Tag: magic

Review of Magic Kingdom for Sale: Sold! by Terry Brooks

Brian

SFFaudio Review

Magic Kingdom for Sale: SOLD! by Terry BrooksMagic Kingdom For Sale: SOLD!
By Terry Brooks; Read by Dick Hill
12 CDs – 14 hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2008
ISBN: 9781423350125
Themes: / Fantasy / Magic /

If you like a big, heaping helping of vanilla with your fantasy, you’ll probably like the flavor of Terry Brooks’ Magic Kingdom for Sale: Sold. Me, I’m a New York Super Fudge Chunk guy and I thought Magic Kingdom tasted lousy.

Yeah, that’s harsh. If you don’t have anything nice to say, don’t say anything at all, etc. etc. But I have an obligation to review Brooks’ work for two reasons: I owe it to this website, and I figure I might steer away a couple potential readers who might stumble with tragic results into the banal minefield that is Magic Kingdom.

To be fair, Brooks can write, in terms of stringing grammatically correct sentences together. I’ve read much, much worse stuff than Magic Kingdom. I also have fond memories of Brooks’ Sword of Shannara series, which I read as a teenager and liked (although I knew even then that they were derivative of Tolkien). But I’m afraid to revisit Shannara these days, especially after Magic Kingdom. I just know its not going to hold up.

Magic Kingdom is the tale of Ben Holiday, a 40-year-old lawyer burned out with his profession and his life, having lost his wife to a car accident and finding no satisfaction in his work. While thumbing through a specialty catalog he finds a literal magic kingdom for sale for a million bucks and decides to make the purchase. The broker, a wizard, whisks Holiday away to the fantastic realm of Landover, a once shining kingdom now in serious decline. The land is failing and the great castle of Sterling Silver is tarnished because Landover has been without a king for 20 years.

Holiday soon finds out that he’s not the first king to try to ascend to the throne in that time, however. Far from it. Instead, he’s been duped by the broker, and learns that dozens of previous kings have failed before him, and were meant to. Landover’s peoples are bitter and disenchanted with the string of would-be kings turned failures, and Holiday has a fight on his hands to win their pledges.

But Holiday has help in the form of a doddering old wizard (Questor), a talking dog who once served as a court scribe (Abernathy), a beautiful shape shifting sylph named Willow, a pair of Kobolds, and a pair of hairy, grubby, earth-tunneling gnomes.

The biggest problem I had with Magic Kingdom is that this is kids’ stuff, but it’s not labeled nor probably intended as such. I don’t buy that Magic Kingdom is written for an adolescent audience: its clearly marked as “adult fiction” on the cover of the audiobook I’ve reviewed. Nor is its subject matter for adolescents: At its heart it’s about a man’s middle-age crisis, hardly the stuff to captivate a young audience. And because Magic Kingdom doesn’t know what it wants to be, it suffers mightily. I enjoy good adolescent fantasy lit–C.S. Lewis’ The Chronicles of Narnia and Nancy Farmer’s The Sea of Trolls, for example, are terrific reads for folks of any age–but Magic Kingdom failed to satisfy my grown-up tastes, or my childhood love for good, simple stories.

Secondly, Landover as a world is completely unrealistic and devoid of any personality or charm. With generic place names like “The Greensward,” “the Deep Fell,” “The Wasteland,” and “The Mountains of Melkor,” Landover may as well be anywhere fantasy USA. And the way Brooks describes Landover you’d think it was the size of a postage stamp–two sentences of description here and there and Holiday and his crew have traversed the whole continent without breaking a sweat.

Thirdly, I didn’t much like the main character. There’s nothing to dislike about Holiday, but there’s not much to like, either. He’s bland and featureless. Holiday stumbles around most of the story, avoiding scrapes by luck or occasionally pluck and wit, but mostly because he’s “fated” to become king. He’s revealed as the chosen one almost from the outset of the story, so there’s really no tension or doubt that he will ascend to the throne of Landover. I also found his companions extremely annoying. The kobolds, gnomes, and even Abernathy and Questor resemble a troupe of circus clowns who are there to provide levity, a sounding board for Holiday’s questions, and occasionally bail him out of trouble, but do little else.

