SFPRP: The Invisible Man by H.G. Wells

SFFaudio Online Audio

Luke Burrage, in the first of two shows with me as a guest on Science Fiction Book Review Podcast, is reviewing and talking about The Invisible Man by H.G. Wells. Its a fun exercise, we run down the whole book and talk about other invisibility stories too. Have a listen…

The Science Fiction Book Review Podcast SFBRP #078 – H.G. Wells – The Invisible Man
1 |MP3| – Approx. 58 Minutes [UNABRIDGED]
Podcaster: SFBRP.com
Podcast: Monday, January 18, 2010

Here’s what we talked about:
The Invisible Man by H.G. Wells, the public domain status of the writings of H.G. Wells, Luke and Jesse in conversation, The War Of The Worlds, The Island Of Dr. Moreau, The First Men In The Moon, Luke’s review of The Time Machine, Sussex, invasion literature, mad scientist, horror, thriller, the village of Iping, invisibility, scientific invisibility, What Was It?, haunted house, the 2000 film Hollow Man, Smoke by Donald E. Westlake, the development of the invisibility meme, creating tension in a scene with exposition, Luke’s review of Fahrenheit 451 by Ray Bradbury, the Steven Spielberg, George Lucas, Lawrence Kasdan Raiders Of The Lost Ark story conference |PDF|, a Nazi monkey, Griffin (the titular Invisible Man) as an anti-hero, The Ring Of Gyges (found within Plato’s The Republic), invisibility as a cipher for moral character, invisibility is good for nothing other than spying, if you’re an invisible person you’ll need a confederate, The Hobbit and The Lord Of The Rings by J.R.R. Tolkien, Miss Pim’s Camouflage by Lady Stanley, WWI, Invisible Agent, WWII, isolation, moral isolation, anonymity, Eric Rabkin’s point about, refractive index, albinism, the sleight of hand that H.G. Wells uses in The Invisible Man and The Time Machine, The Crystal Egg by H.G. Wells, Mars, long distance communication, what is the serious problem with invisibility? [the answer is a DEFEATER for any truly HARD SF story], the background for The Time Machine is Charles Darwin, evolution and the class system, the background for The War Of The Worlds is invasion literature, war and colonialism, Eddie Izzard‘s colonialism through flags, the background for The Invisible Man is personal responsibility, isolation and moral character, Thomas Marvel (the tramp with an invisible friend), the parallels between The Invisible Man and Treasure Island by Robert Louis Stevenson and Fawlty Towers, psychopathy, sociopathy, the one ring’s invisibility, invisibility for burglary is only half as useful as you’d expect, imagine the Sauron’s ring in the hands of Denethor, Boromir, or Gandalf!, the filmspotting podcast, visit Luke’s website!

http://www.sfbrp.com/?feed=podcast

iTunes 1-Click |SUBSCRIBE|

Posted by Jesse Willis

FanExpo 2009: Convention panel with Darwyn Cooke talking about Richard Stark’s The Hunter

Aural Noir: Online Audio

FanExpo 2009Fanexpo 2009 featured a convention panel called “Spotlight on Darwyn Cooke.” Cooke is famous, at least to me, for two comics I have in my collection. Selina’s Big Score (a DC comics universe homage to the crime novels of Richard Stark), and the more recent adaptation of the first of Stark’s novels: The Hunter.

The panel, posted up on Archive.org, discusses Cooke’s recent work with the recent release of an adaption of the novel, The Hunter. Other topics include previous comic works such at Catwoman and the New Frontier followed by questions from the audience.

Incidentally, the volume on this MP3 is absolutely crap. It’s waaaay too low. Likely it is the worst sounding MP3 ever posted to SFFaudio. Sorry about that. But, if you turn up your volume to the absolute max you can probably make most of it out.

Have a listen |MP3|

And, if somebody out there has a better recording of this panel, let me know! I’d like to link to it.

Parker Will Return Summer 2010

[via Almost Darwyn Cooke’s Blog]

Update:

ComicBookBin.com has a better quality version.

