fantasy – Page 53

Gods Of The North by Robert E. Howard

Monday, September 5, 2011 Jesse Willis

SFFaudio Online Audio

“Anybody ought to be willing to pay a dollar for the privilege of reading, for a whole year, the works of Lovecraft, Smith, and Derleth.”

-Robert E. Howard (from a letter to Fantasy Fan, December 1933)

“I am so happy that we were able to quickly clear up this misunderstanding. We have accepted Orion’s apology without reservation and I thank our lawyers, and Orion’s lawyers, on both sides of the Atlantic for helping us resolve our issues. Orion was a great licensee of ours for many years and we are delighted to have reached an agreement to renew and expand that relationship. We are already brainstorming the many new productive ways we can work together in the future. Those of us who work at Paradox have put a lot of work into protecting and developing our wide array of Robert E. Howard derived brands since we got into the Robert E. Howard business. The new Conan movie will wrap next month, the Age of Conan MMOG recently launched a big expansion, and we are well along in the development of a number of other feature films and licensed products which we will be announcing shortly. Orion is perfectly positioned as a leading science fiction/fiction publisher which can provide the wider audience we want to reach the real thing, REH’s original stories”

-Fredrik Malmberg, President and CEO of Paradox Entertainment, Inc. and its subsidiaries (Conan Properties International) (from a 2010 press release)

Gods Of The North, first published in 1934, is still just one of two Conan stories available on LibriVox.org (the other being Red Nails). Gods Of The North is a 3,500 word vignette, it’s been republished under the titles The Frost Giant’s Daughter and The Frost King’s Daughter. The reason it survives, and is known today, has nothing to do with marketing campaigns, intellectual property protection or lawyers. It survives for one reason alone – it survives because of it’s fans. In fact, it survives despite it being originally written as a piece for sale. It was actually rejected by Weird Tales magazine editor Farnsworth Wright:

The Frost-Giant's Daughter Rejection Letter

Check it out… Gods Of The North was first published in a fan magazine (that had just sixty subscribers) – a fan magazine that counted both H.P. Lovecraft and Robert E. Howard among its feature (and letters column) contributors. Neither Lovecraft nor Howard wrote to, or for, THE FANTASY FAN because it was a profitable venture – they wrote to it, and for it, because they were themselves fans of fantasy and the stories and poems they were weaving. You may know the story. It’s a pretty famous one today, but it isn’t famous because it was a well marketed, properly licensed by the right’s holder, or branded. It is, instead, because it’s a good story that fans (another word for readers) appreciate.

Gods Of The North was nearly forgotten. It lay un-reprinted and virtually unknown for more than thirty years until it was re-discovered and reprinted in the December 1956 issue of Fantastic Universe. Here is the editorial introduction for that reprinting:

The publication of this strange story by Robert E. Howard, author of the Conan stories, so much a part of the Living Library of Fantasy, represents a departure for this magazine. Without abandoning our policy of bringing you, month after month, the best in NEW Science Fiction and Fantasy. We will, front time to time, publish material such as this, hitherto known to only a few students of the field! GODS OF THE NORTH was published in 1934, in Charles D. Hornig’s THE FANTASY FAN, which had a circulation of under a hundred! We thank Sam Moskowitz, Editor and SF historian, who showed us this story.

Here’s the |PDF|, it’s also available (with a slightly different text) at |WIKISOURCE|

Here’s my description of the plot:

A winter war in the mountains of Vanaheim, and a bit of gossamer, are all that stand between Conan of Cimmeria and the frosty beauty who spurns him.

And here’s the audiobook:

Gods of the North
By Robert E. Howard; Read by Rowdy Delaney
1 |MP3| – Approx. 21 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: September 21, 2008
She drew away from him, dwindling in the witch·fire of the skies, until she was a figure no bigger than a child. First published in the March 1934 issue of The Fantasy Fan.

