The SFFaudio Podcast #533 – READALONG: Alien by Alan Dean Foster

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #533 – Jesse, Paul Weimer, Marissa VU, Maissa Bessada, Bryan Alexander and Evan Lampe talk about Alien by Alan Dean Foster

Talked about on today’s show:
the novel, the movie, Black Destroyer by A.E. van Vogt, Planet Of The Vampires, It: The Terror From Beyond Space, A.E. van Vogt’s Voyage Of the Space Beagle, a remake?, not the same story, a ripoff, Aliens (1986), a scene by scene recreation, every scene in Alien is also in Aliens, a climbing-in, a precious living thing, the countdown, “you now have four minutes”, written the same way, the same language, a betrayal, its not the robot, the company betrays them again (the same motivation), Dallas egg banks, the cocoon scene, there’s nothing in Aliens that isn’t in Alien, Prometheus (2012) rips off alien six ways to Sunday, Ridley Scott only has one story, exploding ships, a betrayal by the android, Easter Sunday, an Easter Egg hunt, we can’t escape the story, the reason it all works, the movie is astounding, Captain Marvel (2019), delete from human consciousness, the essential gothic character, William Gibson’s script for Alien 3, Audible’s audio drama of Alien 3, the comic script, the Wolverine podcast, David Fincher, some ideas, all the Christ imagery, a point it can’t support, a great egg hunt, the Gothic roots, a haunted house, the practical escape, all the horrible things that are happening are all true, a haunted ship, Ash is Mother’s loyal servant, Nostromo by Joseph Conrad, Sulaco, the tip-off, money, haunted house logic, low up the haunted house (in American gothic), family secrets and deviant sexuality, juicy Freudian goodness, white fluid, various forms of rape, Parker’s nest, pornography on the walls, pornography magazine, paralleled by what happened earlier in the film, and what happens next, how well thought through everything is, differences, that liquid spurting, a robot, a political flavour, the last great 1970s sci-fi movie, a labour movie, compensation, Karel Čapek, a seamen’s story, space truckers, truckers vs. seamen, merchant marine, a share system, getting that ship to shore, delivering oil, a banality to their presence in space, they’re not explorers, they’re not scientists, they’re workers, they’re not colonists, even more explicit, Dan O’Bannon’s script, the destruction sequence, tweeting out lines and screenshots, singing a little song, lucky star, the HORROR of the breathing, the HORROR of the body, contrasted with Star Wars and Star Trek, a working class and dirty future, the grunts, the Company, they’re murderers, they’re scum!, part of the power of the film, more an more unequal, more and more plutocratic, how many years passed, still trying to make a super-weapon, the textural feel of it, the computer interactions, shoulder patches, badges, coffee cups, beer cans, little details, that world-building, Aliens was filmed in the UK, Weyland-Yutani, British-Japanese, we’re living in that trans-national corporation future, registered out of the Solomon Islands, Antarctica, none of it comes as a surprise, they presumably know, surprises in a legitimate way, that breathing, the last 20 minutes, breathing and running and sweating, you become her, there’s no datadump or infodump, ratcheting up the tensions, characters, setting, meeting their demise, a shriek and its gone, Lambert, harsh and different, one key theme is body-horror, squirm-inducing, Roger Corman, Inseminoid (1981), H.R. Giger, how horrible the aliens can be, a worm under human skin, embracing what you fear, cuddle with it, Stephen King writes so much horror because he’s so afraid, Danse Macabre, Foster didn’t have access to the film, THE THING looked like the hand of a skeleton, The Thing, very Campbellian, lifting from Lovecraft, In The Walls Of Eryx, a horror guy, a science fiction guy, a weird fiction guy, disrespect of man as a being, the original script, religious icons in the derelict, tentacles, the same plot as Alien, Mars, very similar, the ship acts more like a submarine, being confined to the ship, it looks very high budget, they use the bridge twice, they use the mess hall twice, they’re getting their value for money, a Heinleinian-style rocketship, every surplus WWII weapon, a bazooka, pineapple grenades, a crewful of men and two women, these women scientists are serving lunch, they have some sort of a relationship, what happens in Alien, as it appears in the film, women have become equal, all of the characters are very similar, riggghht, we didnt think they were going to change the lead, kickass women leads, a whole new industry of slasher movies, we don’t know Ellen Ripley is the lead character until they’res no one else left, Sleepaway Camp (1983), final girl, the plot of Alien had already happened at the beginning of the movie, 10 Little Indians style, connecting back, they mimic us, her name is Ripley… believe it or not, the gendering