CBC Q: Interview with Margaret Atwood

SFFaudio Online Audio

CBC Radio One - Q: The PodcastHost Jian Ghomeshi of CBC Radio One’s Q has an astounding new interview with Margaret Atwood. Atwood’s latest book, In Other Worlds: SF And The Human Imagination, can be found in the “Literary Criticism” section of your local paperbook store.

Gomeshi talked to Atwood about the realistic novel, comics, Weird Tales and the “sluttish” reputation of SF.

In Other Worlds by Margaret Atwood

One point in the interview left me confused and asking questions. Atwood claimed that “Conan the Barbarian is the literary descendant of Walt Whitman … and Henry James”.

I am floored.

What the fuck is she talking about?

Seriously, did she misspeak?

Did she mean to say that Robert E. Howard himself was their literary descendant?

Surely she didn’t mean the the character. Either way I don’t get it.

Or maybe she meant the stories themselves were somehow in the tradition of Walt Whitman and Henry James??? How could that be?

No matter how I look at it I don’t see how either Walt Whitman or Henry James ties into Howard. It just doesn’t make any kind of sense to me.

Does anybody know what the hell Atwood meant by that?

Seriously, I do not get it.

Will I have to buy her book to understand this thesis?

Have a listen |MP3|.

Podcast feed: http://www.cbc.ca/podcasting/includes/qpodcast.xml

Posted by Jesse Willis

P.S. CBC, please release Apocalypse Al. You can call it “scientific romance” or something else, just release it.

Telling Atwood’s Tale

SFFaudio Commentary

Offered here, with small commentary, is a complete listing of the audio editions and adaptations of Margaret Atwood’s novel The Handmaid’s Tale. A note from the Wikipedia entry:

“The [paperbook version of the] novel concludes with a metafictional epilogue that explains that the events of the novel occurred shortly after the beginning of what is called ‘the Gilead Period.’ The epilogue itself is a ‘transcription of a Symposium on Gileadean Studies written some time in the distant future (2195),’ and according to the symposium’s ‘keynote speaker’ Professor Pieixoto, he and ‘a colleague’, Professor Knotly Wade, discovered Offred’s narrative recorded onto thirty cassette tapes. They created a ‘probable order’ for these tapes and transcribed them, calling them collectively ‘the handmaid’s tale’.”

Enotes.com offers a critical analysis of Offred’s experiences in the Republic of Gilead; There, you’ll find an assertion that the novel’s title title – arguing that it’s – a “sexist pun on the word tale/tail” playing off the association with Geoffrey Chaucer’s The Canterbury Tales and the role that handmaids are forced to play in Gileadean society.

BBC Radio:

BBC RADIO COLLECTION - The Handmaid's Tale [RADIO DRAMA]The Handmaid’s Tale
3 Broadcasts (2 Cassettes) – Approx. 3 Hours [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: 2000
ISBN: 0563553561
Recorded on location in and around New York.

BBC World ServiceOff The Shelf – The Handmaid’s Tale
By Margaret Atwood; Read by Jocelyn Cunningham
fifiteen 15 Minute Episodes – Approx. 3 Hours 45 Minutes [ABRIDGED]
Broadcaster: BBC World Service / Off The Shelf
Broadcast: May-June 1993


BBC Radio 4Book At Bedtime? – The Handmaid’s Tale
By Margaret Atwood; Read by Buffy Davis
10x 30mins or 10x 15mins [ABRIDGED?]
Broadcaster: BBC Radio 4 / BBC Radio 7?
Broadcast: 1995 / December 2007?


BBC Radio 3English National Opera – The Handmaid’s Tale*
Based on the novel by Margaret Atwood;
1 Broadcast – Approx. 2 Hours 45 Minutes [OPERA]
Broadcaster: BBC Radio 3
Broadcast: 2003
*Performed for the first time in Copenhagen in 2000.

CBC Radio:

BTC AUDIO - The Handmaids Tale - CBC RADIO DRAMAThe Handmaid’s Tale
Based on the novel by Margaret Atwood; Adpated by Michael O’Brien; Performed by a full cast
2 Broadcasts, 2 CDs – Approx. 1 Hour 43 Minutes [RADIO DRAMA]
Broadcaster: CBC Radio / Sunday Showcase
Broadcast: August 11 and 18, 2002
Publisher: BTC Audiobooks
Published: 2004
ISBN: 0864923414
Cast:
Janey Amos … Cora
Greg Bryk … Guardian
Alex Bulmer … Ofglen #2, Woman being chased
Emma Campbell … Offred
Kim Campbell … Aunt Elizabeth
Richard Clarkin … Nick
John Cleland … Guardian, TV announcer
William B. Davis … The Commander
Shirley Douglas … Aunt Lydia
Michelle Fisk … Rita
Catherine Fitch … Oflgen #1
Donna Goodhand … Serena Joy
Juliana Hayden-Nygren … Daughter
William Johnston … Guide, Guardian, TV announcer
Kim Kuhteubl … Ofjohn, Woman
Richard Lee … Cashier, Tourist, Man who dies, Guardian
Hardee T. Lineham … Doctor
Juno Mills-Cockell … Ofwarren
Rahnuma Pathaky … Woman in gym, Woman, Woman in washroom
Andrew Tarbet … Luke, Guardian
Kristen Thomson … Moira
Diana Tso … Tourist, Woman, Woman greeting
Terry Tweed … Mother