Posted by Jesse Willis

Aural Noir Review of Drive by James Sallis

Aural Noir: Review

Blackstone Audio - Drive by James SallisDrive
By James Sallis; Read by Paul Michael Garcia
Audible Download – 3 Hours 26 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
Provider: Audible.com
Themes: / Crime / Noir / Los Angeles / Hollywood / Arizona /

“Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there’d be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn’s late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room…”

Drive starts with an important dedication. “To Donald Westlake, Ed McBain and Larry Block.” If an author is going to choose any three modern crime writers as inspiration for a book they could pick no better three than these dudes. Drive starts off with an opening sentence that could have been written by Richard Stark (a pen-name of Donald Westlake), proceeds to punch-out clean and clinical prose like McBain’s 87th Precinct novels and punches the story along like Lawrence Block at his best. Drive stars “Driver”, a nameless Hollywood stunt driver by day and a criminal getaway driver by night. We get how he started in the business of stunt-driving, a few scenes of him pulling off those incredible feats of automotive control, and how he got involved in the punishing business of criminal getaway driving. It’s fast, but it ain’t furious, it’s more of a simmering sizzle.

Blackstone narrator Paul Michael Garcia, who I last heard as the reader of Starman Jones, has a young voice – I knew I’d enjoy his reading of something in this genre. Garcia’s narration made it an incredibly solid listen. What’ll keep it from being a classic of the niche is that same anonymity of the protagonist. I enjoyed the ride with the guy, the “driver”, he has an incredible story to tell, but it was like I got hypnotized by the road somehow – I got to the end, refreshed and exhilarated but not particularly aware of what route we took. Perhaps this makes Drive the ideal summertime, top down, high-gear audiobook? It’s a novella so it’s short and you’ll zip through it practically before the commute is over. I think its worth giving a try.

Posted by Jesse Willis

Aural Noir Review of The Cutie by Donald E. Westlake

Aural Noir: Review

BBC Audiobooks America - The Cutie by Donald E. WestlakeHard Case CrimeSFFaudio EssentialThe Cutie
By Donald E. Westlake; Read by Stephen R. Thorne
Audible Download – Approx. 5 Hours 27 Minutes [UNABRIDGED]
Publisher: BBC Audiobooks America / Audible.com
Published: March 2009
Themes: / Mystery / Crime / Noir / Murder / New York /

“Mavis St. Paul had been a rich man’s mistress. Now she was a corpse. And every cop in New York City was hunting for the two-bit punk accused of putting a knife in her. But the punk was innocent. He’d been set up to take the fall by some cutie who was too clever by half. My job? Find that cutie – before the cutie found me.”

That’s Clay, the strong right arm of Ed Ganolese, talking above. Ed’s a NYC syndicate boss. The mob may have old roots but the syndicate, the crop of gangsters in this novel, only goes as far back as WWII. See during the show in Italy a bunch of D-Day Dodging G.I.s found themselves allied with some old-world black marketeers. And now, twenty or so years later, in the 1960s those bonds lead Clay down strange alleys. He’s forced to turn amateur detectivewhich is something new for a mob enforcer. But his boss Ed, but you call him Mr. Ganolese, is under the squeeze from the “parent company” in Italy. And when Ed asks, Clay does. So, Clay takes the case. He needs to solve the frame-up murder put over on a low level pusher named Billy Billy. Billy Billy is innocent – everyone knows he wouldn’t harm a fly – but the cops like him for the murder. And it looks bad for Billy Billy because he woke-up from his heroin induced stupor in the middle of the murder scene. Everyone knows he’s innocent, Ed knows, Clay knows but the cops, well they just don’t care. Since Billy is someone’s patsy and just a hair’s-breadth ahead of the law that means Clay has really got his work cut-out for him.

