News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.
David Farquhar, of the audio drama theatre troupe Voices In The Wind, describes The Pigeon Drop as a “little experimental piece” that’s “a full cast reading with music and sound effects.” Myself I think that’s just another way of saying it’s an audio drama with narration. But then I’m saying this because I don’t want to be a pigeon. As the narrator tells in the story: “At this time the pigeons were usually worried at the prospect of the money slipping away. And they were also confused by the double-talk, but were hesitant to admit it, less they appear stupid.” Don’t let David’s words fool you, this is an audio drama (with narration).
The Pigeon Drop
By Michael A. Black; Adapted by David Farquhar; Performed by a full cast MP3 Download – Approx. 11 Minutes [AUDIO DRAMA]
Publisher: Voices In The Wind
Published: September 2010 A little crime story about the oldest con.
Cast:
KEITH BURNETT: The Narrator
NOELLE DUPUIS: Laura
PAT GOUGH: Mildred
JAN HOLT: Andrea
NORM MCLEOD: Police Detective
Directed by: Pat Gough
Recording/Post Production by: David Farquhar
Check out the Wikipedia entry on the pigeon drop scam.
Darkside
By Tom Becker; Read by Colin Moody
6 CDs – Approx. 6 Hours 12 Minutes [UNABRIDGED]
Publisher: Bolinda Audio
Published: 2008
ISBN: 9781921415340
Themes: / Fantasy / Urban Fantasy / Crime / London / Werewolves / Vampires / Magic / Kidnapping / Evil / Jack The Ripper / Your home’s been attacked. Your dad’s in an asylum. You’re running for your life. And there’s nowhere to hide.
You’ve stumbled on the city’s greatest secret: Darkside. Incredibly dangerous and unimaginably exciting. Darkside is ruled by Jack the Ripper’s children – a place where nightmares walk the streets. You think you’re in trouble now, but your problems have just begun…
I usually do a fair mount of research about the books I plan to read. Before I pick one up I’ve usually either heard an author interview, read a review, discussed it with people who’ve already read it, or at least got a recommendation from an author whose work I already respect. But I also know these techniques aren’t a very good way to branch out beyond what’s already familiar to me, and so, every so often I just pick up a book, almost at random, and start reading. That’s what I did with Darkside by Tom Becker.
Maybe one of the initial appeals of Darkside, other than the terrific cover, was that it was from a publisher whose audiobooks I’d never heard before. Bolinda Audio is from Australia. And because of that it’s doing things a little differently. First off, it’s narrators are Australian. And second, they’ve got a lot of authors in their catalogue that I’ve never heard of. That’s cool!
Darkside is an interesting tale in itself. In terms of plot, it kind of falls halfway between two Neil Gaiman novels: Neverwhere and The Graveyard Book. It features Jonathan Starling, an unremarkable misfit fourteen-year-old with an ailing father and a deceased mother. He lives in London and is mostly taken care of by a kindly neighbor woman. Other than her, he’s nearly friendless and spends most days skipping-out of school and hanging out at one of the city’s many libraries. His father, an avid book collector himself, suffers some sort of recurring full body paralysis and perhaps it’s related to some of the books he collects. One day, right out in the open on a London street Jonathan is nearly kidnapped by a seemingly invisible giant and a woman with fluorescent hair. He quickly learns that London isn’t going to be safe for him anymore and so his father sends him away. He is to flee, for his own safety, into the arms of a protector. Jonathan takes with him a knife and a bullet. The knife is for protection from the kidnappers, and the bullet is for protection against his would-be protector, a mysterious old friend of his father’s, a man named Carnegie. Plot ensues.
