There were times Mike Kardec thought he could feel the magic of this place, a vague sense that just beyond his perception vast but subtle forces were at work… there was power out there, a great organic engine of death and rebirth.
Louis L’Amour (1908 – 1988) is best known for his Western novels, but for a long time I knew him only for a couple of his non-westerns. Last of the Breed (1986) was about a Native American pilot downed in Russia during the Cold War, and The Walking Drum (1984), a historical novel set in the 12th century. Later I read The Lonesome Gods (1983), which, though there were gunfights and horses, I assumed was still one of L’Amour’s atypical works. I enjoyed all of the above, which is why I greeted The Diamond of Jeru with a smile. L’Amour is a fine storyteller.
The Diamond of Jeru is also not a Western. It’s set in Borneo in 1955, where our hero Mike Kardec (played by Joel Bryant) finds himself after the Korean War. He is hired by a Helen and John Lacklan (Traci Dinwiddlie and Time Winters) to guide them deep into the island to find a diamond. There’s a touch of magic in the story, so I’d call it a fantasy adventure.
It’s presented as a “Dramatized Audio”, which I would describe as a rich audio drama with heavy narration. Joe Morton is the narrator, which is terrific because I can’t hear enough of that guy. He was perfect in some of Simon and Schuster’s Star Trek audio titles, and is excellent again here. In fact, all of the actors in this are top notch. This cast is among the highest quality group of actors I’ve ever heard doing audio drama.
On the video page of The Diamond of Jeru Audio Project site, Writer/Director Beau L’Amour and Producer/Editor Paul O’Dell discuss the making of the sound effects. Their methods sound excellent in the final production. I haven’t heard any other titles by this skilled team, but I’d love to hear one in which they rely more on the superb sound than on narration to establish setting and action. The sound had a very deep quality. Nothing out of place here.
The story retained much of the pulp quality of the original story, which was welcome. The website has an audio sample as well as a history of the story, which was written sometime in the late 1940’s or early 1950’s by Louis L’Amour, then revised and expanded to novella length by Beau L’Amour. The original, unedited story can be found |HERE|.
Posted by Scott D. Danielson
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
many sins, paperbooks, The Architect Of Aeons by John C. Wright, Tor Books, The Voyage Of The Basilisk by Marie Brennan, beautiful illustrations and blue text, cover art, a bias against bad art, the way kids talk about book covers, fonts and graphic design, stock photos, don’t mix serif’d fonts, use classic art in the public domain, don’t muddy it up, Graysun Press Class M Exile by Raven Oak, Star Trek, Self Made Hero, I.N.J. Culbard, The Shadow Out Of Time, The Case Of Charles Dexter Ward, The Dream Quest Of Unknown Kadath, the difficulty of promotion for small press publishers, Horror!, The Scarlet Gospels by Clive Barker, John Lee, Macmillan Audio, Pinhead, Hellraiser, random bloody body horror, The Midnight Meat Train, Bradley Cooper, the way Clive Barker’s stuff works, Audio Realms, Limbus, Inc. Book 2, a shared world anthology by Jonathan Maberry, Joe R. Lansdale, Gary A. Braunbeck, Joe McKinney, Harry Shannon edited by Brett J. Talley, space for creativity, David Stifel’s narration of The Monster Men by Edgar Rice Burroughs, The Island Of Doctor Moreau meets Frankenstein done Burroughs style, The Man Without A Soul, David Stifel knows everything about Edgar Rice Burroughs, Jurassic Park by Michael Crichton, read by Scott Brick, Mad Max: Fury Road, 3D is a gimmick, Vampire Horror! by M.R. James, John Polidori, F. Marion Crawford, Anthony Head, M.R. James is the country churchyard ghost story guy, John Polidori was Byron’s Doctor, Mary Shelley won the contest, The Vampyre by John Polidori, Lord Ruthven is kind of based on Lord Byron, an autobiographical fantasy horror, music!, all the good D words, Survivors by Terry Nation, Doctor Who, Blake’s 7, who wrote House, M.D.?, writing credit in the UK, a familiar premise, the original TV series and the remake, The Walking Dead, all the fun stuff we like about post-apocalyptic storytelling, simultaneous existence, The Death Of Grass by John Christopher, A History Of The World In Six Glasses by Tom Standage, our dependence on grasses, The Road, canned food isn’t a long term plan, Station Eleven by Emily St. John Mandel, deer in the woods, the high price put on poaching, the other solution is cannibalism (also not very sustainable), The Water Knife by Paolo Bacigalupi, cutting water, this is already how things are, the atomic bomb scenarios are played out, the water problem, the new dust bowl, North Carolina and South Carolina, Seattle and Vancouver, Dr. Bloodmoney by Philip K. Dick, read by Phil Gigante, a comic version of Doctor Strangelove, Marissa Vu, Paul Weimer, The Gold Coast by Kim Stanley Robinson, Pacific Edge by Kim Stanley Robinson, Luke Burrage’s reviews of the Orange County books, Find Me by Laura van den Berg, silver blisters?, Guy de Maupassant style, The End Has Come edited by Hugh Howey and John Joseph Adams, Carrie Vaughn, Megan Arkenberg, Will McIntosh, Scott Sigler, Sarah Langan, Chris Avellone, Seanan McGuire, Leife Shallcross, Ben H. Winters, David Wellington, Annie Bellet, Tananarive Due, Robin Wasserman, Jamie Ford, Elizabeth Bear, Jonathan Maberry, Charlie Jane Anders, Jake Kerr, Ken Liu, Mira Grant, Hugh Howey, Nancy Kress, Margaret Atwood’s serial, Science Fiction in Space and the Desert, Seveneves by Neal Stephenson, read by Mary Robinette Kowal and Will Damron, very sciencey, too many Jesses, Rob’s commute, Nova by Margaret Fortune, read by Jorjeana Marie, a human bomb, Imposter by Philip K. Dick, The Fold by Peter Clines, read by Ray Porter, another Philip K. Dick story called Prominent Author, a joke story, 14 by Peter Clines, Expanded Universe, Vol. 1 by Robert A. Heinlein, read by Bronson Pinchot, Blackstone Audio, Robert A. Heinlein is a weird idea man, Nemesis Games by James S.A. Corey, Hachette Audio, Sword & Laser, The Darkling Child (The Defenders of Shannara) by Terry Brooks, read by Simon Vance, Casino Royale by Ian Fleming, larger than life voices, The Red Room by H.G. Wells, the accents, BBC audio dramas of James Bond books, the David Niven Casino Royale, The Brenda & Effie Mysteries: Brenda Has Risen From the Grave! (4), Bafflegab, Darwin’s Watch: The Science of Discworld III: A Novel by Terry Pratchett, Ian Stewart and Jack Cohen, read by Michael Fenton Stevens and Stephen Briggs, Uprooted by Naomi Novik, read by Julia Emelin, The Invasion of the Tearling by Erika Johansen, read by Davina Porter, Sarah Monette’s The Goblin Emperor, coming of age in a fantasy world, librarians recommend!
