Commentary: SFSignal Mind Meld on favourite audiobooks (and audio drama) of all time

SFFaudio Commentary

SFSignal.comJohn DeNardo, of the magnificent SFSignal blog, recently asked me to participate in another “Mind Meld.”

Here’s the topic:

“What are your favorite SF/F/H audiobooks and/or audio fiction stories of all time?”

Here’s what I wrote:

As one of the people behind SFFaudio, a website devoted to SFF in the audio format, this is about the hardest question you could possibly ask me. I can’t even begin to start ranking all the gloriously wonderful audio I’ve had the honor of listening to over the last 20 years (unless you count SFFaudio as exactly that). But, I can throw out some titles that are absolutely terrific!

Since I began listening in earnest (around 1991), and to make it manageable, I’ll limit myself to just one audiobook (or audio drama) per year (sorted by publication date). To make it even easier, I’ll list only commercial productions – we have plenty of love for podcasts and other amateur audio on SFFaudio.com. For starters check out our series called Five Free Favourites.

1991: The Best Fantasy Stories Of The Year 1989 (Dercum Audio – ISBN: 1556561431)
1992: The Wind From A Burning Woman by Greg Bear (Recorded Books) |READ OUR REVIEW|
1993: The Children Of Men by P.D. James (Recorded Books) |READ OUR REVIEW|
1994: Do Androids Dream of Electric Sheep? by Philip K. Dick (Time Warner – ISBN: 9781570420528)
1995: Mind Slash Matter by Edward Wellen (Durkin Hayes) |READ OUR REVIEW|
1996: Friday by Robert A. Heinlein (Blackstone Audio – ISBN: 0786110546)
1997: Sci-Fi Private Eye ed. Isaac Asimov and Martin H. Greenberg (Dercum Audio) |READ OUR REVIEW|
1998: Martian Time Slip by Philip K. Dick (Blackstone Audio) |READ OUR REVIEW|
1999: Ringworld by Larry Niven |READ OUR REVIEW|
2000: The Reel Stuff edited by Brian Thomsen and Martin H. Greenberg |READ OUR REVIEW|
2001: Minority Report And Other Stories by Philip K. Dick |READ OUR REVIEW|
2002: Two Plays For Voices by Neil Gaiman (Seeing Ear Theatre / Harper Audio) |READ OUR REVIEW|
2003: The Terminal Experiment by Robert J. Sawyer |READ OUR REVIEW|
2004: Ender’s Game (25th Anniversary Edition) by Orson Scott Card |READ OUR REVIEW|
2005: The Dark Worlds Of H.P. Lovecraft Volume 1 by H.P. Lovecraft (Audio Realms) |READ OUR REVIEW|
2006: The Chief Designer by Andy Duncan (Infinivox) |READ OUR REVIEW|
2007: Blake’s 7 – Audio Adventures (Trilogy Box Set) (B7 Media) |READ OUR REVIEW|
2008: The Accidental Time Machine by Joe Haldeman (Recorded Books) |READ OUR REVIEW|
2009: Earth Abides by George R. Stewart (Audible Frontiers/Brilliance Audio ) |SFFaudio Podcast #073|
2010: The Stainless Steel Rat by Harry Harrison |READ OUR REVIEW|

Posted by Jesse Willis

Review of The Stainless Steel Rat by Harry Harrison

SFFaudio Review

Science Fiction Audiobook - The Stainless Steel Rat by Harry HarrisonSFFaudio EssentialThe Stainless Steel Rat
By Harry Harrison; Read by Phil Gigante
4 CDs – Approx. 5 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2010
ISBN: 9781441881076
Themes: / Science Fiction / Crime / Espionage / Galactic Civilization / Humor /

Jim DiGriz is caught during one of his crimes and recruited into the Special Corps. Boring, routine desk work during his probationary period results in his discovering that someone is building a battleship, thinly disguised as an industrial vessel. In the peaceful League no one has battleships anymore, so the builder of this one would be unstoppable. DiGriz’ hunt for the guilty becomes a personal battle between himself and the beautiful but deadly Angelina, who is planning a coup on one of the feudal worlds. DiGriz’ dilemma is whether he will turn Angelina over to the Special Corps, or join with her, since he has fallen in love with her.

