horror – Page 48

The Horla by Guy de Maupassant

Friday, September 9, 2011Wednesday, February 22, 2017 Jesse Willis

SFFaudio Online Audio

The subject of SFFaudio Podcast #125 [which will be live Monday September 12th, 2011] is The Horla, a sort of ghost story by Guy de Maupassant. If you’re still not familiar with this particular Guy let me place him in context for you. He was one of the inventors of the short story and a master of the form. The stories he wrotes hold up incredibly well, being completely fresh despite being more than century old. His style is simple, straightforward and even more accessible than the works of either H.P. Lovecraft and Edgar Allan Poe (despite their tales having been written in English and his being written in French). Poe’s writings, of course, all preceded Guy de Maupassant. In fact Poe died the year before Maupassant was born! There’s kind of a succession going on here…

Poe -> Maupassant -> Lovecraft

…Maupassant died in in 1893, Lovecraft was born in 1890. But unlike so many of Maupassant’s tales, the ones that leave you smirking sympathetically at a collection of colourful characters, The Horla is not a tale of a social faux pas with an ironic twist – instead, I judge it as being three-fifths Science Fiction, two-fifths Horror, and 100% totally freaky!

Check out this haunting passage:

“The vulture has eaten the dove,
and the wolf has eaten the lamb;
the lion has devoured the sharp-horned buffalo,
and man has killed the lion with arrow, sword and gun;
but the Horla is going to make of man what we have made of the horse and the ox:
his chattel,
his servant
and his food,
by the mere exercise of his will.
Woe to us.”

I think what I like best about The Horla is the strong bent towards skepticism and naturalistic explanation that’s exhibited by the unnamed protagonist. He comes across like a hard Science Fiction reader, full of excitement for the wonders of the universe. He’s unwilling to accept magical explanations for the obviously strange phenomena he witnesses. He tells us his story in diary entries that seem to track both his mood, variously ebullient and depressed, as well as the facts and impressions of the strange happenings on his estate and elsewhere in France. When he leaves his seaside home, where the bulk of the action takes place, he relates a story that sounds like it must be fully supernatural. And in Paris, where he has first hand experience of disturbing para-psychological phenomena (post-hypnotic suggestion), he reserves judgement. And finally, when lying in bed he repeatedly experiences something we today might describe as sleep paralysis. Is it that the narrator insane? Or does the universe have a secret that is not yet widely known? Find out for yourself!

Here are two fantastic audiobook versions:

The Horla
By Guy de Maupassant; Read by Gregg Margarite
1 |MP3| – Approx. 57 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: July 11, 2009
|ETEXT|

The Horla
By Guy de Maupassant; Read by Jim Moon
1 |MP3| – Approx. 57 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: February 22, 2011
“Mr Jim Moon delves into classic French literature to unearth a seminal vampiric tale of creeping fear, dread and madness”

And from the same podcaster, a thorough and fascinating exploration the story and the film adaptation:

Diary Of A Madman
1 |MP3| – Approx. [DISCUSSION]
Podcaster: Hypnobobs
Podcast: March 05, 2011
“This week Mr Jim Moon launches into an in-depth discussion of Guy de Maupassant’s The Horla. Also we have a look at its screen adaptation – Diary of a Madman starring Vincent Price.”

There have been two audio dramatizations:

The Weird Circle The Horla
Based on the story by Guy de Maupassant; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 24, 1943
Provider: Archive.org

Mystery In The Air – The Horla
By Guy de Maupassant; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [RADIO DRAMA]
Broadcaster: NBC Radio
Broadcast: August 21, 1947
“The Horla, written in 1887 by Guy de Maupassant, is an unusual horror tale about an invisible alien entity that seeks to inhabit and control human beings. It was cited by Lovecraft as being the inspiration for his classic story, The Call Of Cthulhu, and as an important forerunner to the weird horror genre pioneered by himself, August Derleth, Clark Ashton Smith, and others, in the early-mid 20th century. This version, from Mystery in the Air (oddly, a summer replacement for the Abbott and Costello Show), benefits from a brisk script and a wonderful live performance by Peter Lorre as your weekly raging psychopath.”

