Aural Noir review of Killing Floor by Lee Child

Aural Noir: Review

BRILLIANCE AUDIO - Killing Floor by Lee ChildKilling Floor
By Lee Child; Read by Dick Hill
12 CDs – Approx. 14 Hours 48 Minutes [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2004
ISBN: 9781423339854 (cd)
Themes: / Thriller / Murder / Mystery / Detective / Georgia / Conspiracy / Counterfeiting / Music /

All is not well in Margrave, Georgia. The sleepy, forgotten town hasn’t seen a crime in decades, but within the span of three days it witnesses events that leave everyone stunned. An unidentified man is found beaten and shot to death on a lonely country road. The police chief and his wife are butchered on a quiet Sunday morning. Then a bank executive disappears from his home, leaving his keys on the table and his wife frozen with fear. The easiest suspect is Jack Reacher – an outsider, a man just passing through. But Reacher is not just any drifter. He is a tough ex-military policeman, trained to think fast and act faster. He has lived with and hunted the worst: the hard men of the American military gone bad.

I’d heard about Lee Child for a while before I started reading his books. For a time there there was some confusion in my mind about who he was and what he wrote. I heard vague talk down the isles of bookstores. “Got any Child?” They’d say. “Lincoln?” They’d whisper. Or was it “Lee?” Then I’d hear about some character called “Repairman Jack” – or was it “Jack Reacher?” So with the confusion in the hearing it took a while longer than usual for the facts about who wrote what to float up from my unconscious to the part of my brain that thinks: “interesting.” The last time I heard about Lee Child was in Jolly Olde Books in Port Moody. That’s a used bookstore I frequent. The guy who runs the place reads Lee Child, and a couple of other booksellers I see in their from time to time were reading him too. They got to talking about how addictive the series was and that was the final clincher. When you run a used bookstore you really have your pick of books. They were reading Lee Child, so I thought I’d better get on the case too. Luckily Brilliance Audio has released most of this series, with at least one other done by Random House Audio.

But, even having the audiobook in hand, I had a hard time getting interested in listening to it. It sure doesn’t help to have such a generic title. And just look at it, the cover art is boooring. Apparently this is a very popular series, a bestselling series. That explains both the generic cover and the generic title. Killing Floor, the name sounds like just about every other techno-thriller/courtroom thriller/forensics thriller you’ll find in the supermarket paperback book rack; and that cover art only tells you vaguely about the genre – nothing about the story. The story starts out promisingly enough though. The story is told in first person, past tense (my preferred person and tense) by the protagonist, Jack Reacher. He tells us what is happening without much embroidery. When Reacher is arrested for murder, within the first few seconds of the novel, I was intrigued. It seemed like some sort of variation on David Morrell‘s First Blood: A stranger walks into small town USA and is arrested by corrupt cops. Fun. When the facts of Reacher’s backstory eventually drip out I still found myself fairly interested. Child’s explanation as to why Reacher is such a bad-ass actually makes pretty good sense too. What kind of police deal with the world’s most dangerous criminals? Child’s answer is: Military Police. The criminals the US Army deals with have been trained with every conceivable deadly art: firearms, hand to hand combat, artillery, grenades, demolitions – the many different ways of killing. A military policeman (MP) has to be trained better with these weapons than the criminals he confronts. And so an MP has to deal with the army’s best trained criminals: Green Berets, Rangers, Delta Force. Jack Reacher, we eventually find out retired from the army as a Major, having run his own criminal investigation unit (homicide investigation). A bit convienient but not too implausible. The mystery itself seems fairly interesting and Child wants to play fair. But there is one giant co-incidence that badly mars the narrative. It’s fairly well lampshaded by Reacher, but even in doing that I wasn’t wholly willing to forgive Child.

This novel has plenty of good characters and characterization. I can also see the seeds of themes that will probably reappearing in later books in the series. Like many novels of the last 25 years that I complain about Killing Floor is overly-long for the material it contains. The action sequences in the later chapters of the book are solid, but there were too many for the machinations of the plot. After listening all the way through I’d say this a solid novel with fairly good storytelling. I can see exactly what Lee Child is doing and am not particularly impressed. He’s gonna make a lot of money, but I can’t imagine anyone would ever bother to re-read one of these books. More likely they’ll just pick up another in the series and get more of the same kind of thing, just a bit different. It’s a slightly less obvious Mack Bolan story, a romance novel for men. So this is several steps removed from anything like spectacular.

