fantasy – Page 107

Review of The Adventures of Superman: Doomsday and Beyond

The Adventures of Superman: Doomsday and Beyond
Written and Directed by Dirk Maggs; Starring a Full Cast
2 Cassettes – 2.5 Hours [UNABRIDGED]
ISBN: 0563401974
Publisher: BBC
Published: 1993
Themes: / Fantasy / Superhero / Comics /

A review by Jake Black

In my previous review I talked about my experience with Superman, and that it was the reason that I’m doing these Superman-related reviews for SFFAudio. This week’s covers the 1993 audio play Superman: Doomsday and Beyond which dramatically retells the story of Superman’s death and return. I have to admit that I know this story inside out. It was what got me really reading comics, and especially familiar with the Superman comics. Since then, I have heavily followed them.

The story covers over 1000 comic book pages. I was skeptical as to whether or not the audio play could handle such a lengthy story in two cassettes. The play gives it a noble try, and succeeds – mostly. The “death” portion (the epic battle with the demonic Doomsday) is given very little attention. It doesn’t seem as intense as the comics did. It almost cheapens the death of the Man of Steel. Similarly the funeral portion is dramatically edited from the comic book version.

However, the “return” stuff is very loyal to the source material. It covers all of tape two, and approximately a quarter of tape 1. Some of the comic book elements, like the superhero mourning, and Lois’ encounter by the “sympathetic” Jed, were cut from the tapes for time reason, and while they aren’t necessarily missed on the tapes, though they do add a lot to the comics. One very importance difference is the absence of Green Lantern Hal Jordan. Jordan’s involvement in the story set his character’s evolution in motion such that we are just now seeing the end of it in the white-hot Green Lantern Rebirth story, currently published by DC. But, the story is handled well. And it does include some cool moments from the comics prior to this story like Lois’ and Clark’s engagement, and how “they saved Luthor’s brain” to clone him (which is also still an important story in the comics.)

The overall sound is great. Like the previous Superman audio play, these tapes sound great on all of the different players on which I played them. Loaded with sound effects, which mostly sound great, there are a couple of irritations: Superman’s heat vision is an annoying buzz like those cheap ray guns that you’d get from the grocery store for $1.49; and the alien ruler Mongul’s ship is full of travel alarm-clock buzzing.

The voice actors are fantastic, as well. Superman’s voice is a bit too tenor-ish, but I’m getting pretty used to it. The rest of the characters sound great – especially the Australian Lex Luthor II, the new “Man of Steel” John Henry Irons, and the nefarious Cyborg. The only huge complaint I have of the voices is Superboy’s – the teenage clone of Superman. It is clearly an adult trying his best to sound 16 – but it becomes a really bad, really irritating impression of Bill and Ted. It’s really awful!

With the mix of music, sound effects, and a talented cast of voice actors, these are a lot of fun. I enjoyed them more than the other “Adventures of Superman” audio play I listened to previously. I think that the storytelling method may be a bit confusing to people who aren’t familiar with Doomsday, the four false-Supermen, etc. but the overall story is fantastic. If nothing else, it is a great trip down memory lane for a Superman fan who loves this story!

Review of The Adventures of Superman

Science Fiction Audio Review

The Adventures of Superman
Written and Directed by Dirk Maggs; Starring a Full Cast
2 Cassettes – 2.5 Hours [UNABRIDGED]
ISBN: 056339370X
Publisher: BBC
Published: 1994
Themes: / Fantasy / Superhero / Comics /

A review by Jake Black

I’m not really an avid listener of the sci-fi audio, and so it was a bit of a surprise to be invited to write two reviews for SFFAudio. However, the two they asked me to do focus on Superman, and that is a subject with which I am extremely familiar. I have spent the last three plus years working as a contributing writer for the official web sites for Smallville, wrote an issue of the comic series based on that show, and have worked on a ton of assorted academic and comic-related projects centered on the Man of Steel.

This week we’re beginning my reviews with an evaluation of the BBC Radio play The Adventures of Superman. Created in 1994 for radio airplay across the pond, the audio play was presented on two cassettes with a total running time of over two-and-a-half hours. The story is lifted straight from the comic books of 1986-87; a series called Man of Steel written by John Byrne, which relaunched Superman from the beginning. It is Superman from his first appearance in Metropolis. He meets Lois Lane and Lex Luthor for the first time. He discovers the origins of his powers, and creates the dual identity to help others. He fights street thugs, the Kryptonite-infested Metallo, the failed clone Bizarro, all the while trying to bring down the corporate magnate Lex Luthor.

The dialog and story are nearly completely lifted from the comics word for word, albeit with the occasional addition of descriptive dialog to help the listener imagine what everything looks like – clothing etc. While I understand the necessity for such expositional dialog on the tapes, it was a bit cheesy – “How could anyone dress like that, with tan pants and a black t-shirt!” etc.

