Ellery Queen Mystery Magazine podcast

Aural Noir: Online Audio

Ellery Queen's Mystery Magazine PodcastHere is a terrific find for fans of mystery and crime tales! Hosted by Ellery Queen Mystery Magazine‘s editor, Janet Hutchings, comes a new podcast the Ellery Queen Mystery Magazine podcast! It features:

“Monthly readings and dramatizations of stories by the world’s leading writers of suspense chosen from the magazine’s archives. The full range of the genre is represented in these riveting audio renditions, from the drawing-room mystery to urban noir—including police procedurals, private-eye tales, psychological suspense, and locked-room and impossible-crime stories.”

I’ve been listening to these for hours today. The audio dramatizations are actually pretty good. The short stories tend to be very solid too (and are mostly read by their authors). Sound quality varies though and sometimes the recording level volume is set far too low. Additionally, the proof-listening is occasionally very shoddy (with repeated lines remaining unedited). The latest episode (#7) has three stories all based on the same newspaper article. The results are mixed, but I really like the idea of stories based around a story seed like that. In fact, it reminds me of something John Joseph Adams and David Barr Kirtley were talking about in a recent Geek’s Guide to the Galaxy podcast. They mentioned the John W. Cambpell story seed that lead to the writing of Isaac Asimov’s Nightfall and Robert A. Heinlein’s Orphans Of The Sky. Two SF stories that are both very different and very terrific.

My favourite Ellery Queen Mystery Magazine podcast episode so far is #5, Dear Doctor Watson, a Steve Hockensmith short story. Its a kind of Sherlockian pastiche set in the Victorian West. It’s protagonist a kind of amateur Sherlock Watson team that’s only half-hampered by being illiterate and in Montana. Dear Doctor Watson is both fun and well read by two narrators.

I truly hope to see the “Ganelon” stories by James Powell and the “Black Widowers” tales by Isaac Asimov showing up in future episodes. They’re the absolute tops!

Ellery Queen's Mystery Magazine - September 1956Episode 1: Cut! Cut! Cut!
Based on a story by Ellery Queen; Adapted by Ed Bogas; Performed by a full cast
1 |MP3| – Approx. 12 Minutes [AUDIO DRAMA]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: August 2009
Ellery Queen receives a phone call from a murder victim in this clever play involving a witness of another species. First published in Ellery Queen’s Mystery Magazine September 1956 issue.

Ellery Queen’s Mystery Magazine - November 2001Episode 2: Groundwork
Based on the story by Neil Schofield; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [UNABRIDGED]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: September 2009
A nosy neighbor alerts police to suspicious digging in the garden next-door—and she isn’t the only one to get an unexpected comeuppance. First published in EQMM in November 2001.

Ellery Queen’s Mystery Magazine - June 2003Episode 3: The Talking Dead
By Melodie Johnson Howe; Read by Melodie Johnson Howe
1 |MP3| – Approx. 27 Minutes [UNABRIDGED]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: October 2009
A TV writer goes missing, leaving her show’s star without a script and opening up a perfect scenario for murder. In this fourth installment in her series of Diana Poole mysteries, former Hollywood actress Melodie Johnson Howe takes a penetrating look at the off-stage life of a TV idol. First published in EQMM June 2003.

Ellery Queen’s Mystery Magazine - February 1953Episode 4: A Lump Of Sugar
Adapted from a story by Ellery Queen; Adapted by Ed Bogas; Performed by a full cast
1 |MP3| – Approx. 9 Minutes [AUDIO DRAMA]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: December 2009
Ellery Queen returns in a case involving a cryptic dying message. First published in EQMM in February, 1953. The story later appeared under the titles Murder In The Park and The Mystery Of The 3 Dawn Riders.

Ellery Queen’s Mystery Magazine - February 2007Episode 5: Dear Doctor Watson
By Steve Hockensmith; Read by Steve Hockensmith and Mike Willtrout
1 |MP3| – Approx. 36 Minutes [UNABRIDGED]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: December 2009
A pair of Old West cowboys try to prove they’re worthy of joining a detective agency by retrieving an incriminating letter. But things are not all they appear to be in Missoula, Montana, circa 1890… First published in the February 2007 issue of EQMM.

