From the Toot Our Own Horn Department… Announcing…

SFFaudio News

Deuce AudioFrom the Toot Our Own Horn Department… Announcing Deuce Audio!

The first two titles from our very own audiobook company, Deuce Audio, are available as of today for download from Fictionwise! They are: The Retrieval Artist by Kristine Kathryn Rusch, read by Stefan Rudnicki (2 hours, $4.99) and Shed Skin by Robert J. Sawyer, read by Stephen Hoye (45 minutes, $2.99).

Our goal is produce great audiobooks using excellent stories, performed by professionals, and at the best possible price. We hope you like them!

Though we’ve taken this baby step into publishing, be assured that SFFAudio will continue. Because we do this for the love of the stories and how they are told, we don’t expect our Deuce Audio publications to influence our objectivity when reviewing other titles. We certainly won’t review our own titles here (unless we find an independent voice to do so), nor will we fill your screen with “Buy me!” pop-ups. SFFAudio is a site for fans of science fiction and fantasy audio in all its forms, and it will remain just that.

All my best, everyone, and thanks for visiting SFFAudio!

Posted by Scott D. Danielson

Review of Ringworld’s Children by Larry Niven

SFFaudio Review

Ringworld's Children by Larry NivenRingworld’s Children
By Larry Niven; Read by Barrett Whitener
8 CDs – Approx. 9.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786185384
Themes: / Science Fiction / Hard SF / Physics / Genetics / Aliens / Nanotechnology / Evolution /

The Ringworld is a landmark engineering achievement, a flat band three million times the surface of the Earth, encircling a distant star. Home to trillions of inhabitants, not all of whom are human, and host to amazing technological wonders, the Ringworld is unique in all of the universe.

The blurb above is a bit of a lie, no longer is Ringworld unique. There is Rama, Arthur C. Clarke’s giant tube shaped alien habitat, Bob Shaw’s Orbitsville, a huge Dyson’s Sphere built by mysterious aliens and the hungry alien construct called Gaea of John Varley’s Titan. Indeed, there have also been three other books in the Ringworld series – admittedly all of them are set on the same Ringworld. But the first Ringworld novel, published in 1970, was the first of this new kind of SF novel; the novel of the big big thoughts, or as David Gerrold calls it, “the enormous big thing”. An idea, a ‘what if’ so massive and so imaginative, so rife with unforeseen consequences that the characters must investigate it just as we do. Kind of like science fiction for science fiction characters! Ringworld was such a big idea in fact, that the three sequel novels were published in an effort to examine the impossible gigantitude of the consequences of its existence. In this the fourth, and perhaps final installment of the Ringworld series, we see more of the problems of existence of such a structure fixed, visit with old characters (Louis Wu, Acolyte, The Hindmost and Tunesmith being major players) and meet some new ones too. There are some genuine surprises here, and some edge of your seat excitement, but as with the previous two sequels the biggest surprise is still the same one from the first novel – and that of course is, just how massively huge the Ringworld is! Its size still staggers the imagination… a narrow ring, only 0.997×106 miles wide, with two perimeter walls climbing 1000 miles high, to hold in the air, the ring itself is 93 million miles in radius, a single spinning world shaped like a ribbon around a star – with a habitable area of over 3 million Earths. What couldn’t happen in a place that big?

Author Larry Niven cemented himself as the standard barer of Hard Science Fiction, with the publication of Ringworld. If he had done nothing else, he’d still be thought of as a prodigious figure in the field. But he’s not rested upon his laurels; he’s expanded, refined and continued the Ringworld adventure. In a way, that was a mistake. You can’t top an idea this big by telling more adventures about the same world. On the other hand, I personally wouldn’t have had it any other way. I enjoyed nearly every minute of the nine and a half hours of listening in Ringworld’s Children. In fact, I would have been happy with another nine hours! There were a few parts that were dry, sure, but they didn’t last very long and they moved the plot along. I do wish Niven had spent some more time exploring the inhabitants of his creation; we meet only a few new hominid species, and unlike in previous installments, we don’t get a full sense of their ecological niches. But given that much of the action takes place in space around the Ringworld perhaps it couldn’t be helped. Much of this action is necessary though as many threads from the previous two sequels needed tying up, especially if this is indeed the final chapter in the Ringworld series.