The voice talent used for the play are all very talented, and create captivating characters with their voices. Nearly all of them match very closely with the voices I’d created for characters like Lois Lane, Jonathan and Martha Kent, and Lex Luthor, while the menacing Metallo and Bizarro are both well cast, too. The only voice I really didn’t like much Clark Kent/Superman played by Stuart Mulligan. While he does his best to drop his voice when he is Superman, it is too high a tenor voice to be taken seriously as either character from the beginning. Lana Lang (voiced by Shelley Thompson) is also a bit of a disappointment as she is a bit too much of a “southern belle” to be from Kansas. But, perhaps, that is due to this being a British piece with actors not knowing the distinctive regional dialects for the USA.

The play is full of nice additions, like sound effects for everything – footsteps, car horns, police sirens, gunshots, etc. However, the sound effect given to Superman’s heat vision is awful. It is similar to the little ray guns that light up and you can buy at the grocery store for a dollar. In spite of this one set back, the mix between dialog, music, and sound effects is perfect. I played it on several different players, and in all cases – including the car – the sound was pure, crisp, and all around nice. It didn’t need an extra boost of volume from any of the players I listened to.

All in all, if you are a Superman, these tapes are a lot of fun. Non-Superman fans may not enjoy them quite as much, but they do provide a good introduction to the character, his background, and his friends and enemies. I’m not totally convinced that they will bring new converts to the ways of the Last Son of Krypton, but they are, overall, entertaining, faithful to the subject matter, and well produced.

Review of The Tower Of The Elephant and The Frost Giant’s Daughter

Robert E. Howard’s Conan – The Tower Of The Elephant & The Frost Giant’s Daughter
Adapted by Roy Thomas & Alan B. Goldstein; Performed by a FULL CAST
33 1/3 RPM LP – Approx. 46 Minutes [AUDIO DRAMATIZATION]
Publisher: Moondance Productions
Published: 1975
Themes: / Fantasy / Aliens / Battle / Mythology / Gods /

Alan B. Goldstein had a dream, to bring the Robert E. Howard 1930s pulp magazine hero, Conan The Cimmerian, to audio. In 1974 he contacted Glenn Lord, agent for Howard’s literary estate and proposed a radio series based on Conan. Permission was granted and a pilot was adapted from one of Howard’s shortest Conan tales – “The Frost Giant’s Daughter”. After the pilot was completed, Goldstein brought it to Marvel Comics editor Roy Thomas. Thomas loved it and expressed an interest in contributing to the project. So together, with Alan B. Goldstein working as producer and Roy Thomas scripting, they decided that a second Conan audio adventure should be made.

Actors Owen McGee and Paul Falzone were again hired to reprise their roles as “The Narrator” and “Conan” respectively. And thus was born the second audio dramatization “The Tower Of The Elephant”. Unfortunately their vision of a Conan radio series was dashed. By the late 1970s, radio dramas were virtually dead. Only these two stories were ever adapted for the aborted Conan radio series. But Goldstein would go on to produce at least one more Conan record – but that, my Hyborian friends, is another story.

Side One – “The Tower Of The Elephant” – 27 Minutes 29 Seconds
Conan is in Zamoria’s City Of Thieves, Arenjun, where in a local tavern he overhears a boastful kidnapper. Before dispatching the cur Conan discovers the whereabouts of The Tower of the Elephant and of the fabled jewel rumored to be secured within it. Soon after Conan is at that bejeweled tower, determined to rob it of it’s jewel – but he has much to contend with – he must surpass another thief, ravenous lions and a giant spider. And what he finds in the tower’s interior is like nothing else in this age undreamed of. Howard’s prose is frothy, wondrous and direct. The performances here are letter perfect and the power of the original short story is successfully translated.

Side Two – “The Frost Giant’s Daughter” – 17 Minutes 41 Seconds
This, the shorter of the two dramatizations, again takes its stylistic cues from Howard’s pulp roots; nearly every word of this adaptation is taken directly from the original text itself. “The Frost Giant’s Daughter” is set in the high mountains that border Vanaheim and Aesgard where Conan has just fought a fierce battle, lying exhausted and near death on the battlefield, a near-naked woman suddenly visits him. Her voluptuous body re-ignites his will to live but when she mocks him, he chases her for seeming endless leagues across the snow-covered mountains. Conan finds it strange that she does not seem to feel the cold that chills his bones, dressed as she is shouldn’t she be frostbitten? Of course it is all a trap, this “woman” is no mortal, she’s lead Conan to her two massively dangerous looking “brothers”. The performances and narration paint a vivid mental film full of both preternatural storytelling and mythological virtue. Structured more as an incident than a plotted adventure the layered mythology of Howard’s invented Hyborian world casts a spell upon the listener. We feel Conan’s weariness and we follow along hotly in his footsteps as he’s tempted by that fleet-footed Valkyrie. It all has a dream like quality and it’s juicily full of pulpy goodness. I truly wish Alan B. Goldstein had got his dream and these two audio adventures had become the first two episodes in the Conan radio series.

