The SFFaudio Podcast #240 – READALONG: Frankenstein by Mary Shelley

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #240 – Jesse, Scott, Julie Davis, and Bryan Alexander discuss Frankenstein by Mary Shelley.

Talked about on today’s show:
The 1818 edition versus the 1831 edition, the half-made up prologue, Leaves Of Grass, are there any body changes?, “the corpus”, Downpour.com’s version with Simon Templeman, Anthony Heald, Stefan Rudnicki, Frankenstein vs. the monster, creature, wretch, demon, insect, incoherent with rage, face to face, moving on, the fainting hero or heroine, swooning, Lovecraftian fainting, cosmic horror, Herbert West: Re-Animator, Young Frankenstein, Cool Air by H.P. Lovecraft, Edgar Allan Poe, M.R. James, becoming god, why are we reading a book by a teenager from almost 200 years ago, Edinborough, the broken reader, Sir Walter Scott, Ivanhoe, etymology, Paradise Lost, Gulliver’s Travels, Percy Shelley, William Shakespeare, Macbeth, Caliban, The Tempest, Science!, hey I’m killing your family and stuff, Spirits!, Russia, the Arctic, Prospero, Caliban the dogsbody, Sycorax, the pre-science world to the science world, Christopher Marlowe, “I’ll burn my books!”, the education of young Victor, religious swearing, Brian Aldiss, spark, the electrical element, Galvani and the frog’s legs, more chemical (than electrical), the Romantics, the heart of the the book, “the modern Prometheus”, nature, the North Pole, Siberia, Things As They Are; Or, The Adventures of Caleb Williams by William Godwin, berries and nuts, vegetarianism, the bringing of fire, The Wonderstick (the coming of the bow) “spooky action at a distance”, fire as technology, Eric S. Rabkin, fire -> knowledge -> enlightenment, the blasted oak, the family tree destroyed, this mortal clay, body stealing, Burke and Hare (are a lot of fun), ‘there are some things man was not meant to know’, a motherless monster, Young Frankenstein, what’s so cool about Young Frankenstein is that it solves the problems caused by previous movie adaptations, “Hey there handsome”, is the creature really hideous?, “a very Jewish movie”, “this is a boy that the world will love”, community, Victor had no Igor, Eyegor, or Fritz, well formed, euphemisms, dull yellow eye, proportionate limbs, is he veiny?, black and flowing hear, a pearly whiteness, a feminist novel, a misogynist fantasy, the framing narrative, males behaving badly, Gothic, gender coding, the curse of the Frankensteins, Frau Blücher, the Kenneth Branagh adaptation of Frankenstein, The Revolt Of Islam by Percy Bysshe Shelley, Justine (and the lack of justice she receives), Anne Rice, “I’m never going to sleep again”, the path of evil, Victor had a temper, the abnormal brain (Abbie someone), a “blank slate”, Henry Frankenstein, Young Frankenstein retcons the book and the 1931 movie (and the Hammer movies), Froderick Frankenstein, Boris Karloff, Transylvania Station, The Body Snatcher, Robert Louis Stevenson, The Black Cat (1934), Bela Lugosi, a movie from a parallel dimension, the perfect romantic character, the “noble savage” and the “blank slate”, flowery language and obfuscation, a baby story, that’s Science Fiction right there, an eight foot baby, how do we detect the world, what is light?, a blind man given sight, sphere vs. pyramid, Johann Wolfgang von Goethe, an urbane monster, the ideal syllabus, Mary Shelley is showing the heck off, Paradise Lost, The Sorrows Of Young Werther, suicide, Lives Of The Noble Greeks And Romans by Plutarch, Ruins Of Empires by Constantin-François de Volney, Frankenstein’s lab notes, Safie, the Ottoman Empire, Turkey as a proxy for European society, Olaf Stapledon, the hapless fate of the aboriginals of North America, Shelley’s hanging out with radicals, an anti-American dream, three years after the fall of Napoleon, Lord Byron, dreams, “how are we living with each other?”, Prometheus Unbound, The Last Man, Prometheus should be our hero, Harlan Ellison, Walton, Bryan’s dissertation was on Frankenstein, The Rime Of The Ancient Mariner, The Narrative Of Arthur Gordon Pym Of Nantucket, At The Mountain Of Madness, Star Trek, doppelgangers, doubles all the way down, perfectly symmetrical, The Prestige by Christopher Priest, Melmoth The Wanderer by Charles Maturin, The Saragossa Manuscript by Count Jan Potocki, the fire and ice, “in the cottage we are the monster”, lookism, when they see the monster, “as a lion rends the antelope”, Blade Runner‘s ending, all those murders, a child having a temper-tantrum, where you gonna get that wood?, standing on an ice-floe, Dante’s Inferno and the final circle of hell, Inferno by Larry Niven and Jerry Pournelle, Bryan reads Frankenstein every year, teaching Frankenstein in high-school, a perfect ending, is the monster still out there?, Edison’s 1910 film adaptation of Frankenstein (it’s 10 minutes), imagine Tesla adapting Frankenstein, a shameless self-promoter, “Victory Frankenstein fucked with Mother Nature, and She bore him a strong son”, ‘there are some things that man was not meant to know’, Walton wants to find the source of the pole’s magnetism, “it’s not just loving your family – it’s also loving your fellow being”, “if you make a mistake – own up”, Walton learns from the story, Young Frankenstein, it’s an ethics book, mad scientists, a Kennedy son, Moby Dick, C.L.R. James, a ship as a microcosm of society, “I smell readalong!”, Hitlerland: American Eyewitnesses to the Nazi Rise to Power by Andrew Nagorski, “the kids loved Uncle ‘Dolf”, “charisma leaking out all over the place”, charisma and beauty, a bear doesn’t understand charisma, real-life parallels, what is the function of Henry Clerval in the book, is he us?, a homoerotic reading, Percy and Bryon go hiking, it’s Simon Pegg and Nick Frost, World’s End, Shaun Of The Dead, Hot Fuzz, Elizabeth’s provenance and the weird relationship with her cousin/brother/owner Victor, a subterranean psychodrama, Victor’s wild dream in which Elizabeth dies and then turns into his mom, grave worms, a maternal figure and a corpse.