Ellery Queen's Mystery Magazine - May 1976Episode 6: The Problem Of The Locked Caboose
Based on the story by by Edward D. Hoch; Performed by a full cast
1 |MP3| – Approx. 27 Minutes [AUDIO DRAMA]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: January 2010
The solving of so-called “impossible crimes” is the hallmark of Edward D. Hoch’s series character Dr. Sam Hawthorne. In this episode, the New England country doctor is on board a night train when a body is discovered in its locked caboose. First published in EQMM in May, 1976.

Ellery Queen Mystery Magazine - March/April 2007Episode 7: Say That Again, The Old Story and Wheeze
By Peter Lovesey, Liza Cody, Michael Z. Lewin; Read by Peter Lovesey, Liza Cody, Michael Z. Lewin
1 |MP3| – Approx. 73 Minutes [UNABRIDGED]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: February 2010
Three stories (Say That Again by Peter Lovesey, The Old Story by Liza Cody, and Wheeze by Michael Z. Lewin) that take their lead from a single newspaper article provide an entertaining look at how a common creative impetus can take the imaginations of different writers in wonderfully different directions. Includes a short interview with the authors, all leading writers of suspense, recorded at the 2009 Bouchercon World Mystery Convention.

Podcast feed:

http://eqmm.podomatic.com/rss2.xml

iTunes 1-Click |SUBSCRIBE|

Posted by Jesse Willis

Recent Arrivals: City Of Dragons by Kelli Stanley

Aural Noir: Recent Arrivals

Here’s a first for SFFaudio, a recent arrival that is neither an audiobook nor an audio drama!

I won this gorgeous hardcover paperbook courtesy of a contest run by Paul Bishop of Bish’s Beat blog. He even went to the trouble of wrapping the dust jacket in a Brodart fold on book jacket cover. Sweet! Thanks Bish!

City Of Dragons by Kelli Stanley

City Of Dragons
By Kelli Stanley
352 Pages [HARDCOVER]
Publisher: Minotaur Books
Published: February 2010
ISBN: 9780312603601
February, 1940. In San Francisco’s Chinatown, fireworks explode as the city celebrates Chinese New Year with a Rice Bowl Party, a three day-and-night carnival designed to raise money and support for China war relief. Miranda Corbie is a 33-year-old private investigator who stumbles upon the fatally shot body of Eddie Takahashi. The Chamber of Commerce wants it covered up. The cops acquiesce. All Miranda wants is justice–whatever it costs. From Chinatown tenements, to a tattered tailor’s shop in Little Osaka, to a high-class bordello draped in Southern Gothic, she shakes down the city–her city–seeking the truth. An outstanding series debut.

Audiobook fans interested in this lovely looking book will have to wait just a bit longer (until April 2010) for the Tantor Media unabridged audiobook version of City Of Dragons as read by Cynthia Holloway. I may do this as a readalong if I can get a review copy.

Who else wants to join me?

Posted by Jesse Willis

The Wall Street Journal: Fred Greenhalgh’s Audio Dramas

Aural Noir: News

Today’s Wall Street Journal
, page A1 (the front page), has a well written article by Barry Newman on modern audio drama entitled: Return With Us to the Thrilling Days Of Yesteryear—Via the Internet. It is subtitled “Fred Greenhalgh’s Audio Dramas Hark Back To Radio Golden Era; It Sounds Like Snow” and thus you know the subject of the piece is Fred Greenhalgh (who we had as a guest on SFFaudio Podcast #039). It details Fred’s new project with the Mad Horse Theater Company, to create an audio drama production of the novel Open Season by Archer Mayor. You can read the entire article HERE. There’s also an accompanying video…

Here is the pilot episode of the Joe Gunther Open Season series |MP3|

And here’s a bit more video showcasing how it was made:

For more details visit the Final Rune website HERE.
Posted by Jesse Willis

LibriVox: The Valley Of Fear by Sir Arthur Conan Doyle

Aural Noir: Online Audio

LibriVoxI’ve previously written about the Sherlock Holmes novel called The Valley Of Fear. It feels like a rather unusual Holmes novel given that Holmes isn’t actually present in the majority of the narrative. But, if you think about the most famous Holmes story of them all (also a novel) The Hound Of The Baskervilles, you may also recall that Sherlock Holmes wasn’t in that one much either. Unlike The Hound Of The Baskervilles, where most of the action stems from a local English legend, most of plot of The Valley Of Fear takes places in the United States – taking inspiration from a real life criminal conspiracy. Still, Conan Doyle isn’t importing everything. We get lots of details about master-criminal Professor Moriarty and his non-fiction inspiration (Jonathan Wild) too.

