News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.
Look what the dragnet dragged in! This is a complete and unabridged recording of a story that’s been suppressed by threats of a lawsuit. Originally recorded for inclusion in a LibriVox collection of short Science Fiction stories, Adjustment Team was unjustly subject to DMCA takedown notifications |HERE| and |HERE|. The facts are these: The story wasn’t actually copyright renewed as evidenced by this falsified document RE190631 (page 2 back). We can see that the true first publication date of Adjustment Team was in Orbit Science Fiction No.4 Sept-Oct 1954 (not Imaginative Tales September 1955). Thanks Drama Pod!
Adjustment Team
By Philip K Dick; Read by Gregg Margarite
1 |MP3| – Approx. 59 Minutes [UNABRIDGED]
Podcaster: The Drama Pod
Podcast: November 14, 2011 “Something went wrong and Ed Fletcher got mixed up in the biggest thing in his life.” First published in Orbit Science Fiction, Sept-Oct 1954, No.4.
This essential interview with Philip K. Dick, conducted by Charles Platt and recorded in 1979 in Santa Ana, California, is sure to be immensely important for Dick scholars. It was recorded for Platt’s book Dream Makers: The Uncommon People Who Write Science Fiction.
Here’s the video converted back to audio, |MP3| and although it isn’t huffduffable, it is downloadable.
Notes:
-Dick was “plenty peculiar” because he read books
-he wasn’t gay despite his hanging around with gay friends
-Quakers were about the only group in the world Dick didn’t have some sort of grievance against
-Dick claims to have been kicked out of university for failing mandatory ROTC training
-Dick read The World Of Null-A by A.E. van Vogt and found in it great inspiration for his ideas about the perception of reality and reality itself
-Dick perceived his high school geometry teacher as a mechanism
–Roog and other “interior projection stories”
-Dick’s fiction can be incomprehensible if you do not accept his premise (namely that “each of us lives in a unique world.”)
–Martian Time Slip.
-When Dick went to a psychotherapist he was told he was an alcoholic (despite his being a teetotaler)
-“attack therapy”
-totalitarian communities
-why Dick writes about anti-heroes
-paranoia
-“I am inevitably persuaded by every argument that is brought to bare”
-private worlds
–The Three Stigmata Of Palmer Eldritch
–Time Out Of Joint
-artificial memories / false memories
-the influence of drugs on Dick’s writing was only in the output (using amphetamines he was completing 60 finished pages per day)
-Dick’s one real acid trip
–A Scanner Darkly
-cats and cat curiosity
-Carl Jung and “the collective unconscious”
-John Belushi (on Saturday Night Live)
-WWI and the battle of The Marne
-Sergei Eisenstein’s Alexander Nevsky
-WWI and the battle of The Marne
-Dick’s father fought in WWI (in the 5th Marines) and told Philip the stories about it
–All Quiet On The Western Front by Erich Maria Remarque
-“the god of this world is evil”
–Maze Of Death
–Ubik
–Eye In The Sky
-WWII
-something is terrible is wrong (when everyone cheers a burning man)
-empathy for animals (human and rodent)
-the killing of a rat (haunted Dick)
-Buddha
–Flow My Tears, the Policeman Said
-lambs and sheep
–Valis (his then latest novel)
-standing on the shoulders of giants
-disorder (evil) -> order (benign)
-Dick claims to have been eccentric but not insane
-“it fired my agent, it fired my publisher” (it being the spirit that was possessing him)
-Dick’s letter to the Roman Catholic Church (about the miracle that occurred)
-conspiracies
-the Cumaean Sibyl informed Dick that the American Republic is in danger of turning into the American Empire (in 1974)
-PKD on censorship (he’s against it, unless you aren’t)
-the War Of The Spanish Lowlands
-Congressman Charles E. Wiggins got letters from Dick (written while he was possessed by the spirit of the Cumaean Sibyl)
-the Nixon tape transcripts were forgeries (according to Dick’s Cumaean Sibyl)
-the Paul Williams article in Rolling Stone on Dick
-Dick’s tutelary spirit promised to return Dick to a garden upon his deathbed
–Diana
-Norman Spinrad
-“I’m in the Portuguese States Of America”
-a Chinese finger trap
–We Can Build You
-Platt: “Do you recognize the possibility that you were talking to yourself?” Dick: “Yes.”