Two stunning illustrations, by Lynd Ward, from The Horla:

The Horla - illustration by Lynd Ward

An uncredited illustration from Library Of The World’s Best Mystery And Detective Stories, Volume 4:

The Horla - illustration from Library Of The World's Best Mystery And Detective Stories Volume 4

Here’s the trailer for the very loosely adapted 1963 movie starring Vincent Price:

Posted by Jesse Willis

Hypnobobs: Naturally by Fredric Brown

Wednesday, September 7, 2011Sunday, March 3, 2013 Jesse Willis

SFFaudio Online Audio

Here’s a cute little short story, with a sympathetic protagonist, by the master of the short short, Fredric Brown. Mr. Jim Moon, the proprietor and narrator of the Hypnobobs podcast, calls it a “A Micro Tale”, others may call it “Flash Fiction”. Indeed, its brief length and moral teaching probably makes it the perfect story to read before a college mid-term or final exam! But it also has the effect of explaining why any school for magic, like Hogwarts, could never possibly work.

Hypnobobs – Naturally
By Fredric Brown; Read by Jim Moon
1 |MP3| – Approx. 5 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: August 22, 2011
Henry Blodgett is a terrible math student and knows he’ll fail his upcoming geometry exam. But as a student of black magic he may have found a way out! First published in the September 1954 issue of Beyond Fantasy Fiction.

Podcast feed: http://feeds.feedburner.com/Hypnobobs

Here is the accompanying art, by “Stone”, from the original publication:

Illustration by Stone of Naturally by Fredric Brown

And here’s the complete text if you’d like to read along:

Naturally by Fredric Brown

Henry Blodgett looked at his wrist watch and saw that it was two o’clock in the morning. In despair, he slammed shut the textbook he’d been studying and let his head sink onto his arms on the table in front of him. He knew he’d never pass that examination tomorrow; the more he studied geometry the less he understood it. Mathematics in general had always been difficult for him and now he was finding that geometry was impossible for him to learn.

And if he flunked it, he was through with college; he’d flunked three other courses in his first two years and another failure this year would, under college rules, cause automatic expulsion.

He wanted that college degree badly too, since it was indispensable for the career he’d chosen and worked toward. Only a miracle could save him now.

He sat up suddenly as an idea struck him. Why not try magic? The occult had always interested him. He had books on it and he’d often read the simple instructions on how to conjure up a demon and make it obey his will. Up to now, he’d always figured that it was a bit risky and so had never actually tried it. But this was an emergency and might be worth the slight risk. Only through black magic could he suddenly become an expert in a subject that had always been difficult for him.

From the shelf he quickly took out his best book on black magic, found the right page and refreshed his memory on the few simple things he had to do.

Enthusiastically, he cleared the floor by pushing the furniture against the walls. He drew the pentagram figure on the carpet with chalk and stepped inside it. He then said the incantations.

The demon was considerably more horrible than he had anticipated. But he mustered his courage and started to explain his dilemma. “I’ve always been poor at geometry,” he began . . .

“You’re telling me,” said the demon gleefully.

Smiling flames, it came for him across the chalk lines of the useless hexagram Henry had drawn by mistake instead of the protecting pentagram.

Posted by Jesse Willis

19 Nocturne Boulevard: An adaptation of H.P. Lovecraft’s The Thing On The Doorstep

Sunday, September 4, 2011 Jesse Willis

SFFaudio Online Audio

19 Nocturne Boulevard, created and run by audio dramatist Julie Hoverson, features original and adapted “strange stories” – the podcast alternates between completed productions, like the one below, and diary entry style production notes. I was mightily impressed by Hoverson’s adaptation of Robert Sheckley’s Science Fiction short story The Leech when I heard it back in February! It’s a terrific production by a talented cast. Hoverson has crafted her skill to a keen edge. I was jazzed to hear that she’d undertaken a new production of an H.P. Lovecraft classic, The Thing On The Doorstep which is a novelette first published in the January 1937 issue of Weird Tales.

I’m a sucker for stories with “Thing” in the title. A THING is not a he or a she. It isn’t a describable something – in fact, it’s very indescribability makes it damn intriguing – you, and the characters in the stories, ask questions “What the hell is that thing?!?!?!”

Now DC Comics had the Swamp Thing (a plant elemental) and Marvel had the Man-Thing (a “slow-moving, empathic, humanoid” that had once been a man). But it’s in short fiction especially that I find THINGS compelling. And when you start looking for these THINGS you’ll find dozens and dozens of stories with THING in the title. A couple of other good ones include The Damned Thing by Ambrose Bierce and The Thing On The Roof by Robert E. Howard. And in movies, of course, there is John Carpenter’s The Thing.

