Review of Patient Zero by Jonathan Maberry

SFFaudio Review

Horror Audiobook - Patient Zero by Jonathan MaberryPatient Zero: A Joe Ledger Novel, Book 1
By Jonathan Maberry; Read by Ray Porter
12 CDs – Approx. 14.2 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: October 2010
Themes: / Horror / Zombies / Terrorists / Covert Intelligence /

Jonathan Maberry caught my attention immediately with Patient Zero’s dedication:

This book is dedicated to the often unsung and overlooked heroes who work in covert operations and the intelligence communities.

And then he caught it again with the quote with which the book begins.

A hero is no braver than an ordinary man, but he is braver five minutes longer. — Ralph Waldo Emerson

I know a particular person who is one of those unsung heroes and so my natural inclination is to look approvingly upon the author’s sentiments.

However, I wasn’t here for a covert intelligence story or a spy story but for zombies. Also, because I’d heard the Writing Excuses podcasters praising the Joe Ledger series.

Then I heard the first two sentences of the book itself.

When you have to kill the same terrorist twice in one week, then there’s either something wrong with your skills or something wrong with your world.

And there’s nothing wrong with my skills.

Aha. The hat trick … which also informed me that I actually was here for a covert intelligence story, for a spy story, and, this should go without saying by now, for zombies.

Here’s a quick story synopsis.

Joe Ledger is a hardened Baltimore cop with serious skills in physical combat. After a surprise raid on suspected drug traffickers, he is strong-armed into joining the DMS, a rapid response task-force that handles problems too big for Homeland Security. The latest problem is a terrorist’s bio-weapon which, for all practical purposes, turns the infected into zombies. While Joe and his team try to track and stop the threat, we also see the bad guys: a tangled knot of corporate interests and Muslim fanatics gearing up for the ultimate assault on American soil.

In a way this is a meta thriller. It is obvious that there are the standard types which are being used. The Warrior. The Super Villain. The Mad Scientist. The Best Friend who is also The Conscience. Characters will even call people by these labels. This is reinforced by such tidbits as when a scientist excitedly asks Joe if he’s read Doctor Spectrum comics where Joseph Ledger is a character. However, Maberry keeps it from being cliched. Perhaps it is the zombies but I felt it was also due to Joe Ledger’s character and the blistering pace of the book. Short, fast chapters keep the action moving and the reader on the edge of their seat.

As with many thrillers, the story is relatively formulaic. The good guys are very good. The bad guys are very bad. Joe bleeds red, white, and blue and there is no way he is going to let terrorists harm Americans. There is a bit of humor, a touch of romance, and a ton of suspense. And zombies. Lots and lots of zombies coming in wave after wave.

It’s a formula that works. We need heroes and villains in our stories. Sometimes it is easy to see who they are. Patient Zero works because Maberry reminds us of how much entertainment there is to be had in the telling of such a tale.

My one problem with the book was that there were a couple of extended zombie attack sequences where Joe and the team just had to keep fighting and fighting … and fighting. We’d have gotten the same effect by cutting out just a bit of the fighting, particularly in the crab plant. They didn’t really have to be down to the point of ripping legs off of tables for weapons in order for me to understand just how desperate the situation was. However, this is a small quibble.

Much of the delight in this audiobook comes from Ray Porter’s narration. He reads Joe Ledger’s lines as if he were Ledger himself, reacting perfectly with a naturalness that made me feel as if I were hearing Joe’s actual thoughts. I particularly enjoyed the moments when he would hesitate or pause to emphasize points because that carried me into Joe’s emotions much more than if I had been reading.

The only problem with the narration was that Porter was a little too thorough. There is one character whose identity we don’t know until the end of the book but who we hear speaking with his employer. As I listened, I continually wondered if Porter had randomly chosen the accent with which this character spoke. I found myself listening to other characters in the book, wondering if we’d met this character yet and if he had that accent. It didn’t give it away much before the book itself did but it turns out that the narrator was being true to the character and that is something that I don’t think would have come across in the actual book. This isn’t a big deal, but it was an interesting problem.

Overall, you have to like this sort of thriller to enjoy this book. But if that’s the sort of thing you like, as I obviously do, then you’re going to really enjoy meeting Joe Ledger. And wave after wave of zombies.

