Posted by Jesse Willis
Posted by Jesse Willis
Congratulations Hugo winners!
The Hugo Awards for best science fiction works in 2002 were presented Saturday, August 30 at the 61th World Science Fiction Convention, Torcon 3, in Toronto, Ontario.
Best Novel: Hominids by Robert J. Sawyer (Analog 1-4/02; Tor)
Best Novella: Coraline by Neil Gaiman (HarperCollins)
Best Novelette: “Slow Life” by Michael Swanwick (Analog 12/02)
Best Short Story Category: “Falling Onto Mars” by Geoffrey A. Landis (Analog 7-8/02)
Best Related Book: Better to Have Loved: The Life of Judith Merril, Judith Merril and Emily Pohl-Weary
Best Dramatic Presentation: “Conversations With Dead People” (20th Century Fox Television/Mutant Enemy Inc.)Best Dramatic Presentation, Long Form Category: The Lord of the Rings: The Two Towers (New Line Cinema)
Best Professional Editor: Gardner Dozois
Best Professional Artist: Bob Eggleton
Best Semiprozine: Locus edited by Charles N. Brown, Jennifer A. Hall, and Kirsten Gong-Wong
Best Fanzine: Mimosa edited by Rich and Nicki Lynch
Best Fan Writer: Dave Langford
Best Fan Artist: Sue Mason
Posted by Scott D. Danielson
Just found on the CBC’s website:
Merchandise – Radio Drama on CD
Faster Than Light: Tales of Time and Imagination CD
Hosted by Robert Sawyer
Produced by Barbara Worthy and Joe Mahoney
Faster Than Light is a new science fiction magazine show and included in this evening’s lineup are two short plays by Joe Mahoney. The Cold Equations is a dramatization by Mahoney of a Tom Godwin story in which a space shuttle pilot discovers a young stowaway on board his ship. Her presence may doom his mission and he is forced to choose between its success and the young girl.
Captain’s Away is an original drama and, in this first episode, we meet Karin Kudelka – who is either an alien captain on an interstellar starship – or one of the best darn waitresses around.
Faster Than Light also includes an interview with author Nalo Hopkinson, as well as some original commentary by the evening’s host, Robert Sawyer, a well-known science fiction author.
Posted by Jesse Willis
The Terminal Experiment
by Robert J. Sawyer; Read by Paul Hecht
7 Cassettes – 9.25 hours [UNABRIDGED]
Publisher: Recorded Books
Date Published: 2003
Themes: Science Fiction / Near Future / Artificial Intelligence / Canada / Mystery /
It started as an experiment in life after death. It ended in death. Dr. Peter Hobson has created a monster. Three of them, in fact. In order to test his theories of immortality and life after death, he has created three electronic simulations of his own personality. The first Hobson has all memory of physical existence edited out. It will simulate life after death. The second Hobson is without knowledge of aging or death. It will simulate immortality. The third Hobson is unmodified. A control. But now all three of them have escaped from Hobson’s computer into the worldwide electronic matrix. And one of them
is a killer . . .
— from the back cover of the paperback
Prior to this production, no Robert J. Sawyer audiobook had ever been produced, so it was with much anticipation that I discovered Recorded Books was set to release the winner of the Nebula and Aurora awards for Best SF Novel of 1995, The Terminal Experiment. And what a fantastic choice it was! It was originally serialized in Analog Science Fiction magazine’s Mid-December 1994 through March 1995 issues as Hobson’s Choice. Sawyer’s story is absolutely original, thoroughly engaging and certainly the best audiobook I’ve listened to this year.
Sawyer is a fantastic structural writer, a craftsman capable of laying out the ideas in just the right order. We get meaty philosophical thought experiments and thus pure HARD SF, and as a bonus, as with most of Sawyer’s novels, a baffling mystery that needs solving. Reader Paul Hecht does a good job narrating, characters come across well and you always know who is speaking. Aside from a very few pronunciation problems it is a perfect reading. I had previously read the paperback version of this novel so upon listening this time I was really able to sit back and enjoy the details much more. And there is a lot of detail to enjoy: in one chapter we get a humorous episode of computer hacking. The computers of Shopper’s Drug Mart (a Canadian drug store chain) are un-hackable, yet a “Food Food” fast food delivery service (a thinly veiled Pizza Pizza) and the Canadian federal government medical database computers are both hacked by a murderous Artificial Intelligence. Social commentary or simply a joke? Either way it’s a funny chapter in what is often a tense and deadly serious murder mystery. We also get a fascinating explication of why funny is funny, it’s all about making new mental connections.
One major/minor quibble I noticed the second time through though; Dr. Peter Hobson our protagonist in collaboration with another scientist, invents a machine capable of mapping all electrical activity in the brain. When a patient dies a the device tracks a mysterious “soulwave” leaving the brain we later learn that it heads off towards Alpha Centauri. All absolutely fascinating, and rather important to all the philosophical explorations and plot developments that follow. But I can’t help but wonder why such a “soulwave” must logically be proof of a soul. Yes it is evidence for a soul, but surely not proof. Hobson has this same doubt, but it eventually passes and he accepts the majority opinion that it does indeed constitute proof of the soul. I guess the problem here comes down to a “who wants to read six chapters on epistemology when it’s the idea that is important” question. And that is why I say it is a major/minor quibble. Ultimately I don’t like such a major conclusion like that just getting away unexamined. But on the other hand any science fiction story worth its salt is allowed one ‘gimme’, a conceit, be it faster than light travel, telekinesis or anything else impossible by what we know of science. Perhaps this is just a case where the conceit isn’t of the usual form, being more of an identification/epistemological problem than an “absolute impossibility” problem.
The packaging for this audiobook is interesting in itself. Recorded Books has decided to market in two formats. Both editions share original commisioned cover art that while visually interesting may be somewhat misleading (see picture above). The library binding, available for additional cost, is of the durable vinyl clamshell type, which makes for attractive and secure storage of tapes. “The Collectors Edition”, the one I got, is less expensive and is essentially just a cardboard box with a printed insert. That may sound rather disappointing, but it isn’t. Audiobook packaging typically comes in two varieties, SUPERB & EXPENSIVE (designed for durable extended usage, typically the type needed for public libraries) and CRAPPY & CHEAP (designed solely to get the product to market cheaply). This “Collector’s Edition” packaging is in-between the two; it is a step above the typical thin cardboard and millimeter-thick plastic of the CRAPPY & CHEAP designs, a compromise between durability, space efficiency and cost. The cardboard is thick, a clear plastic sheet protects the printed insert, and the customizable interior is held rigid by styrofoam inserts. I still prefer the library style bindings, standard with Blackstone Audiobooks and Books On Tape audiobooks but my wallet can’t always afford it.
Quibbles aside, it’s a great audiobook, and my sincere hope is that Recorded Books, Blackstone Audiobooks or Books On Tape see fit to produce another unabridged Robert J. Sawyer novel soon. If they don’t Scott and I might have to do it ourselves, they’re just that good.
Locus Online reports that Robert J. Sawyer’s weekly radio column Science FACTion: The Cutting Edge of Science has been picked up as a regular weekly feature by CBC Radio after a successful eight-week test run. The column consists of Sawyer’s three-minute commentaries and will be heard on local CBC morning shows across Canada, starting July 1st 2003. It’s possible that the CBC Radio website will carry the commentary – if that’s so, we’ll let you know.
Posted by Scott D. Danielson