Now the particular THING in on this particular doorstep in Julie Hoverson’s adaptation is a whole other thing. I won’t give away, but I will say it certainly lives up to the mysterious nouny goodness of the title.

Lovecraft’s tales can be difficult to adapt, as they’re unusually wholly bereft of actual dialogue between characters (if there is even more than one character!). Julie Hoverson dramatizes the story’s form, which is a kind of confession/statement to police, using a combination of flashbacks and interrogation room scenes to tell the tale. The sound design is good, allowing us to tell who is who and where is where. The acting is also pretty solid with most of the lines coming off as if recorded live on set. Have a listen!

The Thing On The Doorstep
Based on the story by H.P. Lovecraft; Adapted by Julie Hoverson; Performed by a full cast
1 |MP3| – Approx. 33 Minutes [RADIO DRAMA]
Podcaster: 19 Nocturne Boulevard
Podcast: August 15, 2011
|ETEXT|
What does a man do when his new bride really, really wants his body?.

Cast:
Dan Upton – Mark Olson
Officer Flatbush – Reynaud LeBoeuf
Officer Malone – Danar Hoverson
Edward Derby – Paul Cram (imdb)
Asenath Derby – Angela Kirby
Jean – Julie Hoverson
Clerk – Suzanne Dunn
Orderly – Gene Thorkildsen
Dr. Castle – Marshal Latham
“Roman” girl – Gwendolyn Jensen-Woodard

Music from the first soundtrack album from the H.P. Lovecraft Literary Podcast

Editing and Sound – Julie Hoverson
Cover Design – Brett Coulstock

Podcast feed: http://nineteennocturne.libsyn.com/rss

Posted by Jesse Willis

The Music Of Erich Zann by H.P. Lovecraft

Friday, August 19, 2011 Jesse Willis

SFFaudio Online Audio

The Music Of Erich Zann is one of H.P. Lovecraft’s most popular short stories (it runs just 3,450 words).

The Music Of Erich Zann - illustration by Andrew Brosnatch

Here are the opening lines:

“I have examined maps of the city with the greatest care, yet have never again found the Rue d’Auseil. These maps have not been modern maps alone, for I know that names change. I have, on the contrary, delved deeply into all the antiquities of the place, and have personally explored every region, of whatever name, which could possibly answer to the street I knew as the Rue d’Auseil. But despite all I have done, it remains an humiliating fact that I cannot find the house, the street, or even the locality, where, during the last months of my impoverished life as a student of metaphysics at the university, I heard the music of Erich Zann.

That my memory is broken, I do not wonder; for my health, physical and mental, was gravely disturbed throughout the period of my residence in the Rue d’Auseil, and I recall that I took none of my few acquaintances there. But that I cannot find the place again is both singular and perplexing; for it was within a half-hour’s walk of the university and was distinguished by peculiarities which could hardly be forgotten by any one who had been there. I have never met a person who has seen the Rue d’Auseil.

The Rue d’Auseil lay across a dark river bordered by precipitous brick blear-windowed warehouses and spanned by a ponderous bridge of dark stone. It was always shadowy along that river, as if the smoke of neighboring factories shut out the sun perpetually. The river was also odorous with evil stenches which I have never smelled elsewhere, and which may some day help me to find it, since I should recognize them at once. Beyond the bridge were narrow cobbled streets with rails; and then came the ascent, at first gradual, but incredibly steep as the Rue d’Auseil was reached.”

And the Rue d’Auseil, by the way, translates to “street of the threshold” – most appropriate.

Public domain:

The Music Of Erich Zann
By H.P. Lovecraft; Read by Cameron Halket
1 |MP3| – Approx. 19 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: October 19, 2008
|ETEXT|
A student of philosophy is forced, by lack of funds, to to take lodgings in a run down rooming house in a strange part of Paris. First published in National Amateur (March 1922), then later in the May 1925 issue of Weird Tales.

Creative Commons:

Episode #100 – The Music Of Erich Zann
By H.P. Lovecraft; Read by B.J. Harrison
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: July 25th, 2008

Commercial audiobook:

The Dark Worlds Of H.P. Lovecraft, Volume 4: The Rats In The Walls, The Shunned House, The Music Of Eric Zann
By H.P. Lovecraft; Read by Wayne June
3 CDs – 2 Hours 41 Minutes [UNABRIDGED]
Publisher: Audio Realms
Published: 2006
ISBN: 1897304242
|READ OUR REVIEW|

Discussion:

Episode #23 – The Music Of Erich Zann
Participants Chris Lackey, Chad Fifer and Andrew Leman
1 |MP3| – Approx. 29 Minutes [DISCUSSION]
Podcaster: H.P. Lovecraft Literary Podcast
Podcast: September 12, 2010

Other:

The Music Of Erich Zann

There is a very good comics adaptation, by writer Roy Thomas and artist Johnny Craig, done for issue #5 (June 1970) of Marvel Comics’ Chamber Of Darkness (the title was changed to The Music From Beyond).