Here’s the same reading, with additional commentary:

Podcastle #162 – Gods Of The North
By Robert E. Howard; Read by Rowdy Delaney
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
Podcaster: Podcastle
Podcast: June 21, 2011

My copy of Conan’s Brethren (a Gollancz collection of Howard stories), edited by Stephen Jones, features this striking image by Les Edwards (aka Edward Miller):

The Frost King's Daughter - illustration by Les Edwards

Comics adaptations:

Savage Tales #1 (May 1971) – The first comics adaptation, adapted by Roy Thomas (writer) and Barry Windsor Smith (artist):

Savage Tales - The Frost Giant's Daughter

Conan the Barbarian #16 (July 1972) – a colorized version of the ST #1 adaptation, except with Comics Code Authority self-censorship and an additional splash page:

Conan The Barbarian - Night Of The Frost Giants

Savage Sword of Conan #1 (August 1974) – an uncoloured and uncensored (full nudity is back) version of the same adaptation from Conan The Barbarian #16 and Savage Tales #1, but featuring the added splash page (in black and white this time) from CTB #16:

The Savage Sword Of Conan - ADDED SPLASH (in black and white) - The Frost Giant's Daughter

Conan #2 (March 2004) adapted by Kurt Busiek (writer) and Cary Nord (artist) – cover art by Joseph Michael Linsner:

Dark Horse - Conan #2 - The Frost Giant's Daughter - COVER

Conan #2 - The Frost Giant's Daughter - INTERIOR

But the fan connection doesn’t end there. The artist most closely associated with the Marvel Comics run of Conan The Barbarian and Savage Sword Of Conan was John Buscema. But, he never illustrated an adaptation of Gods Of The North or The Frost Giant’s Daughter. And so it was up to fan artists, like the impressively talented Benito Gallego, to step in to imagine what a Buscema version of this fan favourite tale might look like. And he did it twice!

Benito Gellago's illustrations of The Frost Giant's Daughter

[Thanks to Robert E. Howard, Charles D. Horning, Sam Moskowitz, Hans Stefan Santesson, Rowdy Delaney, Gorgon776 and many other fans]

Posted by Jesse Willis

The SFFaudio Podcast #122 – AUDIOBOOK/READALONG: Beyond The Door by Philip K. Dick

Podcast

The SFFaudio Podcast #122 – a complete and unabridged reading of Beyond The Door by Philip K. Dick, followed by a discussion of it with Scott, Jesse, Tamahome and Gregg Margarite (who narrated the story).

Talked about on today’s show:
Beyond The Door is a story about a very angry bird, is it a puff-piece or a potboiler?, Rod Serling, Twilight Zone, “My name is Talky Tina and I’m going to kill you.”, Living Doll, Telly Savalas, Clown Without Pity (from Treehouse of Horror III), Night Gallery, Chucky, were clowns always scary?, automaton, fantasy, is it a haunted cuckoo clock?, what does that mean?, why is that in there?, who is Pete?, Pete has to be her dead brother, did Pete die in the same way?, the Black Forest, what’s wrong with this woman?, “it was written in the fifties!”, she’s happy and she’s sad, Umberto Eco and the role of the reader, Grimm’s Fairy Tales, Eric S. Rabkin, Warehouse 13, is the first line a moral lesson (or merely a magazine call out)?, Project Gutenberg’s etext edition of Beyond The Door, Fantastic Universe Science Fiction, this story is not about a cuckoo clock, it’s about the cuckoo bird and the cuckoo egg, and the egg’s name is Pete, Perky Pat, Gregg has read Philip K. Dick’s Exegesis, James Joyce, what am I thinking?, what am I feeling?, “keep thinking about that”, “it’s wholesale baby”, this is sex, Bob is her lover (in the 1950s sense), anthropomorphizing cuckoo clock’s bird is not that uncommon, “you’ll love it Bobby”, this is a really strange clock, it would keep you up all night, the cuckoo clock fad (they were ubiquitous), “like a new member of the family”, what is the symbol of?, the cuckoo is a brood parasite, the characteristics of cuckoo eggs and chicks, “some important special accounts” sounds like a story, “how nice you look today”, “Mrs. Peters across the street you know…”, “oh oh oh”, Pete was only her half brother, “it’s 3 o’clock in the morning and you need 5,000 words by ten a.m.”, Clans Of The Alphane Moon, Dick’s many marriages, Tessa Dick, structuralism vs. post structuralism, writer’s intent vs. the text standing alone, does the author’s intent matter?, a bastard child, “she’s seen this thing in action before”, the great depression -> WWII -> many impulsive marriages, Bob isn’t gay, “no guy is interested in buttons!”, “does he realize he is next in line?”, “monogamy is designed to makes sure the male gets a genetic heir”, the cuckoo is her champion, “I like a good deal”, “he’s rude, he doesn’t deserve to die”, there’s no magic, no science fiction, folklore, mythology, proto-story, Scott read Beyond The Door aloud to his daughter, James Thurber’s The Princess And The Tin Box, Anthony Boucher, three or four princes, reverse-dowry, “red charger” vs. plow horse, mica and hornblende, she’s not an idiot, anyone who thought she was going to…, this is an overturning of that, it’s a fractured fairy tale, a noir fairy tale, Frank R. Stockton, The Griffin and the Minor Canon, Snow White as a horror story, Rocky And Bullwinkle, June Foray, William Conrad, Jake And The Fatman, “finish before it burns”, the Marx Bros., the self-deprecating stuff we like today, Forever Peace, we got it sorted, anecdotal proof.