Posted by Julie D.

The SFFaudio Podcast #131 – TALK TO: Julie Hoverson of 19 Nocturne Boulevard

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #131 – Jesse, Scott, and Tamahome talk to Julie Hoverson of 19 Nocturne Boulevard

Talked about on today’s show:
how do you say “hiatus”?, “one woman butt kicking army”, third year anniversary, 74 episodes, The Dunwich Horror by H.P. Lovecraft audio drama, Bill Hollweg is in The Deadeye Kid, Maine accents, The Leech by Robert Sheckley (secretly), comedy, A Date With Dana was funny, classic storylines, The Rookie won the Mark Time Award, “line up to get killed by their favorites”, “I love creepy old ladies”, Crumping The Devil, The Imp Of The Perverse, Lovecraft’s The Thing On The Doorstep, Within The Walls Of Eryx is “straightforward sci-fi”, Dis Belief is from a Jorge Luis Borges story, puns, finding the copyright owner, finding quality audio drama, Julie’s audio blog about oversight, we need curation, Voice Hollywood does their own ratings, Julie will be at the next Balticon, Balticon Podcast, there’s never enough people to help, Geek Girl Con, editing the parts together, simultaneous recording?, Julie is in The Radio Drama Handbook by Richard J. Hand and Mary Traynor, The Grand Guignol is violent theater, The Thrice Tolled Bell is like a Hammer film, “cuz I’m crazy”, what dramas does Julie like?, We’re Alive (The Zombie Podcast, also from Blackstone Audio), why do it?, Julie tried to develop a “dead serial killer buddy movie”, Wormwood, comics, Five Fingers Of Doom, short stories, timing your podcast releases, “the mentality of slackness”, for the nasty creepiness: One Eighteen: Migration, Julie’s The Gift Of The Zombi an Xmas show, zombies in love, “zombies are the new cowboys”, a half-hour is a good length, fan dogs on Facebook, “what’s the best science fiction audio drama around?”, Kim’s Warp’d Space involves milk runs, Children Of The Gods, The Leviathan Chronicles, Julie is in Edict Zero (created by Jack Kincaid who did The Geek’s Guide To The Galaxy intro), a cop show on a future colony, how complicated can a show be?, “there’s always engaging things”, Big Finish are pros, “fanfic”, Darker Projects Star Trek tie-ins (Tamahome listened to Lost Frontier), Jesse wants A Princess Of Mars drama, who’s got the rights?, adapting a novel, William Shakespeare, Cymbeline Revisited, Edwardian Entertainments, The Yellow Wallpaper

Posted by Tamahome

Recent Arrivals – Brilliance Audio + COMICS

SFFaudio Recent Arrivals

The Rise Of Endymion by Dan Simmons
Day By Day Armageddon by J.L. Bourne
The Unincorporated War by Dani Kollin and Eytan Kollin
Swords And Deviltry by Fritz Leiber
Fafhrd And The Gray Mouser adapted by Howard Chaykin
The Outfit adapted by Darwyn Cooke
Sense And Sensibility adapted by Nancy Butler

Posted by Jesse Willis

Review of The Walking Dead: Rise of the Governor by Robert Kirkman and Jay Bonansinga

SFFaudio Review

Horror Audiobook - The Walking Dead: Rise of the Governor by Robert Kirkman and Jay BonansingaThe Walking Dead: Rise of the Governor
By Robert Kirkman and Jay Bonansinga; Read by Fred Berman
10.5 Hours – [UNABRIDGED]
Publisher: Macmillan Audio
Published: 2011
Themes: / Horror / Zombies / Survival / Post-apocalypse / Evil /

“It may be confidently asserted that no man chooses evil, because it is evil; he only mistakes it for happiness, the good he seeks.” — Mary Wollstonecraft, A Vindication of the Rights of Men

Because I enjoyed the TV series so much, I was eager to listen to this. My expectations were not too high because (1) it’s a media tie-in and (2) it’s an origin story. Those are not a pair of my very favorite things, but I’m delighted to report that this is a very good novel. There is plenty of zombie mayhem, but foremost this is a horror story in the tradition of Stephen King. In other words, it’s not about the zombies but about people and what monsters bring out in them.