Fourthly, the underpinnings of the story have some serious flaws and holes. We find out that the evil wizard who “sells” Landover to Holiday is doing it for the money. Keep in mind that this is a wizard who has powerful magic at his disposal—and can use it freely on Earth—but can’t seem to figure out how to use it to make a few honest bucks. Lame. Brooks draws some extremely tenuous connections between the health of the king and the health of the land, an old Arthurian trope that is not at all developed in Magic Kingdom. Other than a few brief mentions of blighted crops, swirling mists and gloom, and some unhappy farmers, there’s no overt suffering, darkness, or disease, nor any explanations about why a king is needed to restore the land’s health. In short, I had no emotional investment in whether Holiday succeeded or failed in his mission because I didn’t find myself caring about him or the plight of Landover. By the conclusion of the story I was simply glad to see it end.

I could go on and on with the criticisms (the evil wizard allowed Holiday, a brilliant lawyer and a golden gloves boxer, to buy Landover because he thought Holiday was a good candidate to fail at becoming king?) but it’s like shooting ducks in a barrel. I do think there is an audience for Magic Kingdom, and you could do worse if you’re looking for a brainless beach read, but suffice to say that it’s not for readers like me.

I will conclude on one positive note: Narrator Dick Hill does an admirable job holding this mess together with a fine reading voice. His work depicting Questor and Strabo, the dragon, is nicely done, and adds value to the audiobook.

Posted by Brian Murphy

Review of The Red Panda Adventures – Season 3

Jesse Willis

SFFaudio Review

Superhero Audio Drama - The Red Panda Adventures - Season ThreeThe Red Panda Adventures – Season 3
By Gregg Taylor; Performed by a full cast
12 MP3 Files – Approx. 6 Hours [AUDIO DRAMA]
Podcaster: Decoder Ring Theatre
Podcast: September 2007 – May 2008
Themes: / Fantasy / Superheroes / Mystery / Adventure / Magic / Time Travel / Robots /

“None of the other heroes kiss their sidekicks!”

You’d think after thirty-six episodes The Red Panda Adventures would have become formulaic – to have settled into a well-worn style. It sure doesn’t feel that way, RP shows no signs of becoming anything like a mere dry routine. The familiarities are only in the iconic lines of character dialogue that are heard in every episode – bits like: “Kit Baxter, behave yourself!” and “He’ll face justice at the hands of The Red Panda!” If there is a formula, it must be a magic one secretly possessed by Gregg Taylor and the Decoder Ring crew. There’s really no other way to explain how bloody wonderful this show really is.

Plotlines from Season 3 still obviously follow the ‘heroes fight injustice’ thread, but other than that the storytelling is extremely varied. In one show the story is told very heroes-light, with the twin leads barely showing up, in another it’ll be very hero-heavy with barely another actor on the stage. One show will showcase a new villain up to old tricks, another will offer an old villain up to very new tricks. Injustices too run the gamut: from arson, to bootlegging, to racketeering, to pickpocketing, to mysterious and seemingly profitless industrial accidents. Heck, there was even a Christmas show performed entirely in rhymed verse (“Tis The Season!”). Other favorite episodes from Season 3 included the locked room style “A Midwinter’s Murder,” the series of three short adventures chronicled in “Now, The News,”. Scenes too standout, there was a certain scene on Sunnyside beach in “The Rat Lord.” that is utterly classic. And finally, there is the shocking (and I do mean shocking!) season ender – “The Field Trip.”

