France – Page 7

Review of The Red Panda Adventures – Season 7

SFFaudio Review

If you haven’t already started listening to The Red Panda Adventures you’re doing yourself a grave disservice. Go back to the beginning and start with Season 1 (that’s HERE).

The Red Panda Adventures – Season 7
By Gregg Taylor; Performed by a full cast
12 MP3 Files via podcast – Approx. 6 Hours [AUDIO DRAMA]
Podcaster: Decoder Ring Theatre
Podcast: August 2011 – July 2012
Themes: / Fantasy / Superheroes / Mystery / Crime / Nazis / War / WWII / Adventure / Toronto / Androids / Espionage / Zombies / Magic / Aliens / Poetry / Astral Projection / Hypnosis / France / Germany / Berlin / Dinosaurs / Identity / Forgery / Romance /

The Red Panda Adventures is a comic book superhero series with a world, now in it’s seventh season, that is only comparable in scale to the entire Marvel or DC universes. But unlike either DC and Marvel, the Red Panda universe has all been written by one man, Greg Taylor. Because of that it has a consistency like the best seasons of Babylon 5.

The first episode of Season 7 follows right on the heels of last season’s final episode. In the season opener, From the Ashes, Kit Baxter gets a visit from the highest power in the land. And what with the Red Panda being presumed dead there’s only one thing to do – find a replacement for Canada’s greatest superhero. The government suggests that an unkillable machine, bent on vengeance, become the new Red Panda. And Kit, is fairly forced to accept the government’s choice. Now I won’t summarize any more of the plot. But, I will say this – Season 7 is a very different season than the previous six seasons.

What isn’t different is Taylor’s scripting. It’s still great, in fact its almost unbelievably great. Taylor has one of those highly distinctive writing styles, one that’s instantly recognizable – he’s like an Aaron Sorkin, a David Mamet, or an Ian Mackintosh. And with Taylor’s style comes a whole lot of substance too. He does incredible things with each half-hour script. Each standalone tale features a carefully measured combination of snappy repartee, genuine mystery, thrilling suspense, and clever action. And he does it all within a expanded universe so consistent so as to have become a kind of complete alternate history. His seven year series, and running, has created an image so vivid as to be completely realized. Taylor’s 1930s-1940s Toronto is far realer to me than any Gotham or Metropolis offered up in comics or movies. In fact to find anything comparable you’d have to go to the Springfield of The Simpsons!

Indeed, for the last seven years I’ve followed The Red Panda Adventures rather avidly and with each season I’ve become more engrossed in the show. The release of a new episode has become so inextricably linked to my listening habits so as to become like a good a visit from an old friend. It’s truly wonderful.

In my re-listening to the first eleven episodes of this Season 7 I picked up dozens and dozens of minor details in dialogue and plot that I’d missed the first time around. Take one point, early in the season, as an example – a character quotes the tagline of the CBS Radio series Suspense as a part of her dialogue.

How wonderful to find that!

And of course there are all the usual line echoes that we know from all past seasons (if you’re curious there’s a whole thread of Taylorisms over on AudioDramaTalk).

As for Season 7 as a whole, it has a sense of deep loss, very much in keeping with the times in which the story is set and the fallout from Season 6. Earlier I mentioned that Season 7 was unlike previous seasons, that’s because it features two overarching, and eventually intersecting, plots. The first, set in Toronto, deals with Kit Baxter, her new sidekick, her new job as associate editor of the Chronicle, and her developing pregnancy. The other plotline, set in Europe introduces us to a new character, a Lieutenant Flynn, a man in a deep denial, and his attempts to fight the Nazis behind their lines. It’s a radical change, and unforeseen change of pace, but not an unpleasant one.

