News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.
Mike Walker’s H.P. Lovecraft: The Young Man Of Providence is a 43 minute dramatized biographical broadcast that aired on BBC Radio 4 on September 10, 1983.
There’s currently a direct download of an MP3 available HERE and it’s also available over on RadioArchive.cc via |TORRENT|.
Directed by Shaun McLaughlin
Cast:
Narrator … Hugh Burden
Lovecraft’s letters … David March
Excerpts from the stories … Blayne Fairman and Garrard Green
Mentioned in H.P. Lovecraft’s The Crawling Chaos, and discussed in SFFaudio Podcast #138, Confessions of an English Opium-Eater by Thomas de Quincey was first published in 1821.
Martin Geeson, the narrator, has written this intriguing mini essay about it for his LibriVox reading.
“Thou hast the keys of Paradise, O just, subtle, and mighty Opium!”
Though apparently presenting the reader with a collage of poignant memories, temporal digressions and random anecdotes, the Confessions is a work of immense sophistication and certainly one of the most impressive and influential of all autobiographies. The work is of great appeal to the contemporary reader, displaying a nervous (postmodern?) self-awareness, a spiralling obsession with the enigmas of its own composition and significance. De Quincey may be said to scrutinise his life, somewhat feverishly, in an effort to fix his own identity.
The title seems to promise a graphic exposure of horrors; these passages do not make up a large part of the whole. The circumstances of its hasty composition sets up the work as a lucrative piece of sensational journalism, albeit published in a more intellectually respectable organ – the London Magazine – than are today’s tawdry exercises in tabloid self-exposure. What makes the book technically remarkable is its use of a majestic neoclassical style applied to a very romantic species of confessional writing – self-reflexive but always reaching out to the Reader.
I’ve combined his narration with two different sets of illustrations and placed the resulting video on YouTube:
Confessions of an English Opium-Eater
By Thomas de Quincey; Read by Martin Geeson
1 |M4B|, 16 Zipped MP3s or Podcast – Approx. 5 Hours 22 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: October 16, 2009
First published in September and October 1821 issues of London Magazine.
I mentioned to Wayne June that I’d found the above poem in the July 1937 issue of Weird Tales. He hadn’t heard of it before. Then he went and narrated it for us!
Written in a letter, dated November 30, 1937, it was sent from H.P. Lovecraft to Virgil Finlay. It was inspired by art drawn for a Robert Bloch story, published in the May 1936 issue of Weird Tales, and entitled The Faceless God. Here’s the illustration that inspired it:
Here’s at least part of the letter:
“I could easily scrawl a sonnet to one of your masterpieces if you weren’t too particular about quality. For example –
To Virgil Finlay Upon his Drawing Of Robert Bloch’s Tale “The Faceless God”
By H.P. LOVECRAFT
In dim abysses pulse the shapes of night,
Hungry and hideous, with strange miters crowned;
Black pinions beating in fantastic flight
From orb to orb through soulless voids profound.
None dares to name the cosmos whence they course,
Or guess the look on each amorphous face,
Or speak the words that with resistless force
Would draw them from the halls of outer space.
Yet here upon a page our frightened glance
Finds monstrous forms no human eye should see;
Hints of those blasphemies whose countenance
Spreads death and madness through infinity.
What limnner he who braves black gulfs alone
And lives to wake their alien horrors known?
Well well – quite in the Yuggoth tradition! I’ll have to keep a copy of this to try on one or another of the fan magazines!”
Here’s a look at a the first two issues of Fatale by Ed Brubaker and Sean Philips. Each issue of which includes a wonderful essay by Jess Nevins!
One is on H.P. Lovecraft and the other is on Edgar Allan Poe.
I also talk about the Deluxe hardcover edition of Criminal, also by Brubaker and Philips, and why you should pick up the floppies (single issues) as opposed to the trade paperback collections.
William H. Patterson, Jr., author of Robert A. Heinlein: In Dialogue With His Century a new biography of Robert A. Heinlein, is the speaker in this Cato Institute video from 2010. Here’s the official description:
Robert A. Heinlein is regarded by many as the greatest science fiction writer of the 20th century. He is the author of more than 30 novels, including Starship Troopers, Stranger in a Strange Land, and the libertarian classic The Moon Is a Harsh Mistress. According to biographer William H. Patterson Jr., Heinlein’s writings “galvanized not one, but four social movements of his century: science fiction and its stepchild, the policy think tank; the counterculture; the libertarian movement; and the commercial space movement.” This authorized biography, reviewed enthusiastically by Michael Dirda in the Washington Post, is the first of two volumes, covering Heinlein’s early ambition to become an admiral, his left-wing politics, and his first novels. Heinlein later became strongly libertarian.
The speech itself is short, and isn’t particularity exciting, but Patterson gives some very detailed and interesting answers to audience questions. Some are about the connections between Ayn Rand and Robert A. Heinlein, the philosophy of Heinlein, socialism in the U.S.A., and Heinlein’s mysticism.
But one question asked, about how to rebuff arguments that Heinlein’s ‘Starship Troopers is fascist’, has Patterson point to the compulsory military service in Switzerland. He equates it with being a part of Swiss citizenship. However, military service is only compulsory for Swiss men. In South Korea, where the threat of war is much more pressing, compulsory military service works the same way – only men are compelled. In fact compulsory military service works, and has worked, that way just about everywhere – including in Nazi Germany and Fascist Italy. A much better example of equating military service with citizenship would be Israel, where compulsory military service includes both men and women – and there aren’t very many exemptions. Problem is, this isn’t what the book, or the movie, has. Heinlein has voting rights for veterans – soldiers can’t vote and anybody who doesn’t join the military can’t vote. That’s not fascism. I don’t know what it’s called but it is not fascism.