Review of Thirteen by Richard K. Morgan

SFFaudio Review

Tantor Audio - Thirteen by Richard K. Morgan

Thirteen
By Richard K. Morgan; Read by Simon Vance
18 CDs or 3 MP3-CDs – Approx. 23 Hours [UNABRIDGED]
Publisher: Tantor Audio
Published: July 2007
ISBN: 1400104319 (CDs), 1400154316 (MP3-CDs)
Themes: / Science Fiction / Noir / Mystery / Hard Boiled / Genetic Engineering /

Carl Marsalis is a traitor, a bringer of death, a genetic freak and an unwelcome reminder of all that is dark in the human psyche – he in every sense of the word a Black Man. And right at the moment he’s beyond the UN’s jurisdiction, banged up in a Florida jail for financing an illegal abortion. So when the US police call, Carl cuts a deal. The 13s are genetically engineered alpha males, designed to fight the century’s last conflicts. But men bred and designed to fight are dangerous to have around in peacetime. Many of them have left for Mars, but one has returned. Somehow he survived the journey to Earth, and now a series of brutal slayings has erupted across America. Only Carl can stop him. And so begins a frenetic man hunt and a battle for survival. And a search for the truth about what was really done with the world’s last soldiers.

I find Richard K. Morgan, in his rare interviews, offers deep insights into his work. In regards to Thirteen (called Black Man in the U.K.), he describes it as: “An accidentally lengthy meditation on elements of the human condition that the Kovacs books [Altered Carbon etc.] always had the capacity to sidestep – namely, the prison of our own flesh, and the inevitable doom of our own mortality.” And its true, Morgan delivers action and cogitation on action. The setting, a grimly-futuristic Earth and the characters play out the consequences of a well thought out backstory. In Thirteen it seems that various experiments in genetic engineering have lead to at least thirteen strains of humanity. Like all good hard-boiled mysteries it has a fully realized backstory that predominates the main-stage machinations. Carl Marsalis is our anti-hero. He’s one of a small group of genetically engineered super-soldiers who were created by the British government for military use. In Thirteen, Morgan has created a grim future – one that is different from his detailed Altered Carbon and Market Forces worlds – but no less vivid. Years ago, in our future, a new arms race ran rampant, every nation with super-power ambitions started making genetic super-soldiers, others side stepped into crossbreeding bonobos sexual appetites and attitudes into humans. Add in a new racism bound to genetics, the old racism based on skin tone, the potential return of Jesus Christ, a dissolved United States of America, and international intrigue plays out from South America to Asia Minor and Mars – and you get a very rich premise. Carl Marsalis is a dour, taciturn anti-hero, but he’s pretty compassionate for a sociopath. His genes and something called “mesh” (another Richard K. Morgan edge-giver like “neuro chem” from Altered Carbon) and martial arts from Mars make him one bad-ass Brit. If there’s a weakness with the story, it’s the intricacy, there’s almost too much backstory – this leads to too many scenes where little bits of information get doled out. The addition of well more than a dozen characters for Marsalis to tangle with make the whole novel feel long. Thankfully, there’s a perfect ending capping this thoughtfully Noir Science Fiction novel.

Tantor Audio tapped Simon Vance to voice Thirteen, he also narrated Morgan’s Market Forces. Vance brings his a growing body of experience to work with him, and manages to nail a lot of accents in this continent bounding tale. The only point I was shaken from the narrative came when Vance used what sounded like a Charlie Chan impression for a female Chinese character. So far Tantor’s had a lock on the Richard K. Morgan audiobook market so I’m hoping they’re planning on recording The Steel Remains, his forthcoming novel too.

Posted by Jesse Willis

Review of Ascent by Jed Mercurio

SFFaudio Review

Science Fiction Audiobook - Ascent by Jed MercurioAscent
By Jed Mercurio; Read by Todd McLaren
6 CDs – 7.5 7.5 Hours [UNABRIDGED]
Publisher: Tantor Audio
Published: 2007
ISBN: 9781400103683
Themes: / Science Fiction / Alternate History / War / Cold War / The Moon /

The sun swings behind the world. Night engulfs him. The dull metal craft plunges through space, its portholes pale beacons containing the silhouette of a man, and the only other lights are the stars themselves.