Barrett Whitener, who seems to be recording nearly every Blackstone science fiction title coming out these days, was actually not a great choice as reader for Ringworld’s Children. It’s not that his reading is poor – it wasn’t. In fact, I like the way Whitener read it, I just think that his tone was all wrong for this particular novel. His various alien voices didn’t sound at all alien. Mark Sherman, who did such a terrific job with the alien voices in Larry Niven’s Protector (also recorded for Blackstone Audio) would have been a much better choice to give voice to Ringworld’s Children and its many alien characters. That said, I still enjoyed the heck out of the audiobook, and I can’t fault Whitener’s performance in the least. When the numbers and the physics are coming fast and furious it’s nice to be given the words by a good reader who can handle the text. Ringworld’s Children, all in all, is truly a worthy addition to the Ringworld novels. Long live Larry Niven!

Posted by Jesse Willis

Review of Adventures in Time and Space with Max Merriwell by Pat Murphy

Adventures in Time and Space with Max Merriwell by Pat MurphyAdventures in Time and Space with Max Merriwell
By Pat Murphy; Read by Johanna Ward
7 Cassettes – Approx. 9.5 hours [UNABRIDGED]
Publisher: Blackstone Audio
ISBN: 0783128577
Date Published: 2004
Themes: / Science Fiction / Quantum Physics / Pseudonyms / Multiple Universes / The Nature of Fiction /

In this novel by Pat Murphy, the main character (Susan) and her friend Pat (er… Pat Murphy) take a cruise from New York to Europe. On this cruise is a fiction writer named Max Merriwell who offers a writing class that an uncertain Susan is eager to take. Max Merriwell writes not only under his own name, but also under the pseudonyms Mary Maxwell and Welton Merrimax. Rather quickly, Welton Merrimax starts to appear at various places on the cruise ship, and so does Mary Maxwell, which confuses everyone because, well, they’re supposed to be just pseudonyms. Thus begins an entertaining, wild ride of a novel in which alternate realities intersect and events from Max’s novels start to become real.

I visited Pat Murphy’s website and was pleased to find out that the novel is the third book in a wild experiment. Pat Murphy says, “Adventures in Time and Space with Max Merriwell is an adventure story about the nature of fiction.” This nugget opened up so much more of the novel for me – enough so that I’m eager to listen again. It turns out that Murphy published three novels: There and Back Again by Max Merriwell (which is described as the story of The Hobbit retold as space opera), Wild Angel (which “borrows its premise from Tarzan of the Apes“) by Mary Maxwell, and this novel, Adventures in Time and Space with Max Merriwell by Pat Murphy. All the novels were published as written by Pat Murphy because her publisher felt the confusion would be too great to overcome here in the real world.

Click here for some notes from Pat Murphy (who apparently is real) to unravel the full story.

With all that said, this delightfully quirky novel works stand-alone. I enjoyed it enough to desire the added depth that finding and reading these other two books and re-listening to this one will undoubtedly provide. Listening again will be a pleasure because Johanna Ward performs well, deftly handling the mayhem that must have had her scratching her head a time or two during production. Her voice is pleasant and a very nice match to this material.