The smaller scale stories from this season, like The Milk Run, work terrifically well too. As even the characters themselves will admit a plot about the forgery of rationing books doesn’t sound very dramatic next to the events unfolding in war torn France. But it’s a job that has to be done, and should be done, and done well it is. And that’s because the relatively harmless domestic crime of forgery is an important part of the story of WWII Toronto. The The Milk Run script tackles it in a way that makes it seem as if such a story could not not be told. In fact, this whole home-front end of the season’s story holds up very well next to the very dramatic later episodes.

One other such, The Case Of The Missing Muse, works very similairly. It’s a story in which we meet a super-villain, with a super-vocabulary, in a mystery that could have been set in any of the previous episodes. But what with the war time setting it of Season 7, and a new Red Panda running the show, it has a resolution that has its own unique wartime fit.

That replacement Red Panda, who in fact is a character from a previous season is still voiced by the wonderful Christopher Mott. The new Panda has a very different personality and temperament than our good friend August Fenwick. His goals as Red Panda are different, his methods are different, and it’s basically everything you like about when a hero regular superhero, from the comics gets, a replacement. It’s a new origins story – a fresh start – with all the promise that brings.

Some have argued that The Red Panda Adventures is really Kit Baxter’s story – and that certainly could be argued especially within the first arc of Season 7. Indeed, Kit Baxter, aka Flying Squirrel, does not get short shrift there. Besides her regular superhero duties, Kit’s also required to train the new Panda, fill in for the shattered Home Team (from last season) and somehow deal with the fact that her butler now knows she’s the Flying Squirrel! But that’s not all over at The Chronicle, the fictional Toronto newspaper that Kit works for, she, and we, get to visit with one of the best editor voices I’ve ever heard. Editor Pearly is your typical fatherly J. Jonah Jameson type caricature of an editor, but with a voice so crazily stressed out, a voice with lines so quickly delivered, you’ll barely understand a word he’s saying. It’s both fun and funny.

Then, just short of the midway point, a kind of focal transition takes place in between episodes 78 and 79, The Darkness Beyond and Flying Blind. The second arc begins slowly but soon ramps up. The aforementioned “Lieutenant Flynn”, and a team of commandos lead by one Captain Parker must escape from a Nazi stalag prison. Once achieved they spend much of the rest of the season either on the run or doing Special Operations Executive style missions in Nazi occupied France or in Berlin itself! And long time fans of the series will recognize the return of a certain Australian accented commando in one episode.

This new military aspect of the show is actually rather remarkable, being like a kind of Canadian version of WWII Captain America. It features a large male cast, allied soldiers, that act like something like a hybrid of the comics like Sgt. Rock, Sgt. Fury And His Howling Commandos, and The Unknown Soldier. Indeed, in the final episode of Season 7, The Black Heart, the show even gives a nice tip of the hat towards the later Nick Fury (the one who’s an agent for S.H.I.E.L.D.). That final season episode, incidentally, is set to be podcast later this month and features several other reveals, and dare I say reunions, which fans will be sure to love – I know I sure did. Suffice it to say, the Season 7 season-ender is definitely not a cliffhanger.

Here’s the podcast feed:

http://decoderring.libsyn.com/rss

Happy Canada Day everybody, go celebrate with some RED PANDA!

Posted by Jesse Willis

CBC: Day 6 – Ray Bradbury interview from 1985

SFFaudio Online Audio

CBC’s Day 6 blog has a lengthy, November 1985, interview Ray Bradbury (conducted by Vicky Gabereau for her self titled Gabereau show). This is a terrific long-form and ramblingly awesome interview – as Bradbury himself puts it, it’s a “discussion about ideas.”

In it Bradbury talks about:
Moving out to California as a kid, how he gets around Los Angeles, his appearance on Groucho Marx’s You Bet Your Life, movies, directing vs. writing, Fahrenheit 451, Raymond Chandler, Dashiell Hammett, Ross Macdonald, James M. Cain, Norman Mailer, a discussion about ideas, bad male drivers, Blackstone the magician, Paris, France, the American Revolutionary War, architecture, Federico Fellini, Amarcord (1973), horror movies, The Fog Horn, The Beast From 20,000 Fathoms, Godzilla, dinosaurs, Moby Dick, William Shakespeare, John Houston, The Carrot People, The Horror Of Dracula, Christopher Lee, The Omen, Diabolique, Jean Harlow, Burns and Allen, The Trojans and sporadically his then current novel Death Is A Lonely Business.