This newly released version, available free from LibriVox.org, is a complete narration by a single reader, Katie Riley. While she hasn’t given us the definitive FREE edition, there are several mispronunciations in the first few chapters, her reading is serviceable.

LIBRIVOX - The Valley Of Fear by Sir Arthur Conan DoyleThe Valley Of Fear
By Sir Arthur Conan Doyle; Read by Katie Riley
15 Zipped MP3 Files or Podcast – Approx. 6 Hours 23 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: February 8, 2010
Doyle’s final novel featuring the beloved sleuth, Sherlock Holmes, brings the detective and his friend to a country manor where they are preceded by either a murder or a suicide. A secretive organization lies culprit and an infiltration of it is in order.

Podcast feed: http://librivox.org/rss/3664

iTunes 1-Click |SUBSCRIBE|

[Thanks also to Diana Majlinger and Leni]

Posted by Jesse Willis

Review of The Invisible Man by H.G. Wells

SFFaudio Review

Science Fiction Audiobook - The Invisible Man by H.G. WellsThe Invisible Man
By H.G. Wells; Read by James Adams
5 CDs – Approx. 5.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
ISBN: 9781433277528
Themes: / Science Fiction / Invisibility / Chemistry / Biology / Crime / 19th Century / Sussex / Morality / Personal Responsibility /

On a freezing February day, a stranger emerges from out of the gray to request a room at a local provincial inn. Who is this out-of-season traveler? More confounding is the thick mask of bandages obscuring his face. Why does he disguise himself in this manner and keep himself hidden away in his room? Aroused by trepidation and curiosity, the local villagers bring it upon themselves to find the answers. What they discover is a man trapped in a terror of his own creation, and a chilling reflection of the unsolvable mysteries of their own souls.

While nobody could really deny H.G. Wells was an amazing and talented Science Fiction author I think we can all agree that some of his fictions are superior to others. Among those that are not superior is The Invisible Man. This is not from any serious defect in the novel’s writing. Indeed, I cannot see anything that H.G. Wells has really done badly or that he could have done better. So, if it couldn’t have been done better then why isn’t it better? I think the problem stems from two interrelated factors: One is a serious technical gripe, something in the book and unavoidable, and the other being the smallness of that idea. Taken together they make it difficult to fully engage with. What holds back The Invisible Man from an utter perfection is at the weak premise at the very core of the novel, invisibility. Invisibility is both impossible and small. I’ve expanded on its impossibility in another essay. Its smallness is a problem I will tackle here.

Invisibility is a long standing meme in human culture: Plato describes invisibility in the legend of The Ring Of Gyges, Tolkien used a similarly endowed ring in The Lord Of The Rings, and even modern scientific versions of invisibility (the invisible-like camouflage in Predator) are still with us. The problem is invisibility isn’t a story, its barely a half of an idea in terms of ideas – its a place to take a story, but it isn’t a very fruitful one. I felt the same way when I read Richard Matheson’s The Incredible Shrinking Man |READ OUR REVIEW|READ OUR REVIEW|. I though: “A man shrinking, that’s new!” It was new and completely unfruitful. See the fallout from the idea of a man shirking inexorably towards nothingness is a feeling of emptiness. The man shrinks, the world gets bigger. A man shrinks, everyday objects become like mountains and house pets like dragons. Its interesting, to be sure, but it isn’t a story. Like invisibility, no amount of hand-waving can make the explanation scientifically plausible. Unlike, the The Incredible Shrinking Man however I can still recommend The Invisible Man – Wells is the master of Science Fiction. In The Invisible Man he takes a fatally flawed concept, invisibility, and writes the shit out of it. When Griffin, the scientist and anti-hero of the title goes about explaining his methodological reasoning in a Socratic dialogue, he is fully persuasive. Check this passage out:

“Phew!” said Kemp. “That’s odd! But still I don’t see quite … I can understand that thereby you could spoil a valuable stone, but personal invisibility is a far cry.”

