Yesterday, a friend of mine was woefully mistaken. He said there was only one good audio drama and that it was The Hobbit (referring to the BBC radio dramatization). Well that is a pretty awesome audio drama but he is still totally and completely WRONG.
There are probably hundreds and hundreds of excellent audio dramas, but I was totally caught off guard – what’s that old french saying… ah yes…
My friend left unconvinced. And it is only now, today, that others spring readily to mind.
In l’esprit de l’escalier I will throw out one more – to him and to the world – and that will be George Zarr’s masterful adaptation of Jack Vance’s The Moon Moth.
It was one of the first audio dramas I reviewed for SFFaudio, back in 2003, and it is still one of the very finest audio dramas I’ve ever heard.
You could |READ OUR REVIEW|, but I think just hearing a few minutes of it will provide enough motivation to propel both you, and my friend, to both the end and a change of opinion.
Seeing Ear Theatre – The Moon Moth
Based on the novella by Jack Vance; adapted by George Zarr; Performed by a Full Cast
2 MP3 Files – Approx. 73 Minutes [AUDIO DRAMA]
Publisher: Seeing Ear Theater
Published: 2000? On the planet Sirene everyone wears a mask according to his status — or strahk — in society. Communication is accomplished through singing accompanied by a plethora of instruments, each of which signifies a different emotional mood or is used to talk to a different social caste. The problem is, the assassin Angmark is a master of Sirenese customs and — like everyone else on Sirene — his face is hidden behind a mask. Our doddering ambassador-detective’s only hope: to learn to use his own mask — the lowly Moon Moth — before Angmark relieves him of a head to put it on. First published in Galaxy Science Fiction, August 1961.
Produced and directed by George Zarr
Sound Design by John Colucci and David Shinn
Music Direction and Sirenese Musical Performance by Douglas Anderson
David Garrison as Edwer Thissell and Provisionist Greenward
Tuck Milligan as Haxo Angmark and Messenger Slave
Ian Reed as Esteban Rolver and Bright Sky Bird
Mort Banks as Cornelly Welibus and Maskmaker
Mark Victor Smith as Mathew Kershaul
Leah Applebaum as Computoid, Maiden, Female Slave, and Rex
George Zarr as Steward and Paul
Andrew Joffe as Forest Goblin, Benko, and Sand Tiger
Paul Amodeo as Hostler and Toby
Here are the illustrations, by Dick Francis, from the original publication in Galaxy SF:
And finally, we talked to George Zarr about The Moon Moth, and many other plays, back in SFFaudio Podcast #071. Check it out if you’d like to hear more about how awesome audio drama is.
You’ve heard rumors of the City of Dreams. It’s existence has been officially denied, although unconfirmed reports have placed it beneath the ruins of Machu Pichu in South America. Others say it’s in Arkham, Massachusetts, or hidden in a secret network of tunnels under Moscow.
But we’re here to tell you the truth. Do you want to know where the City of Dreams is?
It’s on YouTube! Yes, the wondrous Twilight Zone-esque series written by J. Michael Straczynski and produced as a part of The Seeing Ear Theatre is available on YouTube. Here’s the first episode:
Episode 1 – The Damned Are Playing At Godzilla Tonight
Part 1 of 3:
Part 2 of 3:
Part 3 of 3:
The dark, ominous tale of the bigoted owner of a small nightclub in the City of Dreams who faces a new sound, and a band that just won’t quit…on either side of the grave.
Written by J. Michael Straczynski
As one of the people behind SFFaudio, a website devoted to SFF in the audio format, this is about the hardest question you could possibly ask me. I can’t even begin to start ranking all the gloriously wonderful audio I’ve had the honor of listening to over the last 20 years (unless you count SFFaudio as exactly that). But, I can throw out some titles that are absolutely terrific!
Since I began listening in earnest (around 1991), and to make it manageable, I’ll limit myself to just one audiobook (or audio drama) per year (sorted by publication date). To make it even easier, I’ll list only commercial productions – we have plenty of love for podcasts and other amateur audio on SFFaudio.com. For starters check out our series called Five Free Favourites.
