The SFFaudio Podcast #344 – READALONG: Now Wait For Last Year by Philip K. Dick

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #344 – Jesse, Paul, and Marissa talk about Now Wait For Last Year by Philip K. Dick

Talked about on today’s show:
1966, in the high end, if you want to know what Philip K. Dick writes, it has everything, interplanetary, pretty-earthbound, marriage issues, resonances with other novels, Eric Sweetscent, a nice Dick protagonist, touchy relationship stuff, “misogynist”, he loves women too much, his “headbasher”, The Search For Philip K. Dick, when he was ending their relationship, impotence, psychoology, a husband-father formula, a teenage alternate girlfriend, Eric is so sweet and so sympathetic, an evil bitch destroying the relationship, sympathetic and pathetic, addiction, JJ-180, drugs, time travel, the robot goes with her, robants, the secret service agents, the bill collector robant, the cab robant, “Sir, we’re not allowed to get married”, the robant that wants a bribe, Total Recall, the secretary with the fingernails that change colour, nude breasts with dye and sparkles, a decorative secretary, We Can Remember It For You Wholesale, Blade Runner, wheels, a confusing start, using amoebas to make stuff?, Wash30 = Washington 1930, the Philip K. Dick Fans site, none of this stuff is possible, the print amoeba, really cool writing, “in bed alone”, potent spirits of the past, a graveyard, describing space, is Cheyenne underground?, writing Wyoming again, NORAD?, dialogue vs. description, a nice state capital, “he was enjoying the sight of her dressing”, Lillistar’s secret police, creepy, the Reegs, Gino Molanri, a single medal on his uniform, that’s Hitler!, Gino Molinari is Mussolini, the Earth is Italy and the Star Men are the Nazis, Mussolini is not Hitler, the first fascist dictator, Rimmer from Red Dwarf, not racism but power and glory, when the Americans and the Canadians and the British invade Italy, the soft underbelly of Europe, why Molinari is getting sick, Mussolini’s alpine prison, Otto Skorzeny, rescue/liberate, “Hey, Hitler!”, Molonari is a smart Mussolini, the Reegs are nice, we look like the star-men but we have more in common with the reegs, Tony And The Beetles, telepathic females, one of the weirdest Philip K. Dick stories, a weird ending, the racist father, a frightening story, The Father-Thing, Hansel and Gretel without Gretel: The Cookie Lady, a really creepy story, a quasi sequel or a dry run for Now Wait For Last Year, the same themes, grapefruit sized baseball heavy plastic brains, the lazy brown dogs, the Martian print amoeba, from another Dick story, Colony and Beyond Lies The Wub, attacks by microscopes and towels, “I trusted the rug completely.”, camouflage aliens, when Cathy has her first trip, the history of their tech, matching furs, Virgil, he destroyed the fur industry, killing amoebas is ok?, the fur bearing animals are saved, “furs, that’s the best thing you can think of to do?”, Do Androids Dream Of Electric Sheep?, monad lazy brown dogs, “The quick brown fox jumps over the lazy dog”, are they dog brains?, fur is not alive in the first place, brains are plastic, both meanings, non-living brains, half a cent, so sweet, super sweet, their attacking each other, animal nature, they are as much alive as we are, their god is black, Himmel = heaven, the martian bat guano business, Molan-air-e, Wash-35, collecting stuff, authentic artifacts, The Thirteenth Floor, and Eye In The Sky, Time Out Of Joint, artificial towns, recreated towns, recapturing youth, a rich person’s game, Pitts39, the robant was lying… wasn’t it?, who is the liar?, strange and weird, a similar character in Do Androids Dream Of Electric Sheep?, a flawed god, his unsightly body, shambling, a pathetic figure, it does something to the whole book, first the book takes the shape and then at the end it is fixed, there’s a little animal at the end of Do Androids Dream Of Electric Sheep?, all this ersatz, Jonas, as dead as a robant, suicide, Tijuana, the absurdity of their jobs, seeing to it that factory-rejects got their place in the sun, “I love this stuff”, strong resonances, Wash35 is a 135 year old man recreating a frozen moment in time, time is NOT frozen, Dick has it every which way, “do you object to a stereotape…”, the orchestra isn’t there, all you possess is 1,200 feet of iron-oxide tape, we live with illusion daily, The Iliad is as much a fake as the robant children trading stamps, old-age making its dread appearance, “have an affair with me doctor”, The Cosmic Puppets, set in Virginia, Dick recreating his childhood, remembering the details, alternate presents, a cloud of possibilities, Tijuana Fur and Dye, “Mrs. Sweetscent, sweetheart”, when Cathy destroys the comedian recordings, Dick’s got some awesome recording…, by the way about that American Weekly with that article on the Sargasso Sea…, the Hearst newspapers, an empty cigarette package, antiques are the mcguffin for The Man In The High Castle, he’s right! we don’t live in the present, tweeting dreams, the internet is more reliable than the sun, it’s always on, the internet never goes off, we are living in a weird illusionary reality, when Cathy gets Korsakoff’s syndrome, all these elements that almost completely come together, the gel doesn’t completely set, there’s so much love for Cathy, the robot says he’s a good man, getting into the female character’s mind, he’s a boob man, so much empathy for people, hate and spite, she’s so mad, a movie star named Marm, the microwave dings, my purpose is to make your life a living hell, “good luck with that”, totally re-readable, I would love it again, we had no idea, what is with Molinari getting diseases from his staff?, his zipper was open, he kills people, we don’t know what’s true about him, he’s using his diseases, pulling a sick-day to avoid meetings, a plot device, sympathy pains, hypochondria, empathizing, the uber-empathizer, Bill Clinton felt your pain, literally, JJ-180 is the main character of this book, playing rope-a-dope with the Star-men, brain-freeze, Lord Kalvan of Otherwhen, Starman (1984), Return To Lilliput, every toddler’s dream, the war like Lilliputians, little Napoleons, we’re getting pushed around by little tiny people, taking slave labour from Earth, so we can win this war, whether the illnesses are real or not they are a great strategy, you can’t have Italy fighting on your side unless you’ve got Mussolini, Molinari is finding the middle ground, admirable, thinking the way Nixon is thinking in the Vietnam War, as we re-experienced with Iraq and Afghanistan, slow or fast peeling a band-aid, a self inflicted wound, an exploratory examination, “Molinari you are awesome”, Molinari is the hero, he saves Eric Sweetscent, so many good resonances, thinking while listening, why this isn’t the best ever Philip K. Dick novel ever.

