Review of The Time Machine by H.G. Wells

SFFaudio Review

Science Fiction Audiobooks - The Time Machine by H.G. WellsThe Time Machine
By H.G. Wells; Read by James Spencer
MP3, OGG or AAC files download – 3 hours, 2 minutes [UNABRIDGED]
Publisher: TelltaleWeekly.org
Published: 2004
Themes: / Science Fiction / Time Travel / Math Fiction /

I felt assured that the Time Machine was only to be recovered by boldly penetrating these underground mysteries. Yet I could not face the mystery. If only I had had a companion it would have been different.

Sounds suspiciously like the plot of every Doctor Who episode doesn’t it? But The Time Machine isn’t just about exciting time-travel adventures, it’s also about the class struggle in Great Britain in the late 19th century, the widening gap between rich and poor, what Humans have control over and what they don’t. Doctor Who has been known to tackle these ideas too, one of it’s serials even has H.G. Wells as a character, but the fact that The Time Machine did it first, and so well, speaks volumes.

Scientifically explained SF stories of time travel take their cue for explanation, when they do it at all, from this novel. Prior to its publication stories of travel in time went unexplained, the Connecticut Yankee, of Mark Twain’s comedic time-travel novel got a knock on his head that sent him back to Middle Ages England – and that was explanation enough in its way. But The Time Machine isn’t played for comedy, Wells’ futures are allegories for his worries about capitalism and communism, for his notation about gender blurring in the industrial age and his realization that not only are all men mortal, but so in fact is Mankind itself!

In just three hours Wells posits two futures: 1. A relative near term future humanity which has bifurcated into two distinct species (Eloi and Morlock) – they stand as the evitable result of aristocrat and proletariat class calcification present in the political theory at the time of it’s writing. 2. A vision of a far future Earth, showing the inevitable and unavoidable physical reality of the universe. Were this not a public domain text, and were not the plot so familiar to us we’d have to think ourselves blessed by this excellent reading. As it is, and as cheap as it is this classic of science fiction can be judged only by it’s audiobook. Thankfully the reading keeps pace with the text.

Sound quality is excellent, but the reader, James Spenser, doesn’t have much to do in the way of voices. He does however a marvelous job engendering anticipation, fear, disgust and sympathy through pacing. Spencer’s lack of an English accent for this Englishman’s tale doesn’t really matter, only one character in the novel is named, she couldn’t sensibly be called English and she doesn’t even have a speaking part. Much of the difficulty in this story comes from the stilted way it is rendered. Told in first person by an unnamed witness to the recounting of the main events, we are regaled second hand with the time traveler’s adventures in time. I can charitably call it “quaint.” Arthur C. Clarke later took up this kind of storytelling with his “Tales Of The White Heart” series of short stories, likely I think in homage to Wells. I’ve heard several audiobook renditions of The Time Machine now, of the non British reader’s Spencer’s is “the definitive edition.” And at just $5.00 it’s a deal.

Posted by Jesse Willis

Review of A Princess of Mars by Edgar Rice Burroughs

SFFaudio Review

Science Fiction Audiobook - A Princess of Mars by Edgar Rice BurroughsA Princess of Mars
By Edgar Rice Burroughs; Read by John Bolen
6 CD’s – 6 hours – [UNABRIDGED]
Publisher: Tantor Media
Published: 2001
ISBN: 1400100186
Themes: / Science Fiction / Mars / Aliens / Swordplay / Classic /

There are few classic novels with as much influence as Edgar Rice Burroughs’ A Princess of Mars. First published in 1912 (serialized in All-Story magazine with the title Under the Moons of Mars), Burroughs sparked the imagination of many of science fiction’s golden age writers, including Ray Bradbury and his Martian Chronicles. The audiobook cover is a detail from the 1919 Grosset & Dunlap cover.

A Princess of Mars is an imaginative adventure novel in which John Carter, a Virginian military man who starts the story running from Indians in the Arizona desert, is magically transported to Mars. Burroughs does not go into detail on the mechanics of the transportation, but does go into great detail about the inhabitants of Mars, called “Barsoom” by its natives.

There are two races on Mars – a four-armed green warrior race, and a red human-like race. The princess of the title is Dejah Thoris of Helium, whose beauty captures John Carter when he sees her taken by him in chains by some four-armed Barsoomians.

The novel is filled with damsel-in-distress/derring-do-male-hero sensibility that is laughable at times, but still the story holds up as a classic of the genre. Burroughs’ description of an alien culture is a forerunner of an entire category of science fiction, and I found it entertaining on that level. I also felt a great deal of nostalgia, because I read this book a few times as a early teen, along with the other ten Mars volumes, and a Tarzan or three.