It’s also a satisfying origin story. I knew going in that The Governor (Philip Blake) was an exceptional bad guy. The story of his journey from normalcy to that level of bad could not have been an easy story to tell, but job well done. It was both compelling and surprising. Most importantly, I found the characters and their actions believable. Often reprehensible, sometimes jaw-dropping, but believable. As Philip Blake, his brother, his daughter, and others make their way to Atlanta in their suddenly changed and extremely violent world, I was forced to ask myself what I’d do in their situation, and I wasn’t always comfortable with my answers.

As far as I know, this is the first time I’ve heard a Fred Berman narration. There’s a lot of grisly uncomfortable stuff here, and I can’t imagine another narrator handling it better. I look forward to hearing him again soon. I’m not ready for another intense zombie novel, though. Maybe he’s narrated something with puppies.

Posted by Scott D. Danielson

19 Nocturne Boulevard: An adaptation of H.P. Lovecraft’s The Thing On The Doorstep

SFFaudio Online Audio

19 Nocturne Boulevard19 Nocturne Boulevard, created and run by audio dramatist Julie Hoverson, features original and adapted “strange stories” – the podcast alternates between completed productions, like the one below, and diary entry style production notes. I was mightily impressed by Hoverson’s adaptation of Robert Sheckley’s Science Fiction short story The Leech when I heard it back in February! It’s a terrific production by a talented cast. Hoverson has crafted her skill to a keen edge. I was jazzed to hear that she’d undertaken a new production of an H.P. Lovecraft classic, The Thing On The Doorstep which is a novelette first published in the January 1937 issue of Weird Tales.

I’m a sucker for stories with “Thing” in the title. A THING is not a he or a she. It isn’t a describable something – in fact, it’s very indescribability makes it damn intriguing – you, and the characters in the stories, ask questions “What the hell is that thing?!?!?!”

Now DC Comics had the Swamp Thing (a plant elemental) and Marvel had the Man-Thing (a “slow-moving, empathic, humanoid” that had once been a man). But it’s in short fiction especially that I find THINGS compelling. And when you start looking for these THINGS you’ll find dozens and dozens of stories with THING in the title. A couple of other good ones include The Damned Thing by Ambrose Bierce and The Thing On The Roof by Robert E. Howard. And in movies, of course, there is John Carpenter’s The Thing.

Now the particular THING in on this particular doorstep in Julie Hoverson’s adaptation is a whole other thing. I won’t give away, but I will say it certainly lives up to the mysterious nouny goodness of the title.

Lovecraft’s tales can be difficult to adapt, as they’re unusually wholly bereft of actual dialogue between characters (if there is even more than one character!). Julie Hoverson dramatizes the story’s form, which is a kind of confession/statement to police, using a combination of flashbacks and interrogation room scenes to tell the tale. The sound design is good, allowing us to tell who is who and where is where. The acting is also pretty solid with most of the lines coming off as if recorded live on set. Have a listen!

19 Nocturne Boulevard - The Thing On The DoorstepThe Thing On The Doorstep
Based on the story by H.P. Lovecraft; Adapted by Julie Hoverson; Performed by a full cast
1 |MP3| – Approx. 33 Minutes [RADIO DRAMA]
Podcaster: 19 Nocturne Boulevard
Podcast: August 15, 2011
|ETEXT|
What does a man do when his new bride really, really wants his body?.

Cast:
Dan Upton – Mark Olson
Officer Flatbush – Reynaud LeBoeuf
Officer Malone – Danar Hoverson
Edward Derby – Paul Cram (imdb)
Asenath Derby – Angela Kirby
Jean – Julie Hoverson
Clerk – Suzanne Dunn
Orderly – Gene Thorkildsen
Dr. Castle – Marshal Latham
“Roman” girl – Gwendolyn Jensen-Woodard

Music from the first soundtrack album from the H.P. Lovecraft Literary Podcast

Editing and Sound – Julie Hoverson
Cover Design – Brett Coulstock

Podcast feed: http://nineteennocturne.libsyn.com/rss

Posted by Jesse Willis

The SFFaudio Podcast #123

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #123 – Scott, Jesse, Tamahome, Matthew Sanborn Smith (Hairy Mango), and Jenny (Reading Envy) talk about audiobooks, recent arrivals and new releases.