And here’s that appearance on You Bet Your Life (featuring Ray Bradbury in a crew cut):

Posted by Jesse Willis

The SFFaudio Podcast #146 – AUDIOBOOK/READALONG – Eight O’Clock In The Morning by Ray Nelson

Podcast

The SFFaudio Podcast #146 – Eight O’Clock In The Morning by Ray Nelson, read by Gregg Margarite. This is a complete and unabridged reading of the short story (16 Minutes) followed by a discussion of it with Jesse, Gregg Margarite and Ray Nelson himself!

Talked about on today’s show:
This story was suggested by a listener [thanks], Eight O’Clock In The Morning, a terse procedural aspect of the text, Ray is a fan of bare bones writing, alien forks and knives, inspired by flies, a new adaptation of Eight O’Clock In The Morning (on IMDB), John Carpenter’s They Live, occupy wall street, the 1% aren’t just mean, one of the best short story adaptations, Nada = nothing, a traitless character, a modern fable, The Twilight Zone, sowing a distrust of television, “Work Eight Hours, Play Eight Hours, Sleep Eight Hours”, Ray co-wrote The Ganymede Takeover with Philip K. Dick, Gregg likes it, The Ganymede Takeover has been translated 15 times, Ray and Phil are a hit in France, Edgar Allan Poe owes his classical status to Baudelaire, the short story form itself, Again, Dangerous Visions, Hillside School in Berkley, CA, Ray went to school with Philip K. Dick and Ursula K. Le Guin, France, 1950s, Harlan Ellison, Jean Paul Sarte, book smuggling, Henry Miller, Ray gave Phil acid twice, Philip K. Dick’s acid trips (and flashbacks), answers vs. questions, public and private realities, Ray loves radio theatre, the new audio drama, Tim Heffernan, The Drama Pod, The Cosmic Circle on KPFA, live broadcast, live TV, Saturday Night Live, Your Show Of Shows, Mel Brooks, Woody Allan, Larry Gelbart, the last unsafe TV show was Buffy: The Vampire Slayer, anthology series, The Twilight Zone, Black Mirror, Carleton E. Morris, radio drama in Canada, Carleton E. Morris, Prairie Home Companion, appointment radio, X Minus One, Dimension X, Escape, Suspense, I Love A Mystery, BrokenSea’s OTR Swag Cast, The Temple Of The Vampires, Bill Hollweg, The Quantum Door, Gregg gets to be Rod Serling, Jake Sampson: Monster Hunter, Egypt, Texas, Robert E. Howard, H.P. Lovecraft, paperbook publishing is tough, we want ebook and audiobook editions of , iambik.com, $0.30, William Blake, Laser Books, pseudonyms, RayNelson.com, cartoonism, American Window Cleaner Magazine, “Inflate my girl James … the Viagra is kicking in.”, the propeller beanie, Flying Down To Rio, the 1939 Worlds Fair, The World Of Tomorrow, Elektro the smoking robot, Treasure Island, Hitler’s swastika farm at the world’s fair, The Old Beatnik, Herb Caen, how the beatniks got their name, Jack Kerouac, a synchronistic view of the universe, theology, the University Of Chicago, my Edgar Allan Poe drawing, why don’t people draw more often?, every little kid knows how to draw, essay writing, the death of newspapers, the smell of a used bookstore, How To Fuck Like The Stars aka How To Do It, drawing, writing and smuggling pornography, the Wikipedia entry on Ray Nelson, “Push where it gives”, singing black spirituals in a cowboy suit in Paris, Ray “Tex” Nelson aka Tex The Singing Cowboy, Jeffrey Lord’s Richard Blade, Harlequin Books, Slave Of Sarma by Jeffrey Lord (read by Lloyd James), California Ray, Allen Ginsberg, “I wrote verse. I wrote verse and verse as I went along.”, Lawrence Ferlinghetti, Howl, the San Fransisco Renaissance, Sex Happy Hippie, Robert Silverberg, Lawrence Block, Donald E. Westlake, Marion Zimmer Bradley, I, Lesbian by Lee Chapman (aka Ray Nelson and Marion Zimmer Bradley), copyright, fanzines, the smell of a mimeograph machine, Ray Bradbury, Clark Ashton Smith, H.P. Lovecraft, Robert E. Howard, Weird Tales, H.P. Lovecraft is more like a blogger than a 1950s writer, Farnsworth Wright, Astounding Stories, Pickman’s Model by H.P. Lovecraft, extraterrestrial monsters, cosmic horror, L. Sprague de Camp, H.P. Lovecraft in a dress, flipped his lid, the Fascinators are fascinating, the adaptation of They Live, Frank Armitage, scripting They Live, the sunglasses, the venetian blind glasses, Blade Runner, Total Recall, John Carpenter’s The Thing, The Thing From Another Planet, John W. Campbell, John Carpenter’s music, Roddy Piper doesn’t look like an everyman, the five minute fight scene works great!, Keith David, Seeing Ear Theatre, Tales From The Crypt |READ OUR REVIEW|, Eight O’Clock In The Morning is a kind of Lovecraftian tale, The Lurking Fear, “anything includes everything.”

