cthulhu Mythos, Cthulhu plushie, Lovecraft would never have said: “Sanity points?! Great idea!”, The Hound by H.P. Lovecraft (and it’s black museum), Lovecraft used the Necronomicon as “a backdrop and a reference and a flavour”, appreciating the stories as stories, it’s touching!

The White Ape - illustration by William F. Heitman

The Worlds Of H.P. Lovecraft - art by Wayne Reid

The Worlds Of H.P. Lovecraft (1993 Caliber Comics) art by Wayne Reid

Posted by Jesse Willis

Review of “The Eternal Wall” by Raymond Z. Gallun

SFFaudio Review

SFFaudio’s 7th Anniversary World Tour continues – we’ll have you know that no hotel rooms have been trashed to date. But there’s still time…

Science Fiction Audiobook - The Eternal Wall by Raymond Z. Gallun“The Eternal Wall”
By Raymond Z. Gallun; Read by Gregg Margarite
26 Minutes – [UNABRIDGED]
Publisher: Librivox
Published: 2009
Themes: / Science Fiction / Time Travel / Evolution / Time /

This story was published in November, 1942 in Amazing Stories magazine. It’s the first story by Raymond Z. Gallun that I’ve read. I was happy to come across it, since I recently ordered the Del Rey The Best of Raymond Z. Gallun paperback. Love those books.

“The Eternal Wall” is not included in that collection, which raises my expectations of the stories that were included, because this is a very good story. It starts with a guy driving a car quickly down the road. He’s late for a date with his girlfriend, so he pushes it too far and ends up flying off a cliff into deep alkali-rich water. Now pick up the story a few million years later. Humans have long since left the Earth, and the next phase of evolution has resulted in a race of prairie dog-like intelligent creatures that find a mummified body at an archaeological dig. Their technology is great, so they figure out how to re-animate the well-preserved body.

The end of the story didn’t ring true to me, but it contained the point of the story, or at least the reason the story was titled “The Eternal Wall”. The wall is time – the main character can’t go back in time, and the new intelligent life on Earth, despite their advanced technology, can’t do it either. It can easily be seen as a response to the time travel stories that permeated science fiction in the 40’s – a dose of scientific realism, perhaps?

But it’s not the view of time presented in the story that doesn’t ring true – it’s the reaction of the man after being re-animated. Oh, the drama! I wanted to slap him.

Gregg Margarite performs the story, hysterical re-animated man and all, and I’ll be looking for more from him. Thanks to Gregg, and thanks to Librivox for making it available!

A reminder – Librivox is looking for your help!

Posted by Scott D. Danielson

Hi-Sci-Fi: interview with Robert Burns

SFFaudio Online Audio

Hi-Sci-Fi The August 20th 2009 episode of Hi-Sci-Fi (a podcast radio show out of CJSF 90.1FM in Burnaby, British Columbia) features a very interesting interview with the author of The Unselfish Gene Sez host Irma Arkus:

“This week we have one of my new favorite authors, Robert Burns, who not only has the touch for the undead, but writes most beautiful adventure sci-fi pulp I’ve read in a long, long time. And together with Burns, we bring you his new novel, The Unselfish Gene.

The premise of the novel is genuinely un-boring: colonists on moon are the last of humans as we know it, because the rest of the Earth’s populous has been affected by a Zombie virus.

But that is only where the fun starts, as moon colonists seem to suffer from endless complications and health issues of their own: they are not the best choice for human propagation due to long-term radiation exposure, and mental illnesses, including clinical depression, are quite common.

Worst of all, they are the only and best candidates for survival of humanity, because they have the runaway vehicle: Anita, an Orion-like ship, propelled by nuclear-bombs, is a way out, as Earth also faces a run-in with a comet.

The premise of the novel simply spells disaster, which is AWESOME.”

In the interview Irma gushes over the cool illustrations.

The interview proper starts at about 22 minutes in |MP3|.

