Tag: audiobook

Hypnobobs: The Flowering Of The Strange Orchid by H.G. Wells

Jesse Willis

SFFaudio Online Audio

The Flowering Of The Strange Orchid by H.G. Wells

In less than 3,000 words H.G. Wells planted the seed, as it were, for a rare and delicate subspecies of Science Fiction we might call Botanical Horror SF. As Mr. Jim Moon, of the wondrous Hypnobobs podcast, points out in his introduction to his reading, this seed would later flower into a John Wyndham novel we all know and love.

So, grab some coffee, head into the greenhouse, and listen to this curious story of where it all started.

The Flowering Of The Strange Orchid by H.G. Wells

HypnobobsThe Flowering Of The Strange Orchid
By H.G. Wells; Read by Jim Moon
1 |MP3| – Approx. 1 Hour 21 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: April 6, 2012
First published in Pall Mall Budget, December 27, 1894.

Podcast feed: http://feeds.feedburner.com/Hypnobobs

And, here’s an illustrated |PDF|.

The Flowering Of The Strange Orchid by H.G. Wells

Posted by Jesse Willis

Protecting Project Pulp: The Opener Of The Way by Robert Bloch

Jesse Willis

SFFaudio Online Audio

The Opener Of The Way by Robert Bloch - Illustration by Virgil Finlay

Here’s a creepy tale by a then young disciple and contemporary of H.P. Lovecraft. Taking Egyptian mythology as his starting point Robert Bloch delivers a pretty good tale in the style of the master.

Protecting Project PulpProtecting Project Pulp No. 59 – The Opener Of The Way
By Robert Bloch; Read by Simon Hildebrandt.
1 |MP3| – Approx. 42 Minutes [UNABRIDGED]
Podcaster: Protecting Project Pulp
Podcast: September 9, 2013
A tremendous tale about the dread doom that overtook an archeologist in that forgotten tomb beneath the desert sands of Egypt. First published in Weird Tales, October 1936.

The titular appellation “The Opener Of The Way” has also recently turned attached to a monster named “Allabar” in the Dungeons & Dragons: Monster Manual 3 (which recommends you use it as a “climactic villain”). The TV Tropes entry “D&D Nightmare Fuel” describes this “monster” thusly:

And then there is Allabar, Opener of the Way, the first 4th Edition living star … instead of a face, imagine dozens upon dozens of unblinking eyes, as well as hundreds of rope-like “growths” around its “body.” Think the moon, when it’s nice and big and clear, so you can see all of the faultlines, valleys and craters. Now imagine every faultline and valley is a huge, thrashing tentacle, and every crater, from the biggest to the smallest, is a never-blinking eye. Imagine that floating in the sky above you at night. Staring at you. Hating you.

Allabar, The Opener Of The Way

Posted by Jesse Willis

The SFFaudio Podcast #227 – AUDIOBOOK/READALONG: The Dreams In The Witch House by H.P. Lovecraft

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #227 – The Dreams In The Witch House by H.P. Lovecraft; read by Julie Hoverson. This is a complete and unabridged reading of the novelette (1 hour 42 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Julie Hoverson, Mirko Stauch, and John Feaster.