Posted by Jesse Willis

Review of Two Plays For Voices by Neil Gaiman

SFFaudio Review

Two Plays For Voices
By Neil Gaiman; Performed by two Full Casts
2 CDs – [UNABRIDGED]
Publisher: Harper Audio / Seeing Ear Theater
Published: 2002
ISBN: 0060012560
Themes: / Fantasy / Angels / Vampires / Fairy Tales /

Stories included:
Snow Glass Apples
Once upon a time there lived a young princess with skin as white as snow, with hair as black as coal, with lips as red as blood. Most people think they know what happens to this young unfortunate girl. Most people are wrong. Tony-award winning actress Bebe Neuwirth stars as a wise Queen who wants nothing more than to reign over her kingdom peacefully but is forced to match wits with an inhuman child who has an unnatural taste for blood.

Full Cast List:
Bebe Neuwirth as the Queen ; Martin Carey as the Huntsman; Mark Evans as the Prince; Merwin Goldsmith as the Lord of the Fair; J.R. Horne as the Archbishop & Friar; Alissa Hunnicutt as the Maidservant; Randy Maggiore as a Soldier; Kate Simses as the Princess; Nick Wyman as the King

Murder Mysteries
In this mystery noir set in heaven’s City of Angels before the fall, the first crime has been committed. It is an awful one. While the angelic hosts labor to create the world and its workings, one of their number is mysteriously slain by one of their own. Raguel, Angel of Vengeance, is mandated by Lucifer to discover both motive and murderer in this holy dominion that had so recently known no sin. Golden Globe award winning Brian Dennehy stars as Vengeance.

Full Cast List:
Brian Dennehy as Raguel ; Anne Bobby as Tink’s Friend; Christopher Burns as Saraquael ; Thom Christopher as Lucifer ; Ed Dennehy as Zephkiel ; Michael Emerson as Narrator ; Traci Godfrey as Tinkerbell Richmond ; Evan Pappas as Phanuel

I find audio dramatizations to be generally inferior to straight unabridged readings. There are certainly exceptions; it is just my personal general experience. But every once in a while an exception is so forcefully good, so sweet and so right, it makes me question my general preference in total. And no audio drama thus far has shaken this conviction better than these two “plays for voices”.

I of course heard them both back when they first turned up on the Seeing Ear Theater website, and I was blown away then. I told everyone to go check it out, and I still send people to the site every now and then, but after hearing them on crystal clear CD I’ve decided that even though the website is free, the CD set is the preferred way to listen. The sound is exquisite, the packaging elegantly designed, and when they do decide to remove the wonderful collection of audio dramatizations that makes up the Seeing Ear Theater website collection I’d be kicking myself for not owning a hard copy of both of these amazing dramatizations. I should also note that like much of Neil Gaiman’s adult fantasy, both of these stories feature explicit sexual scenes.

So what makes this collection so great? Well, Gaiman’s unique storytelling gift has something to do with it – probably most to do with it if truth be told. But where Gaiman’s writing leaves off the adaptors pick up with the same skill level – and fail to spoil it.

My main complaint with audio dramatizations in general is that they tend to be “improvements” of the text rather than adaptations. Countless stories have been ruined by incautious adaptors who failed to respect, and in many cases even understand, the story they are adapting. This is most emphatically not the case with these two dramas. The cast and crew of both have achieved that same level of artisanship as Neil Gaiman himself. The casting is brilliant! Bebe Neuwirth, who most people would recognize from her film and television work, is a stage trained actress with two Tony awards to her credit. I can think of no one better than she for the role of the unfairly maligned queen in Snow Glass Apples. In Murder Mysteries, a bit more of an ensemble piece, two actors stand out as achieving similar greatness. Brian Dennehy in the lead role, and Michael Emmerson as the British accented narrator. But in lauding all three of these perfectly cast actors I must be careful to note that several uniformly talented players in their own right support them. Their parts may be small but they do them exceedingly well.

Much praise also must be given to sound designer John Colluci, who had a hand in nearly every Seeing Ear Theater production. The music, foley work and stereo effects are perfect. And of course the producer and director of both these dramatizations, Brian Smith deserves the highest praise. Without him neither would have been possible. Everything has come together in both these productions. There was not one small disappointment, not a single minor flaw, not one awkward moment. Two Plays For Voices is flawless, flawless, flawless.