Now Wait For Last Year - DAW Books

URANIA - Now Wait For Last Year by Philip K. Dick

Posted by Jesse Willis

Aural Noir review of The Monster Of Florence by Douglas Preston and Mario Spezi

Aural Noir: Review

HACHETTE AUDIO - The Monster Of Florence by Douglas Preston and Mario SpeziThe Monster Of Florence: A True Story
By Douglas Preston and Mario Spezi; Read by Dennis Boutsikaris
8 CDs – Approx. 9.5 Hours [UNABRIDGED]
Publisher: Hachette Audio
Published: 2008
ISBN: 9781600242090
Themes: / Crime / History / Mystery / Murder / Serial Killer / Conspiracy / Italy / Florence / Sardinia / The Renaissance /

In 2000, Douglas Preston and his family moved to Florence, Italy, fulfilling a long-held dream. They put their children in Italian schools and settled into a 14th century farmhouse in the green hills of Florence, where they devoted themselves to living la dolce vita while Preston wrote his best-selling suspense novels. All that changes when he discovers that the lovely olive grove in front of their house had been the scene of the most infamous double-murders in Italian history, committed by a serial killer known only as the Monster of Florence.

If you’re a fan of Douglas Preston’s fiction you’ll be all into digging the biographical details he adds to this illuminating non-fiction account of a real monster and the labyrinthine twists and turns the investigation took. Those readers looking for insight into Thomas Harris’ Hannibal novels can find this story impactful too. Myself, I was most interested in the unparalleled access this fearsome story details, namely the historical forces that shaped Florence, Tuscany and Sardinia from ancient days, through the Renaissance, the 1960s, 1970s, and on up to the present. Preston, with help from Spezi, provides elucidating details about how the killer (or killers) got away with 16 murders that took place between 1968 and 1985. Their book, this audiobook, is an indictment of Florentine and Italian journalists, the Italian national police , the Florentine investigators, and one prosecutor in particular. In short, after more than 30 years of criminal investigation the case remains an unsolved mystery. Spezi and Preston do take a guess at the culprit, and they back that guess up with a logic chain that is a helluva-lot-more compelling than the official explanation. But, just thinking about it all, a week or two later, I’m still shaking my head. The final disgrace of this story came as a result of a convergence between the Public Minister of Perugia, Giuliano Mignini, and a fraud psychic named Gabriella Carlizzi. Together they explained to themselves, and the arresting police, that Mario Spezi was actually involved in the murders and was a member of a satanic cult.

Even more worrisome, if it is possible to imagine, is what Preston argues is a fairly widespread Italian cultural embrace of something called “dietrologia.” Literally meaning “behindology,” dietrologia is the practice of assuming that nothing notable is as it actually appears – that something hidden (often sinister, cynical and/or conspiratorial) is behind any and all notable events. In Canada we might call it acting paranoid, or being a conspiracy theorist. In Italy, apparently, it is regularly practiced around the dinner table. And it’s all fun and games, I guess, until you end up throwing innocent people in jail. During the writing of The Monster Of Florence Spezi was arrested for either being a collaborator with the Monster or actually being the serial killer himself. Meanwhile Douglas Preston was interrogated, told to confess, threatened with arrest, and forced to leave Italy upon pain of prosecution. The Monster Of Florence case was completely bungled. This was a clusterfuck on par with the notorious California’s McMartin preschool investigation and trial. I guess it all goes to show that police and prosecutorial incompetence is alive and well in the new and old worlds both.