Dramatized by Michael O’Brien
Directed and produced by Ann Jansen
Recording Engineer Joe Mahoney
sound Effects by Wayne Richards and Matthew Wilcott
Mastered by Lloyd Hanson
Introduction by Robbie O’Neill
Original music by Michael White

Audiobooks:

CHIVERS AUDIO - The Handmaid's Tale by Margaret AtwoodThe Handmaid’s Tale
By Margaret Atwood; Read by Joanna David
8 Cassettes – Approx. 10 Hours 15 Minutes Hours [UNABRIDGED]
Publisher: Chivers Audio
Published: 1985
ISBN: 0745168086
Near the end of the 20th century, birth control and the effects of nuclear fallout have caused fewer births, so the Biblical story of Rachel is invoked to handle the declining birth rate.

DURKIN HAYES - The Handmaid's Tale by Margaret AtwoodThe Handmaids Tale
By Margaret Atwood; Read by Julie Christie
2 Cassettes – Approx. 3 Hours [ABRIDGED]
Publisher: Listen For Pleasure / Durkin Hayes Audio / dhAudio
Published: 1987 / 1988
ISBN: 0886462142
“A dystopian novel of a world ruled by militaristic fundamentalism in which sexual pleasure is forbidden.”

RECORDED BOOKS - The Handmaids Tale by Margaret AtwoodThe Handmaid’s Tale
By Margaret Atwood; Read by Betty Harris
8 Cassetes or 10 CDs – Approx. 11 Hours [UNABRIDGED]
Publisher: Recorded Books
Published: 9781556902161 (cassette), 9781436179850 (cd)
ISBN: 2002
This novel has been described as “a women’s 1984.” As with Orwell’s futuristic thriller, The Handmaid’s Tale is well-written, politically astute, and contains enough reality mixed in with the fantastic to compel and horrify. Although the novel has a feminist perspective, it addresses the universal issues of individual autonomy and freedom.

Posted by Jesse Willis

CBC Book Club: Vintage 1985 Margaret Atwood talking about The Handmaid’s Tale

SFFaudio Online Audio

CBC Book Club Audio PodcastI was griping about Margaret Atwood recently, thinking, griping, thinking, then I spotted this vintage Margaret Atwood interview (she’s talking about The Handmaid’s Tale) in the CBC Book Club podcast:

“Celebrating books made into films, takes us to Margaret Atwood’s 1985 interview with Peter Gzowski on CBC’s Morningside about her book, The Handmaid’s Tale. It has since been adapted into film, stage, radio and an opera. Talk about multi-tasking!”

I figured, maybe it is just the modern 2010 Margaret Atwood whose utterances so utterly discommode my corpus collosum. Maybe the Margaret Atwood from 25 years ago wasn’t so bloody annoying?

Nope.

And while it is an interesting discussion, I must take umbrage with the Gzowski/Atwood contention that 1984, Brave New World and A Clockwork Orange are not Science Fiction. Damn you Atwood in all your ages!

|MP3|

Posted by Jesse Willis

P.S. You know who isn’t annoying? J. Michael Straczynski.

Radio Drama Revival: BBC Radio 4’s The Handmaid’s Tale

SFFaudio Online Audio

Radio Drama RevivalThough Margaret Atwood denies it, along with denying that humans landed on the Moon, I genuinely and truly believe she has written an excellent Science Fiction novel. In fact, BBC Radio 4’s production of that very Science Fiction novel, The Handmaid’s Tale, is truly excellent Science Fiction drama too! That’s why I’m so excited to pass along this post from Radio Drama Revival‘s Fred Greenhalgh:

Oh, dear listeners, today we have a treat for you! It’s a story commissioned by the the gold standard in audio drama – the BBC!

The show is producer John Dryden’s inspired adaptation of The Handmaid’s Tale, by Margaret Atwood. The story tells of a dismal future where the lines between church and state are no longer distinguishable, and the nature of femininity has been revised to fit a more religious bent.

Free young women are conscripted to become “handmaid’s” – women used as stand-ins for infertile wives in a world where sterility seems rampant… And this is the story of one of those Handmaids.

Part 1 is available now, parts 2 and 3 will appear in future podcasts…

Part 1 of 3 |MP3|

A full-cast dramatization based on one of the 20th century’s most outstanding novels about the future. When religious extremists take over the US government, they create the Republic of Gilead where women are prohibited from owning property and all money is transferred to male relations.

