“Capt. Marryat, besides writing such short tales as The Werewolf [aka The White Wolf Of The Hartz Mountains], made a memorable contribution in The Phantom Ship (1839), founded on the legend of the Flying Dutchman, whose spectral and accursed vessel sails for ever near the Cape of Good Hope.”
-H.P. Lovecraft, Supernatural Horror In Literature
Normally I wouldn’t contradict H.P. Lovecraft, but he didn’t have the internet to do his research. The Werewolf he is referring to, we think, is actually Chapter 39 of The Phantom Ship – that chapter is a story within the greater narrative and has often been reprinted without the surrounding novel.
This 1944 radio drama adaptation is very tame compared with the savageness of the original (for more on that see the PDF below).
The Weird Circle – The Werewolf
Adapted from the novelette by Captain Frederick Marryat; Performed by a full cast
1 |MP3| – Approx. 29 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 7, 1944
A widower, living in the Hartz Mountains, takes a new wife to help raise his children, but the strange wedding vows he makes will come back to haunt him.
Here’s a |PDF| of The White Wolf Of The Hartz Mountains.
Posted by Jesse Willis
Minds Of Terminus is a new audio drama podcast that seems inspired by a number of recent novels (Kiln People, Saturn’s Children). Here’s the elevator pitch:
“In the world of Terminus, technology has advanced beyond contemporary understanding or explanation. Nanotechnology is at its peak, common and ubiquitous. The fields of Artificial Intelligence and Nanorobotics have matured, and swarm intelligences maintain roads, buildings, monitor traffic, collect advertising data, nurse the sick… the applications are nearly endless. It has even become possible for a human being to upload their intelligence and personality into an artificial neural matrix. These copies, however, aren’t seen in the way that a modern-day trans-humanist from our time might regard them. For example, no one regards these mind uploads as a way to attain immortality of any kind. The original lives on, after all, and the copy is regarded as… something other than human.
Applying advanced neuroscience, these uploaded personalities can be pruned and teased into any number of purpose-built, utilitarian shapes and designs, and this has become the preferred way to program the robotic helpers used every day in all walks of life, from heavy industrial machines to nannies.
Then one day, all of the humans are gone. The streets are quiet. The AIs begin waking up, but their masters have left them. Who and what are they, when all of the humans are gone? Are they all just bad copies of dead humans?”
Episode 1 |MP3| – Approx. 27 Minutes [AUDIO DRAMA]
Posted by Jesse Willis
Suspense – Dunwich Horror
Adapted from the story by H.P. Lovecraft; Adapted by William Spier; Performed by a full cast
1 |MP3| – Approx. 26 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: November 1, 1945
On All-Hallows Eve Henry Armitage, the librarian of Miskatonic University, ascends the summit of Centennal Hill. First published in Weird Tales, April 1929.
Stars: Ronald Colman, William Johnstone, Joseph Kearns, and Elliott Lewis.
Posted by Jesse Willis
The SFFaudio Podcast #247 – READALONG: On The Beach by Nevil Shute; read by Simon Prebble. Jesse fends off illness to lead us in an intriguing discussion about Nevil Shute’s apocalyptic novel. This podcast features Jesse, Jenny, Seth, and Paul.
Talked about on today’s show:
Reversed seasons in Southern Hemisphere; novel originally serialized in London weekly periodical The Sunday Graphic; “on the beach” as naval phrase meaning “retired from service”; the novel almost universally acclaimed by critics and readers alike; what is the ideal time frame for an end-of-the-world scenario?; On The Beach as bleak existential novel; the author’s avoidance of political or religious polemic; 1959 movie starring Gregory Peck, Ava Gardner, and Anthony Perkins; Australia as a secular nation; Earth Abides by George R. Stewart; Endgame by Samuel Becket; the novel as a metaphor for terminal cancer patients; The Star by Arthur C. Clarke; abstract sterile end-of-world mechanics, a “cosy catastrophe“; 2008 BBC radio adaptation; 2000 TV movie starring Bryan Brown, modernized and featuring a much more optimistic tone; Roland Emmerich’s disaster flick 2012; could the novel’s characters done more to ensure the continued survival of humanity?; fallout shelters, “duck and cover!”; Chernobyl; rampant alcoholism; euthanasia; attitudes toward media–were newspapers responsible for the war?; regression of technology in the novel; The Waveries by Fredric Brown; we wish the Cosy Catastrophe genre would supplant Paranormal Romance; reflection of a pre-WWI era arms race; 1959 movie version tackles Cold War paranoia; U.S. government’s criticism of the novel; Five Years by David Bowie; faced with the end of the world, our panel would evidently read Marcel Proust; needless revisions in film adaptations; much action takes place “off the page” in the novel; lookism; The Scarlet Plague by Jack London; Simon Prebble’s excellent audio narration; George Orwell’s 1984; Man’s Search for Meaning by Viktor Frankl and logotherapy; Jay Lake and his bout with cancer; Daphne du Maurier’s Rebecca, adapted by Alfred Hitchcock, and how we’re haunted by the people who are no longer with us; the novel’s three-dimensional characters; Nevil Shute employs typical British understatement; Lord of the Rings‘s Denethor and the idea of hopelessness; Egyptian tomb goods and attitudes towards death; Jesse plans his funeral rites.
