Review of Breaking Point by James Gunn

SFFaudio Review

Welcome to Reviewopolis! Three stories to go…

Breaking Point
By James Gunn; Read by Julie Davis
Approx 2 Hours – [UNABRIDGED]
Podcaster: Forgotten Classics
Podcast: March 2009 (Episodes 111-113)
Themes: / Science Fiction / Aliens / Space Travel / Psychology /

The strength of the unit is the sum of the strengths of its members. The weakness of the unit can be a single small failing in a single man.

First, a few notes about the Forgotten Classics podcast: I really enjoy this podcast for a few reasons. Julie is an avid podcast listener, and if you are looking for podcast recommendations, look no further. She opens most episodes with something interesting from the Podosphere. These Podcast Highlights come from all over the map! For example, at the beginning of one the episodes containing this story (Episode 113), she highlights “Bob Dylan’s Themetime Radio Hour”. Would you have predicted Bob Dylan and James Gunn in the same podcast?

Another thing I like about Forgotten Classics is Julie’s commentary. She comments on the material she’s reading at the end of each podcast, providing a denouement that makes me think she’s just closed the book and knows everything I know up to this point in the story and nothing more.

Perhaps most important is the fact that Julie is a very good narrator. She reads clearly and with emotion. Stories are well-paced and enhanced by her pleasant voice.

The story at hand is “Breaking Point”, by James Gunn, which was first published in Space Science Fiction in March of 1953. A starship crew lands on an alien planet, crew a fairly well-oiled machine. The Captain recalls Leinster’s “First Contact”, when he mentions to the crew the importance of keeping the location of Earth secret “at all costs, until we’re sure we’re not going to turn up a potentially dangerous, possibly superior alien culture.” They quickly realize that they have done exactly that, when some external force, through unknown technology, won’t allow the hatch to be opened.

At this point, one of the crew members snaps. How could the hatch not open? There are many safeguards – this should not be happening! Cue the hysterial laughter. The aliens then start closing the crew in with a mysterious black (nothingness!) wall. Crew members flip out, one by one, as they try to figure out what’s happening before the walls close in completely. Are the aliens moving to close them all in, or are the alien moves specifically designed to unnerve specific crew members one at a time?

Julie said exactly what I was thinking when she mentioned that this story would be a comfortable fit on The Twilight Zone. Very weird stuff. It also reminded me of Stephen King’s The Langoliers, with the real world being blacked out in sections while people flee. Here, though, there’s nowhere to flee.

At the heart of the story is a conversation between the Captain and the medical officer about teams and how they are put together. Paresi, the medical officer tells the Captain:

Look, this is supposed to be restricted information, but the Exploration Service doesn’t rely on individual aptitude tests alone to make up a crew. There’s another factor—call it an inaptitude factor. In its simplest terms, it comes to this: that a crew can’t work together only if each member is the most efficient at his job. He has to need the others, each one of the others. And the word need predicates lack. In other words, none of us is a balanced individual. And the imbalances are chosen to match and blend, so that we will react as a balanced unit.

This while their living space continues to shrink. Is the medical officer saying that there is no such thing as a balanced individual, or that unbalanced people were purposefully selected and fitted together to make “a crew”? Either way, interesting. Thanks, Julie, for the story!

This story was completed as part of The 4th Annual SFFaudio Challenge.
Podcast Feed: http://feeds.feedburner.com/forgottenclassics

Posted by Scott D. Danielson

Review of The Illustrated Man by Ray Bradbury

SFFaudio Review

Here’s a review of The Veldt, story #20 in our 7th Anniversary Review Spree!

The Illustrated Man by Ray BradburyThe Veldt
Contained in The Illustrated Man
By Ray Bradbury; Read by Paul Michael Garcia
8 CDs – 9 Hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
ISBN: 9781433297199
Themes: / Science Fiction / Automated House / Computers / Children / Simulation /

In a house that cost them “thirty thousand dollars installed”, George and Lydia Hadley and their two children lived happily. Their shoes were tied with automatic shoe-tyers, their bacon was automatically fried, and, most importantly, their children were kept entertained. Life was good in their soundproof Happylife(tm) Home. Of course, things go terribly wrong. In the nursery, the kids seem to be spending a lot of time in Africa. With the lions.

The story was published in 1950, and though nobody’s tying my shoes, here in 2010 I can identify strongly with some of what Bradbury says here. At one point, George gets so upset that he decides to shut the house down:

“Lydia, it’s off, and it stays off. And the whole damn house dies as of here and now. The more I see of the mess we’ve put ourselves in, the more it sickens me. We’ve been contemplating our mechanical, electronic navels for too long. My God, how we need a breath of honest air!”

And he marched about the house turning off the voice clocks, the stoves, the heaters, the shoe shiners, the shoe lacers, the body scrubbers and swabbers and massagers, and every other machine he could put his hand to.