Theodor von Holst - Frankenstein

Frankenstein - illustration (possibly by Ernie Chan)

Frankenstein

FRANKENSTEIN - The Bride Of The Monster - illustration by Mike Ploog

FRANKENSTEIN - illustration by Dino Castrillo

These Books Make Me Feel...

World Of Wonder - Mary Shelley

LEGOized Frankenstein

The Creation Of Frankenstein's Creature - illustrated by Jesse

Posted by Jesse Willis

Review of William Shakespeare’s Star Wars

SFFaudio Review

William Shakespeares Star WarsWilliam Shakespeare’s Star Wars
By Ian Doescher; Read by Daniel Davis, Jonathan Davis, January LaVoy, and Marc Thompson
Publisher: Random House Audio
Publication Date: 1 October 2013
ISBN: 9780804191791
[UNABRIDGED] – 3 hours, 31 minutes

Download excerpt: | MP3 |

Themes: / Star Wars / Shakespeare / poetry / saga / iambic pentameter /

Publisher summary:

Return once more to a galaxy far, far away with this sublime retelling of George Lucas’s epic Star Wars in the style of the immortal Bard of Avon. The saga of a wise (Jedi) knight and an evil (Sith) lord, of a beautiful princess held captive and a young hero coming of age, Star Wars abounds with all the valor and villainy of Shakespeare’s greatest plays. ’Tis a tale told by fretful droids, full of faithful Wookiees and fearsome Stormtroopers, signifying…pretty much everything.

Reimagined in glorious iambic pentameter, William Shakespeare’s Star Wars will astound and edify Rebels and Imperials alike. Zounds! This is the audiobook you’re looking for.

What if you went to your local Renaissance Fair expecting to watch a Shakespearean play that ended up being Star Wars: A New Hope? Shakespeare’s Star Wars is pretty much what you’d get. If you’re looking for a fun, lighthearted take on Star Wars that’s fun to listen to but can also come off a bit silly, you might enjoy this book. Don’t be intimidated by the Shakespeare part, it isn’t difficult to follow. We’re talking Renaissance Fair level of difficulty in understanding what’s going on.