Eight O'Clock In The Morning by Ray Nelson

They Live - based upon The Story Eight O'Clock In The Morning by Ray Nelson

Got A Light Buddy?
The Children

They Live - Indian poster art

They Live - illustration by Jeremy Wheeler

THEY LIVE poster from Printed In Blood

Posted by Jesse Willis

Favorite Story – Guy de Maupassant’s The Necklace RADIO DRAMA

Aural Noir: Online Audio

Archive.org hosts 78 episodes of Favorite Story, a wonderfully inspired radio program that asked a celebrity to name his or her favourite story. The story was then adapted as a radio drama. Host Ronald Colman often played a character. In October of 1947 Greer Garson‘s favourite story was Guy de Maupassant’s classic of short fiction The Necklace.

In Colman’s introduction he claims that Maupassant’s tale of a Parisian housewife with dreams of social mobility is perhaps “The greatest short story ever written.” In my view it’s certainly worthy of approaching that level.

I’m also pleased to report this episode of Favorite Story is a truly fabulous adaptation! It keeps every important story element, doesn’t fiddle with the setting or the character names, the acting is restrained and the plot’s length is perfect in the format (Favorite Story also attempted to adapt novels into the half-hour format).

Favorite Story – The Necklace
Adapted from the story by Guy de Maupassant; Performed by a full cast
1 |MP3| – Approx. 27 Minutes [RADIO DRAMA]
Broadcaster: KFI
Broadcast: October 7, 1947
Mathilde is a beautiful bride of a mid-level Parisian bureaucrat. Her natural elegance and grace seem somewhat out of place with her husband’s junior position. This is the story of a beautiful woman who works hard and gets everything she wants. First published in the February 17, 1884 issue of Le Gaulois (a French daily newspaper).

Cast:
Heather Angel … Mathilde Loisel
Hans Conried … Pierre Loisel

There’s a terrific series overview HERE.

Posted by Jesse Willis

The SFFaudio Podcast #125 – AUDIOBOOK/READALONG: The Horla by Guy de Maupassant

Podcast

The SFFaudio Podcast #125 – The Horla by Guy de Maupassant, read by Gregg Margarite (of LibriVox), followed by a discussion of the story – participants include Jesse, Tamahome and Jenny Colvin (of the Reading Envy blog).