The house was full of dead bodies, it seemed. It felt like a mechanical cemetery. So silent. None of the humming hidden energy of machines waiting to function at the tap of a button.

Every so often I experience the same kind of angst and run around shutting things down. Things don’t end up so well for George, though. Maybe I better just leave it all on… and let the kids play with the lions. moohoowahahaha!

I’ve heard this story many many times, but I don’t know that I’ve actually heard an audiobook version before now. They’ve always been radio dramas, and this story has appeared several times: It was a Dimension X episode (1951), an X Minus One episode (1955), and Episode 11 of Bradbury 13. It was also televised as an episode of The Ray Bradbury Theater in the 1980’s.

Posted by Scott D. Danielson

Review of Press Enter_ by John Varley

SFFaudio Review

SFFaudio’s 7th Anniversary Reviewathon continues!

Science Fiction Audiobook - Press Enter_ by John VarleyPress Enter_
By John Varley; Read by Peter Ganim
2 Hours 53 Minutes – [UNABRIDGED]
Publisher: Audible Frontiers
Published: 2008
Themes: / Science Fiction / Mystery / Murder / Computers / Hacking /

This novella won the Best Novella Hugo in 1985 and the Best Novella Nebula in 1984. In 1984 I was 16, and my prize possession was a Commodore 64 computer. I recall programming on it, writing stories, and playing games. hmm. Not much has changed since then but the hardware, it looks like.

A story published in 1984 in which computers play a huge role is a history lesson. Floppy disks, modems, BBS’s – made me long for the good ole days. What was science fiction in 1984 now reads like historical fiction with an SF twist.

Victor receives a phone call one day from a computer, which tells him to run next door to his neighbor’s house. It will keep calling until he does it, says the computer. So he does, entering the house of a man he didn’t know well and finding him dead, an apparent suicide. Police and others are called in because this dead neighbor was into a lot of stuff: surveillance of neighbors, hacking into government systems, manipulation and theft of big money, all through his computers and his phones. Peter Ganim narrates the mystery well.

This is the longest story I’ve reviewed so far this month; it clocks in at 2 hours, 53 minutes. I LOVE novellas, and there is so much great science fiction out there at this length. Hollywood, take note! If you are mining for material, check out the science fiction novella.

Audible Frontiers has published many novellas, including more by John Varley (The Persistance of Vision is really excellent) and some by Connie Willis and Allen Steele.

Posted by Scott D. Danielson

LibriVox: Rastignac The Devil by Philip José Farmer

SFFaudio Online Audio

LibriVoxI get the sense that Rastignac The Devil is a satire, using the furniture of Alexandre Dumas’ The Three Musketeers. But I feel really embarrassed about not knowing what is going on, sub-textually, in this interesting, but baffling, novella by Philip José Farmer. Is it all an allegorical satire of some event in 17th century France?

A couple of other notes. Mike Resnick’s Starship series has a character named “Slick.” Slick is an alien with a sentient symbiotic skin (called a “gorib”). Rastignac The Devil has aliens and humans with just such a similar concept – very cool! Gregg Margarite, the narrator, does a very good job with the abundance of French words.

Anyway, like I said, I liked the story, thought it was weirdly cool, but don’t feel like I’ve understood it at all. Could someone fill me in?

LIBRIVOX - Rastignac The Devil by Philip Jose FarmerRastignac The Devil
By Philip José Farmer; Read by Gregg Margarite
2 Zipped MP3 Files or Podcast – Approx. 1 Hour 59 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: March 19, 2010
Here is high fidelity fiction at Philip José Farmer’s story-telling best. It’s a vibrant, distractingly different tale of three centuries into the future. And as you read you’ll have a vague, uneasy feeling that it’s all taking place somewhere in the unexplored parts of the universe, even today. From Fantastic Universe May 1954.

Podcast feed: http://librivox.org/rss/4158

iTunes 1-Click |SUBSCRIBE|

[Thanks also to Barry Eads (aka KiltedDragon)]

Posted by Jesse Willis

Review of Identity Theft by Robert J. Sawyer

SFFaudio Review

Beginning the fourth week of this SFFaudio 7th Anniversary Story-a-Day Celebration! Be careful out there…

Science Fiction Audiobook - Identity Theft by Robert J. SawyerIdentity Theft
By Robert J. Sawyer; Read by Anthony Heald
2 Hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2010
ISBN: 9781441716729
Themes: / Science Fiction / Robots / Consciousness / Mystery / Detectives /

This is a great story. It originally appeared in Down These Dark Spaceways, and anthology edited by Mike Resnick and published by the Science Fiction Book Club. This version is read by Anthony Heald, a terrific narrator who was once the voice of choice for the Star Wars universe. He reads with energy and verve, great characterization and accents as needed.