As I write this dilatory review of Harry Harrison’s The Stainless Steel Rat I am just a few minutes away from finishing the follow up, The Stainless Steel Rat’s Revenge. Thus I feel doubly guilty. For while the intellectual mulling over of a book is a natural part of the reviewing process – it is but certainly ungenerous to actually begin the sequel without having delivered the original its full due. Worse, listening to this lightweight series is very much like gobbling down fisfull after fistful of a delightful confection – I am enjoying it immensely but can`t say it is particularly good at nourishing my intellect.

The Stainless Steel Rat very much deserves its due! The Stainless Steel Rat is a rollicking first person perspective adventure set amongst the resplendent plenitude of an interstellar empire. Slippery Jim DeGriz, our convivial protagonist, has a heart half filled with the milk of human kindness and half filled with a contempt of rules and rituals that the social contract requires of him. Thus he is a both anti-hero and hero, and twice as virtuous in his roguish thievery. In this, his first recorded adventure, Slippery Jim outlines the shape of his variegated and thoroughgoingly criminal career thus far, is quickly inducted into a corps of criminal conspirators that`s working for the galactic government (it`s funded by bank robberies), and falls in love (with a mortiferous murderess). The adventure is slick, quick and comic – the many scenes composing the plot are portrayed in an almost cartoonish manner (in the best possible sense of that term). And when Slippery Jim finally catches the arch-criminal he`s after – the plot follows the centuries old axiom of ìt takes a thief to catch a thief – and Slippery Jim finds that Angelina, his Lady MacBeth, is no fan of the milk of human kindness, thinking it rather distasteful stuff.

Narrator Phil Gigante reads the first person perspective tale with a transparency that`s expected of a professional narrator – his wry delivery follows the text, and gently brushes the voices of all the other speaking characters with the aural equivalent of a glistening gloss. This is the first audiobook publication of The Stainless Steel Rat, which was first published in its complete form nearly 50 years ago. The audiobook is an utter delight, being fun and funny, short, to the point, and utterly, utterly consumable. Highly recommended!

Update:

Here are the very first illustrations of The Stainless Steel Rat, from the August 1957 issue of Astounding Science Fiction (which contained the original short story):

The Stainless Steel Rat - Illustrated by Frank Kelly Freas - from Astounding Science Fiction, August 1957

The Stainless Steel Rat - Illustrated by Frank Kelly Freas - from Astounding Science Fiction, August 1957

The Stainless Steel Rat - Illustrated by Frank Kelly Freas - from Astounding Science Fiction, August 1957

Posted by Jesse Willis

old school audiobooks on eBay

SFFaudio News

Hey, as a personal favour to me (and my mom) I encourage you to check out my mom’s eBay listings for some old school out of print audiobooks from back in the day!

Table Treasures and Gifts on eBay

You’ll find some rare Tolkien stories, some Lawrence Block audiobooks and lots more goodness. But, be sure to note all audiobooks there are in the old school cassette format.

Posted by Jesse Willis

Watching for Robert Sheckley’s Watchbird

SFFaudio Online Audio

Every time I read a Robert Sheckley story I become re-enamored with the cutting burn of his insights. The latest Sheckley tale that I’ve been reading is his 1953 futuristic fable Watchbird. It’s about a new policing tool, a device that can prevent murder at the point of action. It’s not funny exactly, but it is satirical, and quite beautiful in parts:

“Over the town, the watchbird soared in a long, lazy curve. Its aluminum hide glistened in the morning sun, and dots of light danced on its stiff wings. Silently it flew.

Silently, but with all senses functioning. Built-in kinesthetics told the watchbird where it was, and held it in a long search curve. Its eyes and ears operated as one unit, searching, seeking.”

The watchbirds of the title are flying robots equipped with the tools to do their jobs – they sniff out the “outpouring of certain glands” and “taste” the “deviant brain wave” of a murderer before he or she can strike. But the watchbirds have also been programmed with the knowledge that not all murderers are wrathful, some like one hit-man who shows up in the story, have no feelings about the murders they commit. And so, they must learn to watch out for these hidden murders, to look out for the precursors to cold killings. And that’s where I think Sheckley’s radical departure comes in.

Denotation is at the heart of human conflict.