Talked about on today’s show:
“c’est magnifique!”, is this Jesse’s favourite story from the 19th century?, H.G. Wells, is The Horla Science Fiction, aliens, ghosts, Guy de Maupassant is crafting our feeling on how the story should be interpreted, Mont Saint-Michel, Ladyhawke, Second Life, Normandy, Paris, France, ghosts, goats with human faces, biblical stories of possessed pigs, metaphor of the wind, the wind as a telekinetic force, invisibility, personal experience vs. faith, succubi, vampires, Jim Moon’s Hypnobobs podcast (reading of The Horla and Dairy Of A Madman), was Guy de Maupassant interested in science?, his prolific output, Sigmund Freud, is this a psychological drama?, the character in the movie vs. the short story, sleep paralysis and depression, is the unnamed protagonist of The Horla bioplar?, syphilis, H.P. Lovecraft, Benjamin Franklin, the character has a Science Fiction attitude (a disposition towards science), a story of possession (like in The Exorcist), glowing eyes, Rouen, “excuse my French”, external confirmation, diagnose yourself, São Paulo, Brazil, The Horla means “the beyond”, what lives beyond the Earth?, Jenny wasn’t thinking aliens at all, creatures from other dimensions, the Predator’s cloaking device, is the horla really Santa Claus?, hypnotism and hypnotists, post-hypnotic suggestion, confabulation, its a quasi-phenomenon, why can’t everyone be hypnotized?, Hamlet, did he burn down his house or did the horla do it?, noir, movies demand the defeat of evil, “Son Of The Horla and Spawn Of The Horla“, science and skepticism, who broke all the drinking glasses?, the Futurama version of a Twilight Zone episode,

“The vulture has eaten the dove, and the wolf has eaten the lamb; the lion has devoured the sharp-horned buffalo, and man has killed the lion with arrow, sword and gun; but the Horla is going to make of man what we have made of the horse and the ox: his chattel, his servant and his food, by the mere exercise of his will. Woe to us.”

Tamahome should read some H.P. Lovecraft, here’s H.P. Lovecraft’s description of The Horla:

“Relating the advent in France of an invisible being who lives on water and milk, sways the minds of others, and seems to be the vanguard of a horde of extra-terrestrial organisms arrived on earth to subjugate and overwhelm mankind, this tense narrative is perhaps without peer in its particular department.”

Lovecraft is using deep time to scare us instead of the supernatural, The Statement Of Randolph Carter, sorry I cant talk right now I’m being digested, Cthulhu’s guest appearance on South Park, the elements, space butterfly,

“We are so weak, so powerless, so ignorant, so small — we who live on this particle of mud which revolves in liquid air.”

a cosmic view, the Carl Sagan view, evil is everywhere, an allegory for science, Frankenstein, “men ought not meddle in affairs normally deemed to women”, the Frankensteinian monster, a warning against science vs. science is our only way of understanding the universe, we have one place to look and that is to science, the propaganda he’s pushing, “there are things we can’t explain”, gentlemen did science back then, Library Of The World’s Best Mystery And Detective Stories on Wikisource, the case of my body being haunted, Edgar Allan Poe, Diary Of A Madman, turn us into batteries, “this is a looking glass”, the main character holding a photograph of himself, foreshadowing, out of body experience, Tama fails the quiz of the lesson earlier, when we don’t know – don’t conclude, we ought not conclude anything from this scene, we are not supposed to know we know the answer, Harvey Keitel’s appearance on Inside the Actor’s Studio, becoming comfortable with the unknown, The Necklace by Guy de Maupassant, F. Scott Fitzgerald, Jesse proceeds to recount the entire plot of The Necklace, like a really sad O. Henry story, Somerset Maugham, Henry James, A String Of Beads, “Mais oui.”