1991: The Best Fantasy Stories Of The Year 1989 (Dercum Audio – ISBN: 1556561431)
1992: The Wind From A Burning Woman by Greg Bear (Recorded Books) |READ OUR REVIEW|
1993: The Children Of Men by P.D. James (Recorded Books) |READ OUR REVIEW|
1994: Do Androids Dream of Electric Sheep? by Philip K. Dick (Time Warner – ISBN: 9781570420528)
1995: Mind Slash Matter by Edward Wellen (Durkin Hayes) |READ OUR REVIEW|
1996: Friday by Robert A. Heinlein (Blackstone Audio – ISBN: 0786110546)
1997: Sci-Fi Private Eye ed. Isaac Asimov and Martin H. Greenberg (Dercum Audio) |READ OUR REVIEW|
1998: Martian Time Slip by Philip K. Dick (Blackstone Audio) |READ OUR REVIEW|
1999: Ringworld by Larry Niven |READ OUR REVIEW|
2000: The Reel Stuff edited by Brian Thomsen and Martin H. Greenberg |READ OUR REVIEW|
2001: Minority Report And Other Stories by Philip K. Dick |READ OUR REVIEW|
2002: Two Plays For Voices by Neil Gaiman (Seeing Ear Theatre / Harper Audio) |READ OUR REVIEW|
2003: The Terminal Experiment by Robert J. Sawyer |READ OUR REVIEW|
2004: Ender’s Game (25th Anniversary Edition) by Orson Scott Card |READ OUR REVIEW|
2005: The Dark Worlds Of H.P. Lovecraft Volume 1 by H.P. Lovecraft (Audio Realms) |READ OUR REVIEW|
2006: The Chief Designer by Andy Duncan (Infinivox) |READ OUR REVIEW|
2007: Blake’s 7 – Audio Adventures (Trilogy Box Set) (B7 Media) |READ OUR REVIEW|
2008: The Accidental Time Machine by Joe Haldeman (Recorded Books) |READ OUR REVIEW|
2009: Earth Abides by George R. Stewart (Audible Frontiers/Brilliance Audio ) |SFFaudio Podcast #073|
2010: The Stainless Steel Rat by Harry Harrison |READ OUR REVIEW|
WATCH OUT FOR THE FALSE ENDINGS (mostly attributable to Luke)
Talked about on today’s show:
Role playing game names, “Tom And His Friends” Dungeons And Dragons comedy (aka Farador), SFFaudio Challenge #2, Rebels Of The Red Planet by Charles L. Fontenay, Mars, martian rebels, Podiobooks.com, Cossmass Productions, Mark Douglas Nelson, Dan Simmons’ Hyperion, the least interesting vs. the least fitting, I’m Dreaming Of A Black Christmas by Lewis Black, Christmas = Fantasy?, The Daily Show with Jon Stewart, Suck It, Wonder Woman |READ OUR REVIEW|, Star Wars, what makes Star Wars Science Fiction is a sense-of-wonder?, Star Trek, METAtropolis: Cascadia, Star Trek The Next Generation narrators vs. Battlestar Galactica narrators, Wil Wheaton as a narrator, Dove Audio, Levar Burton as a narrator, liking Star Trek for all the wrong reasons, Theodore Sturgeon, Harlan Ellison, assimilation is a neat idea, “who the hell are the Borg?”, The Unincorporated Man by Dani Kollin and Eytan Kollin |READ OUR REVIEW|, The Unincorporated War, “is there true Science Fiction to be found in sequels?”, The Hunger Games by Suzanne Collins, Peter F. Hamilton’s The Void Trilogy, Blackout by Connie Willis, The Doomsday Book by Connie Willis |READ OUR REVIEW|, Firewatch, dragging the story out, Whiteout by Connie Willis, World War II, Katherine Kellgren as a narrator, Jenny Sterlin as a narrator, Recorded Books, Brilliance Audio, Audible.com, Amazon.com, Earth Abides by George R. Stewart, Deep Six by Jack McDevitt, introductions to audiobooks, the introduction as an apology for the book, Slaughterhouse Five by Kurt Vonnegut Jr. |READ OUR REVIEW|, The Stainless Steel Rat by Harry Harrison, The Time Traders by Andre Norton, H.G. Wells, The First Men In The Moon, Around The Moon, Jules Verne, continuing characters rather than continuing series, Sherlock Holmes, Khyber Pass vs. Reichenbach Falls, Sir Arthur Conan Doyle, The Valley Of Fear, The Hound Of The Baskervilles, Lois McMaster Bujold’s Miles Vorkosigan series, does reading a series defeat the hope of being surprised? Priest Kings Of Gor by John Norman, A Game Of Thrones by George R.R. Martin |READ OUR REVIEW|, fun vs. funny, crime and adventure vs. ideas, A Princess Of Mars by Edgar Rice Burroughs, Bill The Galactic Hero, Slippery Jim DiGriz, The Stainless Steel Rat’s Revenge, This Immortal by Roger Zelazny, The Speed Of Dark by Elizabeth Moon, Books On Tape, Grover Gardner, Gregg has a grumbly voice, The Space Dog Podcast, The Science Fiction Oral History Association, Gordon Dickson, Isaac Asimov, Arthur C. Clarke, Cordwainer Smith, Scott Westerfeld, Ben Bova, Luke’s next podcast project, NaNoWriMo, what podcast schedule should you have?, Robert Silverberg AUDIOBOOKS are coming from Wonder