Posted by Jesse Willis

Review of Guilty Pleasures (Anita Blake, Vampire Hunter #1) by Laurell K. Hamilton

Sunday, August 21, 2011 Tamahome

SFFaudio Review

Guilty Pleasures (Anita Blake, Vampire Hunter #1)
By Laurell K. Hamilton; Read by Kimberly Alexis
8 CDs – Approx. 10 Hours [UNABRIDGED]
Publisher: Penguin Audiobooks
Published: August 2009
ISBN: 9780143144014
Themes: / Fantasy / Vampires / Zombies /

Published almost 10 years ago, Guilty Pleasures marked the debut of a writer who was destined to grow from cult favorite to a major best-selling author. Now, for long-time Anita Blake aficionados and new-found fans, Guilty Pleasures makes its debut in downloadable audio. Listeners will learn how Anita Blake started raising the dead – and killing the undead. And how she met Jean Claude, the master vampire destined to become not only her biggest nemesis but her greatest lover.

Guilty Pleasures was probably one of the original ‘urban fantasy’ books, along with the first Dresden Files book. But I found it to be well done. Anita Blake is kind of a strong female ‘Kolchack: The Night Stalker‘ with a gun, although she can raise the dead herself. It seemed a weird mix that she both raises the dead and kills vampires. This is the original novel in the series, way before she got the ardeur (or a strong sexual addiction) later in the series. The audio production is above average, and frequently provides incidental music when a scene gains tension (if that doesn’t bother you). Though I found the vampire Nikolaos to be childlike, she was also very intimidating, partly due to Kimberly Alexis’s acting. And I found the ending to be unusually strong. If you don’t like romance, don’t worry, you won’t find much of it here. But be warned that there are some grisly scenes. It bothered me a little that the narrator would do a fake ‘yell’, but at low volume. Maybe there’s some technical way to really yell at a microphone, but be able to keep it from clipping (limiter?)? How do they do it in the movies? This novel has also been adapted to comics. I hear the first four books in the series are pretty tight. I’ll go along with Felicia Day’s Goodreads ratings on this one, but I’ve only read the first book, and some of the comics. I’ve also been reading Narcissus in Chains, #10 in the series, for months and months, on and off. It has some very sexy scenes, but is pretty long and meandering. I think the author Laurell K. Hamilton once said in a podcast, that these days Americans think her writing is too sexy, and Europeans think it’s too violent. Maybe I should move to Europe.

Posted by Tamahome

Recent Arrivals: Brilliance Audio

Tuesday, August 16, 2011Monday, August 15, 2011 Scott D.