Reader Dennis Boutskaris takes full control of the narrative, becoming the voice of Preston (and Spezi) for the entire audiobook. To my untrained ears his Italian accent sounded fine. The cover art, as mentioned in the audiobook, comes from a photograph of a statue in Piazza della Signoria, in Florence (The Rape of the Sabine Women by Giambologna |JPG|). In addition, on the final disc, there is an informative interview with Douglas Preston.

Posted by Jesse Willis

LibriVox Noir: The Aeneid by Virgil

Aural Noir: Online Audio

LibriVoxOut now from LibriVox is an early English translation of an epic poem. Aeneas’s story is the story of the foundations of the Roman republic and the Roman empire. Its ethos plays an important role in shaping who we are nearly two millennia after it was written. I think of it as the first in a long tradition of NOIR LITERATURE. Sure, you thought that the story of Romulus and Remus was grim. But that’s much later in the history of the Roman people – at least according to the greatest Roman poet, Publius Vergilius Maro, better known as Virgil. Virgil wrote this earlier history of the Roman origins for his Emperor, Gaius Julius Caesar Octavianus, better known as Augustus.

If you’ve read The Iliad you’ve already met Aeneas. The end of The Iliad is the beginning of The Aeneid. Aeneas leads his surviving, but homeless, Trojans to Italy, where they become the ancient ancestors to the Romans. The first six of the poem’s twelve books tell the story of Aeneas’ wanderings from Troy to Italy, and the second set of six books chronicle the war for the new Trojan homeland. In his war against the brave and honorable, but hot-headed Turnus, Aeneas keeps his cool (as a good Roman should). In fact, Aeneas is everything a good Roman should be, full of filial piety, brave, resistant to the temptations of distracting women, and ultimately ruthless.

Some scholars think that the final scene of this epic is unfinished. I understand why they think that, they say the meter is off, that Virgil died before he could make it fully symmetrical. I choose not to believe that. I choose to believe the final lines of this epic poem are exactly as Virgil intended: That is, COMPLETELY AND UTTERLY NOIR.

Here are the final lines of the poem’s Fitzgerald translation:

“Then to his glance appeared the accurst swordbelt surmounting Turnus’ shoulder, shining with its familiar studs – the strap Young Pallas wore when Turnus wounded him and left him dead upon the field; now Turnus bore that enemy token on his shoulder – enemy still. For when the sight came home to him, Aeneas raged at the relic of his anguish worn by this man as trophy. Blazing up and terrible in his anger, he called out: ‘You in your plunder, torn from one of mine, shall I be robbed of you? This wound will come from Pallas: Pallas makes this offering, and from your criminal blood exacts his due.’ He sank his blade in fury in Turnus’ chest…”


Aeneas, who throughout the rest of the poem symbolizes pietas (reason), in this final scene becomes furor (fury). Since this poem is considered the national epic of the Roman people, it seems fitting that the Roman virtues are at the fore of the concluding scene. Romans were vengeful, pitiless, with what Friedrich Nietzsche called a “master morality” – the morality of the strong-willed. What is good is what is helpful; what is bad is what is harmful. For Virgil, and Augustus, the strong-willed Roman morality is not needing the approval of a higher power. For us, in certain circumstances it leaves us saying things like… “Forget it Jake. It’s Chinatown.”

LibriVox Noir Audiobook - The Aeneid by VirgilThe Aeneid
By Publius Vergilius Maro; Translated by John Dryden; Read by various
24 Zipped MP3 Files or Podcast – 13 Hours 39 Minutes [POETRY]
Publisher: LibriVox.org
Published: October 2008
The Aeneid is a Latin epic written by Virgil in the 1st century BC that tells the legendary story of Aeneas, a Trojan who traveled to Italy, where he became the ancestor of the Romans. The first six of the poem’s twelve books tell the story of Aeneas’ wanderings from Troy to Italy, and the poem’s second half treats the Trojans’ ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The poem was commissioned from Vergil by the Emperor Augustus to glorify Rome. Several critics think that the hero Aeneas’ abandonment of the Cartheginian Queen Dido, is meant as a statement of how Augustus’ enemy, Mark Anthony, should have behaved with the Egyptian Queen Cleopatra.

Podcast feed:

http://librivox.org/bookfeeds/aeneid-by-vergil.xml

Posted by Jesse Willis