The SFFaudio Podcast #168 – a complete and unabridged reading of Cool Air by H.P. Lovecraft.
The narrator is Jonathan Davis!
More details, and alternatively formatted versions of this recording, are available HERE.
Posted by Jesse Willis
Tag: New York
Cool Air by H.P. Lovecraft
Here’s the subject of our next podcast recording, a specially commissioned reading of Cool Air by H.P. Lovecraft. The narrator is one of my very favourites, Jonathan Davis, who will be on the podcast discussing it with us!
The story itself runs 23 minutes. I think it’s the perfect balm for a hot summer day. Check it:
The unnamed protagonist, an underpaid writer of pulp magazines, lives in an oppressively hot New York city apartment. Luckily he makes friends with his convivial upstairs neighbor, who just so happens to own an air conditioner. What a cool guy!
What could possibly go wrong?
|ETEXT| at WikiSource
|PDF| made from the publication in Strange Tales of the Mysterious and Supernatural
[This recording was made possible by the generosity of readers like you]
Posted by Jesse Willis
Tantor Media: FREE AUDIOBOOK: Vanishing Act by Thomas Perry
Tantor Media is currently offering a FREE MP3 audiobook download of Thomas Perry’s Vanishing Act!
All you’ll need to get it is a Tantor account, which itself is completely free. If you already have one you’re three or four clicks away from getting the zipped folder full of MP3s.
There’s no information on how long this promotion will last, based on similar past freebies I’m betting it’ll be gone by month’s end, so grab it while you can.
Vanishing Act (Book 1 in the Jane Whitefield series)
By Thomas Perry; Read by Joyce Bean
MP3 Download – Approx. 10 Hours 7 Minutes[UNABRIDGED]
Publisher: Tantor Media
Published: October 28, 2009
Vanishing Act introduces Thomas Perry’s popular heroine Jane Whitefield, a Native American guide who secretly provides sanctuary to fugitives seeking new identities. In assisting the mysterious former cop John Felker, Jane is drawn into a trap that will take all of her cunning and the knowledge of her ancestors to escape.
Posted by Jesse Willis
The Horror At Red Hook by H.P. Lovecraft
Here is H.P. Lovecraft’s novelette The Horror At Red Hook. The story was first published in the January 1927 issue of Weird Tales and later in the March 1952 issue (which is where I found the terrific Jon Arfstrom at the bottom of the post).
Red Hook is a mysterious slum in New York City, full of gangs, crime, and just perhaps a terrible cult. Detective Malone had a case that had tendrils extending into Red Hook. It seems that one Robert Suydam, a corpulent and scruffy recluse, has been looking younger, more radiant and prosperous. What does that have to do with the recent spate of kidnappings?
Lovecraft described his inspiration for the story in a letter written to Clark Ashton Smith:
“The idea that black magic exists in secret today, or that hellish antique rites still exist in obscurity, is one that I have used and shall use again. When you see my new tale “The Horror at Red Hook”, you will see what use I make of the idea in connexion with the gangs of young loafers & herds of evil-looking foreigners that one sees everywhere in New York.”
First up, as recorded in three parts for Quentin Lewis’ When Elvis Died podcast back in 2010.
Part 1 |MP3| Part 2 |MP3| Part 3 |MP3|
Podcast feed: http://www.quentinlewis.com/podcast/rss.xml
Next, a two part recording, for the Cthulhu Podcast, read by FNH. The first part begins at 14 minutes in and the second part begins at 34 minutes in.
Podcast feed: http://feeds2.feedburner.com/cthulhupodcast
Finally, here are the text sources |WIKISOURCE ETEXT| and a |PDF|.
Posted by Jesse Willis
Aural Noir Review of The Hook by Donald E. Westlake
The Hook
By Donald E. Westlake; Read by William Dufris
MP3 Download – Approx. 7 Hours 17 Minutes [UNABRIDGED]
Publisher: AudioGo
Published: 2012
ISBN: 9781609988654
Themes: / Crime / Murder / New York /
Bryce Proctorr has a multimillion-dollar contract for his next novel, a trophy wife raking him over the coals of a protracted divorce, a bad case of writer’s block, and an impending deadline. Wayne Prentice is a fading author in a world that no longer values his work. He’s gone through two pseudonyms, watched his book sales shrivel, and is contemplating leaving the writing life. Proctorr has a proposition: If Prentice will hand over his unsold manuscript to publish under Proctorr’s name, the two will split the book advance fifty-fifty. There’s just one small rider to the deal…
I’m a literal babe in the woods when it comes to mystery/suspense. The Hook by Donald Westlake would be … the first book I’ve ever read in the genre. No, really. So if you’re interested in an evaluation of The Hook’s place among the all-time great works of crime fiction, or of learned comparisons to other like authors and works, you’ve come to the wrong place. But if you’re interested in reading the opinion of a purely neutral observer—a Fantasy/SF fan’s clear-eyed observations of a completely alien genre—read on.
I liked The Hook. It was a lot of fun. It’s obviously the product of a man with a lot of writing experience under his belt. This certainly describes Westlake (1933-2008), a legend in the genre more than a hundred novels and non-fiction books to his credit. The prose is effortless and engaging, the dialogue convincing. It’s mainly suspense, not action, though the violence is unexpected and shocking, and well-portrayed.