SFFaudio Recent Arrivals

Southern Gods
By John Hornor Jacobs; Read by Eric G. Dove
9 hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2011

A MEMPHIS DJ HIRES RECENT WORLD WAR II VETERAN Bull Ingram to find Ramblin’ John Hastur, a mysterious bluesman whose dark, driving music — broadcast at ever-shifting frequencies by a phantom radio station — is said to make living men insane and dead men rise. A bootlegged snippet of Hastur’s strange, brooding tune fills Bull with an inexplicably murderous rage. Driven to find the song’s mysterious singer, Bull hears rumors that the bluesman sold his soul to the Devil. But as Bull follows Hastur’s trail into the eerie backwoods of Arkansas, he’ll learn there are forces much more malevolent than the Devil and reckonings more painful than Hell . . .

The Omen Machine
By Terry Goodkind; Read by Sam Tsoutsouvas
15 hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2011

Hannis Arc, working on the tapestry of lines linking constellations of elements that constituted the language of Creation recorded on the ancient Cerulean scroll spread out among the clutter on his desk, was not surprised to see the ethereal forms billow into the room like acrid smoke driven on a breath of bitter breeze. Like an otherworldly collection of spectral shapes seemingly carried on random eddies of air, they wandered in a loose clutch among the still and silent mounted bears and beasts rising up on their stands, the small forest of stone pedestals holding massive books of recorded prophecy, and the evenly spaced display cases of oddities, their glass reflecting the firelight from the massive hearth at the side of the room.

Since the seven rarely used doors, the shutters on the windows down on the ground level several stories below stood open in a fearless show of invitation. Though they frequently chose to use windows, they didn’t actually need the windows any more than they needed the doors. They could seep through any opening, any crack, like vapor rising in the early morning from stretches of stagnant water that lay in dark swaths through the pear barrens.

The open shutters were meant to be a declaration for all, including the seven, to see that Hannis Arc feared nothing.

Posted by Scott D. Danielson

Recent Arrivals/Commentary: Blackstone Audio – Anderson, Powers, Matheson, Kress and Heinlein

Tuesday, August 9, 2011Tuesday, August 9, 2011 Jesse Willis

SFFaudio Recent Arrivals

We all know that old idiom – “don’t judge a book by its cover” – we all know it is a metaphor, that it isn’t supposed to be literal. In fact, to take it literally is to actually misunderstand the point of it.

But books, the literary things that they are, ARE of course pre-judged based on their covers. We decide whether we want to buy, borrow or steal them, rightly or wrongly, because of their covers. Here’s a great set of covers. I judge these covers as actually looking like really good reads based on their covers. The author names being clearly legible help me, the titles and font being legible and clever help me, but it is the images that are the most visceral component of helping me decide which book is to be picked up, and which is to be ignored.

Take this one. This is the kind of cover that makes you say: “That is fucking cool! Lemme see it for a second.” Then you gaze at it for a while, flip it over, read the back and buy it.

Harvest Of Stars
By Poul Anderson; Read by Tom Weiner
15 CDs – Approx. 17.9 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: August 1, 2011
ISBN: 9781441788986
Earth lies crushed in the grip of totalitarianism. To save her planet, Kyra Davis is sent on a mission to liberate the last bastion of freedom and to rescue its legendary leader. Her bold adventure will sweep her from Earth’s rebel enclaves to the decadent court of an exotic lunar colony.

I like the cover on this one too. Its creepy and ethereal. The blood and the textual shadow make it look like a ghost or vampire story. Without actually telling me the story it still gives me a real sense of what the book might be like (whether that’s accurate or not). This is an affective cover.

The Stress Of Her Regard
By Tim Powers; Read by Simon Vance
14 CDs – Approx. 16.7 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: May 1, 2011
ISBN: 9781441757180
When Michael Crawford discovers his bride brutally murdered in their wedding bed, he is forced to flee not only to prove his innocence but to avoid the deadly embrace of a vampire who has claimed him as her true bridegroom. Joining forces with Byron, Keats, and Shelley in a desperate journey that crisscrosses Europe, Crawford desperately seeks his freedom from this vengeful lover who haunts his dreams and will not rest until she destroys all that he cherishes. Told in the guise of a secret history, this tale of passion and terror brilliantly evokes the nineteenth century. The chilling horror and adventure blend to create a riveting romantic fantasy.