Voice talent abounds in the Decoder Ring troupe, there’s hardly a performance that isn’t spot on. Although, I should say, there was one actor, who obviously wasn’t very experienced, as he was playing a kid, and obviously was a real kid! But this is an aberration, normally, the child characters are played by female adult actors (as is done on The Simpsons). My favorite returning villain for Season 3 was the Mad Monkey (voiced by Christopher Mott). But this time he’s returned with his own assistant, but just like RP, he can’t seem to wrap his mind around an aggressive female sidekick. New characters like The Red Squirrel (played by Denise Anderson) also charm – I do hope to hear more of her! One thing I’d been missing from the show by listening to the podiobooks collections in the past, was the wonderful commercials. Every episode in the regular Decoder Ring feed has some sort of commercial endorsement. This could be from a website or a company, but often they are just the cutest little skits paid for by family members wishing each other a ‘happy birthday’, or ‘happy anniversary.’ How cool is that?

In the final episode of Season 3, old villains like Professor Von Schlitz are aligning themselves with new enemies like the Third Reich (!) but that isn’t the half of it. See, on the personal front, the blossoming romance between Panda and Squirrel is brought to the fore in the last epsiode. I imagine every longtime listener to the show who’s heard it is just freaked-out to the max about the final scene. Will where the show has now gone ultimately bring the end of the show? We’ll have to wait about two more months to find out.

Happy Canada Day everybody, go celebrate with some RED PANDA!

Posted by Jesse Willis

Review of Enna Burning by Shannon Hale

Scott D.

SFFaudio Review

Fantasy Audiobook - Enna Burning Shannon HaleEnna Burning
By Shannon Hale; Read by Cynthia Bishop and the Full Cast Family
8 CDs – 8.5 Hours [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2007
ISBN: 9781934180198
Themes: / Fantasy / YA / Magic / Fairy Tale /

First, I have to say that I LOVE Full Cast Audio. They always do family-friendly books and they are always unabridged. They do an excellent job.

Enna Burning is the sequel to Goose Girl, Shannon Hale’s novelization of the classic fairy tale (also on audiobook by Full Cast Audio). However, you do not need to read/listen to Goose Girl to enjoy Enna Burning”. Hale does an excellent job of giving just enough background to ensure that the reader knows what is going on.

The story is well paced and full of action. The cast of actors does a great job of keeping the feel of the book and keeping the listener’s attention.

Izzy, the “goose girl”, is now princess and her friend, Enna, has gone home to the forest to take care of her dying mother. Enna’s mother dies before the book starts, but she is still in the forest, taking care of her older brother, Leifer. Leifer finds a long-hidden piece of vellum that teaches him to magically work fire. He struggles to control this power as it slowly consumes him. Finally, he uses his power to save their country of Bayern from the invading country to the South, but the fire destroys him.

Enna’s curiosity gets the better of her, and she, too, reads the vellum, telling herself she won’t ever follow the path her brother chose. But her need to help Izzy and save Bayern from being destroyed soon cause her to take a path not of her choosing.

The story is well paced and entertaining. It is written for the Middle Grade/Young Adult market, but is a great story for all ages. I highly recommend both the book and the audiobook.

Posted by Charlene C. Harmon

Review of Fool Moon by Jim Butcher

Scott D.

SFFaudio Review

Fantasy Audiobook - Fool Moon by Jim ButcherFool Moon: Book Two of the Dresden Files
By Jim Butcher; Read by James Marsters
1 MP3 Disc or 8 CDs – Approx. 10.5 Hours [UNABRIDGED]
Publisher: Buzzy Multimedia
Published: 2003
ISBN: 9780965725583
Themes: / Fantasy / Mystery / Magic / Private Detective / Wizard / Noir /

The fantastically grey world of Wizard Harry Dresden is back in this, the second book of the series. Harry Dresden is still a private investigator who has special supernatural powers that people who believe in him would call being a Wizard. Those who do not believe in such things might call him a fake. This coupled with the fact that Dresden still has the ability to get himself in to the deepest and darkest of trouble makes for a equally fun and entertaining read.

Fool Moon takes place less than a year after the climax of Storm Front (Dresden, Book 1). As the title suggests, Fool Moon spends much of its time dealing with supernatural creatures of the night known to us as Werewolves. And as it turns out there is a lot I did not know about werewolves. There are many different ways to become one and there are many different versions of them as well. So, even if you are not an expert in werewolves, don’t worry, because neither is our hero, Mr. Dresden.