Podcast feed:
http://www.hiscifi.com/podcast.xml

iTunes 1-Click |SUBSCRIBE|

[via the Science Fiction In Biology blog]

Posted by Jesse Willis

Review of Terminal Freeze by Lincoln Child

SFFaudio Review

Random House Audio - Terminal Freeze by Lincoln ChildTerminal Freeze
By Lincoln Child; Read by Scott Brick
9 CDs – Approx. 10 Hours 30 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: February 2009
ISBN: 9780739382028
Themes: / Horror / Thriller / Techno-thriller / Science / Biology / Evolution / Paleoecology / Alaska / Ice / Ice Road Trucking /

Four hundred miles north of the Arctic Circle lies Alaska’s Federal Wilderness Zone, one of the most remote places on Earth. But for paleoecologist Evan Marshall and a small group of fellow scientists, an expedition to the Zone represents the opportunity of a lifetime to study the effects of global warming. The expedition changes suddenly, however, with an astonishing find. On a routine exploration of a glacial ice cave, the group discovers an enormous ancient animal encased in solid ice. The media conglomerate sponsoring their research immediately intervenes and arranges the ultimate spectacle—the animal will be cut from the ice, thawed, and revealed live on television. Despite dire warnings of a local Native American village, and the scientific concerns of Marshall and his team, the “docudrama” plows ahead—until the scientists make one more horrifying discovery. The beast is no regular specimen…it may be an ancient killing machine. And they may be wrong in presuming it dead.

Lincoln child begins Terminal Freeze by quoting all but the last couple sentences of THIS. It’s not exactly a scholarly article, more of a “fun science facts” story. But like Child there are plenty of other folks willing to proffer their own answers to this “mystery.” AboveTopSecret.com (a forum devoted to “conspiracies, UFO’s, paranormal, secret societies, political scandals, new world order, terrorism”) and AnswersInGenesis.org (a site about Young Earth creationism and a literal interpretation of the Book of Genesis) both have explanations for the seemingly flash frozen mammoth that fit into other “theories.” If Child’s solution to the mystery, this novel, wasn’t presented as fiction it’d be just as ridiculous.

So, this isn’t really a Science Fiction novel. At first I had a hard time figuring out what it was. I clued in about the time I started hearing the scientists protags talking about something called “the Callisto Effect” – it sounded like utter bunk – so I looked it up. Yup it is bunk, it’s a fictional theory first invented for the Lincon Child/Douglas Preston novel The Relic (which got turned into a pretty good horror movie). The Callisto Effect is a Child/Preston invention, a kind of a fictional spin-off of the saltation hypothesis. As one other reviewer of this book noted the Callisto Effect can be summed up like this:

“…when a species becomes too numerous or starts to lose evolutionary vigor a monstrous superpredator suddenly appears and kills until it can kill no more.”

So ya, like I was saying, there are scientists in Terminal Freeze, and they talk about pseudo-scientific ideas, but this is just window dressing for the plot of a monster hunt.

We might think of the “techno-thriller” as a kind of a modern gothic novel. Even as far back as the 19th century, Edgar Allan Poe and Jules Verne, were setting their “fantastic tales in the remaining unexplored regions of the world. By the early 20th the likes of H.P. Lovecraft, and John W. Campbell only had one unexplored continent: Antarctica. The same would be true for a modern audience but now that even Antarctica has been laregly de-mystified we’re having to place our monster horror stories in inaccessible caves and hidden military bases (at least that’s the route Terminal Freeze takes).

