horror – Page 76

Review of The Voice from the Edge: Midnight at the Sunken Cathedral by Harlan Ellison

SFFaudio Author of the Month

The Voice from the Edge: Midnight in the Sunken Cathedral
By Harlan Ellison; Read by Harlan Ellison
5 CDs – 5 Hours [UNABRIDGED]
Publisher: Fantastic Audio
Published: 2001
ISBN: 1574534157
Themes: / Science Fiction / Fantasy / Horror / The Mob / Dreams /

Harlan Ellison will talk your ear off. After listening to the man perform 11 of his stories over the better part of five hours, I’ve come to the conclusion that he is not the type of guy that you’re going to be able to get away from easily; not once he’s started talking. But would you want to? Ellison is like the guy you sit down next in a bar only because it’s the only seat open, praying that he’ll leave you alone, but, sure enough, he turns to you and immediately begins to regale you with that “Car Talk” voice of his about his latest exploit. “Terminator? My idea. That sumbitch James Cameron tried to pass it off as his own, but I wasn’t having it.” Or, “I tell you I never met anybody more uptight than those guys over at Disney. I make one little joke… it was stupid, yeah, but just a joke! Of course nobody would really ever draw Tinkerbell doing that, but try telling those guys that you were only joking. Nope; there’s ol’ Harlan, out on his ass the same day he was hired.” Ellison seems to be one of those guys that are vastly entertaining to listen to, and to watch in action, but only as long as his perpetual low-level rage is never directed at you.

Which is what makes this collection perfect. You get to sit in your car, office, wherever, and hear Ellison tell you some of his best stories without ever worrying that you’re going to get more involved than you want to be. But, maybe you should be worried, just a little. While there are a few stories in this collection that are pretty light-hearted from beginning to end, most of them begin innocently enough, but then slowly become more and more disturbing until it’s almost impossible not to feel some sense of unease and trepidation, and then, when they end, almost palpable relief. “S.R.O.,” for example; what starts out as a cheery little tale of off-center entrepreneurship, read in Ellison’s best 1920’s gangster voice, begins to drift into a much more solemn treatment of beauty and the lengths to which people will go to experience it.

Then there are the stories which begin creepy and stay that way. “The Function of Dream Sleep” begins with the image a mouth opening in a man’s side, which is disturbing enough, but Ellison keeps on turning the “dread” knob up until even driving along an interstate in broad daylight seems somehow sinister and unreal. I’d be interested in reading these stories in text form to see how much of this sensation comes from the actual writing and how much comes from the sheer desperation Ellison puts into his performances. I wasn’t surprised to see that Ellison has a few acting credits to his name, (most awesomely, “man at orgy” in Godson); the range of character and emotion that are present in these readings rivals that of any “professional” reader. At times it’s apparent that Ellison’s familiarity with the stories allows him to enhance his performances by adding laughter, stutters, and other little bits of paralanguage that only he would be able to get away with. The postscript to “The Function of Dream Sleep,” in which Ellison explains some of the elements of his most autobiographical story, is also told in this extemporaneous manner. It’s like the old guy at the bar has finally started to wind down and is going casually toss off one last bit of terror that will keep you up for weeks before he empties his drink, slaps you too hard on the back, and starts shuffling for home.

posted by Cory

Review of Merian C. Cooper’s King Kong by Joe DeVito and Brad Stickland

Merian C. Cooper’s King Kong
By Joe DeVito and Brad Stickland; Read by a Full Cast
6 CDs – 6.75 Hours [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2005
ISBN: 1933322497
Themes: / Science Fiction / Horror / Movie making / Gorillas / Dinosaurs /

Full Cast Audio has really perfected their style. The first audio I listened to by them was back in 2002 – I reviewed it for SFSite, and you can find it here. Their Full Cast style of audiobook narration was new to me, I was a little put off by it, though I enjoyed the book (as did my son).

Here we are in 2006, and Full Cast Audio presents Merian C. Cooper’s King Kong, during which I marveled at the expert production. The skillful acting, the flawless editing, and the classic story make this a title not to be missed. Nobody does Full Cast Unabridged narration better than Full Cast Audio.

The story is familiar to nearly all of us. Carl Denham is a recklessly ambitious filmmaker in 1930’s New York City. He gathers a crew and an actress (Ann Darrow) to sail to a secret destination where he can film his masterpiece. The crew finds the mysterious island, where they find King Kong in an adventure that turns dangerous in a big hurry.

I haven’t seen the original King Kong film for many years, and it didn’t have the effect on me that it did on so many others, including Peter Jackson. I have seen Peter Jackson’s version, though. This version of the story is not a novelization of the Peter Jackson script. It is an expansion of the original novelization of Cooper’s original Kong story.