Image and color and font work much better than color and font alone. We get the “shadow on the sun” of the title, along with an actual shadow on the sun (which is maybe a raven or a hawk). I’m not much for abstract, but the boughs in a fiery orange could be fire or leaves or both. It’s much better than just color and font. This cover is both striking and mysterious.

Shadow On The Sun
By Richard Matheson; Read by Mark Bramhall
5 CDs – Approx. 5.6 Hours
Publisher: Blackstone Audio
Published: July 1, 2011
ISBN: 9781441739957
Southwest Arizona, a century ago — An uneasy truce exists between the remote frontier community of Picture City and the neighboring Apaches. That delicate peace is shredded when the bodies of two white men are found hideously mutilated. The angry townspeople are certain the “savages” have broken the treaty, but Billjohn Finley, the local Indian agent, fears that darker, more unholy forces may be at work. There’s a tall, dark stranger in town, who rode in wearing the dead men’s clothes. A stranger who may not be entirely human.

In this case the image is actually a visual allusion to the cover of The Great Gatsby (and other covers). The foreground framing invites us in, as through a doorway, to go down into the valley where lies that city, a mesa metropolis – and all the while the stars above are watching. The only criticism I have here is that while the font is good there is a repeat on the “E” (and the “S”) – that’s slightly distracting.

Steal Across The Sky
By Nancy Kress; Read by Kate Reading
9 CDs – Approx. 10.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: July 1, 2011
ISBN: 9781441792402
The aliens appeared one day, built a base on the moon, and put an ad on the Internet: “We are an alien race you may call the Atoners. Ten thousand years ago we wronged humanity profoundly. We cannot undo what has been done, but we wish humanity to understand it. Therefore we request twenty-one volunteers to visit seven planets to Witness for us. We will convey each volunteer there and back in complete safety. Volunteers must speak English. Send requests for electronic applications to [email protected].” At first, everyone thought it was a joke. But it wasn’t. This is the story of three of those volunteers and what they found on Kular A and Kular B.

This one feels like it was made quickly (by a skilled artist) mostly out of stock images. The pocket-watch and the radioactive hazard trefoil give you a couple of tips as to the plot (time travel and nuclear war), but there’s also the Sam Browne belt equipped figure (with double braces) walking into what looks like an African Savannah – it all makes you want to open it up and see where that dude is going.

Farnham’s Freehold
By Robert A. Heinlein; Read by Tom Weiner
8 CDs – Approx. 9.3 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: June 5, 2011
ISBN: 9781441791702
Hugh Farnham is a practical, self-made man, and when he sees the clouds of nuclear war gathering, he builds a bomb shelter under his house, hoping for peace and preparing for war. But when the apocalypse comes, something happens that he did not expect. A thermonuclear blast tears apart the fabric of time and hurls his shelter into a world with no sign of other human beings. Farnham and his family have barely settled down to the backbreaking business of low-tech survival when they find that they are not alone after all. The same nuclear war that catapaulted Farnham two thousand years into the future has destroyed all civilization in the northern hemisphere, leaving Africans as the dominant surviving people. In the new world order, Farnham and his family, being members of the race that nearly destroyed the world, are fit only to be slaves. After surviving a nuclear war, Farnham has no intention of being anyone’s slave, but the tyrannical power of the Chosen race reaches throughout the world. Even if he manages to escape, where can he run to?

Posted by Jesse Willis

The SFFaudio Podcast #120

The SFFaudio Podcast #120 – Scott, Jesse and Tamahome talk to Allan Kaster, the editor of the new audiobook collection The Year’s Top Ten Tales Of Science Fiction 3.