I take this as the thesis of Robert Sheckley’s short story Watchbird. Like many of those classic Science Fiction stories, Watchbird is nothing like plausible. I can’t imagine that Galaxy’s editor, Horace Gold, accepted Sheckley’s tale on the grounds that it was a logical extrapolation of where technology was going. This, even despite the long history of unmanned aerial vehicles which I am sure both Sheckley and Gold were aware of. Indeed, though we now live in a world where the likes of the General Atomics MQ-9 Reaper, equipped with air-to-ground AGM-114 Hellfire missiles, can strike any target – the technology was never the issue. Sheckley’s concern is in what motivates their use. So the question then, as now, is: “What’s the difference between a killing and a murder?”

In answer to that question I think Watchbird should be better known, more read, and perhaps like Orwell’s novels Animal Farm and 1984, it should be read by those who would seek to govern. Sadly, I think this unlikely. I’m not convinced Watchbird‘s epistemological skepticism is as palatable as the simplicity of: a “boot stamping on a human face— forever” or that of a megalomaniacal pig.

Epistemology is a hard, hard sell, but as we strive for the moral conclusions we so desire, we must, if we are to be clever, first reconcile all the varied definitions that we think we know.

This kind of story is of history and humanity, written as with an exploded view. Words like “right” and “wrong”, “murder” and “kill” are used to map the world and as such they are the explanation of, and sometimes the reasons for, the actions we see all around us. As evidence I can only submit Watchbird:

Audiobooks:

LIBRIVOX - Watchbird by Robert SheckleyWatchbird
By Robert Sheckley; Read by Gregg Margarite
1 |MP3| – Approx. 47 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: May 16, 2010
Strange how often the Millennium has been at hand. The idea is peace on Earth, see, and the way to do it is by figuring out angles. First published in the February 1953 issue of Galaxy Science Fiction.

Audio Drama:

Tales Of TomorrowTales Of Tomorrow – Watchbird
Based on a story by Robert Sheckley; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
Broadcaster: ABC Radio (American Broadcasting Company)
Broadcast: 1953
Provider: OTR-Cat.com

2000X - Watchbird based on the story by Robert Sheckley2000X – The Watchbird
By Robert Sheckley; Performed by a full cast
Audible Download – Approx. 35 Minutes [RADIO DRAMA]
Publisher: The Hollywood Theater of the Ear / Audible
Published: 2000
Science invents a flying robot that prevents murder, but there’s a fateful glitch. Adapted for audio by William F. Nolan and Ytzhak Berle, with a cast featuring Newell Alexander, Janet Carroll, Jerry Castillo, Joe Greco, Melissa Greenspan, Allan Miller, Stefan Rudnicki, Hamilton Camp, Brian Finney, and Bradley Schreiber.

Springbok Radio - SF'68SF’68 – Watchbird
Based on the story by Robert Sheckley; Adapted by Michael McCabe; Performed by a full cast
1 |MP3|* – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: Springbok Radio
Broadcast: 1968
Provider: The Zombie Astronaut’s Frequency Of Fear #0.048
*The adaptation begins at approx. the 43 minute mark.
SF’68 was produced in Johannesburg, South Africa in 1968.

Other:

-The original publication in Galaxy Science Fiction |ETEXT|HTML|

-Video adaptation in The Masters Of Science Fiction TV series.

Posted by Jesse Willis

A Piece Of String by Guy de Maupassant (as read by Stefan Rudnicki)

Aural Noir: Online Audio

Here’s a really thoughtful short crime story that I think my Catholic friends will especially enjoy (it’s good and it’s pretty hard to find a good audio edition). Though some have classified it as humorous it has plenty of depth (they must be thinking it is a black comedy). It follows in the tradition of The Boy Who Cried Wolf and may remind you of later works like Joseph Heller’s Catch-22. In the paperbook translation where I first read it, the title was A Piece Of Yarn. This is not a literal translation of the French (“La Ficelle“) but is actually about ten times better than A Piece Of String (for reasons which are clearer after reading the entire tale). And as an added bonus there’s probably not a better American accented narrator for this story than Stefan Rudnicki. Enjoy!