The story is rather drawn out, with a number of blandish stock characters brought in seemingly only to be picked off one by one (which surpringly both does and doesn’t happen). The scientists, none of whom are particularly interesting, end up working with a local native, who was also co-incidentally a former soldier at Fear Base, and also a former junior scientist there, and also a co-discoverer of the original monster (back in the 1950s). Given those credentials you’d think then that he’d be absolutely instrumental in solving the mystery of what the frozen monster is and how it escaped. But no, he just gives a highly ineffectual and unrealistically cryptic warning (at the beginning of the novel) is promptly ignored – shuffles off the stage only to be brought back later, like Chekhov’s gun, jumbling around a bag of religious artifacts – which do nothing. Apparently the gun on the mantle was just a prop. Child added in an absolutely unnecessary batch of TV documentary people. The only reason I can think they’re there for is that it’d make for some good visuals should they make a movie of this novel. They’re all there when the monster in the ice escapes from the mysteriously melted ice. And of course their there when people start dying grizzly deaths as they wander off alone. But they don’t do much with those cameras and they end up leaving before the end.

After finishing the novel I was kind of interested in finding out if any of the locations in this novel were real. In the book there is a mountain called “Mount Fear,” a glacier called “Fear Glacier,” and a “Fear Base” (a D.E.W. Line style military facility). It turns out that they all don’t really exist, they are all made up.

One thing I did like about the novel was the discussion about the different types of ice. When the scientist are sitting around trying to explain how the creature in the ice escaped they briefly discuss different ways water crystallizes into ice, how these different types of ice are formed, and their differing properties. This briefly re-invigorates the mystery – but it is ultimately thrown away – discarded and replaced with a less than satisfactory explanation.

Scott Brick, who probably reads more books than any other audiobook narrator working today, does his best with what he’s given. The baddies come off badish, the heroes come off goodish, the monster comes off monsterish. The most interesting portion of the novel is actually a bit, almost completely tangential to the monster plot when an “ice road trucker” has to drive the survivors to safety. Brick works hard to make the cracking of the ice and the freezing cold compelling. And that’s the part of the novel is more believable.

Posted by Jesse Willis

Review of A Case Of Conscience by James Blish

SFFaudio Review

Audible Frontiers - A Case of Conscience by James BlishSFFaudio EssentialA Case Of Conscience
By James Blish; Read by Jay Snyder
Audible Download – 7 Hours 55 Minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: November 2008
Themes: / Science Fiction / Religion / Catholicism / Aliens / Biology / Evolution /

Father Ruiz-Sanchez is a dedicated man – a priest who is also a scientist, and a scientist who is also a human being. He has found no insoluble conflicts in his beliefs or his ethics…until he is sent to Lithia. There he comes upon a race of aliens who are admirable in every way except for their total reliance on cold reason; they are incapable of faith or belief. Confronted with a profound scientific riddle and ethical quandary, Father Ruiz-Sanchez soon finds himself torn between the teachings of his faith, the teachings of his science, and the inner promptings of his humanity. There is only one solution: He must accept an ancient and unforgivable heresy -and risk the futures of both worlds…

A Peruvian priest is a strange enough protagonist for Science Fiction. Add in an essentially bloodless tale of alien human interaction, a token female, and a bowlful of Catholicism on every page, the fact that it’s clearly inspired, at least in part, by James Joyce’s Finnegans Wake, and what you get is a classic SF novel? Yup! A Case Of Conscience is not quite the greatest SF novel of its era, but it holds up quite well. Blish put a good deal of thought into the original novella, and that pays off mid way through the novel (which is really two novellas put-together). The first half of the book is set on Lithia, a recently discovered alien planet teeming with unusual alien life. Lithia and its intelligent inhabitants are being considered for full human contact. There, judging the planet, are Father Ramon Ruiz-Sanchez a Jesuit biologist, Cleaver, a physicist, Michelis, a chemist, and Agronski, a geologist. Curiously Father Ramon seems to have strong reasons for opposing the opening of Litihia despite the fact that he has befriended one of the intelligent aliens. The fact that the Lithians seem to have an ideal society free of crime, conflict, ignorance and want also seems to worry Ramon. It all comes down to one question: Do the Lithians have souls? Despite his suspicions about the answer, the priest seems to only hold a deep affection for the Lithians.