Posted by Jesse Willis
In the Embers
A Great Northern Audio Theatre Production
Written, Directed, and Produced by Brian Price and Jerry Stearns
[AUDIO DRAMA] – 1 Hour, 19 Minutes
Themes: / Audio Drama / time / archaeology / jazz / quantum physics /
A song, a pressed flower, and the sound of two girl’s voices recovered from a burned wooden beam by using a laser to read its charred surface like the grooves of an old 78rpm record. These are the clues that archaeologist, Digger Morgan, discovers while working on a routine Maryland plantation dig. Who were the girls? When was the fire? The answers all lead to 1920s jazz pioneer, Kit Jeffers, whose voice mysteriously appears on Digger’s computer, and whose existence remains haunted by a singular tragic event.
The first sounds offered by this wonderful work of audio drama are the broken haunting voices of two people trying to escape a barn fire. I can hear them as I type this. The voices were impressed on charred barn beams until archaeologist Digger Morgan discovered a way to read them with a laser. Hearing those voices was a powerful moment for me, a moment in which I not only felt the emotion of two people trapped in a fire, but also in which I considered the possibility of strong emotion leaving an imprint on our surroundings.
“In the Embers” doesn’t shy away from considering the implications either. In fact, this fine work of science fiction goes even further. How large an imprint could one leave? And could emotion somehow be transmitted through time? What would be the effect?
The story is excellent, the music is excellent, the audio quality is excellent, and so are the actors. Robin Miles as Kit Jeffers was particularly outstanding. From the riveting opening to the emotional closing scene, this is a drama that goes in the permanent collection. I’ll be listening to this again, no question.
Posted by Scott D. Danielson
Brad Lansky and the Rogue Era
1 hour 25 minutes – [AUDIO DRAMA]
Themes: / Audio Drama / Science Fiction / artificial intelligence / biological life / augmented humans / artificial life / rogue planets /
I admire the Brad Lansky series for a couple of reasons. First and most obvious is the sound. This production is a rich soundscape that invites a listener to settle in, eyes closed. Again, J.D. Venne (writer) and Dieter Zimmermann (producer) inspire the listener’s imagination by using aural cues instead of description to provide the setting for the story.
Second, the Brad Lansky stories are genuine hard science fiction. Brad Lansky and the Rogue Era opens with a speech given by Dr. Brinn Diaz, an augmented human. She discusses artificial life (a-life) and biological life (b-life). “B-life has been losing the race since the singularity a millennium ago,” she says. She is both “project and project architect”, having changed her body in various ways, including raising the number of brains on board to three.
Brad Lansky and Dr. Diaz play an important role in an encounter with an invisible world that hurtles toward Earth, threatening to eliminate b-life for good.
I highly recommend this episode and the whole series. It’s great fun and wonderfully rich unique audio.
Enjoy a sample: Brad Lansky and the Rogue Era Trailer
Posted by Scott D. Danielson
Available to stream for the next 29 days at BBC Radio 4 is the first part of a new audio drama adapted from Ursula K. Le Guin’s 1969 novel, The Left Hand of Darkness. Part 2 arrives Saturday!
Also wonderful is a half hour programme called Ursula K. Le Guin at 85: Naomi Alderman talks to leading novelist Ursula Le Guin about her life and work and hears from literary fans including David Mitchell and Neil Gaiman.
Posted by Scott D. Danielson
Based on the short story by Clifford D. Simak; Adapted by George Lefferts; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcast: February 22, 1956
Provider: Internet Archive
A spaceship finds some strange artifacts from an unremarkable planet. But when the crew tries to take off they find that they’ve forgotten how to fly the ship.
First published in Galaxy, May 1953.
Though the original story is still under copyright in the United States the X Minus One adaptation (above) and the original Don Sibley illustrations, from Galaxy, May 1953, (below) are in the PUBLIC DOMAIN.
Posted by Jesse Willis