“Precisely,” said Griffin. “But consider, visibility depends on the action of the visible bodies on light. Either a body absorbs light, or it reflects or refracts it, or does all these things. If it neither reflects nor refracts nor absorbs light, it cannot of itself be visible. You see an opaque red box, for instance, because the colour absorbs some of the light and reflects the rest, all the red part of the light, to you. If it did not absorb any particular part of the light, but reflected it all, then it would be a shining white box. Silver! A diamond box would neither absorb much of the light nor reflect much from the general surface, but just here and there where the surfaces were favourable the light would be reflected and refracted, so that you would get a brilliant appearance of flashing reflections and translucencies—a sort of skeleton of light. A glass box would not be so brilliant, not so clearly visible, as a diamond box, because there would be less refraction and reflection. See that? From certain points of view you would see quite clearly through it. Some kinds of glass would be more visible than others, a box of flint glass would be brighter than a box of ordinary window glass. A box of very thin common glass would be hard to see in a bad light, because it would absorb hardly any light and refract and reflect very little. And if you put a sheet of common white glass in water, still more if you put it in some denser liquid than water, it would vanish almost altogether, because light passing from water to glass is only slightly refracted or reflected or indeed affected in any way. It is almost as invisible as a jet of coal gas or hydrogen is in air. And for precisely the same reason!”

“Yes,” said Kemp, “that is pretty plain sailing.”

So, I’m of two minds on The Invisible Man. It derives its heart from a weak concept – and like the phlogiston theory of combustion it is discredited, and undeserving of serious consideration. Despite all this I still find myself willing to recommend you read the novella. The psychological rigor that Wells brings to the novel makes The Invisible Man quite possibly the first and last straight Science Fiction story worthy of our attentions.

Narrator James Adams is a capable reader, he reads the third person perspective text with what sounds like an authentic English accent. The clam-shell style case, for the library CD edition that I received, features a bit of fading text on the cover, a design inspired by the invisibility of the title. Unfortunately this makes the details hard to make out in anything other than a bright light environment. Blackstone Audio has four other formats available too: Cassette, MP3-CD, digital download (via Audible.com) and playaway (a kind of disposable MP3 player that can only play one book). Given the widespread availability of The Invisible Man by other audiobook publishers I’d like to have seen some value added materials, perhaps a specially commisioned introduction by Professor Eric Rabkin and or an afterward by Professor Michael D.C. Drout.

One thing I like about paperbooks that rarely (if ever) gets included in an audiobook is a map. Maps are fun and informative. One of the funnest paperback series ever was the old Dell Mapbacks. Here’s the Map from the back of Dell’s edition of The Invisible Man:

The Invisible Man by H.G. Wells - A Dell Book (MAPBACK)

Posted by Jesse Willis

BBCR4 + RA.cc: Double Indemnity

Aural Noir: Online Audio

BBC Radio 4RadioArchives.ccFor me Double Indemnity is the best of Film Noir. It takes the filmic art form to the highest of the black and white heights. It faithfully captures James M. Cain’s novella like no other film has done with any novel.

When I read about this BBC radio dramatization of Double Indemnity I kept my expectations low – that probably helped me enjoy it all the more – but I can’t imagine any fan of either the novel or the film being disappointed by this rare gem. It is more than terrific! Theresa Russell as Phyllis Deitrichson is superior to Barbara Stanwyck‘s iconic role. Her performance has me wanting to watch Black Widow again.

James M. Cain's Double IndemnityDouble Indemnity
Based on the novella by James M. Cain;
Adapted by John Fletcher; Performed by a full cast
1 MP3 (via torrent) – 1 Hour 29 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 / Saturday Night Theatre
Broadcast: 1993

Cast:
Walter Huff …. Frederic Forrest
Lola …. Molly Ringwald
Phyllis …. Theresa Russell
Keyes …. John Wood
Nerdlinger …. Michael Drew
Norton …. John Goraczio
Jackson …. John Baddeley
Nettie …. Geraldine Fitzgerald
Zachetti …. Roger May

Original Music by Barrington Pheloung
Technical presentation by Graham Hoyland, Dave Parkinson, Andrew Lawrence, Fiona Baker, Christine Hall, Mark Decker
Directed at Christchurch Studios in Bristol by Andy Jordan

You can get Double Indemnity via TORRENT at RadioArchive.cc.

And speaking of FILM NOIR, has anybody got room for a hitchhiker? I’d really like to be in San Fransisco by tomorrow afternoon…

NOIR CITY 2010 - The 8th Annual San Fransisco Film Noir Festival

NOIR CITY from Film Noir Foundation on Vimeo.

Posted by Jesse Willis