Audio, the old stuff vs. the new stuff, Jay Snyder as a narrator, a Science Fiction story that has little SF content, autism, Charly, Understand by Ted Chiang, Flowers For Algernon, interacting with the world, I Am Not A Serial Killer by Dan Wells, psychopathy, an unreliable first person narrator, young Dexter, Asperger syndrome, The Curious Incident Of The Dog In The Night-Time by Mark Haddon, a detached (but reliable) narrator, the two audiobook versions of The Curious Incident Of The Dog In The Night-Time, Quicksilver by Neal Stephenson, the Baroque Cycle, Anathem, John Allen Nelson as a narrator, Phat Fiction, The Way Of Kings by Brandon Sanderson, The Towers Of Midnight by Robert Jordan and Brandon Sanderson, walking around central park as a retired person as my new career, who listens to audiobooks?, working the unworked niche, they really like Gregg’s voice!, no RSS-feed = soooo sad, Sam This Is You by Murray Leinster, Black Amazon Of Mars by Leigh Brackett, The World That Couldn’t Be Clifford D. Simak, The Idiot by John Kendrick Bangs, The Hate Disease, Asteroid Of Fear, Industrial Revolution by Poul Anderson, A Horse’s Tale by Mark Twain, anthropomorphic fiction, A Dog’s Tale by Mark Twain, Gregg has bugles lying around, Jonathan Swift, Gulliver’s Travels, Thought You Were Dead by Terry Griggs, Iambik Audio‘s upcoming Science Fiction audiobooks, LibriVox, working with small press publishers, Extract From Captain Stormfield’s Visit To Heaven, Blackstone Audio, The Many Colored Land by Julian May, Bernadette Dunne as a narrator, time travel, The Pliocene Epoch, sequel and prequel fatigue, flooding the Mediterranean, Blake’s 7: Zen : Escape Veloctiy is a Science Fictiony audio drama series, Firesign Theatre? (he means Seeing Ear Theatre), The Moon Moth based on the story by Jack Vance, Don’t Crush That Dwarf, Hand Me The Pliers, Mistborn, Terminal World by Alastair Reynolds, Lord Of Light by Roger Zelazny, Finch by Jeff Vandermere, Flood by Stephen Baxter, thematic exploration vs. bad writing, GoodReads.com, Eifelheim by Michael Flynn |READ OUR REVIEW|, Luke’s books should be audiobooks, The Fifth Annual SFFaudio Challenge, all the cool Science Fiction ideas in Luke’s books, Gregg Margarite is a secret author with a secret pseudonym, Eric Arthur Blair, the publishing industry headache is intolerable to many, good writers + savvy marketers = sales success?, Redbelt, David Mamet, drowning in an ocean full of crap, the Jesse Willis bump?, catering to the listeners (or readers) desires vs. publishers desires, Pogoplug, Out Of The Dark by David Weber, artificial robots vs. natural robots, What Technology Wants by Kevin Kelly, art and techne, does evolution have goals?, the Cool Tools blog, eyes vs. I, natural selection, zero-point energy, the Cat in Red Dwarf was pulled to the fish dispensing vending machine, if you won’t give me eyes at least give me bilateral symmetry, goals vs. patterns or positions, starfish vs. Inuit, technology is a function of evolution, Luke re-writes The War Of The Worlds in under 20 minutes, red weed and green mist, stomach-less martians, “the final final part” and the musical version, flipping over the narrative is fun, Ender’s Game vs. Ender’s Shadow, what do the martians have against doors?, keeping the martian cannon canon, The Dragon With The Girl Tattoo by Adam Roberts.
Here are two more releases from the long deleted Seeing Ear Theatre collection. They were lovingly uploaded to Archive.org and they shall be just as lovingly added to our master list of Seeing Ear Theatre‘s goodness.
Unto The Daughters and Margin Of Error
By Nancy Kress; Read by Nancy Kress
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
Publisher: Seeing Ear Theatre
Recorded at the 1998 Baltimore WorldCon.
The Goblin King and The Dead Boy At Your Window
By Bruce Holland Rogers; Read by Bruce Holland Rogers
1 |MP3| – Approx. 11 Minutes [UNABRIDGED]
Publisher: Seeing Ear Theatre
Bruce Sterling reads from Distraction
By Bruce Sterling; Read by Bruce Sterling
1 |MP3| – Approx. 31 Minutes [EXCERPT]
Publisher: Seeing Ear Theatre
By James Patrick Kelly; Read by James Patrick Kelly
1 |MP3| – Approx. 34 Minutes [UNABRIDGED]
Publisher: Seeing Ear Theatre
Samuel R. Delany reads from The Einstein Intersection
By Samuel R. Delany; Read by Samuel R. Delany
1 |MP3| – Approx. 24 Minutes [EXCERPT]
Publisher: Seeing Ear Theatre