John Bolen performs the whole book as John Carter, with a southern gentlemanly manner that the character demands. This means not only Carter’s attitude, but his southern accent, which took me a few minutes to settle into.

Check out Tantor’s science fiction and fantasy section for more Edgar Rice Burroughs titles.

Posted by Scott D. Danielson

Review of A Colder War by Charles Stross

SFFaudio Audiobook Review

Science Fiction Audiobook - A Colder War by Charles StrossA Colder War
By Charles Stross; Read by Pat Bottino
1 CD – 80 Minutes [UNABRIDGED]
Publisher: Infinivox
Published: 2005
ISBN: 1884612482
Themes: / Science Fiction / Horror / Alternate History / Politics / War / Evil / Cthulhu Mythos /

“Warning. The following briefing film is classified SECRET GOLD JULY BOOJUM. If you do not have SECRET GOLD JULY BOOJUM clearance, leave the auditorium now and report to your unit security officer for debriefing. Failing to observe this notice is an imprisonable offense. You have sixty seconds to comply.”

The biggest single threat to NATO may be the Shoggoth Gap. The wild card is Lt. Col Oliver North, President Reagan’s man. Roger Jourgensen, CIA operative, is at the center of this crisis. If all the political wrangling doesn’t work out perfectly there will be hell to pay, or worse, far, far worse.

Brilliant! Absolutely brilliant! A modern novellete in H.P. Lovecraft’s Cthulhu Mythos, rich in detail, frightening in execution! Stross’ stunning tale will pull you back into that old cold war era embalming fear and then magnify it into non-euclidian infinities. Imagine David Cronenberg directing Dr. Strangelove based on a script by H. P. Lovecraft. Imagine an alternate history in which nuclear bombs are not the ultimate weapon, but instead they are merely a stepping stone to eldritch technologies accessible through certain trans-dimentional forces first encountered in 1920s Antarctica, technologies which neither the USA nor the USSR can quite contain. Stross has admitted A Colder War is directly inspired by Lovecraft’s novel At The Mountains Of Madness. The amount of research and historical mastery Stross sprinkles throughout the narrative creates a verisimilitude necessary for truly effective alternate history. Insert the CD and then shudder in horror as the concept locks you in for the duration.

Pat Botino’s tremulous voice isn’t at all typical for professional narrators, but when it comes to subverting heroic self-assurance, he’s got no equal. Here it works extremely well. The production is loud and straight, the way I like it. A few voice effects are used to distinguish documentation bookmarks of each section. Nothing flashy, nothing distracting. I’d be satisfied if every straight reading single narration audiobook was done this way. For a while now I’ve been telling just about anyone who would listen that editor and producer Alan Kaster at Infinivox has been picking out the best modern short science fiction and tunring it into fabulously read audiobooks. This latest wave of Infinvox’s GREAT SCIENCE FICTION STORIES includes three Charles Stross audiobooks.Lobsters, Antibodies and A Colder War. Each of these is available for just $7.99 right now on the Infinivox website. There’s nary a better value on the web!

Posted by Jesse Willis

Review of King Kong by Edgar Wallace and Merion C. Cooper

SFFAudio Review Header

Science Fiction Audiobooks - King KongKing Kong
By Edgar Wallace and Merion C. Cooper; Read by Stefan Rudnicki
5 CD’s, 5.5 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2005
ISBN: 0786175362
Themes: / Science Fiction / Horror / Movie making / Gorillas / Dinosaurs / Commentary /

This audiobook has two phrases emblazoned on the cover: “Special Blackstone Collector’s Edition Audiobook” and “The Greatest Horror Story of All Time!!” (both exclamation points are there…) Of the first phrase I can say that this audiobook is certainly special. Not only does it include the unabridged audio version of the novelization of the original King Kong film, but it also includes a bonus disc containing commentary from Ray Bradbury, Ray Harryhausen, Orson Scott Card, Larry Niven, Catherine Asaro, Harlan Ellison, Jack Williamson, and Marc Scott Zicree. Is it the greatest horror story of all time? Not in my eyes, but the words fit nicely on this gorgeously packaged audiobook.

The original King Kong film (1933) holds a special place in a lot of hearts. I don’t share those feelings, possibly because the film predates me by 35 years. I recall more details about the 1976 remake starring Jessica Lange than I do the original. I was 10 in 1976 and, since that version of King Kong was mediocre, it stirred little in me. News of Peter Jackson’s remake didn’t excite me.