Posted by Seth Wilson
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show: Christmas-edition New Releases podcast; festivus; Seinfeld; Romulus Buckle and the Engines of War; pneumatic zeppelins (related to Led Zeppelin?) vs. non-pneumatic airships; Cherie Priest‘s Clockwork Century steampunk series; Gail Carriger‘s “tea-punk” Parasol Protectorate novels; Wizard of Oz: A Steampunk Adventure; HBO’s completely unrelated Oz television series; Seal Team 13, military vs. supernatural?; Lovecraftian horror vs. traditional horror; Call of Cthulhu role-playing game; World War Z; Overdraft: The Orion Exclusive; Jesse laments that neither Jenny nor Seth has seen Aliens; Sigourney Weaver; Gamadin: Word of Honor; Jesse loves audio drama; Night Vale; Blake’s 7; “audio drama is television or movies without pictures”; Visions of the Future now unabridged; limitations of the Star Wars spinoffs; R.A. Salvatore killed a beloved Star Wars character; Joseph Campbell’s hero’s journey; a Star Wars Oedipus story?; When the World Shook by H. Rider Haggard; Haggard’s She; casual racism in turn-of-the-century fiction; Haggard is the English Edgar Rice Burroughs; Rumpole series (the actor narrates the audiobooks); Inspector Morse; Agatha Christie; Touch Me Eternally; X-Men; Silvered by Tanya Huff; are shape shifters the new vampires?; Charlaine Harris and True Blood; etymology of werewolf; were bat?; every Batman story has been done; Dangerous Women anthology; Lawrence Block; Legends anthologies; George R. R. Martin’s Dunk and Egg stories; Well of Echoes series; geomancy = crystal magic; ABC (the Australian one) book club; CSPAN’s Book TV; Reading Rainbow and the LaVar Burton revival; Herland; Rudyard Kipling’s With the Night Mail and As Easy as ABC; Gungadin and “to carry the water”; Clark Gable; more on racism; White Man’s Burden; DreamScape Audio; The Poison Belt by Arthur Conan Doyle; sequel to The Lost World; similar to The Purple Cloud by M. P. Sheil; Jurassic Park; 1634 by David Weber and Eric Flint; time travel; George Guidall; Jonny Ive (and Seth’s bad Ive impression) read by Simon Vance; Chronicles of Light and Shadow by Liesel Schwartz; Waterlogged Holiday Collection; Kevin J. Anderson’s War of the Worlds: Global Dispatches; Robert A. Heinlein’s The Puppet Masters; Star Trek pancakes attack; Connie Willis especially To Say Nothing of the Dog; Three Men in a Boat by Jerome K. Jerome; Heinlein’s Have Spacesuit Will Travel; The Great Gatsby audio edition including Fitzgerald’s letters; Audible translating George R. R. Martin; Latin translations of Harry Potter; Call Down the Stars; metafiction; the prehistorical sub-genre; Clan of the Cave Bear; Ian Rutherford; James A. Michener; Harry Harrison; The Wonder Stick (spoiler: it’s a bow!); Jack London; A Quarter to Fear narrated by Mr. Jim Moon at Hypnogoria (Jesse actually bought it!); H.P. Lovecraft Literary Podcast; Audible Editor’s Picks; Audie Awards; Doctor Sleep by Stephen King won Audible Pick of the Year; The Golem and the Jinni by Helene Wecker; American Gods by Neil Gaiman; Grimnoir Chronicles by Larry Correia; The Ocean at the End of the Lane and Coraline by Neil Gaiman; Ender’s Game Alive; The Silo Saga; The Human Division by John Scalzi; The Lost Fleet series by Jack Campbell; Zombie Fallout series by Mark Tufo; Peter Clines 14 and Ex-Heroes series; Roald Dahl’s Matilda narrated by Kate Winslet; tweeting coffee;
Posted by Jesse Willis
A six part radio dramatization of The Dispossessed was broadcast on CBC Radio in weekly 1/2 hour installments from June 12 to July 17, 1987 for The Vanishing Point (a long running SF radio drama series). Airing at 7:30pm on Friday nights this serial was based on the 1974 novel of the same name, by Ursula K. Le Guin. Subtitled “An Ambiguous Utopia” it tells the story of the occupants of twin planets, Urras and Annares. A sprawling epic of its era it features tree-planting, dinner parties, copulation, physics, homosexuality, anarchism, social justice, copulation, spankings, propaganda, culture, copulation, pregnancy, babies, famine, revolution, class consciousnesses, politics, and copulation.
Here’s the official plot:
“Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.”
The Vanishing Point – The Dispossessed
Adapted from the novel by Ursula K. Le Guin; Dramatized by David Lewis Stein; Performed by a full cast
6 Episodes – Approx. 3 Hours [RADIO DRAMA]
Broadcaster: CBC Radio
Part 1 |MP3| Jun. 12, 1987
Part 2 |MP3| Jun. 19, 1987
Part 3 |MP3| Jun. 26, 1987
Part 4 |MP3| Jul. 03, 1987
Part 5 |MP3| Jul. 10, 1987
Part 6 |MP3| Jul. 17, 1987
Podcast feed: http://huffduffer.com/tags/vpdispossessed/rss
iTunes 1-Click |SUBSCRIBE|
Gary Reineke as Shevek
Music by Marsha Coffee
Part 1 of 6:
Part 2 of 6:
Part 3 of 6:
Part 4 of 6:
Part 5 of 6:
Part 6 of 6:
Posted by Jesse Willis