A Piece Of String by Guy de MaupassantA Piece Of String (aka A Piece Of Yarn)
By Guy de Maupassant; Read by Stefan Rudnicki
1 |MP3| – Approx. 17 Minutes [UNABRIDGED]
Publisher: Redwood Audiobooks (Listen To Genius)
Published: 2008
Source: ListenToGenius.com
A thrifty hand, a shrewd eye and a good story are universally loved by the prideful farmers of Normandy. But Maître Hauchecome soon finds himself in a epistemological struggle between his word, his reputation and his story.

The full text of the tale follows below:

A Piece Of String
By Guy de Maupassant

Along all the roads around Goderville the peasants and their wives were coming toward the burgh because it was market day. The men were proceeding with slow steps, the whole body bent forward at each movement of their long twisted legs; deformed by their hard work, by the weight on the plow which, at the same time, raised the left shoulder and swerved the figure, by the reaping of the wheat which made the knees spread to make a firm “purchase,” by all the slow and painful labors of the country. Their blouses, blue, “stiff-starched,” shining as if varnished, ornamented with a little design in white at the neck and wrists, puffed about their bony bodies, seemed like balloons ready to carry them off. From each of them two feet protruded.

Some led a cow or a calf by a cord, and their wives, walking behind the animal, whipped its haunches with a leafy branch to hasten its progress. They carried large baskets on their arms from which, in some cases, chickens and, in others, ducks thrust out their heads. And they walked with a quicker, livelier step than their husbands. Their spare straight figures were wrapped in a scanty little shawl pinned over their flat bosoms, and their heads were enveloped in a white cloth glued to the hair and surmounted by a cap.

Then a wagon passed at the jerky trot of a nag, shaking strangely, two men seated side by side and a woman in the bottom of the vehicle, the latter holding onto the sides to lessen the hard jolts.

In the public square of Goderville there was a crowd, a throng of human beings and animals mixed together. The horns of the cattle, the tall hats, with long nap, of the rich peasant and the headgear of the peasant women rose above the surface of the assembly. And the clamorous, shrill, screaming voices made a continuous and savage din which sometimes was dominated by the robust lungs of some countryman’s laugh or the long lowing of a cow tied to the wall of a house.

All that smacked of the stable, the dairy and the dirt heap, hay and sweat, giving forth that unpleasant odor, human and animal, peculiar to the people of the field.

Maître Hauchecome of Breaute had just arrived at Goderville, and he was directing his steps toward the public square when he perceived upon the ground a little piece of string. Maître Hauchecome, economical like a true Norman, thought that everything useful ought to be picked up, and he bent painfully, for he suffered from rheumatism. He took the bit of thin cord from the ground and began to roll it carefully when he noticed Maître Malandain, the harness maker, on the threshold of his door, looking at him. They had heretofore had business together on the subject of a halter, and they were on bad terms, both being good haters. Maître Hauchecome was seized with a sort of shame to be seen thus by his enemy, picking a bit of a head. two arms and string out of the dirt. He concealed his “find” quickly under his blouse, then in his trousers’ pocket; then he pretended to be still looking on the ground for something which he did not find, and he went toward the market, his head forward, bent double by his pains.

He was soon lost in the noisy and slowly moving crowd which was busy with interminable bargainings. The peasants milked, went and came, perplexed, always in fear of being cheated, not daring to decide, watching the vender’s eye, ever trying to find the trick in the man and the flaw in the beast.

The women, having placed their great baskets at their feet, had taken out the poultry which lay upon the ground, tied together by the feet, with terrified eyes and scarlet crests.

They heard offers, stated their prices with a dry air and impassive face, or perhaps, suddenly deciding on some proposed reduction, shouted to the customer who was slowly going away: “All right, Maître Authirne, I’ll give it to you for that.”

Then lime by lime the square was deserted, and the Angelus ringing at noon, those who had stayed too long scattered to their shops.

At Jourdain’s the great room was full of people eating, as the big court was full of vehicles of all kinds, carts, gigs, wagons, dumpcarts, yellow with dirt, mended and patched, raising their shafts to the sky like two arms or perhaps with their shafts in the ground and their backs in the air.