Sawyer has said before that he feels that science fiction has more in common with the mystery genre than it does the fantasy genre, and this isn’t the first time he’s written an effective science fiction mystery. In the future Mars he presents, people can trade their bodies in for artificial ones, providing long life and more reliable body parts. The process requires making a copy of a person’s conscious mind, and imprinting that copy into the brain of the new body.

Like in many Sawyer stories, many of the implications of such a world are explored. What happens to the originals? What about unauthorized copies? In addition, there is a very interesting human settlement on Mars, and some fossil finding there. “Identity Theft” is a very entertaining novella, very well presented.

Posted by Scott D. Danielson

Aural Noir Review of the Improbable Adventures of Sherlock Holmes

Aural Noir: Review

The Improbable Adventures of Sherlock HolmesThe Improbable Adventures of Sherlock Holmes
Edited by John Joseph Adams; Read by Simon Vance and Anne Flosnik, John Joseph Adams (uncredited)
18 CDs – 22 hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2010
ISBN: 1441839070
Themes: / Mystery / Crime / Alternate History / Science Fiction / Horror / 19th Century / London /

“When you have eliminated the impossible, whatever remains, however improbable, must be the truth.” This famous Sherlock Holmes quote is the impetus which drives this intelligent, inventive, and at times irreverent compilation of Sherlock Holmes stories written in the last few decades. As John Joseph Adams explains in his introduction, his aim in compiling these stories is to explore the uneasy peace between the cold clear logic of the deerstalker-wearing, pipe-smoking detective and the unanswered, perhaps unanswerable mysteries which continue to thwart human investigation to this very day. While many of the stories miss the mark of this goal entirely, the collection as a whole succeeds in pushing Holmes in new directions while staying true to the spirit of Sir Arthur Conan Doyles’s original work.

The stories in this collection fall into one of three categories. First, there are the traditional mysteries. These are stories that, with but slight alteration, might easily have found a home among Conan Doyle’s own work. The best of these tales expand upon characters or cases mentioned in the original œuvre only in passing. Mrs. Hudson’s Case by Laurie R. King, for instance, features Holmes’s protégé Mary Russell as its protagonist and reveals the character of Holmes’s long-suffering landlady. Edward D. Hoch’s A Scandal In Montreal, meanwhile, reunites Sherlock Holmes with his sometime nemesis Irene Adler. As a whole, however, this category fits rather uneasily into the collection because, by and large, there is little in the way of “the improbable” in any of these stories. All are well-written and most are engaging; they simply miss the point.

The second category I would call historical, or pseudo-historical. In most respect these stories are similar to those of the first category, with one redeeming addition: Sherlock Holmes crosses paths with historical figures from the Victorian era. Stephen Baxter’s The Adventure of the Inertial Adventure sees our detective join forces with author of scientific romances H.G. Wells, while Tony Pi’s Dynamics Of A Hanging brings mathematician Charles Dodgson (better known as Lewis Carroll) into the Holmesian world. The highlight of this grouping, though, is The Adventure Of The Field Theorem by Vonda N. McIntyre, in which Sherlock Holmes investigates crop circles at the behest of none other than Arthur Conan Doyle.

The last category throws Sherlock Holmes–and let’s not forget Doctor Watson, through whose eyes we see most of these tales unfold–into genres as wide-ranging as alternate history, horror, and science fiction. Subjectively, I liked these stories best because they fall into genres which I most commonly read. Objectively, these stories succeed because they deliver on the promise of “improbable adventures.” The collection opens with a chilling tale by horror master Tim Lebbon, which unlike most Holmes stories is never intellectually resolved. The Singular Habits Of Wasps by Geoffrey A. Landis, perhaps my favorite story in the collection, puts a fascinating otherworldly spin on the mysterious murders of Jack the Ripper. Robert J. Sawyer’s closing story, You See But You Do Not Observe, pits Holmes’s intellect against the fermi paradox concerning extraterrestrial life. The collection is worth the price of admission for these entries alone.

Simon Vance carries the bulk of the narration, with Anne Flosnik reading only a few stories featuring female protagonists. Flosnik performs solidly in her few appearances. Simon Vance’s portrayal of Holmes and Watson is spot-on; the former speaks with a whip-sharp voice, while the latter lumbers along in a more lugubrious manner. He falls short only when narrating the few “New World” characters who figure in the stories, but these cases are uncommon and Vance’s accent isn’t off by much. John Joseph Adams himself narrates the collection’s introduction, as well as introductory passages to each story.

Whether you’re a fan of mystery, history, or something further afield, chances are high you’ll find something to sate your appetite in The Improbable Adventures of Sherlock Holmes. I’ll venture out on a limb and say that visitors to this site will likely be most interested in the tales of speculative fiction. I assure you, in particular, that you’ll not be disappointed.

Posted by Seth Wilson