I had previously read the paperbook of this novel, but not with the Hard Case Crime title of The Cutie. When I read it originally the novel was called The Mercenaries. The strange thing is that the title seems to have influenced my opinion as to the character of the book, maybe its a combination of things. The title and the way it was read. When I first read the novel about five or six years ago I would have classified it as a rather dark, but with this new title, new cover art (by Ken Laager), and the brightly lit voice acting by Stephen R. Thorne it comes off as surprisingly light. Almost a caper in fact. Part of of it must also be because The Cutie is told in first-person from Clay’s point of view. Narrator Thorne brings a youthful confidence to the part (something my inner voice apparently didn’t). But, it’s still strange how Clay is really a cold blooded and murderous thug – Westlake gives him an excellent backstory. But then again perhaps I’m still hearing Thorne’s reading of Somebody Owes Me Money |READ OUR REVIEW|. The Cutie is fully utterly engaging, I found myself trying to solve the central mystery again, all the while marveling at Westlake’s masterful storytelling. The Cutie is a gritty, fast paced, and well plotted murder mystery with a highly unusual criminal/detective lead. If you haven’t tried a Westlake novel before this, now and with The Cutie is your perfect place to start – this was Donald Westlake’s first novel under his real name.

Posted by Jesse Willis

The SFFaudio Podcast #025

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #025 – Jesse and Scott are joined by Brian Murphy of The Silver Key and The Cimmerian blogs. We mostly talk about Fantasy, with a little war talk to make things manlier.

Talked about on today’s show:
Recent Arrivals, Penguin Audio, re-release of Stephen King audiobooks, Desperation, The Regulators, Thinner, Rose Madder, Joe Mantegna, Blair Brown, Kathy Bates, Kate Nelligan, the origins of the “Richard Bachman” pseudonym, Donald E. Westlake, Chapterhouse Dune, Frank Herbert, full cast narration, Macmillan Audio, Starship series, Mike Resnick, Jonathan Davis, Book Of The Road, dual narration, Elric Of Melbinone, Michael Moorcock, Audio Realms, The Graveyard Book, Neil Gaiman, the Canadian publishing industry, Raincoast Books, Od Magic, Patricia A. McKillip, Dreams Underfoot, Charles de Lint, cover art matters, Black Gate blog, Confessions Of A Speed Reading Instructor, “how long is a book ?”, Top 10 Fantasy Battles Of All Time, The Iliad, Homer, Recorded Books, George Guidall, the Robert Fitzgerald translation, reciting Homeric length epics (the documentary In Search Of The Trojan War), Bernard Cornwell, The Winter King, King Arthur (2004), Clive Owen, Excalibur (1981), Audio Renaissance (Macmillan Audio), Chivers Audio (BBC Audiobooks America), ISIS Audio, the Sharpe television series, George R.R. Martin, A Song Of Ice And Fire series.

King Arthur,

Posted by Jesse Willis

The SFFaudio Podcast #024

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #024 – Jesse and Scott discuss hardware (which is the best iPod), comics (graphic novels to some), movies (bad and worse) and even a few audiobooks (not so bad at all).

Talked about on today’s show:
Recent arrivals, Od Magic by Patricia A. McKillip, Blackstone Audio, Dreams Underfoot by Charles de Lint, urban fantasy, Pebble In The Sky by Isaac Asimov, BBC Audiobooks America, Gentleman Of The Road by Michael Chabon, In The Electric Mist With The Confederate Dead by James Lee Burke, New Orleans, why there’s no such thing as a “noir” series, Montana, film: Taken, ViolentWorldOfParker.com, Duplicate Effort by Kristine Katherine Rusch, the Moon, Audible.com’s Short Story sale, Coming Attraction by Fritz Leiber, LibriVox + SFFaudio = Instant iTunes Audiobooks, “Here Comes The eBook Revolution” by Mike Elgan, the e-ing of magazines, review of The Book Of Lies by Brad Meltzer, Phantoms by Dean Koontz, revisionism – what authors shouldn’t go back and revise (or update) their published novels, evidence: Star Wars, Star Trek: Amok Time, Escape Pod returns! with a new Ken Scholes short story, Lamentation by Ken Scholes, Springtime for Hitler (and Germany), iPhone’s drawback (battery life), iPod Nano vs. iPod Classic vs. iPod Touch, The Cutie by Donald E. Westlake comes to audiobook on March 1st 2009, Decoder Ring Theatre, Gregg Taylor’s Black Jack Justice is now a webcomic!, Sandman: Brief Lives by Neil Gaiman, Gaiman on CBC.

Posted by Jesse Willis