-multiple personalities
-Archimedes principle
–Faith Of Our Fathers
-Ursula K. Le Guin thought Dick was crazy
-pre-socratic philosophy
Talked about on today’s show:
the upside-down dog cover, Jesse doesn’t like the cover, Eric finds hidden meaning in the cover, Sir Arthur Conan Doyle, is it mainstream or a mystery or YA?, Asperger’s or autism?, what is it like to be inside another person’s head?, generates tolerance, Elaine’s post on TED Talk: Elif Şafak on The Politics Of fiction, neurotypical characters, extraordinary abilities and extraordinary deficits, Constituting Christopher: Disability Theory And Mark Haddon’s by Vivienne Muller, Scott loves lists, the reader is ahead of the narrator, unreliable narrators, Flowers For Algernon by Daniel Keyes, The Speed Of Dark by Elizabeth Moon, mystery vs. family drama, Oedipus, “Sophocles not Freud”, Christopher Robin, (Winnie The Pooh), “there is something naively wonderful going on”, information vs. meaning, who did it? vs. why did it get done?, moving from what to why, Eric found the book joyful and uplifting, at the end?, abusive vs. human vs. murderous, PETA would not be pleased, “sometimes people want to be stupid”, Occam’s Razor, “now I know what box they fit into”, Cinderella, the Grimm Brothers, Jesse loves the infodumps, the asides are a highlight, where is Siobhan?, the Recorded Books audiobook version has a great narrator (Jeff Woodman), prime numbered chapters, are the pictures necessary?, Orion (the hunter in the sky), the most common word in the book is ‘and’, “he’s adding things up”, “this is a very true book”, “lies expand infinitely in all directions”, what Science Fiction and mystery look for, “sometimes people want to be stupid”, prime numbers are like life, rationalism vs. empiricism, Christopher yearns for uniqueness, right triangles, the appendix (is not in the audiobook), the brown cow joke, unreliable narrator, Conan Doyle’s beliefs, information vs. understanding, Harriet The Spy, dude don’t stab people, “a tag cloud of the novel”, Alexander And The Terrible, Horrible, No Good, Very Bad Day by Judith Viorst, Slaughterhouse Five by Kurt Vonnegut, Jr., “Repent Harlequin!”, Said The Ticktockman by Harlan Ellison, sense of wonder, Toby the rat (Algernon), Uncle Toby, The Life And Opinions Of Tristram Shandy by Laurence Sterne, the poet “does not number the streaks of the tulip 18th century”, The History of Rasselas by Samuel Johnson, Candide by Voltaire, books inside books, Have Spacesuit, Will Travel by Robert A. Heinlein, Three Men In A Boat by Jerome K. Jerome, Donald E. Westlake, Lawrence Block, Jo Walton’s Among Others, the third season of Star Trek, art making reference to itself, The Time Machine by H.G. Wells, Star Trek‘s third season, Spectre Of The Gun, “we just need the skeleton to tell the story”, “most of the protagonists in Science Fiction novels don’t read Science Fiction”, Jenny’s review of Ready Player One, The Emperor Of Mars by Allen_Steele (audio link), standing the test of time, Jesse’s extended metaphor about winnowed books washing up on beaches 100 years later, Eric is reading Uncle Tom’s Cabin by Harriet Beecher Stowe, propaganda melodrama, Super Sad True Love Story by Gary Shteyngart, Light In August by William Faulkner, the humanizing influence, comparing The Curious Incident Of The Dog In The Night-Time with The Speed Of Dark, the novel’s form shapes the novel market, Jesse thinks series hurt readers, wondering what’s going to happen next vs. what idea is being explored, the value of series, the train trip, the maths exam, “the walls are brown”, in Science Fiction metaphors are real, clarified butter and clarified mother, the word “murder”, Julie Davis’s reading of Uncle Tom’s Cabin, Carrot Juice Is Murder by Arrogant Worms, the fairy tale that is Sherlock Holmes, is the father good?, a clarified father, Jesse was tricked into reading this book, Jenny likes Margaret Atwood’s trilogy, “get ‘im Jenny”, Oryx And Crake, H.G. Wells didn’t need any sequels!, sequel is as sequel does, David Copperfield by Charles Dickens, The Godfather, the market rules, the world building is the point (for series and authors), Agatha Christie, The Tyranny Of The “Talented” Reader, The Wheel Of Time by Robert Jordan, has Neuromancer by William Gibson passed it’s prime? (tune in next week to find out), Home Is The Hunter by Henry Kuttner, Jesse looks to books to deliver on ideas (not to make time pass).