This alternate history novel is a faithful depiction of the Soviet Union’s race against the United States to put a man on the Moon. The sad reality is that it never happened this way, but that doesn’t nullify a tremendously magnetic story of how it very well could have done. The viewpoint character is Yefgeni Yeremin an orphan of WWII, a fighter pilot and a Korean air-war ace. His story is as compelling a depiction of a quasi-Nitzchean overman as I’ve seen in fiction. Yeremnin is a more human, more plausible kind of Ayn Randian character – but he’s also hard to empathize with. He’s a man who can’t quite break free of his upbringing, his colleagues, his country, but who despite this achieves what must be viewed as the ultimate in overcoming. The Ascent of the title is not just that of a man from the surface of the Earth, but of mankind from Earth and that which came before. Just as birth is the obvious, but arbitrary line in the moral sand of personhood, so too is the actual landing of a human being on the surface of the moon.

Ascent starts with a shock, builds brilliantly during the Korean War scenes and then plateaus. Mercurio tells a powerful story – the first half of the audiobook absolutely riveted the headphones to my head. That which follows is engaging, but not as impactful. Perhaps the tale could have been told in another manner. Perhaps part of the problem is in the novel form itself. I wonder if it might not have been better, shorter – as a novella say. Yeremnin too is hard to take at this length – he is a hard man, from a hard world, with little in him other than will. The technical jargon that predominates his space voyage, while I’m certain accurate, is burdensome, and the problems that face the protagonist are less thrilling than those in the first half of the book. The end, when it comes, simply…. is. It isn’t wrong for the book, but it isn’t right either. It may be that this kind of tale, with this kind of character, is not actually tellable another way. Todd McLaren helps, he does Russian accented English but doesn’t overplay it – this is a matter of fact delivery. I hope Mercurio can find another topic within Science Fiction with as much passion as that which he put into Ascent, this was a tremendously compelling listen.

Posted by Jesse Willis

Review of The Sky People by S.M. Stirling

SFFaudio Audiobook Review

Science Fiction Audiobook - The Sky People by S.M. StirlingThe Sky People
By S.M. Stirling; Read by Todd McLaren
1 MP3-CD or 9 CDs – Approx. 10.5 Hrs [UNABRIDGED]
Publisher: Tantor Audio
Published: 2006
ISBN: 140015345X (MP3-CD), 9781400103454 (CDs)
Themes: / Science Fiction / Alternate History / Adventure / Venus / Dinosaurs / Neanderthals / Airships / Cold War / Pulp /

CRACK!

He swayed back against the recoil and worked the bolt with a quick flick of his first three fingers. A body exploded out of the patch of tall grass he’d aimed at. It was a biped, about his own size and covered in yellow-green feathers except for a crest of crimson plumes that snapped out in reflex as the lizard body writhed in death. The jump put it a good twelve feet into the air; a good deal of its length was the powerful digitigrade legs, both with a great sickle-shaped claw held up against the hock. That flashed out in equally automatic reflex as the vicious predator struck out in one last attempt to disembowel whatever had hurt it. A steam-engine hiss escaped the long fanged mouth, scarlet-purple within, and a spray of blood came with it from the lungs shredded by the powerful expanding bullet.

“Raptor pack!” Marc shouted to the herdsman.

The Sky People fits into that alternate history sub-genre of SF but not in the usual way. Generally, alternate history tales follow the events of the real world with one event changed in the past that creates a different outcome and changes history from that point forward. This may be the South winning the Civil War or Mary, Queen of Scots, becoming the Queen of England. The departing point for this novel took place approximately 200 million years ago. But it didn’t occur so much on our own planet but on Venus and Mars. This means this alternate Earth’s history doesn’t change until the U.S. and Soviet Union start exploring interplanetary space.

The prologue features the landing of an American rocket ship on Venus in 1962. The planet’s surface appears as a lush jungle – then running into view of the film camera is an exotic and beautiful scantily fur-clad female with her clan’s people.

The novel proper then begins 22 years later in 1988. The Cold War has changed from an arms race into a competitive interplanetary space race to explore and stake their claims on Venus and Mars. Marc Vitrac, a citizen of Jamestown, the U.S.-Commonwealth scientific colony, welcomes the newly arrived rocket passengers. Their mode of transportation from the landing site to Jamestown is on the back of dinosaurs through the jungle lushness of Venus.

Meanwhile, on the nearby Venusian continent, the Soviet bloc has set up their own scientific outpost. When one of their shuttle crash lands in the relative vicinity of Jamestown, a rescue party is put together to search for survivors. They travel via airship, and it does not fair well against the natural hostile environment. What’s more, there is a saboteur among the blimp’s crew.