For two months, when the moon is full, certain people have been dying horribly gruesome deaths and Dresden finally gets a call from his friend and main source of income, Detective Murphy. She’s the head of the city’s special investigations and leans on Harry whenever the mystery has a twinge of the unexplainable. When Dresden gets the call from her, he jumps at the chance to pay the bills and put some food on the table. The moon is full for four nights and that’s all the time they have to solve the murders. As they start to connect the pieces to the puzzle, they both begin to realize that they are not prepared for what is about to happen.

The details and story are dark and horrifying. Dresden is the consummate intuitive detective, acting on things that he isn’t quite sure about, but just has a solid hunch or gut feeling. His sage-like wisdom often leads him in the right direction, but also leaves him asking the question, “Now what?” These intuitions are what I like best about Harry. His wizardry is more than just using magic. It’s more like an innate ability to look at any given situation from a different perspective.

It always gets him in to trouble, not because he is wrong, but because he is right about so many things. You might find yourself pitying the poor wizard as he follows his nose and heart in to trouble. He gets beaten to a pulp more than once and I was wondering how much more could he take? Trust me, Harry Dresden gets pushed to the physical and mental limits in this story and the depths he visits, both magically and psychologically, are sure to get your heart pumping. The thought “don’t go there” crept in to my mind more than once. The Harry Dresden “hat tricks” will put a smile on your face and keep you asking for more.

I like the way Dresden is written, always telling the tale in a first person. It sucks you in to Dresden’s brain. It’s from his perspective, which isn’t always correct. But, you’re in it with him. Dresden often makes decisions based on his point of view or the facts that he has at the time, like we all do and some times. It’s just not every day that we are all making life or death decisions on how to best defeat a violent, man eating beast, like Harry does in this book.

The first person narrative is perfect for the audio book outlet. In fact, it’s almost as if these words were meant to be spoken out loud. The text is not too proper and not too relaxed either. Just right. The book is narrated stunningly well, once again by James Marsters, AKA Spike of Joss Whedon’s Buffy the Vampire Slayer and Angel. He’s able to capture the essence of the character, moment by moment. He immortalizes the wit, sarcasm, and underdogedness of Dresden in a single paragraph, all while sounding incredibly relaxed. It’s just another telling of a story straight from the guy it happened to.

Fool Moon is not unlike the previous production of Storm Front. In some places the audio production is flawed. There are periodical flubs by the reader, things that could be easily edited out of the soundtrack to bring the quality of the production in to the same level as the writing and performing. You can also hear the faint sounds of page turns and other pesky undesirables that only pull you out of the story that Jim Butcher and James Marsters are working so hard to keep you sucked in to. I have spoken about this before and will resist the urge to go on another tirade about the virtues of audible storytelling and the need for quality to assure the listener’s total absorption in to the world that they are listening to. So, I will only say that it is a little upsetting, because these are simple problems that even podcasters, such as J.C Hutchins and Scott Sigler, with their homegrown recordings have figured out how to avoid. Why not the professionals at Buzzy?

But, all criticism aside, if you are a fan of audio books and a fan of Harry Dresden, the flaws and inconsistencies in this production of Jim Butcher’s wonderful concoction Fool Moon are few and far between. The world he has created grows richer and deeper with every word. The story starts strong on page one and continues on full force until the end. That’s said of Harry Dresden, as well. He is growing as a person and a wizard and I am looking forward to listening to the next installment of the Dresden books. And with eight more of them published, including the newly released Small Favor, I am sure to have many, many more hours of Dresden to spark my imagination and to keep me wishing I had some of those tricks up my sleeve.

Posted by Michael Bekemeyer of the Scatterpod podcast.

Review of Melting Stones by Tamora Pierce

Scott D.