Talked about on today’s show:
Scott’s recent arrivals, The Magician King by Lev Grossman, a gritty Harry Potter?, Ghost Story by Jim Butcher has a new narrator John Glover (not Crispin Glover), Southern Gods by John Hornor Jacobs, the Crossroads film, We’re Alive — A Story Of Survival zombie audiodrama, originally a podcast, The Walking Dead comic, Terry Goodkind’s The Omen Machine, long sentences on the cover, Mango version?, The Keeper Of Lost Causes by Jussi Adler-Olsen, The Girl With The Dragon Tatoo, the scandanavian thriller genre, Henning Mankell, Jo Nesbø, we make an exception for noir, straight science fiction, Poul Anderson’s Genesis, singularity?, the cover, several Joe Ledger stories (like Patient Zero) by Jonathan Maberry, it’s like evil corporations and terrorism, he adapted The Wolfman (2010) movie, Ghost Road Blues, something for October, Blackstone interview with Maberry and Gardner, two by Abaton Radio Theater, Cat Wife, Baby, radio scripter Arch Oboler, Tam could use a radiodrama, L. Ron Hubbard’s Greed, yellow peril, dramatized kind of like Graphicaudio, Dianetics, Kevin Hearne’s Hexed, they begin with ‘H’, Witchy Woman (song), an adult The Lightning Thief, Lost Voices by Sarah Porter, mermaids, where’s the older mermaids?, sirens, werewolves, Out Of The Waters by David Drake is not military science fiction, the periodic table series, Dead End In Norvelt by Jack Gantos, read by the author, it’s YA, (41:38) Matt tells us about Grant Morrison’s Supergods, it’s a autobiography/comic book history, All-Star Superman comic, narrator John Lee swears well, Grant experimented with everything, Voltaire, does the audio need pictures?, We3, artist Frank Quitely, New X-Men, Dan DiDio on the DC Comics relaunch, Jenny doesn’t read comics (but she reads graphic novels), superheroes don’t stay dead, Criminal comic, the George R.R. Martin effect, The Boys comic satirizes superheroes, (52:18) Jenny is listening to James Joyce’s Ulysses (wow), The Testament Of Jesse Lamb by Jane Rogers, kind of a prequel to Children Of Men, not on audio yet, the Man Booker prize longlist, Ulysses radiodrama, listening for 24 hours in a row, Beyond This Horizon by Robert Heinlein (our next readalong), The Quantum Thief by Hannu Rajaniemi exclusively on Audible, (one of narrator Scott Brick’s favorites) glossary of terms in The Quantum Thief, made-up terms, The Dervish House by Ian McDonald, fictional thief character Arsène Lupin (oh yeah, Lupin III is an anime), differentiating the voices of characters, how to win a Hugo, Blackstone new releases, The Holloween Tree by Ray Bradbury, animated movie version, Bronson Pinchot is the narrator, Balky, Beverly Hills Cop, Robert Heinlein’s The Unpleasant Profession of Jonathan Hoag, reddish substance, Hardwired by Walter Jon Williams, it’s the old legit cyberpunk, Nancy Kress’s Beggars In Spain, Ghost In The Wires (non-fiction) by super hacker Kevin Mitnick, Mitnick on Triangulation, (1:09:00) Audible new releases,The Moon Maze Game: A Dream Park Novel by Larry Niven and Steven Barnes, Ready Player One by Ernest Cline, it’s about the 80’s, Return To 20,000 Leagues Under The Sea by Barlow and Skidmore, Jules Verne, John Brunner’s Stand On Zanzibar, it’s new-wave-y, paranormal romance filter, Downward To Earth by Robert Silverberg, sounds like John Scalzi’s Fuzzy Nation, T. C. McCarthy’s Germline, McCarthy’s Big Idea on Scalzi, The Mandel Files by Peter F. Hamilton (when’s the audiobook coming?), Noir by Richard Matheson, the upcoming film Real Steel, fighting robots, The Twilight Zone, it’s heart wrenching like the last Harry Potter movie, Wheat Belly (diet book), Jenny’s gluten-free brownies, self-help audiobooks, Eckhart Tolle books, the word “healthy”.


Posted by Tamahome