Just opposite the diners seated at the table the immense fireplace, filled with bright flames, cast a lively heat on the backs of the row on the right. Three spits were turning on which were chickens, pigeons and legs of mutton, and an appetizing odor of roast beef and gravy dripping over the nicely browned skin rose from the hearth, increased the jovialness and made everybody’s mouth water.

All the aristocracy of the plow ate there at Maître Jourdain’s, tavern keeper and horse dealer, a rascal who had money.

The dishes were passed and emptied, as were the jugs of yellow cider. Everyone told his affairs, his purchases and sales. They discussed the crops. The weather was favorable for the green things but not for the wheat.

Suddenly the drum beat in the court before the house. Everybody rose, except a few indifferent persons, and ran to the door or to the windows, their mouths still full and napkins in their hands.

After the public crier had ceased his drumbeating he called out in a jerky voice, speaking his phrases irregularly:

“It is hereby made known to the inhabitants of Goderville, and in general to all persons present at the market, that there was lost this morning on the road to Benzeville, between nine and ten o’clock, a black leather pocketbook containing five hundred francs and some business papers. The finder is requested to return same with all haste to the mayor’s office or to Maître Fortune Houlbreque of Manneville; there will be twenty francs reward.”

Then the man went away. The heavy roll of the drum and the crier’s voice were again heard at a distance.

Then they began to talk of this event, discussing the chances that Maître Houlbreque had of finding or not finding his pocketbook.

And the meal concluded. They were finishing their coffee when a chief of the gendarmes appeared upon the threshold.

He inquired:

“Is Maître Hauchecome of Breaute here?”

Maître Hauchecome, seated at the other end of the table, replied:

“Here I am.”

And the officer resumed:

“Maître Hauchecome, will you have the goodness to accompany me to the mayor’s office? The mayor would like to talk to you.”

The peasant, surprised and disturbed, swallowed at a draught his tiny glass of brandy, rose and, even more bent than in the morning, for the first steps after each rest were specially difficult, set out, repeating: “Here I am, here I am.”

The mayor was awaiting him, seated on an armchair. He was the notary of the vicinity, a stout, serious man with pompous phrases.

“Maître Hauchecome,” said he, “you were seen this morning to pick up, on the road to Benzeville, the pocketbook lost by Maître Houlbreque of Manneville.”

The countryman, astounded, looked at the mayor, already terrified by this suspicion resting on him without his knowing why.

“Me? Me? Me pick up the pocketbook?”

“Yes, you yourself.”

“Word of honor, I never heard of it.”

“But you were seen.”

“I was seen, me? Who says he saw me?”

“Monsieur Malandain, the harness maker.”

The old man remembered, understood and flushed with anger.

“Ah, he saw me, the clodhopper, he saw me pick up this string here, M’sieu the Mayor.” And rummaging in his pocket, he drew out the little piece of string.

But the mayor, incredulous, shook his head.

“You will not make me believe, Maître Hauchecome, that Monsieur Malandain, who is a man worthy of credence, mistook this cord for a pocketbook.”

The peasant, furious, lifted his hand, spat at one side to attest his honor, repeating:

“It is nevertheless the truth of the good God, the sacred truth, M’sieu the Mayor. I repeat it on my soul and my salvation.”

The mayor resumed:

“After picking up the object you stood like a stilt, looking a long while in the mud to see if any piece of money had fallen out.”

The good old man choked with indignation and fear.

“How anyone can tell—how anyone can tell—such lies to take away an honest man’s reputation! How can anyone—-”

There was no use in his protesting; nobody believed him. He was con.

fronted with Monsieur Malandain, who repeated and maintained his affirmation. They abused each other for an hour. At his own request Maître Hauchecome was searched; nothing was found on him.

Finally the mayor, very much perplexed, discharged him with the warning that he would consult the public prosecutor and ask for further orders.

The news had spread. As he left the mayor’s office the old man was sun rounded and questioned with a serious or bantering curiosity in which there was no indignation. He began to tell the story of the string. No one believed him. They laughed at him.

He went along, stopping his friends, beginning endlessly his statement and his protestations, showing his pockets turned inside out to prove that he had nothing.

They said:

“Old rascal, get out!”

And he grew angry, becoming exasperated, hot and distressed at not

being believed, not knowing what to do and always repeating himself.

Night came. He must depart. He started on his way with three neighbors to whom he pointed out the place where he had picked up the bit of string, and all along the road he spoke of his adventure.