SFFaudio Review

Melting Stones by Tamora PierceMelting Stones
By Tamora Pierce; Read by Grace Kelly and the Full Cast Audio family
8 CDs – 8.5 hours – [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2007
ISBN: 9481394180051
Themes: / Fantasy / Young Adult / Magic / Earth / Volcano /

I’m always excited when a new audiobook from Full Cast Audio comes across my desk, but this one was special, because the book doesn’t even exist in print at this time. Nope – this is an audio exclusive, folks! Tamora Pierce wrote this book with the Full Cast Audio family in mind, and it’s a wonderful audiobook.

The book’s main character is Evvy (a short form for Evumeimei), a young girl who is a stone mage. The book begins with her traveling on a boat, which is a difficult thing for a stone mage, because the separation between her and the rocky ground where here magic is effective is too great. She is accompanied Luvo, a heart of a mountain, who has very powerful magic, and a water mage named Dedicate Myrrhtide. The group ends up on an island called Starns Island after being drawn there by earth movement felt when the water was shallow enough. From there the adventure really kicks in, as the small band of mages try to calm the moving earth.

The audiobook is done in the distinctive Full Cast Audio style – it’s unabridged, but read by a full cast. I fear sounding like a parrot, but every review I write of a Full Cast Audio audiobook needs to convey the absolute quality of the audio experience that you get with one of these books. Full Cast Audio consistently enhances the text they are performing. Their audiobooks are unique, and a joy to hear.

Melting Stones is no exception. Grace Kelly performs Evvy, and therefore has the main narrating duties, since the book is told from Evvy’s point of view. Tamora Pierce gave Grace much to work with, and work with it she does. She offers a captivating and believable performance as the plucky young stone mage. Surrounding her is a large cast that, without exception, performs well. Seamless editing makes it all work together, giving us another excellent piece of work from Full Cast Audio.

Posted by Scott D. Danielson

Commentary: The Metamor City Podcast

Jesse Willis

SFFaudio Commentary

Metamor City Podcast[Editor’s Note: In this commentary one of SFFaudio’s highly valued behind the scenes contributors, Nick Gassman, talks on the record about a recent podcast fiction series he’s been enjoying.]

Imagine a world where magic has developed alongside technology. A world where the fabric of a city is maintained not only by gravity and physics, but also by magic. That’s the world that Metamor City is situated in.

It’s also a city where the police chief is a wolverine, the chief medical examiner is a vampire (her ‘special’ attributes make her outstanding at her job), and where the normal people are called ‘mundies’, for ‘mundanes’, having no special skills or attributes. Mundies, and a potentially unlimited range of mythical and fantastic creatures live cheek by fang together, and in general manage to get along OK. But where there’s tension and conflict, usually between races (if that’s the right word), then that’s where the interest lies for the fiction.

It’s a city full of potential for the exploration of many themes, and one which the author, Chris Lester, exploits to great advantage. The Metamor City podcast is a thorough, in depth look at the characters and events of this fantastic metropolis. Lester’s style isn’t about fast moving action. The mix of short and long stories take their time to explain, explore, dissect, discover. The motivations of characters are important here, and there will be dwelling on detail if Lester feels it necessary to create a believable world – which it is.

The focus of the stories is the city itself, and all the rich variety that it contains, rather than a particular character. Stories are told from different perspectives, and characters could be major, minor, or absent from one story to the next.

The first few podcasts are narrated (well) by individuals, and then change to a cast who speak for each character, whilst Lester retains his role as the linking narrator. The quality is superb, with the ‘acting’ only a whisker away from full professional, and with nothing left to be desired from the production, and integration of music and sound effects. These sounds always add to the dramatic effect, unlike many podcasts (and, indeed, professional productions), where they can be intrusive, typically due to excessive volume or inappropriate material (cue very lengthy sound effect of footsteps).

If you want fast paced action, this isn’t for you. But if, like me, you hunger for great storytelling, great production, and a setting full of potential, then you’ll want to put this podcast high on your list of priorities.

Subscribe to the podcast via this feed:

http://feeds.feedburner.com/metamorcity

Posted by Nick Gassman