Where the novel falls short is in comparison to the two Neil Gaiman novels I mentioned earlier. A hidden city within London isn’t really new. And neither is a young kid being protected by a paranormal monster-man. More importantly, Becker doesn’t have anywhere near the mastery of English fiction that Gaiman has. But that’s really not a fair comparison. For my money very few living English authors can compare favorably with Neil Gaiman. Apparently Darkside was written when Becker was just 25! When Gaiman was 25 he hadn’t written a single novel, comic, nor even Don’t Panic, his wonderful biography of Douglas Adams. As a result I think Darkside can stand pretty proudly on its own. It’s quickly paced, pretty fun and most of all it’s got a story that keeps your attention all the way through. Good job new guy.
Narrator Colin Moody, a talent stage trained actor, has an Australian accent, except when performing the dialogue of the characters. When in character Moody cowls him reading with various Londoner regionalisms. There are many sinister sounding villains in this novel and he voices all of them extremely well. If you’re a voracious reader looking for swiftly plotted urban fantasy novel (for the juvenile set), and you’ve already read both Neverwhere |READ OUR REVIEW| and The Graveyard Book |READ OUR REVIEW| do check out Darkside. Series fans will also be pleased to hear that four more Darkside novels follow this one, and that Bolinda has the “audio sequel forthcoming.”
Random House Audio is releasing the fifth and latest book in the Dexter Morgan series on Tuesday. This time it’s read by the author! All four of the previous audiobooks in the series were narrated by Nick Landrum for Recorded Books…
Dexter Is Delicious
By Jeff Lindsay; Read by Jeff Lindsay
9 CDs – Approx. 11 Hours 30 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: September 7, 2010
ISBN: 9780307577542 Dexter Morgan has always lived a happy homicidal life. He keeps his dark urges in check by adhering to one steadfast rule . . . he only kills very bad people. But now Dexter is experiencing some major life changes—don’t we all?—and they’re mostly wrapped up in the eight-pound curiosity that is his newborn daughter. Family bliss is cut short, however, when Dexter is summoned to investigate the disappearance of a seventeen-year-old girl who has been running with a bizarre group of goths who fancy themselves to be vampires. As Dexter gets closer to the truth of what happened to the missing girl, he realizes they are not really vampires so much as cannibals. And, most disturbing . . . these people have decided they would really like to eat Dexter.
Heist Society
By Ally Carter; Read by Angela Dawe
5 CDs, 1 MP3-CD or Audible Download – Approx. 6 Hours 7 Minutes [UNABRIDGED]
Publisher: Brilliance Audio
Published: February 9, 2010
ISBN: 1441826734 (cd), 9781441826756 (mp3-cd)
Themes: / Crime / Caper / Heist / Grifting / Art / Europe / Romance /
SAMPLE |MP3|
Since she can remember, Katarina’s relatives have been grooming her for the family business – thieving. But when Kat tries to go straight and leave the “Life” for a normal life, she’s promptly kicked out of her new school for stealing the headmaster’s car and mounting it on the school fountain. Although she could have done it without breaking a sweat, ironically, this time, she’s innocent. In fact, she was framed – by another highly skilled thief. Her friend and brother-in-trade Hale, with his mischievous smile and limitless bank account, has appeared out of nowhere to bring her back to the Life, back to the family Kat tried so hard to escape. Hale has a good reason: A powerful mobster has just been robbed of his priceless art collection, and he wants to retrieve it. Only a master thief could have cracked this vault, and Kat’s father isn’t just on the suspect list, he IS the list. Now, caught between Interpol and a far more deadly predator, Kat’s dad needs her help. For Kat, a consummate thief in her own right, the solution is simple: track down the paintings and steal them back. So what if it’s a spectacularly impossible job? She’s got two weeks, a teenage crew, and maybe just enough misguided pride to pull off the biggest heist in history – or at least in her family’s (very crooked) history.
I can’t say there’s much more to this novel than the very detailed premise outlined above. It’s theme is as old as YA. A smart kid must save his or her parent from something. Mayhaps it’s not the most exicting theme ever, but it’s far more interesting than:
“Love conquers all, or love is the strongest force or something. Something about love being so strong to overcome anything.”