But this audiobook has awakened my interest in a big way, for two reasons. First, the story itself. Engagingly read by Stefan Rudnicki, the story of Kong, Denham, Ann Darrow, and Jack Driscoll is really a good story. The filmmaker Denham’s recklessness, actress Ann Darrow’s willingness to go along, and Jack Driscoll’s love keep things very interesting. Kong, of course, is the character around which the story revolves, and his journey from island to New York City and from beast to human-like ape fascinates.

The second thing that sparked my interest is the commentary. I loved the commentary included here. All of the people I mentioned above had a different and interesting take on King Kong, from Harlan Ellison’s declaration of the original film’s perfection to Catherine Asaro’s discussion of power unused. After listening to this, I’m now eager to see the new film, and even more eager to watch the original.

It would be an excellent thing if other books are given similar treatment. Unabridged classic science fiction novels with commentary would add a new and greatly appreciated dimension to the audiobook experience. Kudos to Blackstone for giving us this Special Edition.

Posted by Scott D. Danielson

Tee Morris, Fantasy author and gonzo podcaster h…

News

The Survival Guide To Writing Fantasy PodcastTee Morris, Fantasy author and gonzo podcaster has scooped an interview with Robert J. Sawyer for The Survival Guide To Writing Fantasy podcast. This is a great pairing, both Tee and Rob are success oriented authors with great marketing chops. Check it out HERE or subscribe to Tee’s podcast through iTunes. Especially cool is the talk about the marketing of Rob’s first novel, Golden Fleece, one of the best Science Fiction / Mystery novels not available as an audiobook.

Review of The Speed of Dark by Elizabeth Moon

Science Fiction Audiobook - The Speed of Dark by Elizabeth MoonThe Speed of Dark
By Elizabeth Moon, Read by Grover Gardner
9 cassettes – 13 hours [UNABRIDGED]
Publisher: Books on Tape, Inc.
Published: 2003
Themes: / Science fiction / Gene Therapy / Autism /

In the near future, disease will be a condition of the past, cured genetically at birth or soon afterward. But for the generation born before this development, it is too late, and they must get along as best they can. Lou Arrendale is in this lost generation. He is a high-functioning autistic with a job, friends and a love of fencing. But now, an experimental treatment will cure his autism. The question is, will he be the same person after he receives the treatment?

This is the first time I’ve been really happy that a book was on tape as opposed to CD. Normally I like not having to change cassettes or flip them over, but The Speed of Dark hooked me so deeply that I took it everywhere with me. I dragged my little portable tape player around the house and then would pop the tape out and put it in the car stereo while I was running errands. I couldn’t stop listening.

Most of the novel is told from Lou Arrendale’s first person point of view and Grover Gardner gave a pitch-perfect performance. His clipped and precise delivery captured the precision with which Lou dealt with the world. Coupled with Ms. Moon’s evocative language, the story unfolded with the inevitable beauty of a Bach cantata–events surprised me, but there was no other way for the story to unfold.

One of the most fascinating things was how Ms. Moon dealt with Lou’s perceptions of normal people. He had been taught that it was rude to interrupt other people, but normal people could interrupt and it was not rude. He is fascinated by how normal people can pick up on subtle social cues so that they seem to read each others minds. His wonder at the complex pattern of group conversation is so palpable that I felt it too, and found myself watching a conversation of my friends with some of the same awe. How do we know when it’s time to stop talking and let someone else, or when it is okay to interrupt and when it is not?

Other sections of the book are briefly told from the point of view of other characters, but Ms. Moon stays with third person for them. The writing is as clear, but I never connected with the other characters and sometimes found myself shifting in my seat, anxious to get back to Lou. These sections provide necessary plot information, and are also a fine way to view Lou from the outside. I suspect that in written format, my impatience would be less pronounced, but since Lou’s sections are in first person I came to associate Mr. Gardner’s voice with Lou. When he was reading other characters it seemed like a mask. A good mask, but I wanted Lou back.

And that is the crux of the novel. Ms. Moon made me care about Lou by showing me the inside of his thoughts. I could not fathom how he could possibly be the same person if he were not autistic. The dilemma is fascinating.

I won’t tell you what decision Lou makes in the end. Why? The gift-giving season is upon us; rather than recommending this as an item for your gift-giving list, you should have a copy of The Speed of Dark for yourself.

Posted by Mary Robinette Kowal