The story grows more intriguing as Marc Vitrac and the stranded party of the airship meet with a clan of primitive humans. The two parties join forces to face off against a tribe of armed Neanderthals!

As you might imagine, this novel reads as a love letter to the early pulp master, Edgar Rice Burroughs. But it’s no mere pastiche of the creator of Tarzan, John Carter of Mars, and most pertinently, Carson of Venus. Stirling uses hard science justifications for his world building. And there’s also more of an emphasis on cultural diversity that you’d expect from a novel written in the 21st century. Sterling is a capable writer, whether it is a turning of a phrase or a description of lush imagery, he’s able to handle it all without getting too far from the gloriously pulpy action. Burroughs is often mentioned in the book as being a major influence on the many of the denizens of the scientific colony.

What exactly happened those 200 million years ago isn’t exactly clear. Why is the planet’s evolution so closely tied to that of Earth’s? The reigning hypothesis in The Sky People is that aliens seeded the planets nearest Earth. There are mysteries here that are to be answered over the length of the trilogy.

Todd McLaren handles the dialects deftly without overemphasizing the accents. Some novels are well-suited to be adapted to audiobook, as if they were written for that treatment. The Sky People is one of these, it makes an ideal audiobook. The large ranch of characters with multi-cultural backgrounds enables Todd McLaren to apply his talent for dialect and keeping the listening experience fresh and varied. Sterling also writes with sounds effects—meaning, he literally writes “Unnnngg-OOOK!” for a bellowing dinosaur, so it’s like the story has the sound effects built in, which McLaren gets to vocalize.

The Sky People is a rare pleasure—well-written, thrill-ride excitement, fun characters, lush settings, and all wrapped-up in a wonderful vocal performance. This is the first novel in a projected trilogy. I sincerely hope that Tantor Audio, with the talents of Todd McLaren, publishes the complete series.

Review of The Shadow Killer by Matthew Scott Hansen

SFFaudio Audiobook Review

Science Fiction Audiobook - The Shadow   Killer by Matthew Scott HansenThe Shadow Killer
By Matthew Scott Hansen; Read by William Dufris
2 MP3 CDs or 12 CDs; Approx. 15 hrs – [UNABRIDGED]
Publisher: Tantor Audio
Published: 2007
ISBN: 1400153255 (MP3-CDs); 9781400103256 (CDs)
Themes: / Horror / Sasquatch / Paranormal / Indigene / Monster / Mystery / Mythical Creature /

At first I thought to myself. Bigfoot? Really? It just seemed like the sort of thing you might find in the B-movie isle at Blockbuster. In a way, yes, it is, but not in that cheap, cheesy sort of way, where you feel like you’re just a little dirtier, just a little dumber just for watching. No, The Shadow Killer by Matthew Scott Hansen is a novel that takes all the known clichés from this sort of monster/disaster stories and hones in on the razor sharp edges of them. He does this while still keeping the book compulsively fun.

You know how Bigfoot always seems like a really tall guy in a monkey suit? Well, this is not that kind of Bigfoot story. The luxury of Bigfoot in written form, is that Bigfoot can be as big as the author wants him to be. In fact, there is much of the book spent avoiding the specifics of the actual size, allowing the reader/listener to come up with their own idea of how big it is.

This sasquatch is an angry one. The beginning of the story tells of how his tribe, clan, family, kin have been wiped out and killed by a forest fire. He is the lone survivor and is set off on a mission of revenge towards “The Keepers of Fire”, who just turn out to be us humans. He starts wreaking havoc and slowly builds up to a terrorizing rampage. But, since the existence of Bigfoot has never been proven, it’s not exactly easy to catch him, or even figure out what exactly is going on.

This edge-of-your-seat thriller centers around an ensemble cast who each have varying degrees of faith in the actual existence of this giant. There is a retired software engineer, whose life has been in shambles since he actually encountered a different Bigfoot three years prior, while on vacation. No one believed him, of course, and he has been obsessed ever since. There’s a Sheriff’s Detective who gets assigned to the investigation of all the strange occurrences and missing people in the area. There is even a bloodthirsty TV reporter who has aspirations towards the big time, and she too latches on to the story, willing to do anything to get higher ratings. Last, there’s my favorite character; Ben, aging Indian, who has been having dreams about being chased by this enormous beast. He seems to be connected to this animal and begins searching for it, not knowing exactly what will happen when he finds it. The story seems like a bunch of people being eaten and terrorized for the first several chapters, until Ben is introduced. He’s instantly likeable.