Talked about on today’s show:
Infinivox, post-singularity, Mars, talking animals, emperors, will the post-singularity fiction subgenre be over by 2040?, Charles Stross, Gardner Dozois, post singularity is the magic of Science Fiction, Robert Reed, Under The Moons Of Venus by Damien Broderick, talking dogs, “I didn’t like it in a Science Fiction way”, detective fiction, insanity and crazy people, The Emperor Of Mars by Allen M. Steele, a tribute to martian fiction, the Asimov’s reader’s Award, Emperor Norton of the United States, Asimov’s, Analog and F&SF are now available in the Kindle store, ebooks (and emags) with ads, Harlan Ellison, Gene Wolfe, Stephen King, Flowers For Algernon, Subterranean Online, Lightspeed magazine, Flower, Mercy, Needle, Chain by Yoon Ha Lee, Clarkesworld, The Things by Peter Watts, Elegy For A Young Elk by Hannu Rajaniemi, the Science Fiction boom is here, Fantasy, a blossoming of novellas, PS Publishing, Subterranean Press, novellas make for an excellent idea delivery mechanism, Prime Books, The Year’s Best Science Fiction And Fantasy 2011, Ted Chiang’s The Lifecycle Of Software Objects, Stories Of Your Life and Other Stories by Ted Chiang, Infinivox will have a new collection of Science Fiction novellas in the fall: The Year’s Top Short SF Novels, The Things by Peter Watts (read by Kate Baker), The Emperor Of Mars was on Tony Smith’s StarShip Sofa (read by Quartershare author Nathan Lowell), John Carpenter’s The Thing movie vs. John W. Campbell’s Who Goes There?, Howard Hawks, re-working Science Fiction’s legacy fiction in new stories, the stinger comes from sympathizing with a horrible monster, communion, the Shirley Jackson award, Re-Crossing The Styx by Ian R. MacLeod, Scott likes Noir, Double Indemnity, zombies, “even though they’re dead they need entertainment”, The Love Boat, Tom Dheere, he always gets the Science Fiction vocab pronunciation right, Eight Miles by Sean McMullen, Australia, the best story in Analog last year (was Eight Miles), steampunk, is steampunk SF?, steampunk-ish, an Asian cover, Flower, Mercy, Needle, Chain by Yoon Ha Lee is ornate and literary SF (and kind of Ted Chiang-like), there’s a logic going on, The Shipmaker by Alliette de Bodard, Nicola Barber, Larry Niven’s Star Trek episode (The Slaver Weapon), Kzinti are in the Star Trek universe, we need another good Science Fiction (TV) series, Theodore Sturgeon, Robert Bloch, Fredric Brown, Neil Gaiman, Doctor Who, Babylon 5 was our last best hope for SF on TV, A Letter From The Emperor by Steve Rasnic Tem, fun with mind-wiping, emotional stingers, Adrift by Scott D. Danielson, emotional vs. intellectual SF, bureaucracy doesn’t end, there are lots of lost packets between planets, it derives its power from the characters rather than from the intellectual points, intellectual stimulation vs. emotional stimulation, Elegy For A Young Elk by Hannu Rajaniemi, consciousness-uploading, it’s comic book like, a bit like Dan Simmons, Alone by Robert Reed, the prolific Robert Reed, God-Like Machines edited by Jonathan Strahan, Alastair Reynolds’s Troika is in there too, A History Of Terraforming by Robert Reed, Dead Man’s Run by Robert Reed, Marrow by Robert Reed, an old-fashioned Science Fiction story writer, SFBRP #008 Luke’s review of Marrow, Isaac Asimov, Ray Bradbury, Starship Vectors edited by Allan Kaster, SFSignal’s review of Starship Vectors, The Shipmaker by Alliette de Bodard, The Ship Who Sang by Anne McCaffrey, mutant children are shipped off into the universe to fall in love with their crews, giving birth to a cyborg, Shipmaker reminded Tam of Bloodchild by Octavia E. Butler, was dramatized on 2000X, how do you read/listen to anthologies?, is there any chance of doing a year’s top ten 1961? 1965?, how about the top ten of the 1960s?, Charles Stross, A Colder War by Charles Stross |READ OUR REVIEW|, Lobsters by Charles Stross |READ OUR REVIEW|, Accelerando by Charles Stross, “Please Alan, fulfill my hopes and dreams.”

Posted by Jesse Willis