The Horla by Guy de Maupassant

The Horla by Guy de Maupassant - illustration by Julian-Damazy

Guy De Maupassant's Le Horla 1908 Edition

Posted by Jesse Willis

The Horla by Guy de Maupassant

SFFaudio Online Audio

The subject of SFFaudio Podcast #125 [which will be live Monday September 12th, 2011] is The Horla, a sort of ghost story by Guy de Maupassant. If you’re still not familiar with this particular Guy let me place him in context for you. He was one of the inventors of the short story and a master of the form. The stories he wrotes hold up incredibly well, being completely fresh despite being more than century old. His style is simple, straightforward and even more accessible than the works of either H.P. Lovecraft and Edgar Allan Poe (despite their tales having been written in English and his being written in French). Poe’s writings, of course, all preceded Guy de Maupassant. In fact Poe died the year before Maupassant was born! There’s kind of a succession going on here…

Poe -> Maupassant -> Lovecraft

…Maupassant died in in 1893, Lovecraft was born in 1890. But unlike so many of Maupassant’s tales, the ones that leave you smirking sympathetically at a collection of colourful characters, The Horla is not a tale of a social faux pas with an ironic twist – instead, I judge it as being three-fifths Science Fiction, two-fifths Horror, and 100% totally freaky!

Check out this haunting passage:

“The vulture has eaten the dove,
and the wolf has eaten the lamb;
the lion has devoured the sharp-horned buffalo,
and man has killed the lion with arrow, sword and gun;
but the Horla is going to make of man what we have made of the horse and the ox:
his chattel,
his servant
and his food,
by the mere exercise of his will.
Woe to us.”

I think what I like best about The Horla is the strong bent towards skepticism and naturalistic explanation that’s exhibited by the unnamed protagonist. He comes across like a hard Science Fiction reader, full of excitement for the wonders of the universe. He’s unwilling to accept magical explanations for the obviously strange phenomena he witnesses. He tells us his story in diary entries that seem to track both his mood, variously ebullient and depressed, as well as the facts and impressions of the strange happenings on his estate and elsewhere in France. When he leaves his seaside home, where the bulk of the action takes place, he relates a story that sounds like it must be fully supernatural. And in Paris, where he has first hand experience of disturbing para-psychological phenomena (post-hypnotic suggestion), he reserves judgement. And finally, when lying in bed he repeatedly experiences something we today might describe as sleep paralysis. Is it that the narrator insane? Or does the universe have a secret that is not yet widely known? Find out for yourself!

Here are two fantastic audiobook versions:

The Horla
By Guy de Maupassant; Read by Gregg Margarite
1 |MP3| – Approx. 57 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: July 11, 2009
|ETEXT|

The Horla
By Guy de Maupassant; Read by Jim Moon
1 |MP3| – Approx. 57 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: February 22, 2011
“Mr Jim Moon delves into classic French literature to unearth a seminal vampiric tale of creeping fear, dread and madness”

And from the same podcaster, a thorough and fascinating exploration the story and the film adaptation:

Diary Of A Madman
1 |MP3| – Approx. [DISCUSSION]
Podcaster: Hypnobobs
Podcast: March 05, 2011
“This week Mr Jim Moon launches into an in-depth discussion of Guy de Maupassant’s The Horla. Also we have a look at its screen adaptation – Diary of a Madman starring Vincent Price.”

There have been two audio dramatizations:

The Weird Circle The Horla
Based on the story by Guy de Maupassant; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 24, 1943
Provider: Archive.org

Mystery In The Air – The Horla
By Guy de Maupassant; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [RADIO DRAMA]
Broadcaster: NBC Radio
Broadcast: August 21, 1947
“The Horla, written in 1887 by Guy de Maupassant, is an unusual horror tale about an invisible alien entity that seeks to inhabit and control human beings. It was cited by Lovecraft as being the inspiration for his classic story, The Call Of Cthulhu, and as an important forerunner to the weird horror genre pioneered by himself, August Derleth, Clark Ashton Smith, and others, in the early-mid 20th century. This version, from Mystery in the Air (oddly, a summer replacement for the Abbott and Costello Show), benefits from a brisk script and a wonderful live performance by Peter Lorre as your weekly raging psychopath.”