This book follows the events of the first movie (Episode IV) and was more enjoyable than I thought it would be. Some fan service is paid out to small things like whether Han Shot first and Luke’s whining while on the farm. Too much fan service can be bad but I thought this was handled well and not overdone too much. It was just enough that it made me smile or laugh as the story progressed.

As for the Shakespearean side of things, Doescher does a great job of incorporating many of the more well known phrases and devices known from the more well known plays. I have to give him due credit for writing the whole thing in iambic pentameter and making fantastic use of asides (when characters speak to the audience). The asides are really great to show what characters are thinking and I especially like how they are used for R2D2 (and how he “plays the fool”). Doescher makes prolific use of many well known phrases from Shakespeare that work in most places but can be a little too jarring in others when too much of the quote is used (“we few, we happy few…”).

Audiobook: As for the audio performance, I couldn’t have been happier. I expected the Shakespearean dialogue to be difficult to follow but since it’s more like “Renaissance Fair” Shakespeare, it was no problem to understand. The cast did a great job with all the voices and I genuinely laughed after the first couple of R2D2 lines. I should note that I didn’t really like January LaVoy’s performance so much in Razor’s Edge but I thought she did great in this book. All the normal sound effects and music were also present and enjoyable as usual.

Posted by Tom Schreck

The SFFaudio Podcast #239 – AUDIOBOOK: Frankenstein by Mary Shelley

Podcast

Mary Shelley's Frankenstein

The SFFaudio PodcastThe SFFaudio Podcast #239 – Frankenstein: Or The Modern Prometheus by Mary Shelley, read by Caden Vaughn Clegg (for LibriVox.org).

This audiobook, 7 hours 15 minutes, is complete and unabridged.

Victor Frankenstein, born into a wealthy Genevese family, is a student of science at the University Ingolstadt. There, studying the decay of once living beings, he gains an insight into the creation of life and conceives to fashion his own creation.

First published in 1818.

FRANKENSTEIN - It's Alive - illustration by Mike Ploog

Frankenstein - illustration by Gary Friedrich and Mike Ploog

Frankenstein REVENGE - illustration by Mike Ploog

Frankenstein - illustrated by Dino Castrillo

Mary Shelley and Frankenstein and the Creature

Frankenstein - Illustration by Norm Saunders

Posted by Seth Wilson

Review of The Girl Who Soared Over Fairyland and Cut the Moon in Two by Catherynne M. Valente

SFFaudio Review

The Girl Who Soared Over FairylandThe Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland #3)
By Catherynne M. Valente; Read by Catherynne M. Valente
Publisher: Dreamscape
Publication Date: 1 October 2013
[UNABRIDGED] – 8 hours, 23 minutes

Themes: / fantasy / YA / children’s / fairy / coming-of-age /

Publisher summary:

September misses Fairyland and her friends Ell, the Wyverary, and the boy Saturday. She longs to leave the routines of home and embark on a new adventure. Little does she know that this time, she will be spirited away to the moon, reunited with her friends, and find herself faced with saving Fairyland from a moon-Yeti with great and mysterious powers.

This was a lovely third book in the Fairyland series, where September has struggled to return to Fairyland and is wondering if you can ever really go back. The characters left behind in Fairyland have struggled too, missing her and loving her. Life apart is not always easy.

September meets a few versions of Saturday and starts to question whether she gets choices in her life, and between that and the nostalgia of childhood and facing being a grownup and what that means for her fairy land and fairy friends, this book is a bit tinged in sadness. It also includes Valente’s amazing imagination that we’ve seen from her poetry to Palimpsest (still my favorite) to the very underdiscussed Prester John books.

This is the first book of Valente’s that I’ve listened to, and Catherynne M. Valente is a marvelous performer of her own work. Her voice has the versatility of an old-Hollywood actress, with moments of great rich depth. I feel like going back and listening to everything she’s ever read. Her performance enriches her worlds, and I highly recommend the audio.