Talked about on today’s show:
1933, a pretty terrible Lovecraft story, which story?, science fiction vs. horror, crappy cheesy, Julie’s audio drama adaptation of The Dreams In The Witch House, bad ending vs. interesting journey, nobody wants August Derleth to be right, Mirko likes it, a magnificent failure?, an unusual narrative, standard witch story #4, The Size Of The Universe by Willem de Sitter, is the Dark Man made out of dark matter?, the first fanfic Mary Sue writer, Hypnos, witches, magic, what does a being from beyond space need with baby guts, why is Nyarlathotep crusing the streets with a dude in his pajamas?, Prohibition, a supervillain squad, a nerve specialist, Herbert West, Re-Animator, Douglas Adams, space is really really really big, the total perspective vortex, Lovecraft humour, Pickman’s Model, Walter Gilman is blind to the danger, the Masters Of Horror adaptation, The Whisperer In Darkness, The Colour Out Of Space, a homesteading concept, Darkest Of The Hillside Thickets, The Shadow Out of Tim, the science fiction aspect, a scary fascination, the sunburn, the blown out ear drums, Azathoth, the Pythagorean view, “everything is made of numbers”, mathematics, Galen, is Keziah Mason dead?, is Walter Gilman doomed from the start?, Brown Jenkin looks like Chuck E. Cheese, what is Brown Jenkin?, witches familiars, Blackadder, “bloody milk!”, bubbles -> Beelzebubbles, modern witches, “the witch stole my penis”, mob mentality, Caligula, proscription, Crassus, the Polish landlord and tenants, a drunken loom-mender?, the looming evil, the cross prayer, the cross giver, the cross as a weapon, Walpurgis Night, the skeleton is quantum physics, Halloween, the maypole, the Brocken, pagan rituals, prank gardening, tree stealing, mascot kidnapping, “excessively religious”, Elwood, The Thing On The Doorstep is internally logical, Tales From The Crypt, Lovecraft’s racism, The Haunter Of The Dark, presenting light, superstition, Mount Everest, icky areas, Lovecraft’s characters aren’t into self-preservation, 1960s, addiction, psychedelics, helmet refusers, “outspokenly Wiccan”, The Call Of Cthulhu RPG, 20 sided die, weird angles, 4 sided die, Julie’s die scar, sharp Doritos, caltrops, “grimoire”, sleeping on Elwood’s couch, a cohesive awesome, the endings, the star wanderings, Beyond The Wall Of Sleep, Polaris, an obsession with evil stars, astral projection, the movement of the stars, Lovecraft’s astronomic efforts, The Festival, a weird plot thread, Lovecraft as an untethered balloon, there’s a lot of puppy dog in H.P. Lovecraft, “the poky little Lovecraft”, Montreal, a historical-building-o-phile, Bingo The Birthday Clown, Star Crunch (a Lovecraftian sponsor), “a field of red jelly with bones floating in it”, hot dog water, ultimately everyone is consumed, Tunus the Unstoppable, a soap opera with only three people, an anthropomorphic supercomputer, Krusty the Klown, a fascinating unpleasant series, The Lovecraft Five, Facts Concerning The Late Arthur Jermyn And His Family, He, The Picture In The House, H. Rider Haggard’s She done as a comedy, Brown Monkey’s The Dreams In The Witch House, Uncle George’s House Party, 19 Nocturne Boulevard, The Hole Behind Midnight by Clinton Boomer, Broken Eye Books’s Kickstarter, a professional audio novel, a giant evil naked clown, the HPLHS movie adaptation of The Whisperer In Darkness, the changes, Mr. Jim Moon’s review of The Whisperer In Darkness, it’s fucking terrifying, Julie’s reading, Julie loves to play crazy old people, a love letter to H.P. Lovecraft, “fun, surprising, and terrifying”, The Creeping Unknown, more suspense and less action, Charles Fort (played by Andrew Leman), Septimius Felton by Nathaniel Hawthorne, “Doctor Portsoaken”, “Robert Hagburn”, Charles Dickens, Curse Of The Crimson Altar, Die, Monster, Die!, The Curse, Thriller, Pigeons From Hell, The Resurrected, Bleeders (aka Hemoglobin), a micro-budget with Rutger Hauer.

Classics Illustrated - Dreams In The Witch-House - illustration by Pete Von Sholly

The Dreams In The Witch House - Room For Rent

Dreams In The Witch-House - illustrated by Ben Templesmith

Posted by Jesse Willis

Silly Asses by Isaac Asimov

Jesse Willis

SFFaudio Online Audio

Silly Asses by Isaac Asimov

Maissa Bessada narrates for us Silly Asses a one page (400 word) satirical short story by Isaac Asimov.

|MP3|

Also available is a |PDF| made from a scan of the original publication in Future Science Fiction, February 1958.

And here is the complete text:

Silly Asses by Isaac Asimov

Naron of the long-lived Rigellian race was the fourth of his line to keep the galactic records.

He had a large book which contained the list of the numerous races throughout the galaxies that had developed intelligence, and the much smaller book that listed those races that had reached maturity and had qualified for the Galactic Federation. In the first book, a number of those listed were crossed out; those that, for one reason or another, had failed. Misfortune, biochemical or biophysical shortcomings, social maladjustment took their toll. In the smaller book, however, no member listed had yet blanked out.

And now Naron, large and incredibly ancient, looked up as a messenger approached.

“Naron,” said the messenger. “Great One!”

“Well, well, what is it? Less ceremony.”

“Another group of organisms has attained maturity.”

“Excellent. Excellent. They are coming up quickly now. Scarcely a year passes without a new one. And who are these?”

The messenger gave the code number of the galaxy and the coordinates of the world within it.

“Ah, yes,” said Naron. “I know the world.” And in flowing script he noted it in the first book and transferred its name into the second, using, as was customary, the name by which the planet was known to the largest fraction of its populace. He wrote: Earth.

He said, “These new creatures have set a record. No other group has passed from intelligence to maturity so quickly. No mistake, I hope.”

“None, sir,” said the messenger.

“They have attained to thermonuclear power, have they?”