The story is relentless. Once it gets going, it does not let up, and while a few of the characters of this book are still standing in the end, no one gets out with out a few battle wounds, both physically and emotionally. These people get run through the wringer and you go through the wringer with them. As the reader, you start to wonder how much more of this they can take. The writing and descriptions of these scenes are of laser intensity. You know within just a few words of meeting a character whether you are going to like that character or hate them, and once you do like or hate a character the rest of the tale only strengthens your feelings in that direction.

For me, the most enjoyable part of listening to this book was the narration by William Dufris. He is a master of capturing the emotion and feeling of a moment, and in such a way that it really plays out in your mind. Where some narrators might perform a little bit, putting some feeling in to the character’s dialogue and descriptions, Dufris turns his reading in to a tour de force.

This book has numerous characters, all with different voices and attitudes. He can make you laugh, cry, cringe and feel out of breath, all with a few simple inflections to his voice. Female characters somehow sound like real women, and there is not one ounce of discomfort or sense of overacting. Dufris does the reading so well, that you forget that you are actually listening to one man doing all of this by himself. All the while making it seem like it is the simplest of actions. Just like most masters of their craft, William Dufris makes his vocation, audiobook narration, look easy.

All in all, this audio book is a highly entertaining listen. Its got a little bit of everything. But, be warned this is adult material. There are verbose detailed sexual situations and gore that place very interesting pictures in your head. Including one scene of murder where the animal can sense that the woman he is killing is “ready to mate”. What follows after, is one of the few times I have ever felt queasy about what I was listening to. That scene is very well written and extremely vivid, but still discomforting. When you think it’s as bad as it is going to get for this woman, it gets even worse, and I’ll just leave it at that.

So, if you have a strong stomach, like a monster story with great characters and a great narrator, this audio book does what I feel audio books should do for the listener; it won’t let you stop listening to it. In the 15 hours I spent listening to this novel, I never felt bored and my sense of dread and fear for the characters was omnipresent. Maybe, by the time you finish listening, you’ll believe in Bigfoot too.

Review of The World Set Free by H.G. Wells

H.G. Wells Month

Science Fiction Audiobook - The World Set Free by H.G. WellsThe World Set Free
By H.G. Wells; Read by Shelly Frasier
1 MP3-CD or 6 CDs – Approx. 6.5 Hrs [UNABRIDGED]
Publisher: Tantor Media
Published: 2002
ISBN: 1400150108 (MP3-CD); 1400100100(CDs)
/ Science Fiction / Atomic Power / Atomic Bombs / War / Utopia / Politics / Futurism / Prophecy / World State /

“Never before in the history of warfare had there been a continuing explosive; indeed, up to the middle of the twentieth century the only explosives known were combustibles whose explosiveness was due entirely to their instantaneousness; and these atomic bombs which science burst upon the world that night were strange even to the men who used them.”

The Father of Science Fiction first works are still among our classics. With excellent treatments of alien invasion (The War of the Worlds), space travel (First Men in the Moon), proto-genetic manipulation (The Island of Dr. Moreau), and of course time travel (The Time Machine). In his first decade of a writer he had written these classics as well as The Invisible Man, and The Food of the Gods, as many classic short stories.

Wells continued his writing career for another 40 years. Always remaining a popular author. So what happened to all these books he wrote? What happened to this iconoclast of SF? Why were his later works seldom reprinted and so hard to find? In his day, books like Tono-Bungay and Ann Veronica were huge critical and commercial successes. Thanks to Project Gutenberg and other public domain sites, his more obscure works are now obtainable. Much of his later work does not qualify as SF. But there are a number of his novels that deal with prophecies and future utopias and do qualify as SF.

The World Set Free was one of those future visions. Written and published upon the cusp of World War I, the novel proves that Wells had a gift for prophecy, although many of the details played out in a different way. In the novel the World War would not occur till 1956.

The main impetus of the novel is the advent of atomic power, both as a bomb and as a power source. The atomic bomb has many similarities to the actual bombs, including decaying radiation. Wells’ portrait of a World War would lead to numerous atomic bombs destroying civilization.