Posted by Scott D. Danielson

Review of The Raven by Edgar Allan Poe

SFFaudio Review

The Raven
By Edgar Allan Poe, Read by Bill Mills
MP3 file – 19 min. [UNABRIDGED]
Publisher: REB Audio books
Published: 2005
Themes: / Horror / Poetry / Mourning / Depression

“Once upon a midnight dreary,
While I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore…”
— A.E. Poe, The Raven

That’s how the poem begins, drawing a pall of melancholy over us with its first syllables. This audio book, however, takes a little more time getting there. As if reflecting the distance from this mood we might be starting, the first tones are of bouncy pop music as the company and title are introduced. Then comes Bill Mills’ voice, warm, and rich as hickory smoke, leading us down into darkness with a brief, stylish bio of the author.

When the first line finally arrives, I have to admit, I cringe for just a second. The slow, broken delivery—scattering audible periods where the text shows, at most, commas—has just a whiff of Shatner-reading-Lucy-in-Sky-with-Diamonds over-interpretation. But that passes in an instant, and I find myself discovering new wonders in nearly every spoken line of a poem I’ve read probably a hundred times. I have a tendency to dismiss rhymed poetry as lightweight, as my brain usually prefers humming the tune to learning the meaning behind the words, but Mills’ reading is a perfect foil for that. He treads a careful path between chanting the regular meter and disregarding it entirely, cleverly emphasizing the story the words tell while still respecting their poetry. What he presents is a tale of a man just tumbling off the edge of hope into a free fall of depression, a man who speaks the name of his lost love into the darkness outside his soul only to have the darkness reply with morbid hopelessness.

The one thing marring this production is the background track. Behind the serious lead vocals vamps a cartoon ghoul-band of horror excess: Howling wind, howling wolves, crackling thunder, soaring choirs, and crashing orchestras. It isn’t destructive, but it is ridiculous. That said, this is still an excellent recording. I highly recommend following Mr. Mills down this twilit path, no matter how many times you think you’ve seen it before.

Posted by Kurt Dietz

Review of A Colder War by Charles Stross

SFFaudio Audiobook Review

A Colder War
By Charles Stross; Read by Pat Bottino
1 CD – 80 Minutes [UNABRIDGED]
Publisher: Infinivox
Published: 2005
ISBN: 1884612482
Themes: / Science Fiction / Horror / Alternate History / Politics / War / Evil / Cthulhu Mythos /

“Warning. The following briefing film is classified SECRET GOLD JULY BOOJUM. If you do not have SECRET GOLD JULY BOOJUM clearance, leave the auditorium now and report to your unit security officer for debriefing. Failing to observe this notice is an imprisonable offense. You have sixty seconds to comply.”

The biggest single threat to NATO may be the Shoggoth Gap. The wild card is Lt. Col Oliver North, President Reagan’s man. Roger Jourgensen, CIA operative, is at the center of this crisis. If all the political wrangling doesn’t work out perfectly there will be hell to pay, or worse, far, far worse.

Brilliant! Absolutely brilliant! A modern novellete in H.P. Lovecraft’s Cthulhu Mythos, rich in detail, frightening in execution! Stross’ stunning tale will pull you back into that old cold war era embalming fear and then magnify it into non-euclidian infinities. Imagine David Cronenberg directing Dr. Strangelove based on a script by H. P. Lovecraft. Imagine an alternate history in which nuclear bombs are not the ultimate weapon, but instead they are merely a stepping stone to eldritch technologies accessible through certain trans-dimentional forces first encountered in 1920s Antarctica, technologies which neither the USA nor the USSR can quite contain. Stross has admitted A Colder War is directly inspired by Lovecraft’s novel At The Mountains Of Madness. The amount of research and historical mastery Stross sprinkles throughout the narrative creates a verisimilitude necessary for truly effective alternate history. Insert the CD and then shudder in horror as the concept locks you in for the duration.

Pat Botino’s tremulous voice isn’t at all typical for professional narrators, but when it comes to subverting heroic self-assurance, he’s got no equal. Here it works extremely well. The production is loud and straight, the way I like it. A few voice effects are used to distinguish documentation bookmarks of each section. Nothing flashy, nothing distracting. I’d be satisfied if every straight reading single narration audiobook was done this way. For a while now I’ve been telling just about anyone who would listen that editor and producer Alan Kaster at Infinivox has been picking out the best modern short science fiction and tunring it into fabulously read audiobooks. This latest wave of Infinvox’s GREAT SCIENCE FICTION STORIES includes three Charles Stross audiobooks.Lobsters, Antibodies and A Colder War. Each of these is available for just $7.99 right now on the Infinivox website. There’s nary a better value on the web!