Here is one of the greatest stories of speculative imagination, a true Science Fiction yarn in the greatest sense of that tradition. Collected previously in such anthologies as Masterpieces: The Best Science Fiction Of The Twentieth Century and The Science Fiction Hall of Fame, Volume Two A (in which it is the first story). Here is Poul Anderson’s magnificent novelette Call Me Joe.
Call Me Joe
By Poul Anderson; Read by Warren James
6 Parts – Approx. 1 Hour 22 Minutes [UNABRIDGED]
Provider: Hour 25 Online
Released: March 2001
Part 1 |MP3| Part 2 |MP3| Part 3 |MP3| Part 4 |MP3| Part 5 |MP3| Part 6 |MP3| To explore Jupiter you’ll have to do more than build a pressurized suit, you’ll need a lot more. Just ask Joe. First published in the April 1957 issue of Astounding Science Fiction.
THE CHALLENGE:
This is our 6th Annual SFFaudio Challenge. Every November 11th, for the last six years, we’ve offered the following challenge to SFFaudio readers:
“We’ll give you an audiobook if you make one for everyone else.”
That deal still holds. We’ll get you an audiobook if you make make an audiobook out of one of the public domain etexts we suggest. All you’ll need to do is claim a title (by email), record the audiobook, using your own human voice (sorry no robots), and follow the rules (see the first comment of this post for the rules). Some titles will not be public domain in all countries, but this is a global challenge. We’ve also added, for the very first time, a French language title!
Still feeling a little unclear on how it all works? Then have a look at our past SFFaudio CHALLENGES:
PRIZES: This year we’re doing something a bit different with prizes, something better. Instead of offering those unwieldy physical copies we’ve got DRM-FREE MP3 downloads for you! This not only saves us on postage it also allows for a much greater selection of audiobooks! For each audiobook you complete, you can choose one of more than 1,300 titles available! All prizes this year come courtesy of Tantor Media.
CHALLENGE TITLES: The Friendly Demon (aka The Devil Frolics With A Butler) by Daniel Defoe |HORRORMASTERS|PDF| (short story)
Seventh Victim by Robert Sheckley |PDF| (short story)*
CLAIMED BY CAINE DORR NOVEMBER 12, 2011
Untouched By Human Hands (aka One Man’s Poison) by Robert Sheckley |PDF| (short story)*
Writing Class by Robert Sheckley |RTF| (short story)*
CLAIMED AND COMPLETED BY WILLIAM COON (of Elquoent Voice) ON NOVEMBER 13, 2011
The Purple Cloud by M.P. Shiel |GUTENBERG| (novel)
City At World’s End by Edmond Hamilton |ARCHIVE.ORG| (novel)
The Common Man by Mack Reynolds |GUTENBERG| (short story)
I don’t think there’s a perfect narrator for any particular genre as a whole. But there are some pretty close cases. For a first person POV story, with a crazy sounding narrator, there’s nobody better at narration (to my ears) than Mr. Pat Bottino (he narrated Home Is The Hunter). For unbridled passion, anger, and pathos there’s Harlan Ellison (his narration of Run For The Stars |READ OUR REVIEW| was stellar). And for horror set in the USA there’s only one voice I need: Wayne June’s.
In fact, I’d be satisfied with every single American horror audiobook being narrated by his wonderful voice. While he sounds nothing like Vincent Price, he works me like a puppet in exactly the same way. He’s scary, and scared, he’s creepy and creeped. I know he can do other genres – but for me I’ve got him completely typecast – he’s just Mr. American Horror to me. He’s absolutely wonderful at it. Take this recently released novel…
Ghoul
By Brian Keene; Read by Wayne June Audible Download – 8 Hours 33 Minutes [UNABRIDGED]
Publisher: Audio Realms
Published: October 20, 2011 (on Audible.com)
Sample |MP3| June 1984. Timmy Graco is looking forward to summer vacation, taking it easy and hanging out with his buddies. Instead, his summer will be filled with terror and a life-and-death battle against a nightmarish creature that few will believe even exists. Timmy learns that the person who’s been unearthing fresh graves in the cemetery isn’t a person at all. It’s a thing. And it’s after Timmy and his friends. If Timmy hopes to live to see September, he’ll have to escape the Ghoul.