Here’s a disturbingly wordless stop motion animation adaptation:

Posted by Jesse Willis

Recent Arrivals/Commentary: Blackstone Audio – Anderson, Powers, Matheson, Kress and Heinlein

Tuesday, August 9, 2011Tuesday, August 9, 2011 Jesse Willis

SFFaudio Recent Arrivals

We all know that old idiom – “don’t judge a book by its cover” – we all know it is a metaphor, that it isn’t supposed to be literal. In fact, to take it literally is to actually misunderstand the point of it.

But books, the literary things that they are, ARE of course pre-judged based on their covers. We decide whether we want to buy, borrow or steal them, rightly or wrongly, because of their covers. Here’s a great set of covers. I judge these covers as actually looking like really good reads based on their covers. The author names being clearly legible help me, the titles and font being legible and clever help me, but it is the images that are the most visceral component of helping me decide which book is to be picked up, and which is to be ignored.

Take this one. This is the kind of cover that makes you say: “That is fucking cool! Lemme see it for a second.” Then you gaze at it for a while, flip it over, read the back and buy it.

Harvest Of Stars
By Poul Anderson; Read by Tom Weiner
15 CDs – Approx. 17.9 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: August 1, 2011
ISBN: 9781441788986
Earth lies crushed in the grip of totalitarianism. To save her planet, Kyra Davis is sent on a mission to liberate the last bastion of freedom and to rescue its legendary leader. Her bold adventure will sweep her from Earth’s rebel enclaves to the decadent court of an exotic lunar colony.

I like the cover on this one too. Its creepy and ethereal. The blood and the textual shadow make it look like a ghost or vampire story. Without actually telling me the story it still gives me a real sense of what the book might be like (whether that’s accurate or not). This is an affective cover.

The Stress Of Her Regard
By Tim Powers; Read by Simon Vance
14 CDs – Approx. 16.7 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: May 1, 2011
ISBN: 9781441757180
When Michael Crawford discovers his bride brutally murdered in their wedding bed, he is forced to flee not only to prove his innocence but to avoid the deadly embrace of a vampire who has claimed him as her true bridegroom. Joining forces with Byron, Keats, and Shelley in a desperate journey that crisscrosses Europe, Crawford desperately seeks his freedom from this vengeful lover who haunts his dreams and will not rest until she destroys all that he cherishes. Told in the guise of a secret history, this tale of passion and terror brilliantly evokes the nineteenth century. The chilling horror and adventure blend to create a riveting romantic fantasy.

Image and color and font work much better than color and font alone. We get the “shadow on the sun” of the title, along with an actual shadow on the sun (which is maybe a raven or a hawk). I’m not much for abstract, but the boughs in a fiery orange could be fire or leaves or both. It’s much better than just color and font. This cover is both striking and mysterious.

Shadow On The Sun
By Richard Matheson; Read by Mark Bramhall
5 CDs – Approx. 5.6 Hours
Publisher: Blackstone Audio
Published: July 1, 2011
ISBN: 9781441739957
Southwest Arizona, a century ago — An uneasy truce exists between the remote frontier community of Picture City and the neighboring Apaches. That delicate peace is shredded when the bodies of two white men are found hideously mutilated. The angry townspeople are certain the “savages” have broken the treaty, but Billjohn Finley, the local Indian agent, fears that darker, more unholy forces may be at work. There’s a tall, dark stranger in town, who rode in wearing the dead men’s clothes. A stranger who may not be entirely human.

In this case the image is actually a visual allusion to the cover of The Great Gatsby (and other covers). The foreground framing invites us in, as through a doorway, to go down into the valley where lies that city, a mesa metropolis – and all the while the stars above are watching. The only criticism I have here is that while the font is good there is a repeat on the “E” (and the “S”) – that’s slightly distracting.