Bryce Proctorr is a bestselling mystery/suspense author in the midst of an ugly divorce with a terrible case of writer’s block. With his bills mounting, alimony looming, and a million-plus dollar advance hung up on a book he cannot produce, Bryce asks a former friend, Wayne Prentiss, a struggling mid-list author, to give him his manuscript in exchange for half the advance. The only caveat: Wayne has to kill Bryce’s wife first. Yikes.
The ending is not predictable, save as one possible outcome among many. Westlake keeps you guessing: Have Wayne and Bryce sufficiently covered up their tracks? Will the persistent New York detective Johnson solve the crime? Will Wayne decide that Bryce is too unbalanced and kill him to save his own skin? Will Bryce go off the deep end, cracking under the strain of covering up an awful deed and the mounting pressures in his life? These questions keep you reading on to a chilling end.
In addition to its intrigues The Hook also contains an interesting insider’s look at the publishing business and the squeeze put on midlist writers with the advent of the computer. Wayne’s lament: The bookstores took on 5,000 copies of his last book but only sold 3,100. So for his next work the computer recommends an order of only 3,500 copies. The result is thinner national distribution and lower sales: Wayne’s next book only moves 2,700 copies. So the computer calls for an order of 3,000. And so the downward spiral continues. His advances fall from $75,000 to $20,000. Wayne hits on a workaround: Writing under a pen name, he is able to get a good advance as a “first time” author with a good book. But when his pen name suffers the same fate, he takes up Bryce on his offer to collaborate as a behind-the-scenes ghostwriter. And so the events of The Hook unfold.
It’s hard to go into too much additional detail, lest spoilers ensue. But I will say I can definitely see the appeal of mystery/suspense, which lies in its unpredictability, the tension within and between the characters, and not knowing how or even whether a character’s bad deeds will go unpunished. Will I become a regular mystery reader? Probably not. Would I read something else by Westlake, should the chance arise? Certainly yes. The man can write.
William Dufris does a fine job narrating the tale; my only criticism is his voice portrayal of Bryce Proctorr, which seemed a little too reminiscent of J. Peterman of Seinfeld fame. Overall he has a fine voice for mystery.
Posted by Brian Murphy
The SFFaudio Podcast #144 – READALONG: Immortality, Inc. by Robert Sheckley
The SFFaudio Podcast #144 – Jesse, Tamahome and Gregg Margarite talk about the audiobook of Robert Sheckley’s 1959 novel Immortality, Inc..
Talked about on today’s show:
Time Killer was nominated for a Hugo, the Blackstone Audio audiobook, Sheckley’s family of themes, a collage of images, Immortality, Inc. is a comedy, Bronson Pinchot’s narration, Peter Lorre, Midnight Cowboy, “those are real tears”, a cartoon, Buddhism, reincarnation, the yoga machine, “manipulation catches up to theory”, surviving beyond death, Futurama, suicide booths, New New York, Douglas Adams, Matt Groening, zombies, are we chicking or egging, Mindswap by Robert Sheckley (SFFaudio Podcast #076), Richard K. Morgan’s Altered Carbon, “you are not…”, are you your memories?, hundreds of trillions of assumptions, “why did communism fail?”, Tam knits, sweet sweet coffee, Harrison Bergeron, we need the CPU as well as the memory, Gregg would still be Gregg in another body, a body as an automobile for genes, aren’t skills a part of your mind, your memories?, bayoneting skills, Gregg wants longer pinkies, dynamic finger growth is optimal, episodic, the hunt, have the lawyer leave the room, “what if there is nothing more?”, this is a book about death, ghosts, walking through all the explanation for what happens after they die, tomb like an Egyptian, sane ghosts vs. nutjob ghosts, “the competition never ends”, “different dimension, same shit”, “transplant”, a black-market copy of a sensory recording of our hero’s story, interest in the twentieth century is waning, 1950s New York, Jesse has never been to New York, security theater, Gregg promises to take Jesse to New York, a private Winnebago?, the suspension of habeas corpus, Canada is a country that doesn’t work in theory (but works in practice), the United States as a utopian experiment, Australia has mandatory voting, Mayberry, “the right to die”, death is exactly like before you were born, you can only look forward to death, Mark Twain, death is just one damn thing after another, What Dreams May Come by Richard Matheson, Dante’s Inferno, does love conquer all?, Cinderella, happily ever after, arguments that get all of us killed, Pakistan vs. India, tribalism, Ghandi vs. Jinnah, “the enemies of progress”, China, Buddhism, Confucianism, Shinto, ancestor worship, Khmer mythology, Hanuman the monkey king, “reality is only inside you”, are most people half-believers?, Sheckley doesn’t pick one way, did the serialization inform the storytelling, The Status Civilization, Sheckley looks at the world and laughs, there’s no thesis Sheckley is trying to explicate, Sheckley is “a sane Phil Dick”, horror vs. humor, Freejack is a loose adaptation of Immortality, Inc., Emilio Estevez and Mick Jagger, the role of the reader, the magic of radio (drama), The World According To Garp (film vs. novel), converting the nonconvertible, a romantic relationship, Aristotle’s Poetics, plot should follow necessarily (or at least probably) from that which came before, Accessory Before The Fact by Algernon Blackwood, “it all happens at the same time”, flat characters vs. round characters, do we live in a serial world?, if Hamlet was a television series, Gilgamesh still works, Star Trek, Gene Roddenberry vs. J.J. Abrams, an anthologic approach, Babylon 5 as the counter-example, Neil Gaiman, J. Michael Straczynski, Doctor Who, the vehicle of the series, will the dancing toilet paper company care?, Gregg: “I’m no longer god”
Posted by Jesse Willis