Podcast feed:

http://feeds2.feedburner.com/FinalRune

Also recommended, for those interested, there is a very different CBC Radio adaptation of The Handmaid’s Tale (as dramatized by Michael O’Brien). It aired in 2002 and was later released on CD by BTC Audiobooks.

Posted by Jesse Willis

The Incomparable Podcast

SFFaudio Online Audio

The IncomparableHere is the first episode |MP3| of The Incomparable Podcast. It appears to be all about SFF books! Huzzah! Here’s the description:

Climb in your Zeppelin, grab a self-burning book, and prepare for the first Incomparable Podcast, in which we discuss “The City and The City,” “The Windup Girl,” “For The Win,” and more. Plus we mispronounce the names of writers.

The Incomparable Participants: Glenn Fleishman, Scott McNulty, Dan Moren, and Jason Snell. The Incomparable Theme Song composed by Christopher Breen.

Prominently mentioned in this Incomparable episode:

* “The City & The City” by China Miéville
* “The Windup Girl” by Paolo Bacigalupi
* “For the Win” by Cory Doctorow

Also mentioned:

* “Perdido Street Station” by China Miéville
* “Little Brother” by Cory Doctorow
* “Down And Out In The Magic Kingdom” by Cory Doctorow
* “Boneshaker” by Cherie Priest
* “The Gone-Away World” by Nick Harkaway
* “Ship Breaker” by Paolo Bacigalupi
* “Tongues Of Serpents” by Naomi Novik
* “The Dream Of Perpetual Motion” by Dexter Palmer
* “A Storm Of Swords” by George R.R. Martin
* “Oryx And Crake” by Margaret Atwood
* “The Yiddish Policeman’s Union” by Michael Chabon
* “Bitter Seeds” by Ian Tregillis
* “The Adamantine Palace” by Stephen Deas
* “Shades Of Grey” by Jasper Fforde
* “Fables” by Bill Willingham and Lan Medina

Podcast feed:

http://feeds.feedburner.com/incomparablepodcast

[via Jeremy Keith of Huffduffer.com]

Posted by Jesse Willis

The SFFaudio Podcast #050 – READALONG: The Turn Of The Screw by Henry James

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #050 – Jesse and Scott discuss The Turn Of The Screw by Henry James.

Talked about on today’s show:
An excerpt from the lecture: Masterpieces Of The Imaginative Mind (Lecture 6: H.G. Wells: We Are All Talking Animals) by Professor Eric S. Rabkin, James thought novels ‘must explore an individual’s psychology’ but H.G. Wells asserted novels ‘must explore the great social forces that shape all of us.’, The Teaching Company, The Turn Of The Screw by Henry James, Blackstone Audio’s version, PaperbackSwap.com, The Invisible Man by H.G. Wells, The Science Fiction Book Review Podcast show on The Invisible Man and More Invisible Men, LibriVox.org, LibriVox’s FREE version of The Turn Of The Screw, Stephanie Beacham, War Of The Worlds, The Time Machine, Donald E. Westlake, John Irving, James Lee Burke, Pat Conroy, literary fiction, ambiguity, deliberate ambiguity, the framing sequence, Heart Of Darkness by Joseph Conrad, outlining the plot, country estates, England, governesses, orphans, corruption and contamination, ghosts, Christmas, Why is it called The Turn Of The Screw?, Is this a double ghost story?, if the governess is crazy doesn’t that make the story pointless? sexism, solitary decisions may not be wise, what happens to Miles? The Innocents (1961), sexuality, James called The Turn Of The Screw “a shameless potboiler”, adaptations and interpretations, The Turn Of The Screw (2009), The Others (2001), Marlon Brando’s prequel The Nightcomers (1971), Thomas Kuhn, incommensurable literary paradigms?, Margaret Atwood, literary Science Fiction, The Road by Cormac McCarthy, The Handmaid’s Tale, governess stories, tutors, teachers, surrogate parents, William Makepeace Thackeray‘s Vanity Fair, Johdi May, The Turn Of The Screw (1999), is the governess an unreliable narrator?, The Adventure Of The Copper Beeches by Sir Arthur Conan Doyle, Sherlock Holmes, Mystery and Science Fiction are very closely aligned, tales of ratiocination, Edgar Allan Poe, The Turn Of The Screw in comics, Pocket Classics, Oscar Wilde, The Importance Of Being Earnest, Jesse’s Pick Of The Week: The Innocents, Blackadder II, Scott’s Pick Of The Week: The Legend Of Sleepy Hollow as read by Martin Jarvis, RadioArchive.cc, The Turn Of The Screw BBC radio drama, Saturday Night Theatre.

The opening of The Turn Of The Screw by Henry James – Pocket Classics edition (ISBN: 0883017393):

Pocket Classics - The Turn Of The Screw by Henry James (ISBN: 0883017598)
The Turn Of The Screw - illustration by Lynd Ward
The Turn Of The Screw - illustration by Lynd Ward
DELL - The Turn Of The Screw by Henry James

Posted by Jesse Willis