“Yes, sir.”

“Well, thats the criterion.” Naron chuckled. “And soon their ships will probe out and contact the Federation.”

“Actually, Great One,” said the messenger, reluctantly, “the Observers tell us they have not yet penetrated space.”

Naron was astonished. “Not at all? Not even a space station?”

“Not yet, sir.”

“But if they have thermonuclear power, where do they conduct the tests and detonations?”

“On their own planet, sir.”

Naron rose to his full twenty feet of height and thundered, “On their own planet?”

“Yes, sir.”

Slowly Naron drew out his stylus and passed a line through the latest addition in the small book. It was an unprecedented act, but, then, Naron was very wise and could see the inevitable as well as anyone in the galaxy.

“Silly asses,” he muttered.

Asimov wrote Silly Asses on July 29, 1957. To put that in context, just ten days earlier (July 19, 1957), as a part of Operation Plumbbob the USAF filmed five Air Force officers standing directly under an atmospheric nuclear detonation. The idea was to demonstrate the safe usage of nuclear weapons over civilian populations.

Silly asses.

Posted by Jesse Willis

Sentry by Fredric Brown

Jesse Willis

SFFaudio Online Audio

Sentry by Fredric Brown

Scott D. Danielson narrates this short short story (320 words) by Fredric Brown. I think it encapsulates much of what Science Fiction is about – teaching by thought experiment. It may be that stories of this kind work almost like an inoculative vaccination, preventing certain mental processes that lead to damaging behavior.

|MP3|

And here’s a |PDF| made from a scan of the original magazine publication in Galaxy Science Fiction, February 1954.

Sentry by Fredric Brown

He was wet and muddy and hungry and cold, and he was fifty thousand light-years from home.

A strange blue sun gave light and the gravity, twice what he was used to, made every movement difficult.

But in tens of thousands of years this part of war hadn’t changed. The flyboys were fine with their sleek spaceships and their fancy weapons. When the chips are down, though, it was still the foot soldier, the infantry, that had to take the ground and hold it, foot by bloody foot. Like this damned planet of a star he’d never heard of until they’d landed him there. And now it was sacred ground because the aliens were there too. The aliens, the only other intelligent race in the Galaxy … cruel, hideous and repulsive monsters.

Contact had been made with them near the center of the Galaxy, after the slow, difficult colonization of a dozen thousand planets; and it had been war at sight; they’d shot without even trying to negotiate, or to make peace.

Now, planet by bitter planet, it was being fought out.

He was wet and muddy and hungry and cold, and the day was raw with a high wind that hurt his eyes. But the aliens were trying to infiltrate and every sentry post was vital.

He stayed alert, gun ready. Fifty thousand light-years from home, fighting on a strange world and wondering if he’d ever live to see home again.

And then he saw one of them crawling toward him. He drew a bead and fired. The alien made that strange horrible sound they all make, then lay still.

He shuddered at the sound and sight of the alien lying there. One ought to be able to get used to them after a while, but he’d never been able to. Such repulsive creatures they were, with only two arms and two legs, ghastly white skins and no scales.

Sentry by Fredric Brown - illustration by David Stone

Posted by Jesse Willis

The Jolly Corner by Henry James

Jesse Willis

SFFaudio Online Audio

The Jolly Corner by Henry James

I’ve edited together, cleaned up, and Levelated the 2009 solo LibriVox narration of Henry James’ 1908 novelette The Jolly Corner.

The Jolly Corner is a ghost story, said to be rivaled only by The Turn Of The Screw. Here is narrator Nicholas Clifford’s own description:

James’s protagonist, Spencer Brydon, is an American of 56, returned to New York after 33 years in Europe, where he has apparently accomplished little while living off his New York rentals. His friendship with Alice Staverton, and his engagement in the development of a property awaken him to the possibilities that might have been his, had he chosen a different course of life. The “ghost,” if that’s what it is, is that other self that might have been, and his confrontation with that self and its possibilities leads to a deeply unsettling, yet ambiguous, conclusion.

Having been downloaded more than 7,000 times there’s still only one review on Archive.org page – but it is a very positive review, writes Kydiana:

This is an intriguing and thought-provoking tale. On the surface a ghost story, it is really a story about the ghosts which haunt our own interiors. It poses deep existential questions–Who are we, really? Would we even recognize ourselves in a life in which in which we had made different choices? What does it mean to love someone regardless of how that person develops over the course of a lifetime? Well-read. Highly recommended.

|MP3| Approx. 95 Minutes [UNABRIDGED]

And, made from a scan of the original magazine publication, here’s a handy 31 page |PDF| version.

Posted by Jesse Willis