I was highly impressed with the revelations that Ruiz-Sanchez (and Blish) give for it all. This is excellent idea driven SF. Blish seems to have taken the idea of the Society of Jesus (Jesuits) very much to heart in writing the novel. These are/were the priests that were trained to take on the hardest tasks confronting the Catholic church. Blish has done them proud. But, that’s not the end of it. The turning point of the novel comes when the humans leave Lithia carrying with them a fertilized egg of one of the Litihians, an alien child to be raised on Earth and learn the ways of humans. This is where the second half of the novel begins. Earth is a “shelter society” (everyone lives in massive underground fallout shelters – you can see how it was written in the 1950s). There we follow our protagonist, a few other folks including the requisite token female named “Louella” (but called “Lou”) and the alien baby-cum-juvenile alien (who acts rather unlike his species normally does back on Lithia). Highlights here come when Ruiz-Sanchez is requested for a Papal audience! Again, some clever revelations occur in this second half, though they are generally weaker than the first. But, all together, and with the ending quite well done as it is, it’s very solid.

Included in the audiobook edition is the six page appendix, which is a ‘special preliminary report on the planet Lithia’ by Ruiz-Sanchez. As far as I can tell the narrator, Jay Snyder, has completely followed Blish’s own pronunciation guide for the book (which is not actually included in the audiobook). I’ve done a little comparing of the written text in the paperbook with the way Snyder says the alien names in the audiobook. It all sounds pretty accurate to me. Kudos to Audible Frontiers for carefully audiobooking this Hugo Award novel (and Retro Hugo Award winning novella). A Case Of Conscience is an SF classic!

Posted by Jesse Willis

Review of The Stonehenge Gate by Jack Williamson

SFFaudio Audiobook Review

Science Fiction Audiobook - The Stonehenge Gate by Jack Williamson, read by Harlan EllisonThe Stonehenge Gate
By Jack Williamson; Read by Harlan Ellison
7 CDs – 8.5 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2006
ISBN: 9780786146550 (Cassette), 9780786174119 (MP3-CD), 9780786167784 (CD)
Themes: / Science Fiction / Stargate / Journey / Slavery / Evolution / Aliens /

Click here for audio sample.

This is Jack Williamson’s last book, at least it’s the last book published in his lifetime. The man has had a long career, a very long career. Jack’s first story was published in the fairly new Amazing Stories in 1928. Jack has been able to adapt his fiction to the changing and maturing literature that we call Science Fiction, again and again.

One admirable quality of Jack’s work that remained consistent over the nine decades in which he wrote, was his ability to tell a good yarn. His stories can always hold your attention, and he never forgot to have a beginning, middle and an end. This may sound like a trait that all writers should have, but it is really not the case. This always kept Jack’s works above the average SF writer.

In The Stonehenge Gate, we have four poker buddies that find a gateway into other worlds. The four characters are academics who are excavating a site under the sands of the Sahara. Will is an English Professor who narrates the story. Ram is an African professor who has a strange birthmark that mimics the shape of the Stonehenge Gate that they find. Stranger still is that the birthmark seems to be hereditary.

They soon pass into many new worlds throughout this novel. The majority of the novel takes place in a world inhabited by a preindustrial society with institutionalized black slavery. The characters have to grapple with functioning in this world while supporting abolishinest causes. There’s a dark quality to this part of the journey that has more than a passing nod to Joseph Conrad’s Heart Of Darkness.

Harlan Ellison’s narration is spectacular. This is likely the only audiobook that is written by one SF Grand Master and read by another. Of course, there aren’t any SF Grandmaster’s that have also won an Audie award like Harlan has. Harlan throws himself into his acting. He’s energized and seems to be convincingly living the parts he’s portraying to a greater degree than can be said of most voice actors.

How does this book stack up against the rest of the Williamson cannon? I don’t believe this is one of Jack’s best books nor one of his lesser efforts. Placing it somewhere in the middle. But in the case of Jack, that’s a pretty damn good book.