Posted by Scott D. Danielson

Review of 84.2 Minutes with Algis Budrys

84.2 Minutes with Algis Budrys84.2 Minutes Of Algis Budrys
By Algis Budrys, Read by Algis Budrys
1 Cassette – 84.2 Minutes [UNABRIDGED]
Publisher: Unifont Company
Published: 1995
ISBN: 1886211019
Themes: Science Fiction / Interstellar Travel / War / Immortality / Post Apocalypse / Fairy Tales / Alternate History / Parallel Worlds /

The four stories in this rare collection are densely packed with terrific science fiction ideas and all four share a haunted bittersweet quality. Algis Budrys lets the power of his text completely rule over his performance. Budrys barely distinguishes between the characters; he reads it in an almost conspiratorial style saying, “If you don’t like them, there’s very little more I can say. But I secretly think you will like them, in which case there’s nothing much more I need to say”. His philosophy has extended into the production as well, this is a very utilitarian audiobook, pages can be heard turning in the background while he reads, the cover art is completely non-existent and the title is hardly evocative of much at all, but despite it all 84.2 Minutes Of Algis Budrys is a worthy addition to any science fiction audio fan’s library. The only hard part may be getting a hold of one!

Stories Included:

“The Distant Sound Of Engines”
Severely maimed in an automotive accident, a patient recovering in hospital listens as his roommate, a dying man spouts formulas for faster than light travel, the alloy specifications for ultra strong spacecraft hulls and everything else necessary to make humans an interstellar species. First published in The Magazine of Fantasy and Science Fiction’s March 1959 issue.

“Explosions!”
On a distant water-world that was long ago colonized by humans, a pirate king comes up with a plan to unify the many islands of his planet, and do it by force. “Explosions!” was written under the pseudonym William Scarff and first appeared in Tomorrow Speculative Fiction’s April 1993 issue.

“The Price”
The Earth’s civilizations have been destroyed, fewer than 100 people survive, mankind’s last hope is an enigmatic hunchback who’s been imprisoned for more than 150 years. He’d been chained in various dungeons or enslaved in forced labour camps, but when Europe was annihilated in a global war, and every person there was destroyed, he alone walked out. First published in The Magazine of Fantasy and Science Fiction’s February 1960 issue

“Never Meet Again”
England surrendered in 1940, by 1941 German U-boats ruled the Atlantic, by 1942 the Russian’s had surrendered at Stalingrad. Now fifteen years later a respected researcher in the Greater German Reich has finished his life’s work, a machine that can access alternate worlds. “Never Meet Again” was first published in the 1958 anthology The Unexpected Dimension.

Posted by Jesse Willis

Review of Soundings by Jeff Green

Review

Audio drama - Soundings by Jeff GreenSoundings
Radio drama by Jeff Green
1 MP3-CD – 7.75 hours [AUDIO DRAMA]
ISBN: 0788763334
Date Published: 1998
Themes: / Science Fiction / Fantasy / Radio drama / Private Investigator / Atlantis / Christmas / Vigilante / Psychiatry / Plague / Sound /

Jeff Green has really created something special here. Included in Soundings are eleven full cast radio dramas. The stories are very good, and the sound? Fantastic. Green really knows how to tell stories in this medium. Sound is used to excellent effect – it is not there to enhance the story in many cases, it is a vital part of the story itself. In “Somebody Talking To You”, voices heard through the media have effects on people. The sound of those voices stays with me. In “Spaxterback”, a computer creates an image of a person known only through the machine’s memory of past media (comic books, television, etc.). The conversations between computer and Spaxter sound both powerful and intimate. In “Vigilante”, a TV obsessed psychic kills people he’s sees on the news – the sound of him flipping through the channels in search of a victim is disturbing indeed. And in “Flash”, the sound of the characters being shown visions of what might be past lives is mesmerizing.

I enjoyed the stories as well. “Plague”, the story of the survivors of a plague that forces them to live under domes, was a particularly excellent example, though I would have preferred less exposition in the form of news stories (though they were riveting) and a longer drama to tell the story instead. I enjoyed “Spaxterback” which I mentioned earlier, for its dialogue between creator and created. “Psychotherapy” was a twisted pretzel of a horror story made even more enjoyable if you are a fan of Edgar Allen Poe. “Xmas is Coming to the District of Drudge” is an atypical Christmas story that reminds us all to live a little.