Narrator Dick Hill has been a major audiobook narrator for longer than I’ve been an audiobook listener (that’s a long time). In Killing Floor he personifies Jack Reacher with a conspiratorial first person voice. When playing the other major players, criminals, love interests and fellow investigators he switches tone just enough to make it clear who’s speaking. I hope he reads more books in this series as if he does, and I get up enough interested to read another, I’d like him to narrate it.

Posted by Jesse Willis

The Ballad of Wilson Cole

SFFaudio Online Audio

Sci Fi SongsMike Resnick’s Starship series is about to wrap up with the final volume Starship: Flagship. I’ve said it before, I’ll say it again:

Mike Resnick knows how to make compelling characters and emotionally resonant scenes, the Starship series is really terrific!

I’m not the only one who thinks this. Witness musician John Anealio’s testimony:

The Ballad of Wilson Cole, |MP3| a song about the series and it’s lead hero Wilson Cole…

Sez Anealio:

Here’s an acoustic version of my song: “The Ballad of Wilson Cole“. The song was inspired by Mike Resnick’s “Starship” series of books. The sheet music and lyrics for “The Ballad of Wilson Cole” appear in the appendix of Resnick’s “Starship:Flagship“. The song features five verses; one for each book in the series. Click here to read more about it.

The Ballad of Wilson Cole
by John Anealio

Verse 1
In the time of the Galactic Era
In the year of 1966
Commander Cole had to wrestle control
from the Polonoi running the ship
and despite his four medals of courage
they court marshaled him anyway
the men of his crew came to his rescue
and embarked on their own deep in space

Refrain
Yes they say Wilson Cole was a hero
and the captain of the Teddy R.
He kept up the fight and he did what was right
as he led his fleet through the stars

Verse 2
Then it came to 1967
after the ship’s mutiny
they made a deal with David Copperfield
and they allied with the Valkyrie
And he didn’t make much of a pirate
Wilson was an honest man
he went and retrieved a Tale of Two Cities
and decided that he’d change his plan

Refrain

Verse 3
Then they became mercenaries
the year was 1968
Their destination was Singapore Station
so they met at the Platinum Duke’s Place
Then they met the Teroni Jacovic
who became the ship’s Third Officer
Cole marshaled One Thousand Ships against a lunatic
Csonti retreated then went berserk

Refrain

Verse 4
The Navy murdered First Officer Forrice
at a brothel on Braccio II
Cole went and avenged the death of his best friend
killing the Endless Night and its crew
Then the Navy laid waste to the planet
and Wilson searched for volunteers
He gathered a fleet that would never retreat
as it defended the Inner Frontier

Refrain

Verse 5
And then in 1970
Cole infiltrated Deluros VIII
He aimed his gun at the Admiral just as the sky filled
with enemies set to invade
Wilson Cole led the Theodore Roosevelt
and the ships of the Republican Fleet
The enemy was defeated and the Secretary ceded
Cole’s mission was finally complete

[via SFSignal.com]

Posted by Jesse Willis

Diabolic Plots: The Best Of Pseudopod

SFFaudio Online Audio

Diabolical PlotsThe Diabolical Plots blog has a post called “The Best of Pseudopod” here’s a snippet:

“Since July I’ve been plumbing the depths of Pseudopod’s backlog and now I’m sad to say I’ve listened to everything they’ve offered to date. Now I only get one new Pseudopod a week like the rest of the world (released every Friday). But now that I’ve listened to all of Pseudopod’s offerings, I feel qualified to make a list of the Best of Pseudopod, my top ten favorite stories that have been posted to the site (and a few that ALMOST made the list).”

And here are the top 10 picks:

1.
PseudopodDeep Red
By Floris M. Kleijne; Read by Ben Phillips
1 |MP3| – Approx. 20 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: November 21st, 2008


2.
PseudopodSuicide Notes By An Alien Mind
By Ferrett Steinmetz; Read by Phil Rossi
1 |MP3| – Approx. 34 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: October 2nd, 2009


3.
PseudopodStockholm Syndrome
By David Tallerman; Read by Cheyenne Wright
1 |MP3| – Approx. 21 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: June 29th, 2007


4.
PseudopodCome To My Arms, My Beamish Boy
By Douglas F. Warrick; Read by Phil Rossi
1 |MP3| – Approx. 32 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: April 17th, 2009