The Fairyland books are highly recommended, starting with The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making.  Perfect for kids, young adults, and adults who can still dream.

Posted by Jenny Colvin

Review of Razor’s Edge by Martha Wells

SFFaudio Review

razorsedgeRazor’s Edge: Star Wars (Empire and Rebellion)
By Martha Wells; Read by January LaVoy
Publisher: Random House Audio
Publication Date: 24 September 2013
ISBN: 9780804148269
[UNABRIDGED] – 9 hours, 57 minutes

Excerpt: | MP3 |
Themes: / Star Wars / rebels /
Publisher summary:
Times are desperate for the Rebel Alliance. Harassment by the Empire and a shortage of vital supplies are hindering completion of a new secret base on the ice planet Hoth. So when Mid Rim merchants offer much-needed materials for sale, Princess Leia Organa and Han Solo lead an Alliance delegation to negotiate a deal.But when treachery forces the rebel ship to flee into territory controlled by pirates, Leia makes a shocking discovery: the fierce marauders come from Leia’s homeworld of Alderaan, recently destroyed by the Death Star. These refugees have turned to pillaging and plundering to survive—and they are in debt to a pirate armada, which will gladly ransom the princess to the vengeful Empire . . . if they find out her true identity.

Struggling with intense feelings of guilt, loyalty, and betrayal, Leia is determined to help her wayward kinspeople, even as Imperial forces are closing in on her own crippled ship. Trapped between lethal cutthroats and brutal oppressors, Leia and Han, along with Luke, Chewbacca, and a battle-ready crew, must defy death—or embrace it—to keep the rebellion alive. 

Razor’s Edge takes place between Episodes IV and V and involves Leia trying to acquire funding for the new rebel base on the planet Hoth. It’s part of a new trilogy taking place during that time period that has each book focusing on all of our three favorite main characters: Leia, Luke, and Han. I was excited about the idea of another book during this time period because Allegiance was so good. I’m sad to say that the book didn’t completely live up to my expectations.

Considering that the Empire is the major force in the galaxy during this time period, I was surprised that they only play a minor part in this story. The Empire is there, but the majority of the story involves a group of pirates. The result is that you have lots of new characters to get to know during a time period when you’d potentially expect to be on more familiar ground. There are so many new characters that when they’re all finally together, Wells has to list all of them to describe who is doing what when the group splits up (this happens a few times and is kind of awkwardly worded). Don’t get me wrong, the book was full of the action and adventure you’d expect from a Star Wars book, it just didn’t really feel like a Star Wars book to me.

There were times in the book that it felt like I was being reminded that this was a Star Wars book – such as random lists of Star Wars races when a group passes by (2 Bith, a Rodian, and an Ithorian…or something like that happened a few times) or describing a messy office as looking like it was hit by an ion cannon (wouldn’t that just short circuit all their electronics? What would that actually look like?). The thing that really got me was that Han suddenly has a satchel he keeps having to grab or secure…is that supposed to be like Indiana Jones constantly having to grab his hat?

So why do they get roped in with these pirates? Now that is a good question. Leia is still coping with the loss of Alderaan and makes some rash/irrational/impulsive decisions based on those feelings. That would be fine except this is the same Leia that stared down Darth Vader and Grand Moff Tarkin and lied to their faces while facing torture…I just didn’t buy that she would irrationally put the hopes of the Rebel Alliance on the line because of the actions of some people from Alderaan.

Overall, I’d say that this book is good for die hard Star Wars fans but not really the casual reader. I’d give a much stronger recommendation for Allegiance by Timothy Zahn since that was a much better ride that fit really well in the same time period.

As for the audio performance, I can’t say I’d give much of a higher recommendation on that part. I’m sure January LaVoy does a great job on other books, but she just didn’t fit this book very well. Every other Star Wars book I’ve listened to did a great job with impersonations of characters we all know but they weren’t very noticeable here. Most of the male characters sounded pretty similar to each other and the female characters’ voices sounded pretty similar to the narration voice.

Star Wars books are also normally known for their effects and music. The production was decent, but there were moments where some sound effects sounded more like a game of Galaga than Star Wars.

Posted by Tom Schreck