In the evening he took a turn in the village of Breaute in order to tell it to everybody. He only met with incredulity.

It made him ill at night.

The next day about one o’clock in the afternoon Marius Paumelle, a hired man in the employ of Maître Breton, husbandman at Ymanville, returned the pocketbook and its contents to Maître Houlbreque of Manneville.

This man claimed to have found the object in the road, but not knowing how to read, he had carried it to the house and given it to his employer.

The news spread through the neighborhood. Maître Hauchecome was informed of it. He immediately went the circuit and began to recount his story completed by the happy climax. He was in triumph.

“What grieved me so much was not the thing itself as the lying. There is nothing so shameful as to be placed under a cloud on account of a lie.”

He talked of his adventure all day long; he told it on the highway to people who were passing by, in the wineshop to people who were drinking there and to persons coming out of church the following Sunday. He stopped strangers to tell them about it. He was calm now, and yet something disturbed him without his knowing exactly what it was. People had the air of joking while they listened. They did not seem convinced. He seemed to feel that remarks were being made behind his back.

On Tuesday of the next week he went to the market at Goderville, urged solely by the necessity he felt of discussing the case.

Malandain, standing at his door, began to laugh on seeing him pass. Why?

He approached a farmer from Crequetot who did not let him finish and, giving him a thump in the stomach, said to his face:

“You big rascal.”

Then he turned his back on him.

Maître Hauchecome was confused; why was he called a big rascal?

When he was seated at the table in Jourdain’s tavern he commenced to explain “the affair.”

A horse dealer from Monvilliers called to him:

“Come, come, old sharper, that’s an old trick; I know all about your piece of string!”

Hauchecome stammered:

“But since the pocketbook was found.”

But the other man replied:

“Shut up, papa, there is one that finds and there is one that reports. At any rate you are mixed with it.”

The peasant stood choking. He understood. They accused him of having had the pocketbook returned by a confederate, by an accomplice.

He tried to protest. All the table began to laugh.

He could not finish his dinner and went away in the midst of jeers.

He went home ashamed and indignant, choking with anger and confusion, the more dejected that he was capable, with his Norman cunning, of doing what they had accused him of and ever boasting of it as of a good turn. His innocence to him, in a confused way, was impossible to prove, as his sharpness was known. And he was stricken to the heart by the injustice of the suspicion.

Then he began to recount the adventures again, prolonging his history every day, adding each time new reasons, more energetic protestations, more solemn oaths which he imagined and prepared in his hours of solitude, his whole mind given up to the story of the string. He was believed so much the less as his defense was more complicated and his arguing more subtile.

“Those are lying excuses,” they said behind his back.

He felt it, consumed his heart over it and wore himself out with useless efforts. He wasted away before their very eyes.

The wags now made him tell about the string to amuse them, as they make a soldier who has been on a campaign tell about his battles. His mind, touched to the depth, began to weaken.

Toward the end of December he took to his bed.

He died in the first days of January, and in the delirium of his death struggles he kept claiming his innocence, reiterating:

“A piece of string, a piece of string—look—here it is, M’sieu the Mayor.”

Posted by Jesse Willis

New Releases: One more SECRET Hard Case Crime audiobook – The Confession by Domenic Stansberry

Aural Noir: New Releases

I have a confession to make. I missed mentioning one audiobook – see I’m putting next week’s podcast together now and I’ve re-discovered it. Here’s another of those hard to find and/or hidden Hard Case Crime audiobooks! An EDGAR AWARD winner (Best Paperback Original)…

Hard Case Crime - The Confession by Domenic Stansberry

HCC-006:

AUDIBLE - The Confession by Domenic StansberryThe Confession
By Domenic Stansberry; Read by L.J. Ganser
Audible Download – Approx. 7 Hours 3 Minutes [UNABRIDGED]
Publisher: Audible, Inc.
Published: June 2010
Jake Danser has it all: a beautiful wife, a house in the California hills, a high-profile job as a forensic psychologist. But he’s also got a mistress. And when Jake’s mistress is found strangled to death with his necktie, it’s up to him to prove he didn’t do it. But how can he, when all the evidence says he did?

Posted by Jesse Willis