And as I value my time, and try to be pragmatic about these things, I find it hard not to recommend Heist Society as a breezy listen! It’s easily picked up, and just as easily dropped. I listened to it over the course of about four months – between more serious audiobooks and a forced reading of part of Twilight. Now, being a fan of practically every grifter/heist movie ever made, I can’t say I learned a single new trick or wrinkle while listening to Heist Society. But then again I didn’t really expect to. That isn’t to say, though, that I wouldn’t have liked to. And while all this probably doesn’t sound like a particularly ringing endorsement I’d much rather hand a copy of Heist Society to practically any kid than something far more popular with far more vapidity (like say something with a sparkly vampire and the teen who pines after him). See, the negatives with Heist Society aren’t particularly egregious. Sure Katarina’s and Hale are a pair of kids who act variously cynical and cool, innocent and dastardly, all while lusting (ever so gently) towards each other – but they do so in a slightly more realistic world, talking about slightly more realistic subjects, with slightly more interest in history, art and a lot more of the taking-charge-of-shit and a lot less of the lying-around-and-wishing-that a handsome-prince-whose-been-in-high-school-for-ninety-years would stare at her while she sleeps.
Bitter? Noooo, I’m not bitter.
Anyway, Ally Carter’s writing style is brisk, unobtrusive, and not wholly unsophisticated. It delivers a soft boiled tale that seems far more inspired by the Oceans 11,12, 13, Entrapment, The Maiden Heist end of the spectrum than the The Silent Partner, The Great Train Robbery, Thief end. And if you’re an adult, in the mood for a YA novel that doesn’t have a single brooding vampire anywhere in sight (not even in the castles), this might just fill a few empty hours.
Narrator Angela Dawe performs Kat well enough, perhaps sounding a bit too adult. Dawe is not, however, quite able to fully sell me on the male characters. Her voice range isn’t particularly vast. Thankfully, as most scenes aren’t full of multiple characters, there isn’t much of a chance of confusing any of them. She’s certainly good enough for this novel.
Seth, of the FREE LISTENS blog, (a site that focuses exclusively on reviewing FREE audiobooks), has posted a TOP TEN list of FREE AUDIOBOOKS. Here it is:
I’ve tried to convince Seth (AKA “The Listener” as he’s known over there) to come blog for us exclusively. Sadly, that hasn’t happened yet.
But, upon his recommendation, I’ve taken the liberty of checking out just the first audiobook on the list, The Adventures Of Sherlock Holmes (as read by John Telfer).
“The Listener” is right, it is absolutely terrific! Be sure to check it out for yerself…
The Adventures Of Sherlock Holmes
By Sir Arthur Conan Doyle; Read by John Telfer
25 MP3 Files – Approx. 6 Hours 15 Minutes [UNABRIDGED]
Publisher: AudiobooksForFree.com
Published: 2003
Provider: Gutenberg.org
Originally published in the Strand Magazine from July 1891 to June 1892.
WARNING: This review is a bit of an aberration, it’s a bit more gonzo. It was written this way out of necessity and it is thus perhaps only suitable for those who… ‘heard he was dead.’
Escape From New York
Based on the screenplay by John Carpenter and Nick Castle; Adapted by Bill Hollweg; Performed by a full cast
5 MP3 Files or Podcast – Approx. 2 Hours 15 Minutes [AUDIO DRAMA]
Podcaster: BrokenSea Audio Productions
Podcast: April 2009 – March 2010
Themes: / Crime / Dystopia / Science Fiction / Alternate History / WWIII / Prison / Horror / New York /
Part 1 |MP3| Part 2 |MP3| Part 3 |MP3| Part 4 |MP3| Part 5 |MP3|
In the year 1988 the crime rate in the United States rises 400%. The once great city of New York becomes the one maximum security prison for the entire country. A fifty foot containment wall is erected along the New Jersey shoreline, across the Harlem river, and down along the Brooklyn shoreline. It completely surrounds Manhattan Island. All bridges and waterways are mined. The United States Police Force, like an army, is encamped around the island. The prison’s name: New York Maximum Security Penitentiary, Manhattan Island. There are no guards inside the prison, only prisoners, and the worlds they have made. The year now… 1997.