Wells had hoped from the ashes of a World War that nationalism would dissolve and a new world state would evolve. He portrays the World War in a horrific way. For one who saw the war as a way to a new world order, he does not handle the horrors of war with kid gloves.

Wells uses a narrative device that this book is written from a far utopian future. And from this far future perspective, it tells of the dark days of the war and then of the end of countries and the beginning of the world state. The tone is scholarly and leaves the listener/reader distanced from the characters.

I believe Wells started to see himself as an educator to the masses. That through his writing, both fiction and non-fiction, he could change the world. Sounds like a maniacal delusion, but he was an extremely popular writer. He was the equivalent to a rock star in terms of cultural popularity, but with the intellectual clout of an author. Unfortunately this didactic charge, he placed on himself, put storytelling subordinate to the message. Despite these flaws, the novel is filled with many thought provoking ideas.

Shelly Frasier narrates the novel. After an introduction, in which she speaks with an American accent, she switches to an English accent for the text of the novel. After getting use to this change, I found her accent and characterization quite good and she turns in a solid performance.

Recent Arrivals – Bujold, Card, Wells and Haggard

Science Fiction Audiobook Recent Arrivals

The Blackstone titles are new releases. The Tantor titles are backlist titles that we requested.

Science Fiction Audiobook - Memory by Lois McMaster BujoldMemory
By Lois McMaster Bujold; Read by Grover Gardner
MP3 Disc or 12 CDs, Approx. 14.5 hrs – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
ISBN: 9781433201158(MP3 disc); 9781433201141(CDs)

From the back cover:
Dying is easy. Coming back to life is hard. At least that’s what Miles Vorkosigan thinks, and he should know, having done both once already.
Thanks to his quick-thinking staff and incredible artistry from a medical specialist, Miles’s first death won’t be his last. But it does take some recovery, a fact he has been reluctant to admit. When he makes the mistake of returning too soon to military duty, he finds himself summoned home to face the Barrayaran security chief, Simon Illyan. But Miles’s worst nightmares about Simon Illyan are nothing compared to Illyan’s own nightmares. Under suspicion himself, Miles must seek out the answers to Ilyan’s nightmares or see the inevitable destruction of Imperial Security and, with it, the Empire.

Science Fiction Audiobook - Seventh Son by Orson Scott CardSeventh Son: Tales of Alvin Maker, Book 1
By Orson Scott Card; Read by Scott Brick and others
MP3 Disc or 8 CDs, Approx. 9 hrs – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
ISBN: 9781433200960(MP3 disc); 9781433200953(CDs)

From the back cover:
From the author of the award-winning Ender’s Game comes the unforgettable story of young Alvin Maker, the seventh son of a seventh son.

Born into an alternative frontier America where life is hard and folk magic is real, Alvin is gifted with power, but he must learn to use his gift wisely. Dark forces are arrayed against Alvin, and only a young girl with second sight can protect him.

Science Fiction Audiobook - The World Set Free by H.G. WellsThe World Set Free
By H.G. Wells; Read by Shelly Frasier
MP3 Disc or 6 CDs, Approx. 6.5 hrs – [UNABRIDGED]
Publisher: Tantor Media
Published: 2002
ISBN: 1400150108 (MP3 disc); 1400100100(CDs)

From the back cover:
In this thought-provoking masterpiece, H.G. Wells predicts the inventions that will inadvertently lead to mass destruction, forcing the world to “start over”. You will see many similarities between H.G. Wells’ new world and today’s world due to the recent technological revolution. This stimulating novel will leave you wondering if and when the remaining predictions will come to pass!

Science Fiction Audiobook - Eric Brighteyes by H. Rider HaggardEric Brighteyes
By H. Rider Haggard; Read by Shelly Frasier
MP3 Disc or 9 CDs, Approx. 11 hrs – [UNABRIDGED]
Publisher: Tantor Media
Published: 2001
ISBN: 1400150280 (MP3 disc); 1400100283(CDs)

From the back cover:
This deftly crafted Viking tale depicts the terror, tragedy and vanity of life. The ill fated lovers, Eric and “Gudruda the Fair”, fall victim to the jealous Swanhild’s sorcery. Eric and his ‘thrall’ must overcome treachery, bloodthirsty foes, the open sea and blizzards as he battles to win his beloved Gudruda. Will the star-crossed lovers triumph over the fate of the Norns and the spite of Swanhild?