5.
PseudopodThe Button Bin
By Mike Allen; Read by Wilson Fowlie
1 |MP3| – Approx. 42 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: June 12th, 2009


6.
PseudopodLast Respects
By Dave Thompson; Read by Scott Sigler
1 |MP3| – Approx. 27 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: March 30th, 2007


7.
PseudopodHometown Horrible
By Matthew Bey; Read by Elie Hirschman
1 |MP3| – Approx. 25 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: July 24th, 2009


8.
PseudopodStepfathers
By Grady Hendrix; Read by Nerraux
1 |MP3| – Approx. 8 Minutes – [UNABRIDGED]
Podcaster: Pseudopod
Podcast: June 20th, 2009


9.
PseudopodThe Music of Erich Zann
By H.P. Lovecraft; Read by B.J. Harrison
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: July 25th, 2008


10.
PseudopodGarbage Day
By Russell L. Burt; Read by Elie Hirschman
1 |MP3| – Approx. 3 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: January 1st, 2008

[via SFSignal]

Posted by Jesse Willis

BBC Radio 4: Tarantino’s Jukebox

Aural Noir: Online Audio

BBC Radio 4BBC Radio 4 produces so many wonderful fiction programs. Every once in a while I get my paws on a BBC R4 documentary program that is just as good, and just as interesting as those readings and plays. I’m not much for music, but I love the music in Quentin Tarantino’s movies.

Here’s the perfect doc on that subject…

Tarantino's JukeboxTarantino’s Jukebox
2 Parts – Approx. 56 Minutes [DOCUMENTARY]
Broadcaster: BBC Radio 4
Broadcast: July 11th and 18th 2009
“Composer and film music historian Robert Ziegler talks to American film-maker Quentin Tarantino about the music he has used to soundtrack his films. Music plays a key role in Tarantino’s films, including Reservoir Dogs, Pulp Fiction and Jackie Brown, and he reveals to Robert his musical influences and the way in which he plunders his own backstory, remembering the tracks of his youth and making references to – and featuring music from – cult films and television. Recorded on location in Tarantino’s favourite virtual Los Angeles diner, the programme also provides an insight into the way music can infuse a film, and the way a film can bring music back to life from the dusty vaults. The programme also features contributions from Mary Wilson of the Supremes, Dusty Springfield’s manager Vicki Wickham, film producer Laurence Bender, music and film critic Paul Gambaccini, film editor Sally Menke and music supervisors Mary Ramos and Karyn Rachtman”.

When you click through you may notice that BBC only has the second half of the two part doc still available in their iPlayer. But, that’s okay because you can get this terrific two part doc in an MP3 format via torrent from radioarchive.cc (just like I did).

Posted by Jesse Willis

Selected Radiophonic Works

SFFaudio Online Audio

BBC Radio 7 - BBC7 Selected Radiophonic Works
BBC Radiophonic Workshop
Saturday, Dec. 20
8pm & 3am GMT

A selection of programmes showcasing the work of the Radiophonic Workshop, which provided music and sound for many BBC (radio & TV) programmes. Includes The Dreams, The Goons and Bath Time.

Most will be familiar with the Radiophonic Workshop’s Doctor Who theme, as well as sfx work for Doctor Who and The Hitchhiker’s Guide to the Galaxy radio and television series.

Note: Selected Radiophonic Works will be available online for six days, through Dec. 26.

Posted by RC of Radio Tales of the Strange & Fantastic

Broken Sea does music: Electric Grasshopper – Soundtrack to an Alien Invasion

SFFaudio Online Audio

Electric Grasshopper - Soundtrack to an Alien InvasionElectric Grasshopper – Soundtrack to an Alien Invasion is an unusual project from the ever inventive folks at Broken Sea Audio Productions. Basically, it’s a “3 track Sci-Fi based music EP, that combines music with audio drama.” Producer Stevie K. Farnaby sez of it “I basically give the listener the seed of an idea, and they use their imagination to fill in the blanks.” The whole program can be downloaded at Broken Sea’s Electric Grasshopper subsite. Here’s the official description:

A unique and innovative form of story-telling, that combines elements of music and drama, to create an unnerving, disturbing tale of alien invasion, giant man-eating bugs, and hopelessness. Pure unadulterated atmospheric mayhem ensues…

Posted by Jesse Willis