In the opening crawl (detailed above) we are given a world rife with Science Fiction glory. Escape From New York has a premise full of promise. It is a story pregnant with possibilities – nearly all of which are fulfilled. Escape From New York, my friends, is both a powerful satire of our times and a powerful cinematic experience movie. Now, thanks to the creative love and attention by fans at BrokenSea Audio Productions it is a wondrous audio drama made by fans for fans.
Now hang with me on this. I hope I don’t end up seeming like a crazed french film critic, arguing for the superiority of the second Star Wars trilogy (The Phantom Menace et. al) over the original Star Wars and Empire. Take that first statistic: “the crime rate in the United States rises 400%” – how would that be possible? It certainly wouldn’t match any conventional trend or shift in population growth. Might it then be categorized under some sort of Freakonomics-style explanation? Maybe. But, I think we could argue, quite convincingly, that the only way to increase the crime rate 400% overnight would be to make a whole lot more human behaviors crimes. Disrespecting authority, sharing files with friends, or as the trailer for Escape From L.A. puts it “No talking, no smoking, no littering, no red meat, no freedom of religion. And remember all marriages must be approved by the Department of Health.” So, the world of Escape From New York is really fun. But a world is not enough. You need a plot and a set of characters. As to the latter…
The anti-hero takes many forms but I have a special fondness for Snake Plisken. As in an IMDB grendelkhan says:
“Snake Plissken is the classic anti-hero, ala Clint Eastwood’s Man-with-no-name. Plissken is an ex-soldier turned criminal, recruited/blackmailed into rescuing a hostage president from the prison of New York City. Plissken is a walking ball of anger and a survival machine.”
Indeed, a survival machine who’s been betrayed, lied to shat on by his own government – and he’s got a cool eye-patch, a reverse tramp stamp of a cobra, and a gravelly voice. He is a great character.
“But what of his motivation?” You ask.
Read on…
Plisken, call him Snake, lives in a parallel universe – a USA run like a fun-house-lensed double craptoberfest of moral hypocrisy. If you’ve seen the movie Escape From New York, you’re seeing the 1980 zeitgeist of Manhattan as the epitome of ghettoic urban decay. This fear, that your neighbors are out to get you, the horror that politicians so often rely upon, works great in movies (and in the opening credits to The Equalizer). But this isn’t only a horror story. The prison genre is one of my favorites (check out Animal Factory). Like westerns, these genre stories have a certain set of conventions or constraints that make a story told within those constraints far more satisfying. But neither is Escape From New York just a prison story. For it
is also a quest story, a revenge story, an all out action adventure. There are MacGuffins galore for Plisken to chase after: First up is a world peace conference that is about to end in disaster lest a certain audio cassette is retrieved, then there’s a kidnapped President Of The United States to be rescued, and of course there’s a jet glider (don’t think too hard about that one) as their only escape, but to top it all off there’s a pair of ticking time-bombs in Snake’s body! That’s not just motivation, that’s entertainment folks!
Snake, now motivated, has enough-knock-down-drag-out adventures in the course of just less than 24 hours, so as to numb any thoughy you had about suspending any disbelief. Or as Samuel Taylor Coleridge argued: “[if a writer could infuse a] human interest and a semblance of truth [into a fantastic tale, the reader would suspend judgment concerning the implausibility of the narrative].” If you look at it another way this is the original 24, but with a hard-assed biker veteran saving the USA instead of a Kiefer Sutherland. In the course of just over 2 hours Bill Hollweg and the folks at BSAP have created a faithful and loving tribute to one of 1981’s best movies.
Speaking of 1981, I look forward to hearing BSAP adapt Clash Of The Titans (1981), Excalibur (1981) and Body Heat (1981). They’re already working on a Mad Max II (1981)-inspired series.
The Pigeon Drop