of this, a mini Bechdel test, reducing genders, we get those anyway, when Lambert is attacked, overtly sexual, overtly biological, even worse, the scariness, pregnancy makes Kane very hungry, Bloodchild by Octavia Butler, Planet Of The Vampires (1965), Mario Bava, Black Sunday (1960), space madness, awful and brilliant, the navigator scene, the costumes, the colour is so lurid, fantastic!, the gender play, a scene missing from the book, the space-jockey, in and out, the book’s ending, it sits in your mind, this is and is not explained, it seems to be growing out of the chair, the bio-mechanical idea, blending into the machinery, Aliens Vs. Predator, the life-cycle of the alien, Farscape, Babylon 5, the vorlons, truly alien, its not THE alien, is it a noun or an adjective, it doesn’t tell you what is going on, Alien 2 (1980), The Thing (2011) the prequel, this circularity, the actress is trying to escape this endless cycle, Caligula, Sisyphean, the same horror, saving (Davy) Jones, killing the cat, a whole thing with screenwriters, cats are predators, ship’s cat, killing all the mice, its just what they do, the cat and the alien looking at each other, humans not at the top of the food-chain, the cat is a stand-in for us, what are they doing there?, for the pure science, all about the science, Ian Holm, Bilbo is the badguy, Big Night (1996), he would have made the best dreamer, hinted at or explicit, petroleum engineer, one more Gothic theme, death and decay, a celebration of entropy, less energy in the system, The Fall Of The House Of Usher, all that wealth, any vampire story, 7 canisters of cn-20, Hudson is Parker, nuke the entire site from orbit, Burke, a substantial dollar value attached to it, the true enemy, a goddamned percentage, Burke, Ash, Easter, the true enemy is not the alien, a manager, a desolate planet, Tumbbad (2018), a period horror film, the terror of money, back to Conrad, The Secret Sharer, the literary roots are substantial, Dan O’Bannon, Dark Star, hard science fiction, the landing sequence, Aliens as an action film (Rossatron), cornbread, a last supper, the food’s not that bad, genuine shock, scream queen, Veronica Cartwright, frozen, the horror, not a fault, seeing it in the theaters, ushers were fainting, leaving the theater to vomit, Bryan saw it the opening weekend, May 1979, running from the theater, a simpler time, visually shocking, its a chicken egg, the posters are lame, hiding everything, the music, what is this?, Blade Runner (1982), Vintage Season by C.L. Moore and Henry Kuttner, Blue Thunder (1983), helicopter genre, a show built around a car, Magnum, P.I., subversive, about surveillance, innovative and interesting, Roy Scheider, Space Vampires by Colin Wilson, Lifeforce (1985), Return Of The Living Dead (1985), Total Recall (1990), Screamers (1995), Second Variety by Philip K. Dick, Bleeders (1997), The Lurking Fear by H.P. Lovecraft, Heavy Metal (1981), the professional reviewers didn’t like it, the current aesthetic, Roger Ebert and Gene Siskel, a problem for a lot of reviewers, perfect for a young person, look at me aren’t I horrific, the wonders that some things present irrespective to what you bring to judging them, such an amazing experience, following politics for a living makes you wrong about everything, feeling the temperature of reality, foolish professionalism invades everything, invading academia, what they want, a model in your mind of what needs to be there, being open to things, corporatism, the faceless (inhuman) faces of the company, it can’t care it can’t love it’s perfect like the monster, “Jesse, you admire it, don’t you?” “He admires its purity.”, a cat named Ash, the fluffiest nicest cat, blending horror and science fiction, rip-offs, Event Horizon (1997), lost footage in Romania, Dead Space, Halo, Mass Effect, Leviathan (DLC for Mass Effect 3), Alien: Isolation, DLC Crew Expendable, recreating the whole set for the game, so terrifying, VR on PlayStation 4, Doom: Alien TC, shareware, The Expanse, The Luminous Dead by Caitlin Starling, eject myself, exhausting, a workout, the opening, doing novelizations, the start, written in three weeks, “You must understand”, dreaming professionally, most organized of all artists, he’s talking about writing novelizations, Splinter In The Mind’s Eye, how you end up reading novelizations, you’re rejected because you’re too young, the W.H. Smith’s, reading novelizations out of spite, denied, the power of books, books are less censorable, why Jesse loves ThePirateBay.org so much, spending so much time in second hand bookstores, serial killer books, a way to avoid censorship of parents and society, society, not even the government, a ratings board, cartel, how the Comics Code Authority worked too, the way the internet’s going, certain things are unacceptable, we get crushed like the crew, an escape, thoughts beyond Alien, so fun, thank you!

Posted by Jesse Willis

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