Posted by Jesse Willis

Review of Bubba Ho-Tep by Joe R. Lansdale

Bubba Ho-tep
By Joe R. Lansdale; Read by Joe R. Lansdale
DVDVideo Special Feature – 7 Minutes 56 Seconds
[UNABRIDGED EXCERPT]
Publisher: MGM
Published: 2003
UPC: 027616906533
Themes: / Fantasy / Horror / Humor / Magic /

Elvis Aaron Presley is living in a Texas rest home. See, he really isn’t dead because he’d switched identities with an Elvis impersonator years before his so called “death”. Also occupying this old folks home is an elderly black man, call him Jack, who claims to be former President John F. Kennedy. When a lurking evil in the form of a soul sucking Egyptian mummy starts killing the residents its up to JFK and Elvis to take it out. Good thing it’s 3000 years old because Elvis’ hip is out and he still hasn’t gotten the hang of his walker.

Wait a second, we don’t review DVDs here! That’s right we don’t – normally. But this DVD has a special feature, an audio excerpt of Bubba Ho-tep, the original novella as read by the author Joe R. Lansdale. This phenomenon of special features on DVDs has yielded a few radio dramas in collector’s editions of old movies before – but this is a recent film so I was juiced to see that it included the original story
as an extra. Too bad Lansdale reads only the first chapter of his Bram Stoker Award nominated novella.

What little is there is ribald and crude and pretty funny. The reading is accompanied by still images from the film. Too bad it’s just the first chapter. With all the useless making of special features out there you’d think they could at least give us the full story.

Posted by Jesse Willis

Review of A Wizard of Earthsea by Ursula K. LeGuin

Fantasy Audiobooks - A Wizard of Earthsea by Ursula K. LeGuin A Wizard of Earthsea
By Ursula K. LeGuin; Read by Harlan Ellison and Ursula K. LeGuin
Audio Download – 6 hours [UNABRIDGED]
Publisher: Fantastic Audio (downloaded from Audible.com)
Published: 2003
ISBN: 1574535587 (Audio CD version)
Themes: / Fantasy / Series / Magic / Dragons / Wizards /

Just minutes into this audio book, the Kargs are attacking the village of Ten Alders, confused by a fog a young wizard has woven into an impenetrable shield, harried by invisible weapons and diaphanous shapes in the mist, and headed for certain destruction. You realize, as Harlan Ellison’s already non-standard voice rises in pitch and his words pile up against one another as he charges faster and faster through the narrative, pausing only to slurp back the fevered spittle he has worked up, that this is not your average narrator. His voice doesn’t resound with the Stradivarius polish of most professional performers, and his characterizations are neither entirely distinct nor consistent, but you can’t help yourself. He has you spellbound. And why? Because his is the authentic voice of a reader, one so caught up in the story that you can’t resist being pulled along with him on his journey.

And what a journey it is! A Wizard of Earthsea is brilliant, a notable gem even among the manifold wonders of such an accomplished author as LeGuin. It is the origin story of Ged, one of the most famous sorcerers in the world of Earthsea and a lesson in both the imprisoning power of our own dark deeds and the redemption that comes through facing them. It follows Ged from his home village of Ten Alders to the City of Gont, from there on to the great school for wizards on the central island of Roke, and then on a fearful, bold chase across the whole of Earthsea. Most island settings fairly drip with the damp richness of the Pacific Northwest, and the characters span a veritable rainbow of colors and cultures. This is epic fantasy in the European tradition, but with a distinctively American flavor.

As in so many of LeGuin’s works, truth is of paramount importance on Earthsea. The old language of Earthsea, like the psychic language that unites the planets in her science fictional Hainish universe, is a language in which men cannot lie. It is also the language in which the true names of all things are recorded, which makes it the basis of all magic on Earthsea. But this latter property also gives the old language of Earthsea Platonic overtones of ideal forms lurking behind every imperfect manifestation in nature, and lends A Wizard of Earthsea a palpable sense of great truth buried just below the surface of what we see. Thus, LeGuin subtly exhorts us to explore beyond the level of the richly imagined fantasy action. And what she has placed there is well worth spending the time to think about.

There are only two off-key notes in this work and its production. The first is that, though LeGuin is given co-narration credits, she only reads a very brief poetic prologue and an only slightly less brief prose epilogue. If you’re looking to experience the author interpreting a major work with her own voice, you’re not going to find that here. The second is that, though LeGuin is noted for her progressive, feminist opinions, some of what we see in this story seems almost misogynistic. There is only one female character who seems not to harbor outright selfishness, evil, or temptation; and female magic is given an unrepentant indictment in several places. I’m new to the series, so maybe these issues are redeemed in the later books. I certainly hope so.

In any case, this production of Ursula K. LeGuin’s A Wizard of Earthsea offers a dark, compelling glimpse at the forces behind the turning of the world as told in the raw, earnest voice of Harlan Ellison. My recommendation: Skip the TV miniseries—which LeGuin apparently hated—and spend your time marveling at the wonders of this quirky, enthralling audio book.

Posted by Kurt Dietz