Posted by Jesse Willis

Review of King Kong by Edgar Wallace and Merion C. Cooper

SFFAudio Review Header

King Kong
By Edgar Wallace and Merion C. Cooper; Read by Stefan Rudnicki
5 CD’s, 5.5 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2005
ISBN: 0786175362
Themes: / Science Fiction / Horror / Movie making / Gorillas / Dinosaurs / Commentary /

This audiobook has two phrases emblazoned on the cover: “Special Blackstone Collector’s Edition Audiobook” and “The Greatest Horror Story of All Time!!” (both exclamation points are there…) Of the first phrase I can say that this audiobook is certainly special. Not only does it include the unabridged audio version of the novelization of the original King Kong film, but it also includes a bonus disc containing commentary from Ray Bradbury, Ray Harryhausen, Orson Scott Card, Larry Niven, Catherine Asaro, Harlan Ellison, Jack Williamson, and Marc Scott Zicree. Is it the greatest horror story of all time? Not in my eyes, but the words fit nicely on this gorgeously packaged audiobook.

The original King Kong film (1933) holds a special place in a lot of hearts. I don’t share those feelings, possibly because the film predates me by 35 years. I recall more details about the 1976 remake starring Jessica Lange than I do the original. I was 10 in 1976 and, since that version of King Kong was mediocre, it stirred little in me. News of Peter Jackson’s remake didn’t excite me.

But this audiobook has awakened my interest in a big way, for two reasons. First, the story itself. Engagingly read by Stefan Rudnicki, the story of Kong, Denham, Ann Darrow, and Jack Driscoll is really a good story. The filmmaker Denham’s recklessness, actress Ann Darrow’s willingness to go along, and Jack Driscoll’s love keep things very interesting. Kong, of course, is the character around which the story revolves, and his journey from island to New York City and from beast to human-like ape fascinates.

The second thing that sparked my interest is the commentary. I loved the commentary included here. All of the people I mentioned above had a different and interesting take on King Kong, from Harlan Ellison’s declaration of the original film’s perfection to Catherine Asaro’s discussion of power unused. After listening to this, I’m now eager to see the new film, and even more eager to watch the original.

It would be an excellent thing if other books are given similar treatment. Unabridged classic science fiction novels with commentary would add a new and greatly appreciated dimension to the audiobook experience. Kudos to Blackstone for giving us this Special Edition.

Posted by Scott D. Danielson

Review of The Unnameable: Four Tales by H.P. Lovecraft

SFFaudio Review

The Unnameable: Four Tales by H.P. Lovecraft
By H.P. Lovecraft; Read by David Cade
1 CD – 1 Hour 16 Minutes [UNABRIDGED]
Publisher: Tales Of Orpheus / www.DavidCade.net
Published: 2005
ISBN: 0955209005
Themes: / Fantasy / Horror / Cthulhu Mythos / Cats / Music /

“We were sitting on a dilapidated seventeenth – century tomb in the late afternoon of an autumn day at the old burying ground in Arkham, and speculating about the unnamable.”

Dumb move guys, being in Arkham was the first mistake. Hanging out at the cemetary at twilight was the second. You don’t get a third with Lovecraft. Fortunately we get both a third and a fourth! This collection contains four complete Howard Philips Lovecraft short stories! Included are:

“The Book”
Told in a creepy first person, a disembodied voice, a voice that decries the day it discovered “the book”, in a library beside a great black oily river. The voice has forgotten its family, its life, even its own name. You will never forget this story. Probably written in 1933, a point at which Lovecraft was at the height of his powers, it shows.

“The Music Of Erich Zann”
One step from vagrancy, our anonymous narrator, recalls a fellow lodger Erich Zann. They shared a decrepit building on a mysterious French street, but Zann’s eerie music was not nearly as haunting as horror that chased him. First published in 1921, still
powerful.

“The Cats Of Ulthar”
A cryptic fable that gives reason to why killing a cat may be the most dangerous thing one can ever do. There are two kinds of people in the world: Dog people and
cat people. H.P. Lovecraft was obviously a cat person. Cats are mysterious, small but quite powerful and work best at night, just like this story. First published
1920.

“The Unnameable”
Randolph Carter, who we already know from The Statement Of Randolph Carter recalls the events which followed their visit to an Arkham, MA cemetary. This is the only story in this collection considered part of the Cthulhu Mythos and Carter is probably the only character to survive two brushes with the who should not be named. First published 1923.

British actor David Cade reads all four tales. There is some question in my mind on one matter, does having an English accent whilst reading very American stories necessitate a conflict? It probably would if there was much dialogue – but seeing as Lovecraft was far friendlier with exposition than he was with speaking parts it isn’t much of an issue at all. Cade is effective at bringing the mostly expository prose to gruesome life. All four stories are framed by muscial excerpts that are very well matched to the thematic material. One thing that bothered me greatly though was the lack of titles, each track is distinctly seperated by music, but the stories themselves are not named in the audio, one must look at the back of the CD case to find out which story you are listening to – something a blind listener would be unable to do.

Posted by Jesse Willis