The actors did a great job at keeping everything believable, and the music was first-rate. This is some fine storytelling. I really enjoyed it.

Check out Jeff Green’s Stranger Media website for a rich multimedia experience.

Posted by Scott D. Danielson

Review of Volitar: Murder, Mystery, Mayhem Music

Volitar: Murder, Mystery, Mayhem
Music by Andrew Engstrom; Dramatic scenes performed by a full cast
1 Music CD with dramatized connecting scenes – 47 Minutes [UNABRIDGED]
Publisher: www.volitar.com
Published: 2002
UPC: 803680208120
Themes: / Music / Science Fiction / Experimental / Mystery / Suspended Animation / Aliens /

“Well according to the Navi-computer we’re right on target Mr. Braiden. We should be landing on Volitar in oh…. a quick year and a half.”

The year is 2117. Mining moon owner Trevor Braiden, along with planetary geologist Dr. Desiree Lear, return to Volitar in search of a new mining site. Just hours after their arrival a bomb blast rips through the mining compound leaving Trevor bewildered from the loss of his best friend. Someone is trying to him, but why?

Tracks included:
1. Blast-off
2. Deep Freeze
3. Soul Searching
4. Landing
5. Gateway Theatre
6. Faces
7. The Secret
8. Just One Look
9. Machine Shop
10. Nightmare
11. Laser Research
12. The Fire of Section 17
13. Dead
14. Mourning
15. Desiree For Dessert
16. Free

Volitar’s creator, Andrew Engstrom, wrote this concept album as a hybrid between science fiction audio drama and straight rock music CD. He personally wrote and played multiple instruments in all of the songs, sang in others, co-wrote the dramatic storyline and even performed the lead character’s role. I’m of two minds on this one, I liked the idea, though I admit to not being a devotee of the concept album, but I didn’t come away from it thoroughly convinced. The dramatic elements are probably most to blame here. Unfortunately Engstrom came up with a milieu and some characters but the story isn’t quite finished. What little of it I could follow didn’t make a whole lot of sense to me, and each of the eight dramatic scenes that it is composed of seemed to be written only as introduction to the following song. One example of this is where our characters go into a seedy bar, where an alien rock group is just taking the stage. Before the band starts to play one of the characters asks another to dance. – Cue the music track. – After that song finishes, they tell each other how much they enjoyed the dance they just had and ask to dance again…

While I really and truly appreciated the enthusiasm and the follow through in production of the CD and fit and finish of the packaging, the content itself left me bewildered. The voice acting was only fair and for some scenes the actors sounded like they were simply reading their lines straight off the page. And though the album was recorded between 1998 and 2002, the music felt very 1985, with lots of heavy metal riffs and indecipherable or inaudible lyrics. Not my favorite. But then my tastes in music may not be yours; several other reviewers have noted how much they enjoyed the music. Musically it may work well for you. As far as the fiction goes … I like to be able to follow the story. And I couldn’t here. BUT, taking it in as a serious attempt at SF, that should be followable may have been a mistake on my part.

Becky Jo Engstrom, who plays one of the characters, noted in an exclusive audio interview available with the bonus eBook CD “The Making of Volitar,” that they planned the CD as an homage to “The Rocky Horror Picture Show” and the ‘B-movie’ influences of their youth. So, if before you insert the CD and hit play, you tell yourself, ‘this is light entertainment, just music with dramatic scenes’ and not ‘dramatic scenes with music’, you may have a heck of a lot of fun with it! As an aside, special mention should go to artist, Bud Curtis (http://www.alaskagrafix.com/), who’s responsible for the CD’s digital imagery in the fold out packaging; he’s done a terrific job! I found the bonus eBook quite interesting too, well presented and chock full of production details. Andrew Engstrom and his team seem like really cool people and I look forward to their follow up album tentatively titled “Volitar: War In Ganthros.”

Posted by Jesse Willis