Steal Across The Sky
By Nancy Kress; Read by Kate Reading
9 CDs – Approx. 10.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: July 1, 2011
ISBN: 9781441792402
The aliens appeared one day, built a base on the moon, and put an ad on the Internet: “We are an alien race you may call the Atoners. Ten thousand years ago we wronged humanity profoundly. We cannot undo what has been done, but we wish humanity to understand it. Therefore we request twenty-one volunteers to visit seven planets to Witness for us. We will convey each volunteer there and back in complete safety. Volunteers must speak English. Send requests for electronic applications to [email protected].” At first, everyone thought it was a joke. But it wasn’t. This is the story of three of those volunteers and what they found on Kular A and Kular B.

This one feels like it was made quickly (by a skilled artist) mostly out of stock images. The pocket-watch and the radioactive hazard trefoil give you a couple of tips as to the plot (time travel and nuclear war), but there’s also the Sam Browne belt equipped figure (with double braces) walking into what looks like an African Savannah – it all makes you want to open it up and see where that dude is going.

Farnham’s Freehold
By Robert A. Heinlein; Read by Tom Weiner
8 CDs – Approx. 9.3 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: June 5, 2011
ISBN: 9781441791702
Hugh Farnham is a practical, self-made man, and when he sees the clouds of nuclear war gathering, he builds a bomb shelter under his house, hoping for peace and preparing for war. But when the apocalypse comes, something happens that he did not expect. A thermonuclear blast tears apart the fabric of time and hurls his shelter into a world with no sign of other human beings. Farnham and his family have barely settled down to the backbreaking business of low-tech survival when they find that they are not alone after all. The same nuclear war that catapaulted Farnham two thousand years into the future has destroyed all civilization in the northern hemisphere, leaving Africans as the dominant surviving people. In the new world order, Farnham and his family, being members of the race that nearly destroyed the world, are fit only to be slaves. After surviving a nuclear war, Farnham has no intention of being anyone’s slave, but the tyrannical power of the Chosen race reaches throughout the world. Even if he manages to escape, where can he run to?

Posted by Jesse Willis

The Black Stone by Robert E. Howard

Friday, July 29, 2011Sunday, March 3, 2013 Jesse Willis

SFFaudio Online Audio

Robert E. Howard's The Black Stone - art by Gene Day

The Black Stone is one of Robert E. Howard’s Cthulhu Mythos stories. I happen to think it’s is one of his best – which is saying something because Robert E. Howard was an absolutely terrific Horror writer. I probably first encountered it as an adaption, it was a backup story written by Roy Thomas and illustrated by Gene Day in the March 1982 issue of Savage Sword Of Conan (#74). That was actually quite a spectacular issue of the magazine and the The Black Stone, which only took up ten pages, was wonderful. FNH has posted a two part reading of the story to his Cthulhu podcast and it’s well read too:

The Black Stone
By Robert E. Howard; Read by FNH
2 MP3 Files – Approx. 41 Minutes [UNABRIDGED]
Podcaster: Cthulhu Podcast
Podcast: July 2011
|ETEXT|
A biliophile, with extensive knowledge of history, anthropology and ancient religion, reads of a forgotten geological feature in the mountains of Hungary. He decides to take his vacation there, mid-summer, and encounters legend, history and a terrible manifestation from an unspeakably distant epoch. First published in the November 1931 issue of Weird Tales.

Part 1 |MP3| Part 2 |MP3|

Podcast feed:

http://feeds2.feedburner.com/cthulhupodcast

Here’s another reading, from a cool podcast I’ve just discovered. I expect to be listening to a lot more episodes from it:

The Black Stone
By Robert E. Howard; Read by Jim Moon
1 |MP3| – Approx. 56 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: January 23, 2011
A biliophile, with extensive knowledge of history, anthropology and ancient religion, reads of a forgotten geological feature in the mountains of Hungary. He decides to take his vacation there, mid-summer, and encounters legend, history and a terrible manifestation from an unspeakably distant epoch. First published in the November 1931 issue of Weird Tales.

Podcast feed: http://hypnogoria.podomatic.com/rss2.xml

The Black Stone is also available in print. The Ballantine Del Rey collection titled The Horror Stories Of Robert E. Howard (ISBN: 0345490207) was released as an audiobook edition available from Tantor Media (read by Robertson Dean):

The Horror Stories of Robert E. Howard
By Robert E. Howard; Read by Robertson Dean
2 MP3-CDs – Approx. 24 hours [UNABRIDGED]
Publisher: Tantor Audiobooks
Published: 2010
ISBN:
Sample |MP3|